TGWTG Hope Chapman / Jacob "Jack" Chapman / JesuOtaku - Self-loathing weaboo redneck. Blew her way to ANN gig. Goon and troon.

Zaryiu said:
Oh she's one of those
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Sadly. Most people usually grow out of the whole "its dark so that means it good" phase when they hit their college years, but JO seems perpetually stuck in the mentality of a high schooler, which would also explains many other aspects of her personality as well.
 
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Flying_with_the_Penguins said:
She's a diehard fan of the 2003 Fullmetal Alchemist anime and considers Brotherhood to be vastly inferior (because apparently having dark themes automatically equate to a good series, even if the execution and story is fucking awful).
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The 2003 FMA anime is still great by itself, but brother and the manga are vastly superior with the manga being the best out of all of them. Brotherhood feels a bit too rushed, especially in the beginning. Still a great anime though. But back to JO, why does he like it better than brotherhood? Brotherhood was what Hiromu Arakawa intended for the series to go.
 
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JO must be understood in the context of the community she has surrounded herself with. Despite her repudiation of her TGWTG past, most of her fans discovered her from that site. Most of them were probably sexually attracted to her, but were unable to express it given her frequent shows of disgust and self-pitying regarding anyone lusting for her. She would give vocal condemnation for even minor actions like someone asking for feet pics on anonymous ask.fm, obviously encouraging any trolls to send more of these messages- she framed this as a 'being a woman on the internet' problem, when it is really more a 'predictably spergs out over the slightest provocation' issue. These fans were never able to voice their sexuality, and instead went into subservient mode, protecting her from all criticism.

One revealing detail of JO's Franxx rant is the way she immediately tries to associate the show with the Alt-Right. This might strike the reader as alarmist, intended to raise the stakes and allow her to paint those who object as Nazis (which she did), and the reader would be right. But this is the typical tone raised in the ANN community- all are 'quirky' nerds who just want to have fun, but completely lose face and resort to attacks of Nazism when disagreed with. If you object to their progressive politics, you are no longer human to them.

A few years ago a large amount of the male members of the community suddenly turned trans (this was shortly before JO did). I am honestly unsure whether this is due to both anime and transexuality being heavily associated with :autism:, or some hive-minded groupthink. JO and the ANN band view masculinity as innately entitled- they talk about how men tend to view themselves as the main characters of their life, thinking of themselves before others, which contradicts the SJW ideal of spending your entire life thinking of what your neighbor thinks of what you say, a world of people thinking of nothing but what others think of them. A man enveloped within an environment where his masculinity is seen as a character flaw should be immediately questioned when he decides he's a girl.

JO, like most FtM transexuals, is pretty woke, and constantly tries to undercut her 'masculinity' so as to not risk intimidating any women, making herself into a twinky girlyboy in the process. It's a monkey's paw wish- you can find a community who will encourage you to become male, but they will turn on you if you express any masculinity which they find intimidating.

Anime is a problematic medium made by a sexually aggressive nation- even in 'pure' anime, there is always tightly suppressed sexuality just under the surface. This, in addition to the animation itself, is what makes it interesting. JO's band can only support anime's skeeviness in tightly controlled ways, when they can frame it as an expression of positive sexuality (usually homosexual.) But gender roles are a part of sexuality as well, so their appreciation of anime will always be limited by their lack of acceptance of perversion. They treat anime's problematic nature as a reflection of how ingrained their cultural enemies are, but the fact that they have to intentionally impose their SJW worldviews on artists shows why they will never win- we are led by our sexualities and souls, and no amount of finger wagging will change this.
 
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https://twitter.com/ActionZacku/status/999689576938520577

"today is @ANNJakeH's birthday, my partner of 5 years. we've been through a lot together and watching him become the strongest man in the world has been the most meaningful experience of my life."

The strongest man in your life is still biologically a woman. Beyond that, a biological woman who flips a tit over cartoons she thinks are right-wing, hooked up with you while she was still dating another guy, used you for a position on your site, then came out as trans and made you come out with this whole "I-I've actually been bi my whole life" thing.
 
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This is what happens when your girlfriend troons out on you but you made your brand woke and already settled long ago.
upload_2018-5-26_1-20-30.png

http://archive.li/SAqD4

:story::story::story::story::story::story::story::story::story:
 
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Kajiki said:
The 2003 FMA anime is still great by itself, but brother and the manga are vastly superior with the manga being the best out of all of them. Brotherhood feels a bit too rushed, especially in the beginning. Still a great anime though. But back to JO, why does he like it better than brotherhood? Brotherhood was what Hiromu Arakawa intended for the series to go.
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2003 did have a habit of taking relatively light-hearted things from the manga and making them emo. And then taking the actual serious things and stretching them out to ridiculous melodramatic lengths. Bones is a good production studio, but when they run out of source material everything tends to fall apart fast.
 
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Maggots on a Train said:
I have no idea if any of these themes are actually in the show, but it seems pretty on the nose. The people I knew who had kids early, they grew up and avoided hipster posturing. I'm not saying that everyone needs a child, but there does seem to be a correlation between modern forever-age-21 culture and the cancerous soyboy/dangerhair malaise.
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Fran in the XX is actually insanely left with with the parasites AKA the children being a metaphor for the working class and how it's constrained by government and corporate forces and factors. Actually metaphor is too strong a word, because an episode after the marriage ep that started Jake's dumb rant, that's directly what was said by the show. With the "adults" being rich people who took immorality drugs at the cost of their ability to reproduce; they destroyed the environment to get infinite energy with and for their Plantations, unleashed the monsters in the process of obtaining that energy; and gradually banned poor people from having children and the concept of children or sex because the immortality drugs left them sterile and they'd be damned if the poors got something the rich can't have anymore. Children are artificially produced, existing only to fight and die for a literal billionaire god-caste. Even the scientists, soldiers, and former millionaires who also get to use the drugs and live in the Plantations are forbidden to engage in romantic or most social activities because it gets in the way of the Plantations interests.

Hence that's the reason Jack hates it: because it says the current technocratic state we're heading towards will make us miserable and that we need the family unit, to view others sexually and through other social lenses. Like the show actually comes out for homosexuality and that shit. But it dares say "the family unit is good, apple is bad. Get married, form communities, stop consuming" which melts liberals brains.
 
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CommieScum said:
Fran in the XX is actually insanely left with with the parasites AKA the children being a metaphor and directly being the working class and how it's constrained by government and corporate forces and factors. Actually metaphor is too strong a word because an episode after the marriage, that's directly what was said. With the adults being rich people who took immorality drugs, destroyed the environment to get infinite energy with their Planations, unleashed the monsters, and gradually banned poor people from having children because the immortality drugs left them sterile and damned the poors getting something the rich can't have anymore. Children exist only to fight and die for a literal billionaire god-caste and even the scientists, soldiers, and former millionaires who also get to use the drugs are forbidden to engage in romantic or most social activities because it gets in the way of the Plantations interests.

Hence the reason Jack hates it: because it says the current technocratic state we're heading towards will make us miserable and that we need the family unit, to view others sexually and through other social lenses. Like the show actually comes out for homosexuality and that shit. But it dares say "the family unit is good, apple is bad. Get married, form communities, stop consuming" which melts liberals brains.
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All of that is based on the old left narratives that have been largely abandoned by the current generation.

Further, it is outweighed by those terrible heterosexual Japanese having the gall to make a group of bad guys advocate the eradication of gender. To woke twitter that is the only thing that matters.
 
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WaltherPPGAY said:
All of that is based on the old left narratives that have been largely abandoned by the current generation.

Further, it is outweighed by those terrible heterosexual Japanese having the gall to make a group of bad guys advocate the eradication of gender. To woke twitter that is the only thing that matters.
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Liberals don't equal the left, and more importantly, the Japanese Left are not the same as the Western, let alone American, left.

Each has different issues and philosophers whom they base their creed and goals on.
 
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Flying_with_the_Penguins said:
Sadly. Most people usually grow out of the whole "its dark so that means it good" phase when they hit their college years, but JO seems perpetually stuck in the mentality of a high schooler, which would also explains many other aspects of her personality as well.
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:offtopic: Interestingly, the writer of the 2003 anime, Sho Aikawa, has a bit a tendency to write really 'edgy' material. Among other things, he's written Urotsukidoji, Violence Jack and Angel Cop (which infamously had a hilariously antisemetic subplot about jewish bankers being responsible for pollution in Japan so bad that it was written out of the english dub and replaced any reference to it with 'the Americans'. We never even see said pollution or any of these people at all...).
 
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Hatoful Dandy said:
:offtopic: Interestingly, the writer of the 2003 anime, Sho Aikawa, has a bit a tendency to write really 'edgy' material. Among other things, he's written Urotsukidoji, Violence Jack and Angel Cop (which infamously had a hilariously antisemetic subplot about jewish bankers being responsible for pollution in Japan so bad that it was written out of the english dub and replaced any reference to it with 'the Americans'. We never even see said pollution or any of these people at all...).
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by the way,Discotek is going to re-release Angel Cop and they will produce newer subtitles to be more faithful to the Japanese script and ANN had no choice but to post that!I bet they feel salty now!
 
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