Funimation Audio Leaks - Sacred Ointment memes for degenerate teens

I think Lani/Nick is legit for being able to imitate Justin Cook and for being the Major in Hellsing Abridged. Rest is debatable.
I think Takahata101 is legitimately good, the rest are just passable for me.
Oh they do. If they give shit to teamfourstar, a fan group, for their audio dub, imagine how they feel about the company that's licensed to handle the official product that actually represents the franchise. I can't imagine anyone there is going to take these leaks in strides.
This Intellectual Property has generated $24 BILLION in revenue (according to Wikipedia, so take it with whatever grain of salt you wish).

I submit that anything generates that kind of revenue gets extremely close scrutiny. They'd be fools not to.
But do they care if a dub actor comes back to voice a character they voiced previously? That's what I was referring to. Outside of just wanting things to stay consistent, I don't think they're super invested in that regard,
 
But do they care if a dub actor comes back to voice a character they voiced previously? That's what I was referring to. Outside of just wanting things to stay consistent, I don't think they're super invested in that regard,

$24 BILLION is a pretty big investment... I'm no Warren Buffet, but if my business has something that's generated $24 BILLION in revenue, I'm going to (1) learn all the details about it, and (2) change very little of it without damn good reason. I'm going to go out on a limb here and say I'm probably not alone in that line of thinking.
 
Now I know a lot of you are saying Toei is totally going to axe funi for this and while that is highly likely, think of this. You have a perfectly good reason to go elsewhere... but why do that when you can basically turn funi into your own private dubbing company through terms and conditions for the license to your works?

here's a scenario. Toei hears about this. Executives throw a fit and call funi, threatening them. Funi tries to placate and fails. Then after calming down an exec calls, saying they are renegotiating and if funi wants to keep its license, they will agree to every single condition they set and the first bit of backtalk they walk.

from there toei lays out its conditions for them keeping the licenses they have: toei basically controls the company and if funi gets any funny ideas they walk immediately and are allowed to. they control everything: from staffing to what studios they associate with and what licenses they accept. Funi has two choices. accept Toei's deal and lose their agency or decline and Toei walks, taking most of Funi's moneymaking anime. at least one piece and db, both of which account for most of their profit.

which leaves funi in shambles either way. the first leads to complete demoralization of current staff (which may not be around long anyway) and loss of good pr because TFS loses their shield and will eat a dmca for it. the other leaves them in shambles financially and having to claw for money... but they have no chance. Toei absolutely will warn studios to avoid them which means either more licenses pulled or no new ones.... basically ending Funi's chances at having a future.

While they could do that, there is always the risk that Sabat and his cronies could worm his way back in once the initial scandal subsides and Toei stops paying attention.

Case in point, IDW Comics: the head editor of the company Chris Ryall put his company on the map by getting the rights to Transformers and My Little Pony. But he got stuck with GI Joe when Hasbro consolidated all of their properties into a master license where you had to pay for ALL of them, to get the ones that make money.

Ryall was a super SJW and not only did he hire a stark raving lunatic lefty named Aubrey Sitterson to write GI Joe, but also broke the spirit of longtime conservative writer Larry Hama, turning him into a 100% broken SJW anti-life drone. Hama had been writing the token monthly GI Joe book IDW was contractually obligated to publish or else lose everything; Ryall basically told the conservative Hama he had to go SJW and go SJW big time (turning Snake Eyes into a man who's brain was trapped in a woman's, Trump bashing galore, and an issue where a black GI Joe guy is attacked by white guys while on leave) because he was 100% set on giving Sitterson 100% control over the franchise so he could rape it in the name identity politics and shitting on the military and conservatives while having Sitterson's comic press cronies blood libel GI Joe fandom when they complained about how Sitterson was raping GI Joe.

Luckily GI Joe fandom had "ins" with Hasbro, who laid down the law as far as telling Ryall to shut Aubry up after Aubry made comments mocking survivors of the 911 terror attacks; who buy that point saw Sitterson's book hit super fucking low sales that forced him to do a relaunch under a new name to salvage the book Sitterson was writing. Ryall (who by this point was also forcing SJW garbage in pretty much EVERY Hasbro book save for MLP), was livid that Hasbro was shutting him and his boy down. Sitterson's relaunch was pretty much dead at this point and Ryall only got the three finished issues published by agreeing to ban Sitterson from interviews/don't promote his book and find a replacement writer for GI Joe as far as Sitterson being barred from the property. But then he let secretly Sitterson give an intervie Bleeding Cool where he blood libeled GI Joe fans and his critics as Nazis and Ryall was scheming like crazy to come up with a way to get Sitterson back on a third GI Joe book relaunch under an assumed name.

IDW by that point was drowning in debt and took over SEVERAL loans, which they only got because of them telling the bank lenders how they had the Hasbro comic license which would make them all sorts of money to pay off their debts. And Hasbro had a clause in their contract that said if IDW did something to damage their franchises licensed to them (like Sitterson had done GI Joe), Hasbro could void the entire god-damn license on the spot; meaning no GI Joe, no Transformers, no MLP, etc for IDW. Which was a huge deal, especially since the master license was also set to renew at the end of 2018 and the SJW antics of the company were already pissing Hasbro off.

So IDW ratted Ryall's plans to keep Sitterson on the GI Joe book/that he defied the compromise that was made by IDW to give them a chance to possibly keep the license come renewal time and let Sitterson give interviews attacking GI Joe fandom. IDW was told Ryall had to be fired or else they would have their licensed voided for damage done to the GI Joe brand. Which would have created a domino falling chain to kill IDW dead within months.

Ryall was fired and Aubry was informed he was permanently blackballed from IDW (which he continues to bitch about to this day). John Barber, one of the few non-crazy SJW writers, took over Ryall's job and did the above: bent the knee to ALL of Hasbro's demands: killed the ten year continuity of the now irrevocably pozzed Transformers continuity, rebooted the Transformers line under the "Alignment" principal of one unified G1 canon for the G1 version of Transformers across all media (something IDW had resisted for years), and firing all SJW writers from the Hasbro properties and replacing them with scrubs.

Everything was going good, Barber stepped down and was replaced once he saved everyone's asses and got the Hasbro contract renewed, but once Hasbro turned their back, Ryall connived to get his old job back. His replacement was #MeTooed out of his job (allegedly manipulated by Ryall) and his cronies rehired him. And one of his first orders upon taking over the company again, was greenlighting another SJW "fuck the military/fuck conservatives/fuck GI Joe fans" Joe book with a new SJW writer who is basically writing "What if Cobra stealth took over the United States and GI Joe, now all minorities and OC characters, was the resistance/antifa fighting against Cobra Commander doing a Trump impression?? "
 
While they could do that, there is always the risk that Sabat and his cronies could worm his way back in once the initial scandal subsides and Toei stops paying attention.

Case in point, IDW Comics: the head editor of the company Chris Ryall put his company on the map by getting the rights to Transformers and My Little Pony. But he got stuck with GI Joe when Hasbro consolidated all of their properties into a master license where you had to pay for ALL of them, to get the ones that make money.

Ryall was a super SJW and not only did he hire a stark raving lunatic lefty named Aubrey Sitterson to write GI Joe, but also broke the spirit of longtime conservative writer Larry Hama, turning him into a 100% broken SJW anti-life drone. Hama had been writing the token monthly GI Joe book IDW was contractually obligated to publish or else lose everything; Ryall basically told the conservative Hama he had to go SJW and go SJW big time (turning Snake Eyes into a man who's brain was trapped in a woman's, Trump bashing galore, and an issue where a black GI Joe guy is attacked by white guys while on leave) because he was 100% set on giving Sitterson 100% control over the franchise so he could rape it in the name identity politics and shitting on the military and conservatives while having Sitterson's comic press cronies blood libel GI Joe fandom when they complained about how Sitterson was raping GI Joe.

Luckily GI Joe fandom had "ins" with Hasbro, who laid down the law as far as telling Ryall to shut Aubry up after Aubry made comments mocking survivors of the 911 terror attacks; who buy that point saw Sitterson's book hit super fucking low sales that forced him to do a relaunch under a new name to salvage the book Sitterson was writing. Ryall (who by this point was also forcing SJW garbage in pretty much EVERY Hasbro book save for MLP), was livid that Hasbro was shutting him and his boy down. Sitterson's relaunch was pretty much dead at this point and Ryall only got the three finished issues published by agreeing to ban Sitterson from interviews/don't promote his book and find a replacement writer for GI Joe as far as Sitterson being barred from the property. But then he let secretly Sitterson give an intervie Bleeding Cool where he blood libeled GI Joe fans and his critics as Nazis and Ryall was scheming like crazy to come up with a way to get Sitterson back on a third GI Joe book relaunch under an assumed name.

IDW by that point was drowning in debt and took over SEVERAL loans, which they only got because of them telling the bank lenders how they had the Hasbro comic license which would make them all sorts of money to pay off their debts. And Hasbro had a clause in their contract that said if IDW did something to damage their franchises licensed to them (like Sitterson had done GI Joe), Hasbro could void the entire god-damn license on the spot; meaning no GI Joe, no Transformers, no MLP, etc for IDW. Which was a huge deal, especially since the master license was also set to renew at the end of 2018 and the SJW antics of the company were already pissing Hasbro off.

So IDW ratted Ryall's plans to keep Sitterson on the GI Joe book/that he defied the compromise that was made by IDW to give them a chance to possibly keep the license come renewal time and let Sitterson give interviews attacking GI Joe fandom. IDW was told Ryall had to be fired or else they would have their licensed voided for damage done to the GI Joe brand. Which would have created a domino falling chain to kill IDW dead within months.

Ryall was fired and Aubry was informed he was permanently blackballed from IDW (which he continues to bitch about to this day). John Barber, one of the few non-crazy SJW writers, took over Ryall's job and did the above: bent the knee to ALL of Hasbro's demands: killed the ten year continuity of the now irrevocably pozzed Transformers continuity, rebooted the Transformers line under the "Alignment" principal of one unified G1 canon for the G1 version of Transformers across all media (something IDW had resisted for years), and firing all SJW writers from the Hasbro properties and replacing them with scrubs.

Everything was going good, Barber stepped down and was replaced once he saved everyone's asses and got the Hasbro contract renewed, but once Hasbro turned their back, Ryall connived to get his old job back. His replacement was #MeTooed out of his job (allegedly manipulated by Ryall) and his cronies rehired him. And one of his first orders upon taking over the company again, was greenlighting another SJW "fuck the military/fuck conservatives/fuck GI Joe fans" Joe book with a new SJW writer who is basically writing "What if Cobra stealth took over the United States and GI Joe, now all minorities and OC characters, was the resistance/antifa fighting against Cobra Commander doing a Trump impression?? "
okay...... but so what? Ryall is an idiot and he's going to get ousted soon enough so it doesn't matter.

Plus, Hasbro and Toei are very different beasts.... and they're from very different countries. It's like trying to compare what a tiger will do with what a cheetah will do. it's dumb and stupid to do it.

plus you really think Toei won't make it goddamn law that Okatron studios is not to be used for any dubbing?
 
While they could do that, there is always the risk that Sabat and his cronies could worm his way back in once the initial scandal subsides and Toei stops paying attention.

Case in point, IDW Comics: the head editor of the company Chris Ryall put his company on the map by getting the rights to Transformers and My Little Pony. But he got stuck with GI Joe when Hasbro consolidated all of their properties into a master license where you had to pay for ALL of them, to get the ones that make money.

Ryall was a super SJW and not only did he hire a stark raving lunatic lefty named Aubrey Sitterson to write GI Joe, but also broke the spirit of longtime conservative writer Larry Hama, turning him into a 100% broken SJW anti-life drone. Hama had been writing the token monthly GI Joe book IDW was contractually obligated to publish or else lose everything; Ryall basically told the conservative Hama he had to go SJW and go SJW big time (turning Snake Eyes into a man who's brain was trapped in a woman's, Trump bashing galore, and an issue where a black GI Joe guy is attacked by white guys while on leave) because he was 100% set on giving Sitterson 100% control over the franchise so he could rape it in the name identity politics and shitting on the military and conservatives while having Sitterson's comic press cronies blood libel GI Joe fandom when they complained about how Sitterson was raping GI Joe.

Luckily GI Joe fandom had "ins" with Hasbro, who laid down the law as far as telling Ryall to shut Aubry up after Aubry made comments mocking survivors of the 911 terror attacks; who buy that point saw Sitterson's book hit super fucking low sales that forced him to do a relaunch under a new name to salvage the book Sitterson was writing. Ryall (who by this point was also forcing SJW garbage in pretty much EVERY Hasbro book save for MLP), was livid that Hasbro was shutting him and his boy down. Sitterson's relaunch was pretty much dead at this point and Ryall only got the three finished issues published by agreeing to ban Sitterson from interviews/don't promote his book and find a replacement writer for GI Joe as far as Sitterson being barred from the property. But then he let secretly Sitterson give an intervie Bleeding Cool where he blood libeled GI Joe fans and his critics as Nazis and Ryall was scheming like crazy to come up with a way to get Sitterson back on a third GI Joe book relaunch under an assumed name.

IDW by that point was drowning in debt and took over SEVERAL loans, which they only got because of them telling the bank lenders how they had the Hasbro comic license which would make them all sorts of money to pay off their debts. And Hasbro had a clause in their contract that said if IDW did something to damage their franchises licensed to them (like Sitterson had done GI Joe), Hasbro could void the entire god-damn license on the spot; meaning no GI Joe, no Transformers, no MLP, etc for IDW. Which was a huge deal, especially since the master license was also set to renew at the end of 2018 and the SJW antics of the company were already pissing Hasbro off.

So IDW ratted Ryall's plans to keep Sitterson on the GI Joe book/that he defied the compromise that was made by IDW to give them a chance to possibly keep the license come renewal time and let Sitterson give interviews attacking GI Joe fandom. IDW was told Ryall had to be fired or else they would have their licensed voided for damage done to the GI Joe brand. Which would have created a domino falling chain to kill IDW dead within months.

Ryall was fired and Aubry was informed he was permanently blackballed from IDW (which he continues to bitch about to this day). John Barber, one of the few non-crazy SJW writers, took over Ryall's job and did the above: bent the knee to ALL of Hasbro's demands: killed the ten year continuity of the now irrevocably pozzed Transformers continuity, rebooted the Transformers line under the "Alignment" principal of one unified G1 canon for the G1 version of Transformers across all media (something IDW had resisted for years), and firing all SJW writers from the Hasbro properties and replacing them with scrubs.

Everything was going good, Barber stepped down and was replaced once he saved everyone's asses and got the Hasbro contract renewed, but once Hasbro turned their back, Ryall connived to get his old job back. His replacement was #MeTooed out of his job (allegedly manipulated by Ryall) and his cronies rehired him. And one of his first orders upon taking over the company again, was greenlighting another SJW "fuck the military/fuck conservatives/fuck GI Joe fans" Joe book with a new SJW writer who is basically writing "What if Cobra stealth took over the United States and GI Joe, now all minorities and OC characters, was the resistance/antifa fighting against Cobra Commander doing a Trump impression?? "
Proud and highly vocal "Socialist and ANTIFA supporter" Aubrey Sitterson
 
I'm curious of Vic's legal team isn't trying to give Funimation a way out at this point.

"So guys, you've got a lot on your plate. There's our lawsuit and your lucrative relationship with Toei is probably looking a little shaky right now. I'm a bit of a military history buff, and I can tell you fighting a war on two fronts is bloody, expensive, and historically ends poorly. Now I can't help you with Toei, but I can end some of your legal bills, free up many members of your staff from hours spent in deposition, and in all likelihood, remove the incentive for people sympathetic to my client from continuing to pick up rocks in your organization to see what crawls out. What do you say, counselor, do you concur?"
 
I think Takahata101 is legitimately good, the rest are just passable for me.


But do they care if a dub actor comes back to voice a character they voiced previously? That's what I was referring to. Outside of just wanting things to stay consistent, I don't think they're super invested in that regard,

Takahata101 is hands down their best. Kaiser is extremely good, but he's underutilized as an actor due to the fact that he's busy being the editor and probably their CEO. (Kaiser is also the one with the most success elsewhere, as he's shown up in minor roles in Funimation anime - he has a short recurring role as a side character in WIXOSS, which is an irrelevant anime, but still a legitimate role). Lani/Nick is probably the worst of the three, but I'd argue that's still leagues beyond most of the amateur VAs involved in the abridged and Youtube dubbing scenes, and more than decent enough to be a minor dub actor. Other than the guy they picked for Cloud Strife, obviously. He blew all of their success (and skill) away by going on to become Midoriya/Deku.

Toei absolutely does not allow their VAs to go on and voice the same character elsewhere. That's a common thing and not just them. Toei also absolutely will not allow any TFS person to cameo in their properties with one of the characters they voiced in DBZA. The VAs can guest star in both directions, but not as their characters.
 
Ill say it as many times as I need to for the faggots that can't hear.

You guys are still missing the point.

It's not the clip itself that's damaging actually most people will find the novelty in the clips.it's funny and vile if it's in the context of humor.it really shows that funimation does not put a leash on their contracted voice actors.funimation has aggressively claimed that they have workplace harrasment polices that they actively enforce.

Really intresting is they funimation let 4 and a half minute clip of audio that includes calling Mr popo an "indentured servent" mocks homosexuality repeatedly and use pedophila for laughs to get edited and saved on Funi servers.

This wasn't the only clip.another clip features Mr Satan talking about his "gorgeous cock".the clip was not only taken once but twice.

Another clip features chi chi moaning and crying out gohans Name implying mother and son incest.

There is no way you can't convince any resonable person that you take your sh polices seriously.its clear that offensive and sexual humor is apart of the core part of your workplace.

Funimation fired vic over inappropriate workplace conduct.they have to pin all the other voice actors for doing the same thing.

This is why the clips matter play this to a jury and they will not take funimations policy seriously.they obviously didn't enforce them until it was convenient to do so.
ohhhh now it makes sense. this will make vic win the lawsuit easily
 
$24 BILLION is a pretty big investment... I'm no Warren Buffet, but if my business has something that's generated $24 BILLION in revenue, I'm going to (1) learn all the details about it, and (2) change very little of it without damn good reason. I'm going to go out on a limb here and say I'm probably not alone in that line of thinking.

Lol, you've seen Hollywood and Sony's shenanigans lately, right?
 
While they could do that, there is always the risk that Sabat and his cronies could worm his way back in once the initial scandal subsides and Toei stops paying attention.

Case in point, IDW Comics: the head editor of the company Chris Ryall put his company on the map by getting the rights to Transformers and My Little Pony. But he got stuck with GI Joe when Hasbro consolidated all of their properties into a master license where you had to pay for ALL of them, to get the ones that make money.

Ryall was a super SJW and not only did he hire a stark raving lunatic lefty named Aubrey Sitterson to write GI Joe, but also broke the spirit of longtime conservative writer Larry Hama, turning him into a 100% broken SJW anti-life drone. Hama had been writing the token monthly GI Joe book IDW was contractually obligated to publish or else lose everything; Ryall basically told the conservative Hama he had to go SJW and go SJW big time (turning Snake Eyes into a man who's brain was trapped in a woman's, Trump bashing galore, and an issue where a black GI Joe guy is attacked by white guys while on leave) because he was 100% set on giving Sitterson 100% control over the franchise so he could rape it in the name identity politics and shitting on the military and conservatives while having Sitterson's comic press cronies blood libel GI Joe fandom when they complained about how Sitterson was raping GI Joe.

Luckily GI Joe fandom had "ins" with Hasbro, who laid down the law as far as telling Ryall to shut Aubry up after Aubry made comments mocking survivors of the 911 terror attacks; who buy that point saw Sitterson's book hit super fucking low sales that forced him to do a relaunch under a new name to salvage the book Sitterson was writing. Ryall (who by this point was also forcing SJW garbage in pretty much EVERY Hasbro book save for MLP), was livid that Hasbro was shutting him and his boy down. Sitterson's relaunch was pretty much dead at this point and Ryall only got the three finished issues published by agreeing to ban Sitterson from interviews/don't promote his book and find a replacement writer for GI Joe as far as Sitterson being barred from the property. But then he let secretly Sitterson give an intervie Bleeding Cool where he blood libeled GI Joe fans and his critics as Nazis and Ryall was scheming like crazy to come up with a way to get Sitterson back on a third GI Joe book relaunch under an assumed name.

IDW by that point was drowning in debt and took over SEVERAL loans, which they only got because of them telling the bank lenders how they had the Hasbro comic license which would make them all sorts of money to pay off their debts. And Hasbro had a clause in their contract that said if IDW did something to damage their franchises licensed to them (like Sitterson had done GI Joe), Hasbro could void the entire god-damn license on the spot; meaning no GI Joe, no Transformers, no MLP, etc for IDW. Which was a huge deal, especially since the master license was also set to renew at the end of 2018 and the SJW antics of the company were already pissing Hasbro off.

So IDW ratted Ryall's plans to keep Sitterson on the GI Joe book/that he defied the compromise that was made by IDW to give them a chance to possibly keep the license come renewal time and let Sitterson give interviews attacking GI Joe fandom. IDW was told Ryall had to be fired or else they would have their licensed voided for damage done to the GI Joe brand. Which would have created a domino falling chain to kill IDW dead within months.

Ryall was fired and Aubry was informed he was permanently blackballed from IDW (which he continues to bitch about to this day). John Barber, one of the few non-crazy SJW writers, took over Ryall's job and did the above: bent the knee to ALL of Hasbro's demands: killed the ten year continuity of the now irrevocably pozzed Transformers continuity, rebooted the Transformers line under the "Alignment" principal of one unified G1 canon for the G1 version of Transformers across all media (something IDW had resisted for years), and firing all SJW writers from the Hasbro properties and replacing them with scrubs.

Everything was going good, Barber stepped down and was replaced once he saved everyone's asses and got the Hasbro contract renewed, but once Hasbro turned their back, Ryall connived to get his old job back. His replacement was #MeTooed out of his job (allegedly manipulated by Ryall) and his cronies rehired him. And one of his first orders upon taking over the company again, was greenlighting another SJW "fuck the military/fuck conservatives/fuck GI Joe fans" Joe book with a new SJW writer who is basically writing "What if Cobra stealth took over the United States and GI Joe, now all minorities and OC characters, was the resistance/antifa fighting against Cobra Commander doing a Trump impression?? "

To me, the Aubrey Sitterson situation is a tragic one. Before he went in deep into the comic industry, he was the Community Manager for 2K's WWE Games until after the release of WWE 2K14. He was very active on the 2K Forums, but he did have detractors and some of them migrated to Smackdown Hotel.
It seems that he's put his experience in both of these worlds into the creation of The Comic Book Story of Professional Wrestling: A Hardcore, High-Flying, No-Holds-Barred History of the One True Sport,
https://www.amazon.com/Comic-Book-Story-Professional-Wrestling/dp/0399580492
It's a shame WWE 2K14's online portion got plugged. Otherwise, you could've found his OC and beat the crap out of him.
But, I digress.

As for Sabat, I don't know why he made such a big production of that audio.
What audience, beside himself, did he make that for?
 
I doubt that Toei pays that much attention to the casting decisions of foreign market.

With Dragon Ball, they definitely fucking do.

Dragon Ball is a HUGE fucking cash cow in the US, and never really went away due to the video games, DVD releases (and redubbing of DBZ on DVD once Fuimation reclaimed full control over the home video rights to US Seasons 1-2) and the fact that DBZ launched in the west almost at the same time that it ended in Japan.

It's why we even have Kai to begin with (Toei saw how DBZ never really went away in the US and the money the DVDs and video games were making) and that we got the Buu Saga recut too, because Kai was such a huge hit in the US. Which in turn led to Super happening.
 
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