🌟 Internet Famous Vivienne Medrano / VivziePop / NozzArts / @VizzieBizzie / xZoOPhobiAx / VivMind / Spindlehorse Studios - Bisexual Fujoshi Now Turned Asexual ; Criticism Denier ; Ruined Her Friendships Over Criticism ; Shotacon ; Nepo Baby ; Female Andrew Dobson ; Drove A Former Friend to Suicide Over Art Theft ; Verdict Is Still In, And No One Wants To Have Sex With Her

Finished. OP is Updated,
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Oh but that's like. totes dark humor lolzorz!!11
Some of the jokes land for me in HH/HB but a lot of the time I'm wincing from secondhand embarrassment.
Jokes about murder, assualt, rape, and pedophilia are alright. But saying retarded is a big no-no.

We have come to the point of life where words do hurt more than sticks and stones apparently.
 
I seriously have to wonder what Amazon told Viv she could or couldn't do aside from the disclosed 8-episode limit per season put upon her by Amazon. I don't own Amazon Prime, so the snippets of Season 1 I've watched (and the very little I've seen of Season 2) makes my head swirl in confusion at how badly she rushed through her plot points and underdeveloped key moments.

Season 1 should have laser focus on just the hotel residents with some fights from bottom-tier Overlord wannabes if we need a big battle for the climax of Season 1. Then Season 2 should have the Vees as the major villains of the season (and I don't mean just Vox, even if he's the stand-out among the Vees). Then Season 3 has Adam and his exterminator squad as the main villains. Then Season 4 brings in the big hitters of Heaven, the archangels like Michael, Gabriel, Raphael, etc.

Instead, we haphazardly go back and forth between the different antagonists in the army of Heaven and the Overlords of Hell across both seasons, and it results in the conflict of the series failing to expand in scope properly.

The army of Heaven shouldn't have been introduced straight away in Season 1. Heaven should been kept more of a ominous mystery in the background of the start of the show, so that by the time we see more of Heaven in the later seasons we can understand how imposing/intimidating Heaven actually is to the denizens of Hell. Seriously, from how Adam acted since Episode 1, I couldn't fathom how I'm supposed to be scared of Heaven, especially since Heaven viewed just as, if not more, monstrous as hell is becoming a damn cliche at this point.

Making Heaven actually a good place to be in seems to be becoming more and more illusive for modern fiction. 😕
 
I seriously have to wonder what Amazon told Viv she could or couldn't do aside from the disclosed 8-episode limit per season put upon her by Amazon. I don't own Amazon Prime, so the snippets of Season 1 I've watched (and the very little I've seen of Season 2) makes my head swirl in confusion at how badly she rushed through her plot points and underdeveloped key moments.

Season 1 should have laser focus on just the hotel residents with some fights from bottom-tier Overlord wannabes if we need a big battle for the climax of Season 1. Then Season 2 should have the Vees as the major villains of the season (and I don't mean just Vox, even if he's the stand-out among the Vees). Then Season 3 has Adam and his exterminator squad as the main villains. Then Season 4 brings in the big hitters of Heaven, the archangels like Michael, Gabriel, Raphael, etc.

Instead, we haphazardly go back and forth between the different antagonists in the army of Heaven and the Overlords of Hell across both seasons, and it results in the conflict of the series failing to expand in scope properly.

The army of Heaven shouldn't have been introduced straight away in Season 1. Heaven should been kept more of a ominous mystery in the background of the start of the show, so that by the time we see more of Heaven in the later seasons we can understand how imposing/intimidating Heaven actually is to the denizens of Hell. Seriously, from how Adam acted since Episode 1, I couldn't fathom how I'm supposed to be scared of Heaven, especially since Heaven viewed just as, if not more, monstrous as hell is becoming a damn cliche at this point.

Making Heaven actually a good place to be in seems to be becoming more and more illusive for modern fiction. 😕
Everyone has got to stop blaming Amazon for the initial 8 episodes. That was all A24. Production was all wrapped before they even found a distribution partner and that's why the initial premiere for the first season of Hazbin Hotel was delayed from the summer of '23 to January of the next year. Because Amazon didn't pick them up until September.

But I digress, we'll probably never fully know the behind-the-scenes of what went down. Maybe in 20 years when the show is over, people will start talking about what happened.
 
These people literally celebrate when people they politically disagree with get shot and murdered, bemoan when an assassin misses their target and will dehumanize anyone that leaves their mental reservation when they still agree with them 95% of the time. Bring up the fact that the people they’re referring to have likely murdered, raped or committed fraud or burglary, I don’t believe them when they say it’s empathy.
 
If one character is supposedly the good guy but does bad things, most people are not going to like that. Bad guy doing bad things is kind of expected.

A good example of this is Stella vs Stolas. Yeah, Stella may be marginally worse that Stolas, but the reason why people are more upset about Stolas actions than Stella's because Stolas is supposed to be the better person that we as the audience are supposed to root for. Stella could bomb an entire orphanage at this point and it would be whatever because she is an one-dimensional villain that is evil. I'll still complain about whatever Stolas does because he is supposed to be the better parent who tries but fails to do so constantly.
 
I seriously have to wonder what Amazon told Viv she could or couldn't do aside from the disclosed 8-episode limit per season put upon her by Amazon. I don't own Amazon Prime, so the snippets of Season 1 I've watched (and the very little I've seen of Season 2) makes my head swirl in confusion at how badly she rushed through her plot points and underdeveloped key moments.

Everyone has got to stop blaming Amazon for the initial 8 episodes. That was all A24. Production was all wrapped before they even found a distribution partner and that's why the initial premiere for the first season of Hazbin Hotel was delayed from the summer of '23 to January of the next year. Because Amazon didn't pick them up until September.
This is hearsay but I think the first season was meant to have 12 episodes, but since she shitcanned her initial VAs in favor of more expensive ones, A24 reduced the number of episodes to save budget.
 
These same people get upset when they hear the "it's just a kid's movie/show" excuse.

No one is saying you can't like your shitty media; they're just saying it's shit and are suggesting ways for it to not be as shit. Give your genre some respect for fuck's sake.
You know almost all land can be considered stolen so how about we just have everyone live wherever they want to without following the rules that were put in place.
I don't care that they made a rape joke. I care that they won't admit they made a rape joke.
Finally, someone realizing how traumatic that would be to see. I wish they would actually address that in the show, but they won't.
 
This apparently wasn't an issue when Iran deported 1.3 million afghans or when Kuwait stripped citizenship from 200,000 people.

Medrano, Eilish, and 99.5% of libtards think that the "stolen land" originally belonged to Mexico. Would they support a similar revanchist movement for Germany to take back territory lost to Poland?
For the first part, those are brown nations. You can’t possibly expect them to know what human rights are! Or its American propaganda and isn’t real. (How these people actually think about those things.)

Worse, they truly think that it belongs to natives, that they never had war, and were all one nation, and that if not for the white man this land, and the world would have utopia. You can’t use Germany because its white and western, so lost land is lost. For the natives that are living lives 1000 times better now than their screwed over ancestors, they have legitimate grievances.

Some of these people are not only true believers, but stupid as all hell.
 
These same people get upset when they hear the "it's just a kid's movie/show" excuse.

No one is saying you can't like your shitty media; they're just saying it's shit and are suggesting ways for it to not be as shit. Give your genre some respect for fuck's sake.
The way you can easily tell that they're full of shit is just ask the obvious question. If the writing was better, would you enjoy the show more, or less?

If the answer is more, than the argument that its supposed to be poorly written is prima facie retarded.

Also, they used abstract examples like "tragedies" instead of specific examples so they can't be argued. However, having characters make reasonable mistakes makes more compelling tragedy than a tragedy where nonsensical choices lead to tragedy. One is earned by the writer, and the other is someone looking for cheap pathos.

I used this example before when someone compared Star Wars: The Acolyte to a Coen Brothers' film, and how it comes across as a bunch of people just doing stupid shit that escalates, but the key difference, is that in a movie like Fargo, the character's stupid decisions are properly motivated by their personalities and circumstances.

The characters being stupid and making mistakes that pile up doesn't work in the Acolyte because the mistakes are not mistakes that should not be made. Like lying to the witches for no reasons that you just got on planet when you've been there for like 2 months. Or when you want to broker peace with the Jedi and let them take your child for training, choosing to turn into a smoke demon to tell the Jedi this, because... reasons.

The funniest part though is that the villain apparently trained himself to fucking headbutt a lightsaber to shut it off with his magic helmet.

Also, there's a mile of difference between something like Fargo, where the characters choices and actions lead them to create bigger and bigger mistakes where you wind up with something like 3 people dead, two in police custody, all for a promised payout of something like $40k and a shitty car.

The whole point in Fargo is the honest Marge versus the machinations of the various criminals who because of their duplicity and disregard for human life, end up escalating a fake kidnapping, into a multiple homicide, with millions of dollars lost in a field in Minnesota. The mistakes piling up isn't artificial, when they escalate, they escalate because a character had a reason to make the next mistake. Why does the deal fall apart? Because Steve Buscemi's character learns that the ransom was actually for $1m, not $80k. Why was the lie there? Because Jerry lied, so he could keep $40k more of the ransom he was stealing. The characters all have reasons for the decisions they make, that all lead to a specific resolution.
 
Also, they used abstract examples like "tragedies" instead of specific examples so they can't be argued. However, having characters make reasonable mistakes makes more compelling tragedy than a tragedy where nonsensical choices lead to tragedy. One is earned by the writer, and the other is someone looking for cheap pathos.
The Room was a tragedy, but no one is going to say that movie was written good.
 
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