AP- Piglets will be left to starve in a controversial art exhibit in Denmark - "something is rotten in the state of Denmark"

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By VANESSA GERA
Updated 1:20 PM EST, February 28, 2025


An artist in Denmark aims to raise awareness of the suffering caused by modern pig production with an art installation that opened Friday that includes three piglets who will be denied food and water and will starve to death.

Chilean-born Marco Evaristti is courting controversy to make a point about the treatment of pigs in Denmark, where about 25,000 piglets die daily as a result of the conditions in which they are bred.
The central exhibit at Copenhagen’s “And Now You Care” exhibition is a makeshift cage created with shopping carts containing three piglets. As the exhibition opened Friday evening, they were still fine, but they will not be given food and drink, and can be expected to die of hunger within a few days.
Evaristti says on his Instagram page that the exhibition “is a confrontation with Denmark’s bloody reality” in slaughterhouses, and that he urges people to reduce their meat consumption and support agriculture that improves animal welfare.

Denmark’s largest and oldest animal welfare organization, Animal Protection Denmark, says it is grateful for Evaristti’s interest in the problem, but disagrees with how he wants to convey it.


“We completely understand the indignation” of the artist, said Birgitte Damm, a spokesperson for the organization. “But we do not agree that three piglets, three individual living beings, should be starved and prevented from drinking until they die from it. It is illegal and it is abuse of the animals.”


“The fact that happens to thousands each day in the industry doesn’t make it right,” she said. But she also praised the artist for asking “the large questions about who we are as human beings or want to be, and what we are doing to fellow creatures in the name of enormous amounts of mass-produced cheap meat.”

Damm explained that sows are bred in the Danish pig industry to produce about 20 piglets at a time, but only have 14 teats, forcing the piglets to compete for breastmilk, and leading to the starvation of many. She said some 25,000 piglets die every day from starvation or the result of the conditions in which they are held in Denmark.

It’s not Evaristti’s first controversial project.

One of his projects included goldfish in blenders, tempting viewers to press the button and create goldfish soup.

In 2006 he used some of his own body fat removed via liposuction to prepare meatballs, and then ate some of them.

He described that project called “Polpette Al Grasso Di Marco” as a critique on people overconsuming and then buying their way to slimness with liposuction, and at the same time an attempt to transcend the taboo of cannibalism.
 
Evaristti seems positively insane and here are some of his works that aren't mentioned in the article.

Here is the description for his work "Crash":
Evaristti was on a long stay in Bangkok in 1995 as visiting professor at the Silipakorn Fine Arts University. In Bangkok, Evaristti experienced the struggle between life and death at close quarter with over thirty road traffic casualties every day. Evaristti was given permission by the authorities in Bangkok to accompany the investigators to the various accidents. Here he was able to gather blood, the remains of clothing and parts of the wreckages from the accident scenes. Evaristti applied the blood to either canvas or paper, in an expression mixed with tyre impressions and an urban landscape consisting of high-rise buildings drawn in black ink. In an intermingling of the inner life source (the blood) and the inner life form of the person captured in a bloody urban seriousness, these works with all of their inherent presence are specifically composed of the disaster itself. A fundamental element of the work is the fact that Evaristti does not "falsify" the impression of the blood on the canvases, but that it is the blood that is being used to paint. In his method, the artist refers to an old statement from Picasso that art is a representation of reality expressed through a lie. Evaristti’s method is to distort this and to bring reality into the work as a carrier of meaning – this is not a lie. This has been done and if one wishes to form an opinion, on must first and foremost relate to what is actually on the canvas.

Here is the one for "Goodbye Kiss":
In 2003 Evaristti was commissioned to produce a work for a single day at Trapholt. On the day of the exhibition Evaristti invited a Muslim woman from Lebanon to the museum. The aim was that on the day of the exhibition the two would visit shops in Kolding and purchase the ingredients to make a suicide bomb. Marco Evaristti, who is of Jewish extraction, took the photograph of him and the woman while they kissed. They both drew blood, which was mixed and then applied to the photograph. The ingredients for the bomb are contained in the suitcase.
The photograph at the same time refers to romantic photographs, with two lovers kissing each other farewell and to the terrible events when seemingly normal people suddenly prove to be suicide bombers. The suitcase is ready. Where will they go?

Now for "Rolexgate":
Rolexgate was produced using gold and diamonds that form a model of the infamous entrance to the Auschwitz/Birkenau concentration camp in Poland. A small train is entering the building. The train is led with thousands of small, sparkling diamonds. Inside the train, in every window opening can be seen small gold skulls, as a foreboding and memory of the millions of Jews and other minorities who fell victim to Hitler’s extermination policy, Endlösung – the Nazis’ nal solution to the Jewish problem.

The discovery of a glass full of gold llings during a visit to Austria in 2006 sowed the seeds of the work. Evaristti was looking for an old second-hand tank that he could use in an extensive art installation in Austria. He was directed to a remote place where there was a man who sold old Nazi war items. Amongst the medals, weapons and uniforms in an old barn was a shelf on which stood a glass full of teeth with gold llings. Fillings from the con- centration camps, explained the seller. Evaristti bought the glass in a state of scepticism and shock. Evaristti later got thinking about the three teeth with gold llings that he had, that had been passed on through his family from his Jewish grandmother, who was also a victim of Hitler’s persecution of the Jews. Evaristti’s grand- mother’s teeth, which at the time had been removed in the usual way because of tooth ache, have been placed together with the gold from the teeth in the glass in Rolexgate.

The beautiful, glittering and seductive gold, mixed in with authentic gold teeth from Jews, collides with the telling of one of history’s most brutal, most cunning and cynical genocides. The clock in the tower in Rolexgate refers to the fact that Swiss neutrality was exploited by Hitler to hide and store the spoils of war, including gold and other valuables plundered from Jews.
 
Evaristti seems positively insane and here are some of his works that aren't mentioned in the article.
Oh, he’s one of those artists. The one people huffing their own farts praise for being innovative and daring because he literally has no limits. Because it’s all so ARTISTIC AND PROVOCATIVE. ugh
 
Apparently the piglets were stolen

We didn't, the artist was reported to the police by an animal welfare organisation. also the piglets got stolen the day before the exhibit was scheduled to start.
the artist has stated that he does not intend to get replacement piglets, and considers not opening the exhibit at all now.

Also if he had intended to go through with them the pigs would've probably been removed as starving the piglets would violate animal welfare laws. (and with this level of exposure the police would actually do something about it)
 
In 2003 Evaristti was commissioned to produce a work for a single day at Trapholt. On the day of the exhibition Evaristti invited a Muslim woman from Lebanon to the museum. The aim was that on the day of the exhibition the two would visit shops in Kolding and purchase the ingredients to make a suicide bomb. Marco Evaristti, who is of Jewish extraction
I wonder why this "artist" hates pigs and seeks to undermine human decency. The world will never know.
 
Grew up on a farm, we raised pigs. Always liked looking at the baby pigs. Don't believe what they say about Danish pigs producing 20 pigs per litter. In 23 the average was 15.6 pigs per litter. Taking that into account don't see how you would lose 25,000 piglets a day. Denmark is a small country.



Having said that, we drew lots for the mission. Milton, please warm up the helicopter, you're flying left seat. Check ride for you, I'm check pilot. Janet, please fly right seat. Anita and Ken, please assist Mike, the crew chief, after the rest of us have completed the special processing.
 
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