Always that one retard wanting to start shit.
View attachment 1418009
Never forget that BLM shot their own photographer dead.
https://kiwifarms.net/threads/blm-protester-kills-photographer-who-supported-the-movement.72434/
Anime got to where it is because frankly their artists have a WHOLE lot of commitment and drive and too many of ours have their heads up their asses. This isn't "Americans" v. "Japanese" though, because basically the anime industry is like the video game industry and the US doesn't have animators that're that driven. In Japan, you have had a bunch of little studios working for peanuts, trying to crank out a hit. Here in the US, you can find the same thing all over... for video games. You can find a ton of little indie shops of dedicated programmers that have dreamed of making their own "Quake" or GTA or whatever. But for some reason, we don't have a bunch of artists busting ass trying to make their own Evangelion or whatever.
It probably also helps that they have a thriving comics scene as well, whereas we worked very hard to nuke ours decades ago. Even now, with the recent popularity of some comics movies, we still generally hate the actual books. (doesn't help that the people that've taken control of those are insufferable douchebags)
Oh, I know plenty about that. I was talking about anime's social and cultural impact, and admittedly, yes, after when anime got huge post 2000, it kind of became East VS West in regards to animation. Animation schools and art schools were in full swing trying to deter any enthusiasm in anime related anything because said schools were trying to get western animation and art traditions to survive by any means. I can understand fad related sensation and its shallow indifferent fleetingness, but I'll sum things up with the term "Getting your just desserts". What did western animation do at this time that deserved it to keep its traditions alive? Outside of the DC animated universe, the Disney Renaissance, the coming of Nicktoons, and Cartoon Network, that honestly pales in comparison to anime's vast lexicon of shows and material it dared to give to the world and indirectly challenged all of the politically charged bedfellow collusion bullshit out west at the time. I still like western animation, but fuck does it needs to change its institutions.
Nowadays with CalArts shitting all over not just Tumblr and Twitter, but Netflix, Cartoon Network and Disney, again, I don't think they ever got the point of why anime got so big in the first place, and if anything, that just speaks to me that the majority of western animation schools have weathered down to ineffectual, indifferent, and socially detached space, time and money wasting facades clinging to outdated and unrefined traditions that never brought honor and pride to not only animation as a whole, but to its own definition and meaning of western animation when the world turned to a new age and went on without it. When anime came along and every inspired artist wanted to do the style and form of animation, and when art and animation schools brushed them off, that's when they already lost. I honestly could give less of a shit to whether something comes from here or there and have that impact my perception of quality on it; you don't see me going crazy over Italian and French fashions just because they're from the couture capitals of the world. You let me find something, you create something that inspires and relates and show it to me, you communicate through that why you are the best and why you are quality. Tumblrtards and Twittertwats and CalArtsfucks and other burnout feeble self-pity self-denial regreting turncoat weeaboos and losers will never grasp this. "The age chooses the man", indeed.
And now, as the 2020s start, nothing has changed, really. It's like the damn 1980s Japan Bubble Economy, only with sequential art and media.