Culture Rescue African artifacts from colonizers' museums in the heist game Relooted - Black people make a game about looting

Semblance studio Nyamakop is back with puzzles, action and a distinct story to tell.​

Jessica Conditt
Senior Editor
Sat, Jun 7, 2025, 2:44 AM GMT+3

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Nyamakop

Relooted is a heist game about reclaiming African artifacts from the Western countries that stole them, developed by independent South African studio Nyamakop. Relooted is set in a future timeline where Western nations have signed a treaty to return plundered items to their African regions of origin, but things aren't going to plan. Western leaders are instead hiding the artifacts away in private collections, so it's up to a ragtag crew based in Johannesburg, South Africa, to strategize and steal them back.

Relooted is broken into missions, and each one includes a briefing about the artifact, an infiltration planning stage, and the heist. Gameplay is a mix of puzzle and action as you case each building, set up your run, and then execute the plan. Once you grab your target artifact, the security alarms go off and you have a limited amount of time to escape, so thorough preparation is key.


In the Day of the Devs reveal video for Relooted, producer Sithe Ncube cites a wild statistic from a pivotal 2018 report on African cultural heritage, saying, "90 percent of sub-Saharan African culture heritage is in the possession of Western collections. That is millions upon millions of deeply important cultural, spiritual and personal artifacts, including human remains, that aren't in their rightful place."

The locations in Relooted are fictional, but the 70 artifacts you have to steal back are real, and they're all currently in Western and private collections, far from their original homes and owners.

Nyamakop is one of the largest independent games studios in sub-Saharan Africa, with about 30 developers working on Relooted right now. Its previous game, the globular platformer Semblance, was the first African-developed IP to ever come to a Nintendo console, hitting the Switch in 2018. In order to get Semblance on the Switch, Nyamakop co-founder Ben Myres had to bootstrap his way around the world, buying one-way tickets and finding new partners on the fly in a daisy chain of game festival appearances. Here's how Myres explained it to Engadget at E3 2018:

"The entry curve into being an indie game developer in South Africa is like a cliff face. Because you don't have the contacts, the platform holders like Xbox, Sony. You don't have reps that live in your country. The press that matter are all here. There isn't a big enough market locally to sell to, so you have to make works to sell to the West, which means you have to go to Western shows and you have to meet Western press. So basically, if you're not traveling a ton, you're not going to be able to make it."

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Nyamakop has grown significantly since 2018, and Relooted is an unabashedly African game built by a majority-POC team, Myres and Ncube said in 2024.

"There is the thing about making games for Africans — we say that a lot," Ncube told GamesIndustry.biz. "We say that should be a thing, we should make games for Africans because we're playing games that were made in the West. But will people even play those games, if you make them? And then if you make games targeting people ... even if you were to make one that's really good, there's no guarantee that you'll have a lot of people playing it. So I think there's some level of confusion, I can say, in terms of unexplored aspects of the African games market."

Relooted is in development for Steam, the Epic Games Store and Xbox Series X/S, and while it doesn't yet have a firm release date, it's available to wishlist.

Source (Archive)
 
"90 percent of sub-Saharan African culture heritage is in the possession of Western collections. That is millions upon millions of deeply important cultural, spiritual and personal artifacts, including human remains, that aren't in their rightful place."
I love how these fuckers always act as if this shit was considered all that important when the Europeans started hauling it away. It was treated as garbage by the locals. Or buried in the ground, waiting for some local to come dig it up and sell it to a European, because, again, the locals saw it as worthless garbage.
 
Theft is rampant throughout Africa. Centuries-old gold artifacts that were loaned to the Thulamela site museum in Kruger National Park from Ditsong National Museum of Cultural History in Pretoria were stolen, highlighting the severe lack of security at small local museums. The tea set used by President Kruger disappeared from the Kruger House museum in South Africa. Also in South Africa, 14 Jean Doyle sculptures were stolen from public parks. But, it is not just the smaller museums that are affected. In 1996, thieves raided the National Museum in Bloemfontein and in 1997 eight major thefts occurred in South African museums. In the Gauteng province between 2006 and 2011, over 2,660 items were reported lost or stolen from museums, including five bronze sculptures. Further evidence of the theft problem includes: since the 1970s, Kenya and Tanzania had hundreds of Vigangos (which are carved wooden grave markers) stolen from sacred sites; the 1991 ransacking of Somalia’s capital museum; most of Mali’s archaeological sites – including graves built into caves – have been looted, and in 2011 the National Museum of the Ivory Coast was raided of gold jewelry, masks, and statues, with 80 objects being stolen.

Nigeria, where the Benin bronzes are headed, is one of the worst locations for artifact security. In Nigeria, looting of sites that contain Nok terracotta heads dating between BC 500 and AD 200 has been occurring for decades. Hundreds of the most valuable items have been stolen from museums – both small and large. In 1987, nine objects were stolen from the Jos Museum, which was founded in 1952 by British archaeologist Bernard Fagg, and it was considered the best museum for prehistoric Nigerian culture prior to the 1970s. In that same year, 1987, 429 items were stolen from 33 museums nationwide. The problem continued in the 1990s. In 1994, after drugging the watchman, thieves smashed 11 display cases to get to 12th and 13th Century brass and terracotta heads at the National Museum in Ile-Ife; this was the third burglary of the year at this very museum. At the Owe Museum in 1992, robbers killed a night watchman. And, in 1999, the museums of Nigeria experienced a long string of thefts.
 
Black people Looting Sim. I love it when progressives tell on themselves.

It reminds me of the show Robyn Hood. The urban style director re-imagined the story of a man requisitioning unjust taxes and giving them back to the people as a promiscuous, unemployed black woman who robbed from rich, hard-working businessmen to throw parties for her and her friends. The director said it was meant to depict the real black experience, but all it did was show that stereotypes exist for a reason.
 
Even if an artifact came from Africa, that doesn't necessarily mean it's owned by anyone living there now. It's the same stupidity as "reparations" when both the slaves and slavers are long gone. And are "colonizers" forever "colonizers" to SJWs? The former colonial powers don't do that anymore. This vidya idea shows how collectivist SJWs are.
 
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