Culture Rescue African artifacts from colonizers' museums in the heist game Relooted - Black people make a game about looting

Semblance studio Nyamakop is back with puzzles, action and a distinct story to tell.​

Jessica Conditt
Senior Editor
Sat, Jun 7, 2025, 2:44 AM GMT+3

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Nyamakop

Relooted is a heist game about reclaiming African artifacts from the Western countries that stole them, developed by independent South African studio Nyamakop. Relooted is set in a future timeline where Western nations have signed a treaty to return plundered items to their African regions of origin, but things aren't going to plan. Western leaders are instead hiding the artifacts away in private collections, so it's up to a ragtag crew based in Johannesburg, South Africa, to strategize and steal them back.

Relooted is broken into missions, and each one includes a briefing about the artifact, an infiltration planning stage, and the heist. Gameplay is a mix of puzzle and action as you case each building, set up your run, and then execute the plan. Once you grab your target artifact, the security alarms go off and you have a limited amount of time to escape, so thorough preparation is key.


In the Day of the Devs reveal video for Relooted, producer Sithe Ncube cites a wild statistic from a pivotal 2018 report on African cultural heritage, saying, "90 percent of sub-Saharan African culture heritage is in the possession of Western collections. That is millions upon millions of deeply important cultural, spiritual and personal artifacts, including human remains, that aren't in their rightful place."

The locations in Relooted are fictional, but the 70 artifacts you have to steal back are real, and they're all currently in Western and private collections, far from their original homes and owners.

Nyamakop is one of the largest independent games studios in sub-Saharan Africa, with about 30 developers working on Relooted right now. Its previous game, the globular platformer Semblance, was the first African-developed IP to ever come to a Nintendo console, hitting the Switch in 2018. In order to get Semblance on the Switch, Nyamakop co-founder Ben Myres had to bootstrap his way around the world, buying one-way tickets and finding new partners on the fly in a daisy chain of game festival appearances. Here's how Myres explained it to Engadget at E3 2018:

"The entry curve into being an indie game developer in South Africa is like a cliff face. Because you don't have the contacts, the platform holders like Xbox, Sony. You don't have reps that live in your country. The press that matter are all here. There isn't a big enough market locally to sell to, so you have to make works to sell to the West, which means you have to go to Western shows and you have to meet Western press. So basically, if you're not traveling a ton, you're not going to be able to make it."

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Nyamakop has grown significantly since 2018, and Relooted is an unabashedly African game built by a majority-POC team, Myres and Ncube said in 2024.

"There is the thing about making games for Africans — we say that a lot," Ncube told GamesIndustry.biz. "We say that should be a thing, we should make games for Africans because we're playing games that were made in the West. But will people even play those games, if you make them? And then if you make games targeting people ... even if you were to make one that's really good, there's no guarantee that you'll have a lot of people playing it. So I think there's some level of confusion, I can say, in terms of unexplored aspects of the African games market."

Relooted is in development for Steam, the Epic Games Store and Xbox Series X/S, and while it doesn't yet have a firm release date, it's available to wishlist.

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You don't see the Chinese or Japanese government and elites whinging about getting their war-looted antiquities back from European and American museums. They buy that shit back with cold, hard cash.

Also, nice self-own by this gay indie studio, naming themselves after "kop", which is an Afrikaans term for a hill or mountain. Should have gone with some Bantu term. Maybe "thaba", or plateau/mountain in Basuto.
 
Now I love the British museum, and I know it is ‘stuff we looted’ but frankly, 90% of the stuff would have been destroyed anyway. The bulls head from Persepolis was fragmented when found and painstakingly restored - and now it’s a beautiful object seen by millions rather than rubble. I think there’s a case for returning objects in very specific circumstances (stuff taken against the will of people at the time, remains that are are known people who have relatives alive today) but I’d oppose anything going back to places that can’t conserve it, would destroy it or found objects.
I’m trying to remember what was even in the African galleries. I remember the Benin bronzes, which aren’t very old. Some textiles (always like a look at the textiles) but past that there just wasn’t much I can remember.
A lot of this stuff is really fragile, and sending it back to places who can’t conserve it (and even the museums in Egypt have had problems) when it’s the heritage of humanity is a bigger problem than politics IMO.
I haven’t been for ages, I really should but that means going to London
Greece has an entire supermodern hyperspecialized museum built SPECIFICALLY for the sole purpose of preserving and displaying the parthenon's marbles and the british museum still refuses to return them, keeping the collection split up while claiming that its a good thing its split up actually.


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This notion that "Oh we're totes preserving them from the yucky savages" is bullshit and everyone knows it.

The fact that the british museum has the balls to pretend that they're "complimenting" the greek museum is also horseshit.


The approach of the Acropolis Museum and the British Museum are complementary: the Acropolis Museum provides an in-depth view of the ancient history of its city, the British Museum offers a sense of the wider cultural context and sustained interaction with the neighbouring civilisations of Egypt and the Near East which contributed to the unique achievements of ancient Greece.

Get the fuck outa here with this PR speak. The marbles exist, a place to house them exists, but if you want to actually see them in their totality as they were meant to be viewed is impossible because they're literally a continent appart, no this is not a "good thing actually", don't piss on my face and tell me that its raining. It would be less offensive if they said "no, its our loot, we're not giving back, go fuck yourself" than pretending they're doing greece a favour actually.

Its fine that britons don't mind muslims taking over and raping both them and their culture but when the UK turns into a caliphate I'd rather the artifacts in its museum survive in their home countries instead of being destroyed for being offensive to allah or whatever.

edit: shitbongs very angy for being called out for being basically the niggers of europe: looters who cry when you try to hold them accountable
 
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parthenon's marbles
They would be ones I’d return for sure. Greece is entitled to them and has a dedicated space to keep them safe. We don’t really have a leg to stand on on that one, it’s their cultural history and should go back.
This notion that "Oh we're totes preserving them from the yucky savages" is bullshit and everyone knows it.
Well it depends what it is. The Elgin marbles go to a climate controlled specially built museum in a safe and civilised country. The drum goes back to somewhere where the ruling Islamist class will declare it a pagan artifact and destroy it. The Persepolis bulls and the (rather phallic) lions of nimrud might be safer in London, until our own caliphate takes over and declares them haram as well of course…
 
Greece has an entire supermodern hyperspecialized museum built SPECIFICALLY for the sole purpose of preserving and displaying the parthenon's marbles and the british museum still refuses to return them, keeping the collection split up while claiming that its a good thing its split up actually.
In fairness we've just agreed to a "permanent loan" of the Marbles to Greece, which is essentially how we can give them back without having to amend our own laws.
 
Politics aside, I do actually like the idea of a heist game like this. Is there anything like this out there that's good? I know about Payday 2.
A quick glance at the trailer made me think of Mark of the Ninja, while that description made me think of Teardown.
 
Anyone got a guess on how long the game will be? I'm thinking less than an hour.
 
Nobody thought this concept was tacky before when it was white dudes stealing from rich faggots instead of poqs
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Relooted is a heist game about reclaiming African artifacts from the Western countries that stole them, developed by independent South African studio Nyamakop. Relooted is set in a future timeline where Western nations have signed a treaty to return plundered items to their African regions of origin, but things aren't going to plan. Western leaders are instead hiding the artifacts away in private collections, so it's up to a ragtag crew based in Johannesburg, South Africa, to strategize and steal them back.
The fact the developers felt the need to include this as a plot point is intriguing to me. Isn't their argument that these items already shouldn't be held in museums? So why do you need to manufacture a scenario where western museums agree to hand the artifacts over again, but then don't?
 
Isn't this supposed to be a stealth game? Why are they dressed like that? Bright colors and loud clothing? You might as well drive your stolen Mercedes Benz G Wagon through the front entrance and just shoot all the guards and call the police on yourself.
 
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This is actually a really fun premise for a game and could be quite educational if you had a multi ethnic group of people tasked with breaking into the British museum and re looting all their stuff.
Only if there's a mode where I can play as a Met Police armed response unit tasked with gunning these thieves down like dogs.
 
The fact the developers felt the need to include this as a plot point is intriguing to me. Isn't their argument that these items already shouldn't be held in museums? So why do you need to manufacture a scenario where western museums agree to hand the artifacts over again, but then don't?
To show that whitey's word shouldnt be trusted, window dressing so you can be more justified in hating them, pretty much
 
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