African-American Appreciation Thread - Highlighting contributions from our most productive citizens

Late for the comment about the 3 blacks who got out on jail on a 200k bail, but I want to know:

Do the average black family in the US got that much money? The average family at all?
The average American family has nothing close to 200k in the bank, much less the average coon family.

Bail in America only requires you have 10% of the stated amount as long as you have the remaining 90% in assets.

Call me a faggot if I'm wrong, but i think thats the gist of it.
 
It's not a snitching issue, it's likely cultural where they don't have the same issue with it the rest of the population does.

Momma tells me I have to put up with her boyfriend Peanut coming into my room at night, because Peanut loves her and buys groceries sometimes. - An almost word for word exact quote from testimony I heard during a stint on a Grand Jury.
 
I work with elderly clients for my job. Most are white, Mexican, and Indian. The senior citizens of these races are all friendly, chill, and smart. I have about 4 black clients. I always have a headache speaking with them. My job involves money, and all of the black clients are on low income. They are extremely insecure, aggressive, and superstitious about their financial situation. They don't understand how my (very simple) industry works, and always get angry on the phone when any changes occur, because they don't want to lose their government assistance. Any increase or decrease in their income takes days of back and forth calls for them to come to terms with and understand.

Anyone who isn't in sales or doesn't have to work with black people; it sucks. You are trained to be friendly and cordial, to forego your ego and be pleasant with your clients. Blacks cut through any etiquette and chimp out, making you feel anxious when dealing with them. Having an old black guy try to bully me on the phone is annoying as hell.
 
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Boutte had to settle more than a dozen medical malpractice lawsuits — including one in which a botched cosmetic surgery left a woman with permanent brain damage — which cost millions and ultimately ended with Texas suspending her license. After her license was suspended, she changed her name and began working at Eden Med Spa in Austin, Texas, under the Davis name. She was, at one time, listed as an owner of the facility.

Reporters discovered that Catherine Davis is Windell Boutte's middle and maiden names combined. WSB-TV reporters confronted Boutte about her videos and her license. Davis reportedly laughed it off, calling the spa her "happy place" where she was "kind of like, riding it out." Since that encounter, the Eden Medical Spa website began to distance itself from Boutte. Now, she's no longer listed as an owner or listed on the website at all. Earlier this week, the spa sent an email out to its customers explaining the doctor's absence. “Catherine is having some difficulties outside of Eden and is not currently injecting at Eden," the message said.
You don't hate them enough.
 
they treat a big word like its a tub of all purpose seasoning, no matter how shit what you cooked up is, just douse it in the stuff and ittl seem classaaaaaaay
Very low-iq behavior.

Late for the comment about the 3 blacks who got out on jail on a 200k bail, but I want to know:

Do the average black family in the US got that much money? The average family at all?
No. They use bail bond services which put forward the money needed to get someone out. I assume the bond people charge a fee for their services that people can pay off over installments or something. I don't know exactly how it all works because I've never been arrested or had to bail someone out before.
 
Evola's thoughts on Jazz and its degenerative effects are perhaps the best articulation and argument against black music and younger whites falling into its trappings. From 'The Youth, the Beats, and Right-Wing Anarchists' (1968.)

"The negative aspects are brought more clearly into focus by the fact that the Beats turn jazz into a sort of religion and see it as a positive means to overcome their ‘alienation’, to grasp moments of liberating intensity. The Negro origins of jazz (which continue to serve as the basis of even the more elaborate forms of these rhythms, as in the case of swing and be-bop) are not seen as a matter of concern, but as something valuable. In another chapter, I have already mentioned, as an aspect of the spiritual ‘negrification’ of America, the fact that in a famous essay of his, Mailer assimilates the position of the Beat to that of the Negro: he speaks of the former as a ‘white Negro’, expressing appreciation for certain aspects of the irrational, ‘natural’, instinctual, and violent Negro nature. Moreover, the Beats have openly displayed a tendency towards promiscuity even on the sexual level, with White girls challenging ‘prejudices’ and conventions by giving themselves to Negroes. As for jazz, one can identify in its milieus an assimilation of certain elements that are more serious than the infatuation displayed by the foolish non-American youth mentioned at the beginning of this chapter. But this is precisely what makes the phenomenon more dangerous: there are reasons to believe that the identification with frenzied and elementary rhythms produces forms of ‘downward self-transcendence’ (to use an expression previously explained), forms of sub-personal regression to what is merely vital and primitive, partial possessions that, following moments of violent intensity and quasi-ecstatic outbursts, leave one feeling even more empty and estranged from reality than before. If we consider the atmosphere of Negro rites and group ceremonies of which jazz is reminiscent in its original and earliest forms, that direction seems quite evident: as in the case of the macumba and in the candomblé practised by Black Americans, it is obvious that we are dealing with forms of demonism and trance, with obscure possessions which have nothing to do with any access to a higher realm."
 
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Evola's thoughts on Jazz and its degenerative effects are perhaps the best articulation and argument against black music and younger whites falling into its trappings. From 'The Youth, the Beats, and Right-Wing Anarchists' (1968.)
To summate this with a meme:
 
To summate this with a meme:
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I never got why people put it up on such a pedestal. I appreciate that it's supposed to be some extremely impressive improv/technical playing achievement, but it still sounds shit. Other high-skill things on other instruments like the joke music Rush E on piano at least have a good tune.
 
"Your tags out of date but, since it's so close to the holidays, I've heard rumors that they're waving fees for tags. So all you should hopefully have to do is pay the citation. Alright man, be safe and have a good day".

That was the entirety of my traffic stop today. I didn't get tackeld, tazed, sprayed, or shot.
Turns out, if you don't act like a nigger towards the cops you get treated with respect and the entire ordeal is over in less than 5 minutes. I mean uh..

ACAB FUCK THE POLICE COMIN STRAIGHT FROM THE UNDERGROUND A YOUNG NIGGER GOT IT BAD CAUSE HES BROWN
 
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