It's not so much that drawings are "soft", but unskilled.
The earliest anime creators were actual artists who studied everything you'd expect a good artist to study, such as hyper-realistic drawings, figure drawing, and Western Renaissance art, and you can tell this because they understand things like anatomy, colour, and expression.
I see where you are going with this, but I do think there is also a combination of "adapting to the times" as well as for scheduling reasons. Quick example
A quick image from Sun Ken Rock
Another one from Dr Stone
Both are from the same guy and you can identify his style in both of them. Why did he swap out from the more realistic drawing style of Sun Ken Rock to the more cartoony Dr Stone? Might just be a theme thing, I haven't read Sun Ken Rock, but maybe it's a Seinen and it made sense there and he preferred something more friendly for shounen jump. No idea. But I do think a good number of the competent people in the industry do know how to draw for the most part, but end up going with smiley faces with hair since it's a lot quicker to get done and depending on the story you want to write, it may be a lot quicker.
Oh, also, I'm more of a manga guy than an anime guy, so no idea if this also applies to the anime industry. But Sakamoto Days (manga with some of the most dynamic fights in shounen right now, amazing sense of movement) has some anime trailers that look mid as fuck and everything feels kind of too "colorful and bubbly" for what I would have expected. So I imagine in anime it just goes even more nuts. "Takes too long to draw X, simplify the design", I can only imagine how crippling this would be to tech porn shows which is what I'm gathering you really enjoy. Detailed engineering setpieces that look viable are certainly time consuming as well.
Nowadays the people who make anime don't want to draw anything but anime (insert that famous Miyazaki quote about how anime is made by otaku who hate reality), so they use the anime style as a crutch and it's easy to tell their skills are just a few steps above typical Deviantart fare.
Very true and we have the same problem in the west. People had lives and then made fiction based on their lives. Now people just read fiction and want to write more fiction. The whole "Tolkien fought in a war" and JRRMartin was just a fat fuck.
This is true. I heard that around the 2000s, there was a bunch of censorship on violence in anime due to a string of murders in Japan. Could explain why so much since then has been faggy moe and isekai with no risks or sense of adventure.
Makes sense, still a huge pity. It's one of the things that got me into anime. Mind you, not violence gore either, though when I was younger seeing somebody explode in Akira was metal as fuck but the battle shounen of the time felt visceral and like something I had never seen in western animation, even the more "serious" ones like Batman or Gargoyles.
Holy TSMT! It sucks because Macross had amazing potential to be the coolest show ever, but it became one of the earliest examples of the rot that plagues anime today in that it it's unable to take the engineering and sociological concepts it wants to present to a meaningful level and it has infantilized characters. Hikaru looks 8 years old, Minmay looks 7 years old, and all the things it could explore about plane engineering, alien technology, and how culture ends war were thrown out for some gay love triangle.
Macross... went weird places. My initial contact with it was with Robotech, I was a bit too young to get the full appeal at that point but I value it as one of the greats now and love Do You Remember Love. I also enjoy Macross Plus, but then you have stuff like Frontiers... which is mid (liked the songs though) and Delta was honestly ass and a mess. It certainly is a proto "waifu idol" sort of series and has now gone all in on it. So in a sense it kind of sticks to it's roots, but it feels like a series that cares more about the idol/music aspect that the space battles with robots part. I can't get too mad at it since it's still it's own niche and TECHNICALLY we have Gundam and other series to handle more war centric or robot centric series... but from my understanding and I imagine you can clarify more on this, the whole giant robot, be it super serious or camp/hotblooded (Gaogaigar) seems to be in dire straits in general. And well, ages in anime in general... I've just learned to apply a mental filter, in my brain I bump up any age they give me by 2-3 years "to make it make sense".
This motherfuckers is supposed to be 13
And the moment a woman is introduced she can be between 15 and 40 depending on whatever the hell the author wants to go for. I just roll with it at this point and don't particularly pay much attention to it. Same reason why most of One Piece female characters seem like they mostly wear bikinis yet I do not find it tantalizing for the most part since the design is all skin, but the behavior is not. Same deal with dudes, if Jotaro is a 17 year old fridge of a man, I just nod and go with it.
Maybe, but I'm not naive or stupid enough to ignore that the creators were probably cooming over it and that it's a dogwhistle for coomers.
Fair, but it still makes you come as tremendously antagonistic. I like my waifus, I don't enjoy being told the only reason I enjoy anime with waifus is because I'm a porn addicted degenerate. I like moe here and there, I'm not thinking how much I want to jack off to Bocchi, I just find it cute and funny. When people start talking about sharing doujins or other similar filth, yeah, go all in and call them gooners and coomers, but for watching Dandadan or one of the 27 Fate shows that for the most part mellowed out from the edgy shit that the original VN had? You got to chill mate.
This is what gets me about the people who say anime is "based" or "trad" compared to current Western media. Sure, it may be seem "based" if you think all geek media should pander to white incels and never do something by women, for women, but writing-wise it suffers from all the same problems. It's formulaic, unoriginal, and most of the new big franchise entries feel like they were made by people who hate the source material -- Gundam Unicorn and the later Yamato remakes do their darndest to make the bad guys sympathetic against all in-universe logic, and G-Witch and Grendizer U felt like they were made by people who think mecha is stupid and it's their imperative to make something smart, worldly, and realistic (but ends up being a massive hack job). Grendizer U was Okouchi laughing at you for daring to think the 6th ranger trope and big climactic teamups against the villain are cool.
Anime is just a product to appeal to it's population, no more no less. It just so happens to appeal to a lot of the world because cute girls being nice and dudes doing stupidly badass shit is considered wholesome and metal as fuck by most young guys. I'm not kidding myself into thinking that I'm elevated because a few anime I've watched have had an impact or another on me. Yes, Legend of Galactic Heroes is an amazing narrative about war, politics and conquest. It's also incredibly dry and pretty long and is definitely not representative of the media. I also think that if you are a Zoomie zoom like Welper is suggesting, you grew up with a lot of the older more pulp stuff and well, seems like it's era is long past. You seem to be pretty keen on Classic Gundam, Yamato, probably Mazinger and Mazinkaiser, and super sentai stuff (I'm completely ignorant about this last one except probably Gatchaman), and it's an absolute pitty that the genre is in that point where everybody and their mother feels more inclined to "subvert" it or "spoof" it, I can only feel sorry for you, because in the same way that people loved something like the Phantom or Flash Gordon, those aren't coming back in their classic forms.
I have no idea why people today don't like adventure and discovery enough to make new stories about those things. Nowadays, in anime it's all about getting the waifu or becoming the best ever (and it has been that way at least since the 2000s); it's no longer about doing it to save the Earth or just for the sake of it.
Well, that is just a lot of shounen being the frontrunner of what is seen. But I cried like a bitch with Your Lie in April (just a drama with musical themes), punched the sky in hype with Gurren Lagann and heavily enjoyed the slow tempo of Fune Wo Amu (it's an anime about writing a dictionary, that's it, I still found it very comfy). The medium has a tremendous amount of variety that western animation could only dream of a fraction of. Though it may mean that you have to look out of the beaten path and engage with other genres.
I understand that perfectly well; I'm just saying it's a bad thing because it excuses mediocrity in storytelling if they can rely on waifus. Plus it's not good to watch oversexualized media.
You ain't wrong. Though your standard shounen jump stuff is not particularly bad in that sense and stuff proper aimed at kids is incredibly quaint. And lets not kid ourselves, the worst oversexualized shit comes in with internet searches, Rescue Rangers was just a fun adventure cartoon with some chipmunks and rats, the internet certainly does not see Gadget that way anymore... And if it's adults watching tits and fights, well hey, it's their time. Bastard! is literally that and it's a fun as fuck time.
And I and everyone else is fucking tired of it. Bro the titties can't hurt you. The waifus can't either. Unironically, no meme, let people enjoy their fucking hobby.
Also fair, but lets try and chill. I do think it's neat having somebody around that knows more about vintage series to ask for recommendations and suggestions. But
@Space Police , you just got to mellow out more. Calling everybody a gooner and degenerate when we are just talking about the latest crap we watched is how you got to the point where a mostly sensible post gets replied with lots of animosity.