- Joined
- May 19, 2018
Oh boy, could I sperg about X-Treme X-Men. It had some pretty rough spots (what the fuck was that Khan the Conqueror arc?),
If I had to guess, it was editorial saying, "Chris, this Vargas/Destiny's diaries thing is getting a bit too... you. Wrap it up and move on to something else," so he went "uh... OK, magic rocks, alien invastion, the power was in you all along, the end. (P.S. fuck telepaths.)"
and it never really lived up to its potential, but even on his bad days Claremont could tell an X-Men story. It was less about "look at the oppressed minority" (which just doesn't bloody work, as y'all have pointed out) and more about "these are people who are born into a really weird, awkward position, how are they going to use these insane powers they have?" Some of the mutants were reluctant heroes. Some loved it. Some got a power boost from Sage and then PTSD'd like a mofo after seeing what being a superhero actually entailed.
Hell, it even did itself one better with the Valle Soleda side-story which turned the tables and had the mutants being the assholes, albeit in a more day-to-day way than taking over the world or destroying all humans. And it led to uncomfortable questions like "what jobs can humans get when there are mutants out there who are preternaturally better than them at everyhting?
Still, decent book overall, especially considering the tripe that Marvel is producing these days. (Remember when we laughed at the Dark Age of Comics? Lord forgive us, we knew not what we did.)
For all their sperginess and occasional bouts of cringe, that's something I think CGers have grasped. Story first, message second. Give me a story, not a sermon.
"If I want to send a message, I call Western Union." -Cecil B. DeMille, who apparently knew a thing or two about entertainment.