African-American Appreciation Thread - Highlighting contributions from our most productive citizens

[Wild at Heart]

I watched the movie Sinners last night, and I find it to be very relevant to this thread. See, Sinners is an anti-white propaganda movie made by the director of Black Panther. I made a post in Multi-Media about it, which I will quote here, but for brevity, I will bullet point the key elements underneath.

Spoiler: My Post

From Ryan Coogler—director of “Black Panther” and “Creed”—and starring Michael B. Jordan comes a new vision of fear: “Sinners.”

Trying to leave their troubled lives behind, twin brothers (Jordan) return to their hometown to start again, only to discover that an even greater evil is waiting to welcome them back.

“You keep dancing with the devil, one day he’s gonna follow you home.”

---

Review: Sinners, a movie set in the 1930's south, in an entirely black town, full of sharecroppers and blues music setting the tone. Uncomfortable scenes of "free" black men picking cotton, and discussing the White Man's love for blues, but their hatred of who plays it flash before you to let you know what kind of movie this really is. This movie, from the director of Black Panther, seeks to combine black culture with supernatural horror. Unfortunately, black creatives are unable to resist the temptation of making any and all of their art about White Oppression, Slavery, and The Culture.

This movie, at its core, is a childish attempt to create an allegory between White's "cultural vampirism" and supernatural vampires.

("Cultural vampirism" refers to a situation where a dominant culture takes elements, ideas, or traditions from a marginalized or minority culture without acknowledging or respecting the original source or giving appropriate credit. It's often a subtle form of cultural appropriation, where the dominant culture benefits from the marginalized culture's contributions without reciprocating.)

This concept is always applied to White People, aka the colonizers.

In this movie, White vampires beg to be let in to a purely black party (a metaphor for Black Culture), and are denied entry. They then trick the token snowbunny into betraying her "family" of black men in favor of her own race. This is a common concept among blacks, snow bunnies are white devils in disguise. The white vampires then "consume" a large number of blacks and convert them to their cult of White Consumerism. They also draw comparisons between Christianity and White Colonization, claiming the Whites forced the Blacks and Irish to accept their religion while they stole their land. The blacks mostly all die, the only thing that saves them is their voodoo mama's spiritual guidance, and the blues player's guitar. (The real culture will defeat these white devils.)

The movie is made up of a cast of entirely black people. Something often done to bait white people into asking why. The only Whites in the movie are KKK members, vampires, or snowbunny traitors. (no exaggeration. Not a single good white person.) There are 2 Asians, who are a "go-between" race for the whites and blacks. Our "heroes" are constantly saying "cracker" and "White Devil" to describe whites at any chance. Lynchings and racism are brought up constantly.

I have never seen such a hateful and disdainful portrayal of white people in a mainstream movie. Unabashed calls for racial violence, a finale that has people cheering in their seats for the mass slaughter of evil whites. All of this happening while real world events (Austin Metcalf) play in my mind. The theater full of black people, who could not stop talking, laughing as white people are killed in embarrassing ways. They "mhmm!" and "YEP!" along to the hamfisted dialogue about whites wanting to kill all blacks. Truly a nasty experience to watch.

I WISH I WAS MAKING ANY OF THIS UP. IT IS ALL REAL!

---

You give the director of Black Panther a blank check to make whatever he wants, and he makes a hate filled anti-White, anti-Christian movie calling us vampires, and claiming that Christianity is the root of all White Oppression. The movie ends with a son forsaking his pastor father, and a criminal throwing his crucifix away.

If the Roles Were Reversed: An all white cast of heroes calling blacks "niggers" the entire time, using their white culture to stop black influence. The "good one" black is tricked by his race into betraying his white friends and destroying White Culture. This movie ends with a white man slaughtering dozens of blacks while the audience cheers.

Shit, this hack director needed to set the movie in the 1930's to garner sympathy. Nowadays you can look outside and see who the real killers are. I could make a movie about 2025 and include one million real stories of blacks killing whites to garner sympathy for a White hero keeping them away from his Culture.

Just thought I would update the Farms on the current state of Race War films being shown and fellated by critics this week.

Key Takeaways:

• Sinners takes place in the Jim Crow South. Lynchings and Sharecropping are brought up often.
  
  
• Every single hero character is black, with one Asian. Every single white person is a villain, KKK member, or vampire with no redeeming qualities. Race baiting.
  
  
• The idea of black culture is established heavily early on, voodoo, blues music, dancing...
  
  
• "Heroes" in the movie constantly call whites "cracker" and "white devil."
  
  
• Our two main characters are black gangster twins who robbed the Irish and Italians in Chicago, and want to start a "juke joint" aka a Black Bar in their hometown.
  
  
• This juke joint they set up is a metaphor for black culture, they only let black people in, with the exception of one white snowbunny.
  
  
• One character is able to play the blues and summon the spirits of past and future, so there is a scene with african tribals and ghetto thugs twerking and convulsing around the party. All while the music switches between blues, drums, and old hip hop.
  
  
• The evil White Vampires that arrive are a metaphor for white people stealing culture and absorbing the members into a consumerism cult. Christianity is used as another piece of said metaphor, as it was "forced" on the Irish and Blacks. The vampires beg to be "let in" to black culture so they can destroy and absorb it.
  
  
• Then, the snowbunny white girl is used as an infiltrator by the vampires to get into the party and ruin everything. She uses "snowbunny mind control" or vampire hypnosis to seduce one of the twins. This mind control concept is a common meme amongst leftists. The concept of snowbunnies as traitors is another common theme. This is not done to be tongue in cheek in the movie, it is played seriously.
  
  
• Ironically, the movie is about whites stealing culture, yet this movie fails to recapture any of the fun elements of the movies it is stealing from.
  
  
• We close the movie off on a bombastic scene of white slaughter, where Michael B. Jordan guns down dozens of white men (said to be KKK members) while every white liberal cheers and every black person laughs.
  
  
• The movie is made by Ryan Coogler, who abuses White Guilt to make his movies immune to criticism. This movie, Sinners, is critically adored, because no critic in their right mind would criticize a black movie about evil Whites.
  
  
• Every black person in the theater (who would not stop yapping the entire time) kept saying "MHMM!!" and "YEP!" every time the movie dropped a clumsy line of dialogue about whites wanting to destroy blacks and kill them all. This movie was one step above a Tyler Perry movie writing wise, and blacks eat it up and get all their opinions from their make believe fantasy movies.
  
  
• Setting it in Jim Crow was the only way to make it sympathetic, as nowadays whites bend over backwards for the murderous blacks.

I would love to see a completely race swapped version of this movie. Blacks claim that our racism 90 years ago will justify this clearly racist film made today.

 

[CowPox]

There's alot of whites trolling whites with fake nigger accounts sprinkled in amongst the real niggers airing their monkey grievances over the Metcalf situation me thinks.

 

[sum ting wong]

Every black person in the theater (who would not stop yapping the entire time) kept saying "MHMM!!" and "YEP!" every time the movie dropped a clumsy line of dialogue about whites wanting to destroy blacks and kill them all. This movie was one step above a Tyler Perry movie writing wise, and blacks eat it up and get all their opinions from their make believe fantasy movies.

I saw the movie "Get Out" in a primarily black theater and had a similar experience. I get that the white woman was the bad guy and I'm not saying it was wrong for the guy to choke her out at the end but there was a suspicious amount of cheering happening in the theater.

 

[Sayer of the N-Word]

I saw the movie "Get Out" in a primarily black theater and had a similar experience. I get that the white woman was the bad guy and I'm not saying it was wrong for the guy to choke her out at the end but there was a suspicious amount of cheering happening in the theater.

I braced myself for constant ooking and eeking when I went to see Sinners, but the theater was well-behaved despite having so many niggers present. They did laugh at the jokes, but that's no big deal. (I have noticed while watching other black movies that negroes really love stupid hack jokes, my suspicion is that they are delighted when there is writing "low" enough for them to understand).

 

[Slur Generator]

Why do you people watch these movies?

 

[Sayer of the N-Word]

Why do you people watch these movies?

I like going to the movies, and even the most negrofied, blackest African monkey cast can produce an entertaining movie, which this was when they finally got around to the music and horror (I had to sit through an hour of Michael B. Jordan wandering around town and hiring staff for his new bar).

Also, in my experience the most disruptive patrons are Latinas.

 

[TenMilesWide]

One character is able to play the blues and summon the spirits of past and future, so there is a scene with african tribals and ghetto thugs twerking and convulsing around the party.

If I was writing this the twerking ghetto future-ghosts would represent what'll happen if the vampires win, like they'd be shittalking the 30s niggas and ancestor ghosts as primitive. It'd be like the Boondocks MLK Jr. episode, with the ancestor ghosts standing in for ruckus and the 30s niggas standing in for king.

 

[Sayer of the N-Word]

There was also a Jimi Hendrix/Sun Ra type guy rocking out on an electric guitar and a Chinaman playing bing bong music. It was ridiculous and therefore great.

 

[W@rui]

 

[Point 707]

I watched the movie Sinners last night, and I find it to be very relevant to this thread. See, Sinners is an anti-white propaganda movie made by the director of Black Panther. I made a post in Multi-Media about it, which I will quote here, but for brevity, I will bullet point the key elements underneath.

Not in the least bit surprised by the blatant antiwhite hatred on display here. Hollywood has been making antiwhite movies for a long while now, but they've usually tried to be at least a bit subtle. Kind of refreshing to see it all out in the open.

For some past examples, check out:

Devon Stack's rundown of 'The Defiant Ones'

https://odysee.com/@Blackpilled:b/monkstik:9

Wyatt Stagg on 'The Matrix'

https://www.youtube.com/watch?v=CFTmiAx7R48

 

[millais]

Yo bleech deemon assez b laffin but now we on da top:
View attachment 7270213

The "chukudu" cargo scooter reminds me of those African home-built helicopters and airplanes.

 

[French Dip]

I saw the movie "Get Out" in a primarily black theater and had a similar experience. I get that the white woman was the bad guy and I'm not saying it was wrong for the guy to choke her out at the end but there was a suspicious amount of cheering happening in the theater.

People think I'm crazy for being concerned about racial violence. But blacks already kill far, far more whites than the other way around, and they openly cheer when we die. This isn't going to end well. We are becoming a minority in our own countries and we are surrounding ourselves with people who basically tell us how much they hate us every day.

 

[JayseeDenton]

I saw the movie "Get Out" in a primarily black theater and had a similar experience. I get that the white woman was the bad guy and I'm not saying it was wrong for the guy to choke her out at the end but there was a suspicious amount of cheering happening in the theater.

Invite them all to see Black Hawk Down and just scream "FUCK YEAH!" every time a skinny gets aced.

 

[Eternal Gopnik]

Invite them all to see Black Hawk Down and just scream "FUCK YEAH!" every time a skinny gets aced.

I wonder what the Little Bird gun run scene would sound lmao

 

[Dr Cruel]

 

[Plantation Barbie]

I've seen niggers claim to have been those who wrote down specifically these sacred words about FRAH CHIGGEN:

https://biblehub.com/kjv/leviticus/2-7.htm

"And if thy oblation be a meat offering baken in the fryingpan, it shall be made of fine flour with oil." —Leviticus 2:7 (KJV)
But anyway ayo ayo AYO lissen mane lissen mane, ah jus foun out dat Ostin Metclaff wuz a t'ug 'n' a boolie 'n' a gangsta (total projection):
View attachment 7270957

While the sign of the horns is totally used by a few gangs, it is also used by multiple football teams. Most notable of which is Texas University. Austin is wearing a football uniform and Texas is the state this incident took place in. Knowing that, we can reasonably conclude that this is the Hook em horns sign, and not the MS-13 sign.

Then again, deductive reasoning doesn't appear to be yall's strong suit.

 

[Belisarius Cawl]

Wyatt Stagg on 'The Matrix'

https://www.youtube.com/watch?v=CFTmiAx7R48

If Agent Smith low-key hates niggers that makes me like him even more

While the sign of the horns is totally used by a few gangs, it is also used by multiple football teams. Most notable of which is Texas University. Austin is wearing a football uniform and Texas is the state this incident took place in. Knowing that, we can reasonably conclude that this is the Hook em horns sign, and not the MS-13 sign.

One could just as easily accuse Austin Metcalf of being a Satanist (by making the "devil horns" gesture) and have as much evidence

 

[byron]

throwing food on white people because they're inferior

 

[NoBueno]

 

[Dr Cruel]

throwing food on white people because they're inferior

View attachment 7275111

Much better with British music