ZooSmell
kiwifarms.net
- Joined
- Oct 13, 2018
The Nutshack is good. I find some of the jokes actually funny.
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In all fairness even in TLA it was made clear those techniques were only "rare" because most people just wrote them off as too difficult/impossible without even trying.
Kick Buttowski was a good show
Billy and Mandy had some good slapstick moments.That makes me wonder, when was the last cartoon to have good, old school slapstick? I remember Ed, Edd & Eddy having some.
Spiderverse had some pretty great slapstick imoThat makes me wonder, when was the last cartoon to have good, old school slapstick? I remember Ed, Edd & Eddy having some.
I never liked Bolin and I thought him getting lavabending was always bullshit. I swear the first time we see it on screen, Avatar Roku is clearly applying firebending technique over the convention currents of his burning house to heat up the rock to turn it into lava. You got rocks, you got heat, you got a liquid-like substance. You probably need to be the god damn Avatar to bend that shit, but no, it goes to Bolin who is a waste of a main character slot because he needed something other than being the 'funny' fat guy. I don't know wtf they were thinking with his relationship with the Water Tribe twin, they spent like a whole season showing that he's genuinely terrified of her but in the finale, he kisses her (and allows him and his bro to escape), Mako's like "haha good one Bolin" but he turns around crying because he really did like her all along?It was hardly just others writing them off as too hard without knowing the risks. We were told in the episode about Zuko studying lightningbending that it required a cleared mind (important since firebending is supposed to be passionate) and separating the yin from the yang otherwise you just made an explosion. Lavabending was again only done by an Avatar. Toph learned to metalbend as an extension of her disability. You might have a point with bloodbending, and even then Hama never achieved the stunts Amon was pulling.
The overuse of rare bending (both in regards to returning skills like lightningbending and also tricks like Unalaq's spiritbending) was an example of how the showrunners tried too hard to make characters in LoK "cool" or threatening in the case of the villains. Or even fanservicey like how the White Lotus were just Korra's minions.
no, it goes to Bolin who is a waste of a main character slot because he needed something other than being the 'funny' fat guy.
I don't know wtf they were thinking with his relationship with the Water Tribe twin, they spent like a whole season showing that he's genuinely terrified of her but in the finale, he kisses her (and allows him and his bro to escape), Mako's like "haha good one Bolin" but he turns around crying because he really did like her all along?
You could count the amount of lightning benders on one hand in ATLA, it's a friggin spiritual art, seeing people lightning bend as human generators in Steampunk China is a woefully snapshot of what LOK did to Avatar's worldbuilding.
Speaking of Korra, was anyone else annoyed how fast the technology advanced between TLA and Korra? I know that it was about a 70 year gap, but what looked like Renaissance era before now has cars, high-powered electronic weapons, and radios.
The evolution from an ancient world where everything is lit by fire and steam technology is just beginning to be a thing to a world where megastadiums, skyscrapers, and fucking giant mechas exist in a timespan of 60-odd years is just way too jarring for me tbh. My suspension of disbelief is high, but not high enough to accept several hundred years of progress (in an extremely segregated world, to boot) happening in a timeframe that's younger than my grandma.That's honestly why I didn't like it. It felt like an alien environment: movie theatres, advanced weaponry, most of the characters from TLA are dead, etc. I know it's fiction but I find it hard to believe they went from being tribal and Ancient-China-y to suddenly 3200.
The evolution from an ancient world where everything is lit by fire and steam technology is just beginning to be a thing to a world where megastadiums, skyscrapers, and fucking giant mechas exist in a timespan of 60-odd years is just way too jarring for me tbh. My suspension of disbelief is high, but not high enough to accept several hundred years of progress (in an extremely segregated world, to boot) happening in a timeframe that's younger than my grandma.
Personally I was totally cool with the tech change. Taking the story in wholly new directions is what any good sequel should do. It's a fantasy story for children, not a thoroughly researched work of historical fiction. Getting ancy over the "realism" of the changes is autism.
The problem is the character aspect was significantly weaker so not only were we in an unfamiliar environment we couldn't care about anyone in it. My comparison is the Star Wars Prequels, where we suddenly jumped from grody lived-in backwater environments to shiny clean blue screens populated with boring monotoned freaks devoid of humanity or humor.
Not sure how much of this is "unpopular" but here goes.
- As much as I dislike "sameface" and the Steven Universe art style that infects western animation currently, anime is also very samey, more so than most western animation. I think I would prefer sameface over the jagged, jarring style of a lot of today's anime.
- Seasons 1-5 of Adventure Time is the best for me. I lost interest in Season 6 because of how aimless the show seemed, and it honestly it got too "weird", even for myself. I enjoy a good story but I also don't like it when shows, like AT, decide to go HAM every single episode so missing one means you have to worry about story spoilers and being lost. I also think the show runners made everything about the show complicated for the sake of being more complicated (i.e. Gunther actually being a million year old demon or something. I don't hate it as a thing, per se, but I don't see why it was necessary).
- If Sanjay and Craig premiered in the 1990s, everyone would be heralding it as A Great 90s Nicktoon ™ along with Ren and Stimpy and all the other gross shows the 90s Kid Elite™ worship.
- That being said, if you ignore the gross out humor (which IIRC wasn't as prevalent early on) I found Sanjay and Craig quietly clever as a show. I think I may have liked it when I was younger because it was more realistic, when the current programming was saturated with fantasy stuff like SU.
- The Loud House isn't that great. I think I like the concept better than the finished product. TLH is merely a piece of fool's gold in the pile of dirt that is most of Nick's current programming, so it looks better than it is; it's mediocre.
Let's be honest here, the Academy just doesn't give two shits about movies in general. Animation may get the short(est) end of the stick, but I doubt they give a shit about any of the other movies they nominate.
Remember, they nominated Avatar for Best Picture, and not many people look at it in a positive light these days.
Did cartoons really get worse, or did you just get older? What a coincidence, the golden age of animation always happens to coincide with sperg XYZ's childhood.
That sounds about right. At that point, you think you know everything there is to know, yet that's still not possible at that age, yet we like to think we had it all tied down.Well, it's like they say, the world was at its peak when you were 10 years old, after all...
I'd like to argue that it's a little of Column A, a little of Column B. Cartoons these days are undoubtedly of lower quality than those of the past, but that isn't to say those old shows aren't always as good as you think they were.Did cartoons really get worse, or did you just get older? What a coincidence, the golden age of animation always happens to coincide with sperg XYZ's childhood.