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- Aug 9, 2022
Looks like Rami Malek.
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Looks like Rami Malek.
The reason live action remakes exist is for a few reasons:
- Nostalgia: Gets older people to "relive" their childhood and introduce it to kids of their own. It also can be an attempt at instilling nostalgia into younger people to milk them off the IP
- IP Power: Kind of overlaps with the first point, but it already has a built-in audience and if its a household name, could get people to see since newer IPs are risky
- Anti-Animation Sentiment: This is a kind of specific point but it definitely appeals to normies who dismiss animation as a children's medium and gives the appearance of this being more "adult" than the original animation.
I was watching clips from Aladdin comparing live action and animation, and I noticed how intensely limited and generic the live action feels compared to the original, but it also gets a lot wrong and the millennial writing ruins bits of character exposition. In "friend like me" A great shot for this is when the genie says "Mr Aladdin sir! What will your pleasure be?" In the original, he's shown to be this massive magical entity solely dedicated to helping Aladdin, who he already knows the name of. In the newer version for a cheap attempt at a joke Will Smith doesn't even know Aladdin's name, he just feels like Will Smith in blue.They had a continuous build up of technology and graphics getting better, so now they don’t want to watch a cartoon when they know Hollywood is capable of turning their childhood comics and cartoons real.
They used to rerelease movies from their back catalog on a regular basis, I think every ten years. Of course, this was back in the days before home video, so it was effectively the only way to see classic Disney movies for most people, barring a TV broadcast. Once home video took off, not to mention more cable channels rerunning the classics, theatrical rereleases came to an end, only to be replaced with the Disney Vault keeping home video copies artificially scarce.They're simply beautiful cartoons, made with incredible vision and attention to detail. Disney could simply have remastered them, maybe done some recordings with a new cast of voice actors and re-release it into the cinema. Make it a package for a few of the shorter ones, I think people would pay to see that, and it would be fairly cheap.
That's probably half-true depending on the film. It's a bit more insidious, because these remakes rely on the memory of the original (incorporating the well known songs into a full soundtrack), but they change things in various subtle ways or outright subvert them, usually to compensate for some perceive 'outdated' sensibility. They literally can't help it, and proximity to the original highlights that even more, because the changes become laughably predictable. What's instructive about Rachel Zeigler is she is really only stating aloud, just with rare obnoxiousness, what many of the executives in the charge of these remakes (and soft reboots in the case of their subsidiaries) do actually believe - they're 'redressing the past' or 'updating for the modern audience', and they think they're doing the world a service. The fear is these morally superior DEI heavy remakes were made to replace the classics, not just as open-ended and lucrative IPs, but as rewriting history - I'm sure you know, Disney has historical precedence in this habit.It wouldn't surprise me if they deliberately avoid rereleases in order to make their shitty remakes look good by not having an objectively better option fresh in the public's memory.
Oh no they gave her a heccin girl boss "I want" song.Trailer for Snow White is here, it looks awful. Bad CG (especially when compared to live action Snow White movies from years ago now), and she just does not bring to mind Snow White at all, with her constant grimace face and being uglier than the evil queen by miles.
Dude got cast in Game of Thrones and it IMMEDIATELY went to his head, what a fucking retard. What I would give to be the fly on the wall for when the midgets that got laid off because of him pull upNo, and you can thank Peter Dinklage and his insecurities.
We're gonna see Brittany "Stinky" Venti as a disney princess before this is all over, aren't we?No kidding. I thought it was my screen or the image was stretched. But nope, she has the face of a hammerhead shark.
It's very brave of Disney to show all sorts of deformities.
Your life is nothing. You serve zero purpose. You should kill yourself now.Chicken Little was okay.
Agreed. It's certainly not good but it isn't the outright travesty many people make it out to be either.Chicken Little was okay.
The guy who directed it is also responsible for two of my all-time favorite childhood classics, that being a cartoon about dancing cats and a llama that threw a rock at John Goodman.Agreed. It's certainly not good but it isn't the outright travesty many people make it out to be either.
Yeah, not the best, kinda mean spirited but just an "ok" movie.Chicken Little was okay.
Many cartoons in the 2000s were mean spirited. Lilo & Stitch was cruel as fuck, even though plenty of people love it to bits. I think it had a lot to do with character designs and wonky CGI, implying that it was Disney’s first full-length three-dimensional flick. The gags were hilarious though and it would have probably been received way better with the current generation’s sense of humour.Yeah, not the best, kinda mean spirited but just an "ok" movie.
Is the dancing cats one Cats Don't Dance?The guy who directed it is also responsible for two of my all-time favorite childhood classics, that being a cartoon about dancing cats and a llama that threw a rock at John Goodman.
Uh-huh.Is the dancing cats one Cats Don't Dance?
And this is why they hate how popular anime is and want to fuck it up. They chose to take themselves out of the animation market only to get surprisedpikachuface.jpg when an alternative overtook them.Anti-Animation Sentiment