Artcow Ken Penders - Former Archie Sonic Comic Writer/Artist

wtf.

Screenshot 2025-01-21 084708.png
 
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Any artist or otherwise has nuked their engagement by transitioning to BlueSky. Penders is out of his mind for going there. You’re lucky to get maybe a third of the engagement from X on there. Also, it’s easy to lurk on bluesky without an account, so even if you were to miraculously get everyone that follows you on X to go over to BS, a lot of them would likely just peruse your posts a bit without an account. That kind of engagement might as well be no engagement.

Ken’s more autistic postings will likely cause him significantly more trouble on there as well.
 
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Gelato said:
wtf.

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Settle down Ken. The ADL themselves have said we need to be careful not to rush to judgement here.

There’s a meme image showing Hillary, Kamala and others throwing the save gesture so it’s not just lil autismo Elon that gestures that way.

Maybe he could have Lara-Sue deliver a very special message about fighting fascism in the next installment of his comics.
 
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TurboNAS said:
Settle down Ken. The ADL themselves have said we need to be careful not to rush to judgement here.
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Elon may have had his intrusive autistic thoughts cause him to do an irl shitpost but a real Nazi would have done the salute correctly. He may or may not be an ironic Nazi, but he's an unironic gigantic autist, much like Penders himself but way, way richer.
 
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AnOminous said:
He may or may not be an ironic Nazi, but he's an unironic gigantic autist, much like Penders himself but way, way richer.
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Elon's autism drives him to create companies that build rockets, satellites, electric vehicles, robots and obsess about conquering Mars.

Ken's autism drives him to draw ugly furries, parrot media lies, being a woke, fat, retarded NPC and obsess about conquering Sally's ass.

Their autisms aren't alike at all.
 
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Belvedere said:
Elon's autism drives him to create companies that build rockets, satellites, electric vehicles, robots and obsess about conquering Mars.

Ken's autism drives him to draw ugly furries, parrot media lies, being a woke, fat, retarded NPC and obsess about conquering Sally's ass.

Their autisms aren't alike at all.
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Elon is lucky that his autistic "special interests" are things that are good for society, while Penders' peculiar autistic interests are completely useless.

That doesn't mean they aren't both gigantic autists.
 
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Captain Syrup said:
I toss this series in the same pile as Gargoyles and Tailspin—too much ambition, too many
plotlines. They didn’t last long, but somehow created cults that just keep hanging on.
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they also have in common the fact the kids that were watching these cartoons ended up as the first generation of people terminally online and raised on the internet by their teens. so they were online talking about shit they watched with other people who watched it and their little cult followings spread out, got bigger, then plateaued and got smaller as they got old and younger people and kids started doing the same to their formative media.

It's the same reason that sometimes I can't help but laugh when someone suggests or some company actually does a sequel series or whatever to certain things, because I'm usually like who the fuck is this for? guys between my age and 40? Kids don't even know what the fuck it is, and I'm around 30 I shouldn't be the target audience for a cartoon.
 
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el bandito loco said:
It's the same reason that sometimes I can't help but laugh when someone suggests or some company actually does a sequel series or whatever to certain things, because I'm usually like who the fuck is this for? guys between my age and 40? Kids don't even know what the fuck it is, and I'm around 30 I shouldn't be the target audience for a cartoon.
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It will also boil down, that compared to the old shows, the sequels wont really have as many teeth as the original series did (in terms of tone, stories or writing). Sometimes you do get outliers like the 2017 Ducktales series, with the writers being fans of the show and comics, but those are super rare. Most of the time you get the Animaniacs reboot, where you can tell the people behind it had a huge dislike for the franchise or its brand of humor.
 
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The tired cat said:
It will also boil down, that compared to the old shows, the sequels wont really have as many teeth as the original series did (in terms of tone, stories or writing). Sometimes you do get outliers like the 2017 Ducktales series, with the writers being fans of the show and comics, but those are super rare. Most of the time you get the Animaniacs reboot, where you can tell the people behind it had a huge dislike for the franchise or its brand of humor.
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yeah agreed. At least Ducktales was a full reboot so that made sense to reintroduce the characters for children. I heard bad things about Animaniacs and the new Tiny Toons so I didn't watch either but really even though I loved those shows as a kid I don't really care about the new ones because I'm more likely to be sitting a kid in front of them to shut them up for an hour than me watching them.

sure, I'd rather they were good and more aligned with the prior versions but really why should an adult care that much about it? I'm more concerned with if these shows are grooming my children into thinking they're queers before they're old enough to start school over if it's a good legacy sequel.

Characters from the Mickey or Looney Tunes universe get rebooted about every decade for kids as generations change and that's fine with me, I find it much weirder with stuff like the Kevin Smith He Man or the like where the target audience of the show is guys in their 40s, let alone the fact it apparently shit on what those guys love. Why even make it?
 
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el bandito loco said:
I heard bad things about Animaniacs and the new Tiny Toons so I didn't watch either but really even though I loved those shows as a kid I don't really care about the new ones because I'm more likely to be sitting a kid in front of them to shut them up for an hour than me watching them
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The issue with Animaniacs (aside from the writing just not being funny), the creators were kinda very hostile to fans simply asking if the rest of cast was gonna show (like seriously 2 eps were just TTG levels of "fuck u critics" vibes) and fact they felt need to get waaay mo political than needed (you had an ep about protesting, an ep about gun control, one ep with them just shitting on Russia, and course ya obligatory Orange Man stuff), so no shocker they lasted only...mm..2-3 Seasons and then got canned, to the point nobody even mentions this show in passing.

TinyToons...was weird, like it wasnt mean spirited, they had the whole cast and it kept the slapstick nature, but some character changes felt..well odd to say the least like Buster and Babs now being siblings for some reason.

el bandito loco said:
sure, I'd rather they were good and more aligned with the prior versions but really why should an adult care that much about it? I'm more concerned with if these shows are grooming my children into thinking they're queers before they're old enough to start school over if it's a good legacy sequel.
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I guess its this strange of love for the series you experienced as a kid, so course when you have that level of attachement, ya kinda hope the sequel or reboot will be done in the same spirit so your kid or younger audience can experiencr it and you can watch it with 'em? Its a weird thing and I kinda get it, but as I said this shit is lighting in bottle and you really neee to have people who have much freedom and love for the franchise, which in any industry is a huge rarity.
 
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