Artcow JDR / Jennifer Diane Reitz / Chatoyance - The Original Crazy Tranny

She's truly a great artist and worldbuilder but I think she's ahead of her time. A boomer weeaboo who derives inspiration from both golden age sci-fi, underground comix, and modern anime/manga, capturing the emphasis on mood it puts when most western artists at that time just went "lol big eyes" when emulating it. Now we've got an entire generation who learned to draw from anime and styles subsequently derived from it, and it's so commonplace that overtly, authentically western styles are now considered exotic and unique, if the success of Cuphead is any indication. She's another example of those few artists who synthesized eastern and western conventions in such a way that they truly worked together, like in Elfquest. Before furry culture was known and mocked by the mainstream she took on a very unconventional fursona.

She had great potential, seeing how she devoted herself so much to worldbuilding before there was even a word for it, but tragically she tossed it all away in favour of misanthropic MLP fics. And let's not forget her lack of self-awareness and ignorance of internet culture, like the boomer she is. I find it befuddling that someone of her intelligence would be surprised by the abundance of man-children on a website dedicated to fanfictions of a TV show intended for little girls.

The sheer amount of cool stuff she left behind her over the decades, never to be seen, is staggering. As one who enjoys trawling through the buried dreams of internet 1.0, made by imaginative young people who've long since abandoned their email addresses and associated projects, I can only feel the deepest melancholy when scrolling through her lore, knowing that JDR, who actively lurks on Deviantart, will never return to what she's best at again. There are times when I wish I could meet her in person and come to a compromise; any compromise, that might lead to her setting books and sundry creations seeing the light of day, and maybe even get published, like some kind of late 20th-century Silmarillion. To think that almost twenty years ago she had a respectable number of fans - now I can find nowhere discussing her works, not even on 4chan or reddit. The fact that most of their forums are lost to the mists of time exacerbates this fact.

But then again, I suspect she might have schizophrenia, given how she wrote Unicorn Jelly from the seat of her pants. From her biographical comics I suppose she came from a heavily religious background. And considering the lingering traumas that American evangelism left in the minds of many a 21st-century artist, it manifests in its most blatant form as the Church of Godan in Pastel Defender Heliotrope. For as much thought as she puts into other aspects of her imagination she has nothing but contempt for religion, from which she likely turned to fiction for refuge. When it comes to religion I suppose I can liken her to the Euphoric Atheists of reddit, but then again, given she lacks knowledge of internet culture, she will probably endorse them without question.

So what can I say about JDR? She is a genius and a moron at the same time. When you look at her decision-making skills and the way she interacts with people, you'll see a buffoon. But when you see the sheer elaboration and ambition of her work, you'll see a master artist. If her skills, especially her financial and social skills, were a tiny bit better, I can only imagine how far she might have gone. As an artist I envy her creativity and vision, even if most of them may not have been conscious, but her actions serve as a cautionary tale for me. To always keep your foot on reality, or else you will lose awareness of the person you are becoming.
 
She's truly a great artist and worldbuilder but I think she's ahead of her time. A boomer weeaboo who derives inspiration from both golden age sci-fi, underground comix, and modern anime/manga, capturing the emphasis on mood it puts when most western artists at that time just went "lol big eyes" when emulating it. Now we've got an entire generation who learned to draw from anime and styles subsequently derived from it, and it's so commonplace that overtly, authentically western styles are now considered exotic and unique, if the success of Cuphead is any indication. She's another example of those few artists who synthesized eastern and western conventions in such a way that they truly worked together, like in Elfquest. Before furry culture was known and mocked by the mainstream she took on a very unconventional fursona.

She had great potential, seeing how she devoted herself so much to worldbuilding before there was even a word for it, but tragically she tossed it all away in favour of misanthropic MLP fics. And let's not forget her lack of self-awareness and ignorance of internet culture, like the boomer she is. I find it befuddling that someone of her intelligence would be surprised by the abundance of man-children on a website dedicated to fanfictions of a TV show intended for little girls.

The sheer amount of cool stuff she left behind her over the decades, never to be seen, is staggering. As one who enjoys trawling through the buried dreams of internet 1.0, made by imaginative young people who've long since abandoned their email addresses and associated projects, I can only feel the deepest melancholy when scrolling through her lore, knowing that JDR, who actively lurks on Deviantart, will never return to what she's best at again. There are times when I wish I could meet her in person and come to a compromise; any compromise, that might lead to her setting books and sundry creations seeing the light of day, and maybe even get published, like some kind of late 20th-century Silmarillion. To think that almost twenty years ago she had a respectable number of fans - now I can find nowhere discussing her works, not even on 4chan or reddit. The fact that most of their forums are lost to the mists of time exacerbates this fact.

But then again, I suspect she might have schizophrenia, given how she wrote Unicorn Jelly from the seat of her pants. From her biographical comics I suppose she came from a heavily religious background. And considering the lingering traumas that American evangelism left in the minds of many a 21st-century artist, it manifests in its most blatant form as the Church of Godan in Pastel Defender Heliotrope. For as much thought as she puts into other aspects of her imagination she has nothing but contempt for religion, from which she likely turned to fiction for refuge. When it comes to religion I suppose I can liken her to the Euphoric Atheists of reddit, but then again, given she lacks knowledge of internet culture, she will probably endorse them without question.

So what can I say about JDR? She is a genius and a moron at the same time. When you look at her decision-making skills and the way she interacts with people, you'll see a buffoon. But when you see the sheer elaboration and ambition of her work, you'll see a master artist. If her skills, especially her financial and social skills, were a tiny bit better, I can only imagine how far she might have gone. As an artist I envy her creativity and vision, even if most of them may not have been conscious, but her actions serve as a cautionary tale for me. To always keep your foot on reality, or else you will lose awareness of the person you are becoming.

Most excellent necroage my kiwibrogham!

Fucking love JDR for the pure insantity he/she epitomizes. That 'Kokoro Wish' comic is the most passive/aggressive and yet autistic as fuck bullshit i've ever seen on the web in all my long LONG fucking years seeing the Internet change from ARPANET to USENET to web 1.0 to the clusterfck we have today. The fact that he/she created one of the first real popular gaming websites of the web 1.0 era in happypuppy.com and managed to both sell it to some cucked corp for a cool million and piss it away while said corp pissed the value of the website away at the time of the bubble is legendary, the unbelievable clusterfuck that is Pastel Defender Heliotrope and all the 'bad webcomics' wars that surrounded it, topped off by the fact that JDR is the prototype of the 'insane troon' who really never should have been allowed to consider GRS means he/she's one of my all time faves. Nice to see it's disgusting, stank transtrender ass on the first page of the farms again. It's been far too long.
 
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So what can I say about JDR? She is a genius and a moron at the same time. When you look at her decision-making skills and the way she interacts with people, you'll see a buffoon. But when you see the sheer elaboration and ambition of her work, you'll see a master artist. If her skills, especially her financial and social skills, were a tiny bit better, I can only imagine how far she might have gone. As an artist I envy her creativity and vision, even if most of them may not have been conscious, but her actions serve as a cautionary tale for me. To always keep your foot on reality, or else you will lose awareness of the person you are becoming.
there are so many crazyperson-savants who just need the artistic equivalent of a personal trainer to keep them on task and make them improve in areas they're lacking in. and also an editor to keep their shit together. they're often so sure of themselves that they assume they're amazing at everything when they're only great at one or two things and could be truly amazing if they trained in those aspects. or they just don't realize what individual talents they have and squander all of it.
 
Most excellent necroage my kiwibrogham!

Fucking love JDR for the pure insantity he/she epitomizes. That 'Kokoro Wish' comic is the most passive/aggressive and yet autistic as fuck bullshit i've ever seen on the web in all my long LONG fucking years seeing the Internet change from ARPANET to USENET to web 1.0 to the clusterfck we have today. The fact that he/she created one of the first real popular gaming websites of the web 1.0 era in happypuppy.com and managed to both sell it to some cucked corp for a cool million and piss it away while said corp pissed the value of the website away at the time of the bubble is legendary, the unbelievable clusterfuck that is Pastel Defender Heliotrope and all the 'bad webcomics' wars that surrounded it, topped off by the fact that JDR is the prototype of the 'insane troon' who really never should have been allowed to consider GRS means he/she's one of my all time faves. Nice to see it's disgusting, stank transtrender ass on the first page of the farms again. It's been far too long.

I've come to see her as a prophetic figure as of late.

While reading Pastel Defender Heliotrope she grades every page of her comic with a parody of the ESRB directly mocking christianity the same way the "Libtards destroyed with Facts and Logic" videos on youtube take shots at the regressive left. But then I have to remember that JDR spent the majority of her life away from the internet, a time when adults fixated on nerdy hobbies and children's media were truly outcasts in every sense of the word without any refuge in which to cloister one's ego. So to her, Christianity as she knows it is this omnipresent, terrible force that is the facilitator of the world's woes, judging by her anecdotes of the seriously nasty evangelicals she's known. Nowadays dunking on Christians is a trite and safe thing to do, but when she did it she thought she was some kind of edgy rebel against society. Maybe in the distant future when the pendulum of moral panic swings the opposite direction or hopefully hangs still, every mockery we've made of the trendy ideologies that plague today's social media will look like us beating a dead horse. JDR's boogeyman is an American mindset that frankly, doesn't exist in the 2020s.

While her liberal ideals don't hold up to the capricious, ever-changing rules that are alright one day and heretical the next, I've found she espouses similar ideas, in a more subtle, thought-out and sensible manner, that are blared on repeat ad nauseam in today's popular culture. I've found statements about sexuality and gender that constitute the fundaments of their ideology, albeit watered-down to a point that would make her anathema on twitter today, spoken of as though they were radical ideas. The usual pablum about "girls can do anything!" that has been drilled into our heads so long that it's become fact, said like she's a lone and independent woman in Gilead. I suppose what once constituted a conservative or a liberal were entirely different things in her time. Unicorn Jelly and Pastel Defender Heliotrope are true exemplars of yesteryear's counterculture.

There's also her anime website. Uguu! Nyaa! You won't see that style anymore. Even when the artists of modernity try to copy 90s anime, all of them have failed to brutally deform those heads and throw those stiff proportions out the window.

She's not just the prototype insane troon. She's the prototype furry, the prototype weeaboo, the prototype otherkin. The prototype shitlord, the prototype SJW and obsessive worldbuilder as codified by reddit.

The prototype lolcow - like Chris-Chan, if he had savant-level intelligence and an obsession with more sophisticated media.
 
That anime website is literally frozen in time, too. I remember there was some bitchy review up on Secret of Evermore from JDR; a bit telling, as that's considered to be a WRPG now. I guess there's a bunch of stuff there was "subscription only" and was never posted up to where we can read it, I wonder what other WRPGs JDR shat on?

edit: And here it is

Wow, going through Jen's old website really is a Web 1.0 archeological dig! I even found a link there for the proverbial 'living fossil', a 1995-designed webpage that is still actively updated today, the source of many a parody song used in YT poops and other meme-y shit to this day, the Doctor Dememto radio show website! Wow, just wow.
 
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Wow, going through Jen's old website really is a Web 1.0 archeological dig! I even found the proverbial 'living fossil', a 1995-designed webpage that is still actively updated today, the source of many a parody song used in YT poops and other meme-y shit to this day, the Doctor Dememto radio show website! Wow, just wow.
If it works, it works. Javascript is shit, btw.
 
Wow, going through Jen's old website really is a Web 1.0 archeological dig! I even found the proverbial 'living fossil', a 1995-designed webpage that is still actively updated today, the source of many a parody song used in YT poops and other meme-y shit to this day, the Doctor Dememto radio show website! Wow, just wow.
A website? not using JAVascript? as well having a fluent and very nostalgic looking feeling? holy shit what a jackpot.
 
There's also her anime website. Uguu! Nyaa! You won't see that style anymore. Even when the artists of modernity try to copy 90s anime, all of them have failed to brutally deform those heads and throw those stiff proportions out the window.

Oh man, that takes me back. I miss 90's anime, everything felt so angular and spiky.
 
Holy fuck, I remember looking at this shit. There was one comic where he drew a character with an fucking banana chin.

I think you're talking about To Save Her, which is the third and final installment of her trilogy. Right now i'm halfway through Pastel Defender Heliotrope, having finished Unicorn Jelly, and man... I can scarcely wrap my head around the plot, the protagonists and their personalities resonate with me as much as a wet towel to the face, and strike me as the egotistic projections of a recluse who never strays from a very limited social circle. She's a person who's more in touch with her own ideas than with other people, and this shows through her art. People are drawn as crude, childish doodles, while her drawings of alien vistas and diagrams explaining their inner workings truly hold a candle to moebius's psychedelic art. Which is why I hold her as an example of what happens to an artist when you look so far into yourself you lose touch with what's around you.

Although the footnotes were enjoyable to read she's made them so big they've detracted attention from the actual comic. What I would have done would be to slowly reveal information through small details interwoven in the idle actions of the main characters, or better yet - find a way to integrate them as plot points. Let the readers figure it out themselves, if it's too hard to understand then all the better for you should they discuss it with each other and come up with their own theories - this sort of publicity is the best publicity. The last thing you want to do is dump it all on your readers at the beginning. The hardest thing to do with impressive worldbuilding is knowing where, when, and how to put them into a story.

I suppose her muse wasn't around to help her then like it had when she drew Unicorn Jelly.

Oh man, that takes me back. I miss 90's anime, everything felt so angular and spiky.

The 90s was a time when the aesthetic difference between western and eastern comics and animation were at their most divergent points. When it was marketed to the west at this time, the superficial aspects of anime were seriously emphasized to contrast with them dull, sweaty, limp-haired, musclebound yank toons. Now there's so much cultural cross pollination between Japan and America, from nostalgia especially on the latter's part, that I speculate there will come a day when there will be no difference between the common artstyles of either cultural spheres.

While reading PDH I came across a footnote that summarized my point quite retroactively:

Manga and anime were born of the interaction between the American occupation of Japan (television shows, American cartoons on the silver screen, especially things like Betty Boop and Disney), as well as French cartoonists of the time, mixed together with traditional Japanese painting, especially the works of Katsushika Hokusai, who invented the word 'Manga' (thoughtless, unconscious or whimsical paintings). Originally, what became manga and anime were attempts to copy, to recreate, the wonder of foreign cartoons and animation, albeit with an unavoidable Japanese take on the look and style. In time, a new look was born that was unique.

The word 'anime' was borrowed from the French language, and in Japan is used for all animation, of any type, from anywhere in the world. Manga is cartoons, also from anywhere, though Korean manga is called 'Manwha', a slight alteration of pronounciation. Without the American occupation, without the influence of cartoons, animation and television from overseas, there would not have been Kamishibai, and without Kamishibai, there would have been no modern manga and anime being made in Japan. Japanese styled cartoons and animation have become so popular in America and France, now, that both nations have many people drawing and creating animations following that style.

Full circle.

Now it's rounded and elegant, watered-down and subtle. Thin lines and curves abound. Not extreme and bold like it was. Although I suppose the 90s style worked wonders with the early internet. Brighter colours and more varying brush widths would have looked lovely in lower resolutions. For the most part people gave less of a damn about proportions. I myself prefer the gradients and colouring of that period from today. With regards to those westerners who never stopped trying to emulate it, shutting themselves off from recent developments, I present to you Catgirl Island.
 
She's truly a great artist and worldbuilder but I think she's ahead of her time. A boomer weeaboo who derives inspiration from both golden age sci-fi, underground comix, and modern anime/manga, capturing the emphasis on mood it puts when most western artists at that time just went "lol big eyes" when emulating it. Now we've got an entire generation who learned to draw from anime and styles subsequently derived from it, and it's so commonplace that overtly, authentically western styles are now considered exotic and unique, if the success of Cuphead is any indication. She's another example of those few artists who synthesized eastern and western conventions in such a way that they truly worked together, like in Elfquest. Before furry culture was known and mocked by the mainstream she took on a very unconventional fursona.

She had great potential, seeing how she devoted herself so much to worldbuilding before there was even a word for it, but tragically she tossed it all away in favour of misanthropic MLP fics. And let's not forget her lack of self-awareness and ignorance of internet culture, like the boomer she is. I find it befuddling that someone of her intelligence would be surprised by the abundance of man-children on a website dedicated to fanfictions of a TV show intended for little girls.

The sheer amount of cool stuff she left behind her over the decades, never to be seen, is staggering. As one who enjoys trawling through the buried dreams of internet 1.0, made by imaginative young people who've long since abandoned their email addresses and associated projects, I can only feel the deepest melancholy when scrolling through her lore, knowing that JDR, who actively lurks on Deviantart, will never return to what she's best at again. There are times when I wish I could meet her in person and come to a compromise; any compromise, that might lead to her setting books and sundry creations seeing the light of day, and maybe even get published, like some kind of late 20th-century Silmarillion. To think that almost twenty years ago she had a respectable number of fans - now I can find nowhere discussing her works, not even on 4chan or reddit. The fact that most of their forums are lost to the mists of time exacerbates this fact.

But then again, I suspect she might have schizophrenia, given how she wrote Unicorn Jelly from the seat of her pants. From her biographical comics I suppose she came from a heavily religious background. And considering the lingering traumas that American evangelism left in the minds of many a 21st-century artist, it manifests in its most blatant form as the Church of Godan in Pastel Defender Heliotrope. For as much thought as she puts into other aspects of her imagination she has nothing but contempt for religion, from which she likely turned to fiction for refuge. When it comes to religion I suppose I can liken her to the Euphoric Atheists of reddit, but then again, given she lacks knowledge of internet culture, she will probably endorse them without question.

So what can I say about JDR? She is a genius and a moron at the same time. When you look at her decision-making skills and the way she interacts with people, you'll see a buffoon. But when you see the sheer elaboration and ambition of her work, you'll see a master artist. If her skills, especially her financial and social skills, were a tiny bit better, I can only imagine how far she might have gone. As an artist I envy her creativity and vision, even if most of them may not have been conscious, but her actions serve as a cautionary tale for me. To always keep your foot on reality, or else you will lose awareness of the person you are becoming.

Just realized that her "fursona" is clearly based on esper-form Terra from FF6, fits with the 90's anime timeline.
 
It's weird to think about how long JDR has been in the periphery of my life. As a kid, I loved shareware games. One of the games I had was Boppin', a puzzle-platformer hybrid published by Apogee. Even as a kid, something struck me as off, the logo of the company was a bloody teddy stabbed with a knife, the game included a lengthy manifesto about games being for adults and games being art, and when you lost a life, the characters would commit suicide with a gun or a a sword. Later versions of the game were changed by request of Apogee, removing the bear and suicide graphics, although they could be re-enabled with a command. JDR later called this "censorship".
179020-boppin-dos-screenshot-a-logo-to-go-down-in-the-history-books.png
179021-boppin-dos-screenshot-they-seemed-darned-proud-of-it-so-i.png

The back story of the game is that all fictional works are in fact parallel multiverses, preceding Pastel Defender Heliotrope, but also Chris-chan's beliefs. (Edit: I just noticed that it refers to "religious heavens and hells" in the context of other fictional universes.)
179027-boppin-dos-screenshot-introduction-worlds-of-fiction.png


A few years later, I would get the internet at home and eventually discovered both Happy Puppy and Otaku World. I found my way to JDR's personal page. That was certainly my introduction to the concept of transexuals and the nerd poly house. In retrospect, Accursed Toys starting out as an Amiga developer makes sense. In North America at least, the Amiga attracted a certain type of perverted nerd.

I didn't notice JDR again until the mid-2000s, when the "Kokoro Wish" comic pop up on PoE or SA. Now an older teen who had seen and understood the weird underbelly of the internet, I was blown away to realize that this was the same person behind Boppin', Happy Puppy and Otaku World, and that weird personal website. JDR would have been my first lolcow, although I didn't know it at the time.

JDR and Stephen Lepisto have been involved in multiple successful ventures over the years, yet they never seem to make it work. The money they made from selling Happy Puppy alone, properly invested, should've had them set.
 
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Just realized that her "fursona" is clearly based on esper-form Terra from FF6, fits with the 90's anime timeline.
noodlehair.jpg
Terraesper.JPG.jpg


You're not far off. Puberty sure hit Aeala hard. Speaking of alternate forms,

jenny1.jpg
jenny2.jpg

She didn't look too bad, or maybe it's just the blurry polaroid resolution speaking. I can imagine her looking like a 1980's-looking Blaire White.

It's weird to think about how long JDR has been in the periphery of my life. As a kid, I loved shareware games. One of the games I had was Boppin', a puzzle-platformer hybrid published by Apogee. Even as a kid, something struck me as off, the logo of the company was a bloody teddy stabbed with a knife, the game included a lengthy manifesto about games being for adults and games being art, and when you lost a life, the characters would commit suicide with a gun or a a sword. Later versions of the game were changed by request of Apogee, removing the bear and suicide graphics, although they could be re-enabled with a command. JDR later called this "censorship".
View attachment 1162362 View attachment 1162363
The back story of the game is that all fictional works are in fact parallel multiverses, preceding Pastel Defender Heliotrope, but also Chris-chan's beliefs. (Edit: I just noticed that it refers to "religious heavens and hells" in the context of other fictional universes.)
View attachment 1162364

A few years later, I would get the internet at home and eventually discovered both Happy Puppy and Otaku World. I found my way to JDR's personal page. That was certainly my introduction to the concept of transexuals and the nerd poly house. In retrospect, Accursed Toys starting out as an Amiga developer makes sense. In North America at least, the Amiga attracted a certain type of perverted nerd.

I didn't notice JDR again until the mid-2000s, when the "Kokoro Wish" comic pop up on PoE or SA. Now an older teen who had seen and understood the weird underbelly of the internet, I was blown away to realize that this was the same person behind Boppin', Happy Puppy and Otaku World, and that weird personal website. JDR would have been my first lolcow, although I didn't know it at the time.

JDR and Stephen Lepisto have been involved in multiple successful ventures over the years, yet they never seem to make it work. The money they made from selling Happy Puppy alone, properly invested, should've had them set.

Ah! The juxtaposition of the cute and gory! Amazing that this kind of subject matter passed as subversive and edgy when it was programmed. Wonder how CWC would think of JDR's Multiverse, although I doubt that OPL would have the mental faculties to really grasp the whole thing.

There are six damn volumes of content. Six damn volumes of top-of-the-line worldbuilding, kept away from the internet. Maybe years later this will be held to similar acclaim as Henry Darger's Realms of the Unreal. There are Whitepages for Jennifer Diane Reitz and two of her spouses, Eldenath DeVilya (Old enough t'devil ya!) and Stephen Lepisto, but I doubt the information is up to date.

It would be wholly selfish and unreasonable of me to request that she scan every volume for the sake of my gnawing curiosity. So my approach would be to do it professionally on behalf of a publishing company and market it as a system-agnostic vaguely OSR setting book. It may take a while, but I have set aside this goal until I find an opportunity to do so.

From what I can tell, in the year 2020 Anno Domini, JDR is this enigmatic figure who haunts the rosy fog of nostalgia in the minds of millennials. Previous posters in this thread have spoken of their experiences with her, but never a recount of interacting with her during her prime. Now that the Unicorn Jelly forums are dead and gone, perchance someone on Kiwifarms might remember posting (or lurking, either counts) there.

Seeing that there's nowhere online discussing her (even /tg/ is nigh-void of mentions), such a story would be greatly appreciated.
 
Seeing that there's nowhere online discussing her (even /tg/ is nigh-void of mentions), such a story would be greatly appreciated.

JDR's main problem at retaining an audience is treating anything less than absolute praise as being the equivalent of the most vicious attack imaginable and this has led to most projects ending in controversy or failure. This is unfortunate.
 
It's weird to think about how long JDR has been in the periphery of my life. As a kid, I loved shareware games. One of the games I had was Boppin', a puzzle-platformer hybrid published by Apogee. Even as a kid, something struck me as off, the logo of the company was a bloody teddy stabbed with a knife, the game included a lengthy manifesto about games being for adults and games being art, and when you lost a life, the characters would commit suicide with a gun or a a sword. Later versions of the game were changed by request of Apogee, removing the bear and suicide graphics, although they could be re-enabled with a command. JDR later called this "censorship".
View attachment 1162362 View attachment 1162363
The back story of the game is that all fictional works are in fact parallel multiverses, preceding Pastel Defender Heliotrope, but also Chris-chan's beliefs. (Edit: I just noticed that it refers to "religious heavens and hells" in the context of other fictional universes.)
View attachment 1162364

A few years later, I would get the internet at home and eventually discovered both Happy Puppy and Otaku World. I found my way to JDR's personal page. That was certainly my introduction to the concept of transexuals and the nerd poly house. In retrospect, Accursed Toys starting out as an Amiga developer makes sense. In North America at least, the Amiga attracted a certain type of perverted nerd.

I didn't notice JDR again until the mid-2000s, when the "Kokoro Wish" comic pop up on PoE or SA. Now an older teen who had seen and understood the weird underbelly of the internet, I was blown away to realize that this was the same person behind Boppin', Happy Puppy and Otaku World, and that weird personal website. JDR would have been my first lolcow, although I didn't know it at the time.

JDR and Stephen Lepisto have been involved in multiple successful ventures over the years, yet they never seem to make it work. The money they made from selling Happy Puppy alone, properly invested, should've had them set.

This happened to me last year when my friend brought up Boppin' and I went 'Reitz, that sounds familiar.... oh my god it's her'. At which point I got to tell him about her, all about her, and he was unsurprised.... And then a nearby other friend went 'wait, that's the PDH lady!' and it was a neat conversation. The sheer number of weird fucking things JDR has been involved in is impressive.

Though, mostly here to point out the 'all fictional works are parallel universes' thing was popularized if not invented by Heinlein in The Number of the Beast, which was a staple for weird kinky nerds in the 70's and 80's, to add another layer of density to it.
 
Though, mostly here to point out the 'all fictional works are parallel universes' thing was popularized if not invented by Heinlein in The Number of the Beast, which was a staple for weird kinky nerds in the 70's and 80's, to add another layer of density to it.
It seems like everything broken and perverted nerd leads back to Heinlein, doesn't it?
 
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