- Joined
- May 22, 2015
Follow along with the video below to see how to install our site as a web app on your home screen.
Note: This feature may not be available in some browsers.
I went from BMI=45 to BMI=29.7-odd in 5 years, I think I've added at least 10 years to my life expectancy on that measure disregarding all the addictions.
You must stop being a daywalker, Sophie.Ninja'd, but essentially true.
I don't think being categorically sub-obese is enough to get one of those "X-hundred lb [whatever]" type shows yet.View attachment 248264
You've probably eaten them already, though...
Estimations of peak oil have fluctuated too wildly to be reliable. In the late 80s it was suggested we'd deplete all reserves by 2019, which doesn't appear to be on the imminent horizon. Then we thought we'd reached it in '07/'08 only for Russia to bolster its pre-Soviet capacity by refurbishing disused distilleries and oil platforms. Oil production now has had to be cut on purpose by OPEC, not due to resource insufficiency, but what is in effect equivalent to speculation of markets.@Autphag: What are your beliefs about global warming and peak oil?
It also creates new opportunities for governing bodies to monitor the activities of its respective citizens, especially since increasing moves have been made towards the unification of internet providers and regulatory bodies, having the potential to, for examples I myself have experienced, remove studies, remove freeware programmes useful for statistical extrapolation (this was namely an economics simulator), and so forth.What are your beliefs about the possibility that the new internet-based economy creates serendipitous opportunities for those willing to seize them?
As for global warming, natural phenomenon for which the industrial revolution is both a scapegoat and mere coincidental factor, and seeing as a mini-ice age preceded it, a return of temperature back to HISTORICAL averages (not in the last 200 years only) would make sense.
well, you're my live journal
you can comment negatively or positively, it doesn't perturb me
I don't think it's the most embarassing thing ever to have divulged my passion for ancient Korean everything, especially since I'm writing a book about it in an evolutionarily neuro-autistic context.Reading comprehension is a tough challenge for you, isn't it?
![]()
If it really wouldn't perturb you, you would stop bitching and raging at us as soon as somebody ridiculed you. You love our attention, otherwise you would post your Korean music sperging on your own blog.
But, can I have an opinion at least?
Sorry, but no.
First, I'm not that interested in Korean music and I'm more into the japanese shamisen. I don't know enough about Korean instruments to make any creditable assumptions.
Second, there's no accounting for taste. I don't make any statements about what's "superior" or not, because it would be highly presumptuous.
Third, your interest in Korean music ist mostly fueled by your delusions about North Korean supremacy. You aren't a lover of fine Korean music, it's just a means to an end to promote your views. You don't take it as what it is - simply beautiful, traditional folk music - you always slap your "North Korean's superior-hurr-hurr" stuff on it.
Fourth, North Korea has a tradition of "invented folkways", meaning that many elements they present as genuine folk material, is mostly modern stuff to demonstrate a unbroken line from the first days of the Gojoseon kingdom to today (you could read about it in books of John P. Synott, Jung Woo Lee, Udo Merkel). The irony with the kayageum roots in its modern re-invention: It was altered to match western instruments (World Music. The Rough Guide, Vol. II by James McConnachie, Mark Ellingham). But to be honest, I think it's more amusing that North Koreans have a hard boner for western brass instruments in their military music.
Yes, 7 years of cephalic growth means nothing, of course, @Cuntster.
You're of a neurobiological background assuming you don't just link to some other poor tranny's blog and claim it is yours. So, you should be aware of the effects of maturation rate differential on how the trajectory of the growth of people's brains works differently, and will work to different ends, much of that on cultural mediation.
When I stopped entertaining the trolls in 2011, became one myself from 2012-14, and then entertained a mixture of two stances on purpose from '14-now, I think we can say, yes, my amygdala has sufficiently developed to suppress my anger.
It also creates new opportunities for governing bodies to monitor the activities of its respective citizens, especially since increasing moves have been made towards the unification of internet providers and regulatory bodies, having the potential to, for examples I myself have experienced, remove studies, remove freeware programmes useful for statistical extrapolation (this was namely an economics simulator), and so forth.
Which will eventually be compromised like TOR was, right?You're always getting trolled Chris, who are you kidding?
This right here proves to me that he doesn't understand things like cryptocurrency.
That isn't what Kulloja, Kim Jong-il's treatises on traditional music, or the KCNA/Rodong Sinmun say, and those will be primarily the sources for my book other than Wikipedia and Metapedia source-borrows.Sorry, but no.
First, I'm not that interested in Korean music and I'm more into the japanese shamisen. I don't know enough about Korean instruments to make any creditable assumptions.
Second, there's no accounting for taste. I don't make any statements about what's "superior" or not, because it would be highly presumptuous.
Third, your interest in Korean music ist mostly fueled by your delusions about North Korean supremacy. You aren't a lover of fine Korean music, it's just a means to an end to promote your views. You don't take it as what it is - simply beautiful, traditional folk music - you always slap your "North Korean's superior-hurr-hurr" stuff on it.
Fourth, North Korea has a tradition of "invented folkways", meaning that many elements they present as genuine folk material, is mostly modern stuff to demonstrate a unbroken line from the first days of the Gojoseon kingdom to today (you could read about it in books of John P. Synott, Jung Woo Lee, Udo Merkel). The irony with the kayageum roots in its modern re-invention: It was altered to match western instruments (World Music. The Rough Guide, Vol. II by James McConnachie, Mark Ellingham). But to be honest, I think it's more amusing that North Koreans have a hard boner for western brass instruments in their military music.