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It's not quite like James Gunn, because Gunn is capable of producing unironically entertaining media, whereas Wendig, to my knowledge, cannot.I wasn't too concerned about the guy when I first heard of him getting fired, seemed like Gunn all over but way less remarkable but nope, just went trough his work listed here and he deserves maximum mockery. He's one of those smarmy tryhard writers who think they're witty because they refer to teeth as tooths or use cutesy diminutives in a serious context but their work only has significance because they cling to successful properties with huge plebeian following, like Star Wars, or write books for lowest common denominators, such as grown manchildren who still read young adult novels.
And Gunn is an actual professional. He might shit on The President and GOP in charge but he’s never attacked Non-Public Figures. BTW please correct me if I’m wrong on that. Wendig was fired because he said “Trump supporters can eat shit.” That’s attacking millions of Americans. If Jimmy Kimmel or Stephen Colbert said that on their show they would be forced to do a mea culpa tour or just be replaced.It's not quite like James Gunn, because Gunn is capable of producing unironically entertaining media, whereas Wendig, to my knowledge, cannot.
Remember Kiwis, if you ever get a social presence make sure you’re either irreplaceable or truly independent before you start flapping your gums.
A good example of how to handle such online presence would be Justin Roiland's twitter.
The man doesn't post daily, relates his tweets to his projects/work/events/POI, most tweets are accompanied by a file, he doesn't engage his own comment section, barely retweets & when he does he post a simple message,
merely expressing general emotions for people he admires and/or works with.
When Dan Harmon's twitter was still up, it was such an interesting case study of both approaches,
as they are both creators of the same show.
Among certain types of primates t's a sign of submission which definitely fit soyboysWhy do these soy-droids invariably have their mouths cranked open like they are ready to choke on some hefty mule dick?
I have a better idea, limit your online footprint and keep it squeaky clean. Stay off Twitter and if you have to post on social media in order to sell your product, please present excerpts or something more substantial than angry raving.
Crossposting from the SW thread:
Instead Wendig gave Marvel bad publicity and let Comicsgate have a big laugh. Big companies will remember when act like a dick after being fired. He also cemented his status as a Lolcow. It’s a pretty impressive lapse in judgement and shows why even small creative types would benefit from having managers.
Seems Disney and Marvel are slowly realizing that inviting these mental patients into the banquet hall was a bad call...
"Worst People" must be a Wendigism, akin to the Chipmanisms "Wasteland Ghoul" or "Obsolete People". Why can't he just call them Deplorables like his master Hillary did?
Speaking of her, how the hell did he not get lynched by Team SJW for having his Hillary Clinton-looking white woman be the hero and his Thrawn-knockoff black woman be the villain? Isn't that doubly offensive since not only is the black woman a villain, but she works for the Empire which you aren't allowed to like since they're literally Nazis?
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I know I'm :late: with this and reposting but man, this is always a great talking point that you get from people from Wendig. It's usually an excuse as they're insecure with not knowing enough about a thing and so they want to get rid of the idea of events following a logical order for everything existing off in a bubble where they can do anything with it.
It's really sad since he's a writer by trade. Imagine reading a series of books where every single one is an unrelated "what if" that only shares a name with the others for marketing purposes. Even worse if he picked up that "theme is the most important thing" meme as this means these stories not only get to ignore logical progression, it means they don't even have to be good as long as the message is "good".
Ain't it convenient how this deep thinker stuff overlaps with a lazy man's ideals?
It's really sad since he's a writer by trade. Imagine reading a series of books where every single one is an unrelated "what if" that only shares a name with the others for marketing purposes. Even worse if he picked up that "theme is the most important thing" meme as this means these stories not only get to ignore logical progression, it means they don't even have to be good as long as the message is "good".
He should write a Harry Potter sequel for J.K. except it contains 0% Harry Potter and is actually about unrelated aliens street racing. You can't say it's not god tier writing as there's a completely random "You should eat your vegetables" on page 56 paragraph 3. This will never come up again, fuck canon. lolThe only way that sort of unrelated type of writing works is if you are writing a collection of short stories or you are doing something like Black Mirror or Twilight Zone.
He should write a Harry Potter sequel for J.K. except it contains 0% Harry Potter and is actually about unrelated aliens street racing. You can't say it's not god tier writing as there's a completely random "You should eat your vegetables" on page 56 paragraph 3. This will never come up again, fuck canon. lol
I have a better idea, limit your online footprint and keep it squeaky clean. Stay off Twitter and if you have to post on social media in order to sell your product, please present excerpts or something more substantial than angry raving.
Crossposting from the SW thread:
Holy shit, this is one of the most fucking insane things I've ever seen written by someone claiming to be a professional writer. Verisimilitude is the single most fucking critical thing to have in a work of fiction, and in turn, the most critical to that is logical consistency within universe. That's how you make a universe with fantastic elements feel legitimate. You can have a work with magic and elves and orcs and make it feel real by being consistent and fleshing things out. You can have a setting with giant robots and still have it feel fucking grounded in reality. If you violate your own internal consistency, your audience can't get immersed and your work becomes more and more likely to suck. Comedy is the only genre that can reliably get away with violating this critical rule of logic, because Absurdism relies on it.
Assholes like Wendig and others like him, big on pushing the idea that canon isn't important and that we need to stop complaining about things like plot holes, logical inconsistencies, and a lack of verisimilitude, are big on doing so because coincidentally, it shields their work from criticism, but a darker element is at play, just under the surface. A major tenet of postmodernist ideology and Social Justice as a whole is that objective reality and truth do not exist, and that lived experience is all that matters. Coincidentally, in their worldview, this means that they can completely disregard anything they don't like and they're automatically right all the time.
It's a small wonder that people like Wendig fucking despise fanbases. Those fanbases have every reason to hate him twice as hard in turn.