I was taking a look at their mission statement for this game:
http://revolution60.com/page1/
"I feel like there's a huge gap in the market right now," says Brianna Wu, head of development. "Players are craving narrative. And tech is advanced enough that we can deliver. When I think about the most moving experiences I've had in game, they all had to do with character and story."
This is not a tech-heavy game. Compare their game to
Dead Trigger (YouTube play through link), which was released two years before Revolution60.
Not long afterwards, Maria Enderton, a classmate with Warner from BU-CDIA, was added to the team as lead programmer. Working together, the three started to unravel Unreal iOS, a technology few developers had experience with.
They used Unreal Engine 3. Revolution60 was released in 2014, with development beginning in 2011. People had been released Unreal Engine 3 games on iOS since at least 2009. Granted it's in 2012 we saw a big jump, but they make it seem as if they were Raiders of The Lost Engine.
"There are tons of developers with Unreal experience," said Wu. "But we kept running into all these problems no one had solved on mobile before. Like female hair. It's pretty, but it's very computationally expensive. We had to figure out how to rig the hair in ways that would not break the framerate of the iPad."
Oh fucking bullshit! They're not modelling strands of hair - the hairstyles are big objects and no different to modelling arms and legs. This is not computationally expensive. Watch this
video. Look at the hair, how it moves, and ask yourself if this movement is at all significant when compared to the overall complexity of the scenes being rendered? To call out female hair, in this game, as being a challenge would be like Valve telling the story of how they finally found a way to have both a crowbar and decent frame rates in HL2.
I don't hate the game. It's vaguely entertaining for a short while. I just don't think it's a particularly good game, and I think their comments on their challenges reads like a teenager's resumé.