Okay, first, no bullshit. Its something he regularly has done. He inserted battle meditation to explain Endor.
The fact that Zahn establishes new in-universe rules and material to retcon elements isn't what's in dispute here. You were trying to make the claim that Zahn was forced to reconcile with the events of
Dark Empire because he had no other choice, as if he was pushed into a corner by Tom Veitch's unwillingness anything, when if anything the opposite is true. When
Dark Empire and
Heir to the Empire were being produced simultaneously...the former having been in the development stages longer than the latter...Veitch made changes to accomodate for Zahn's books. Zahn has very publicly stated that he wasn't willing to make any such changes to his work, because he was not a fan of the ideas and narrative present in
Dark Empire. He wasn't willing to change the placement of his books in the timeline, and he refused to incorporate any references to the events of
Dark Empire in his Thrawn Trilogy.
And the one time he makes any sort of reference to it in his later work is to denounce Palpatine as a fake the entire time, just because he didn't like that as a story idea.
That's a far cry from introducing retcons to explain events like Endor.
He's collaborated with Stackpole and other writers so you are wrong there. There are pieces he's co-written with others.
What? Vision of the Future references a ton of EU material. Corran Horn appears prominently, and he was created by Stackpole for the X-wing series.
Of course he collaborated and accommodated with people like Stackpole. He just didn't do it for Veitch, for some inexplicable reason...in spite of the comics doing everything they could do accommodate
Heir To The Empire.
Zahn works with other authors, but he's well-known for being inflexible and not bucking with ideas he doesn't like. Not all of the authors commissioned to work on NJO were completely in love with the concept of the Vong, but you didn't see them screech the story to a halt and have a character babble in-universe about how much the author thinks the concept of the Vong is a crock of shit, and that they're probably not immune to the Force. If Zahn encounters an idea he doesn't like, he doesn't budge. Other EU authors and even the Dark Horse writers themselves have re-affirmed this several times.
Never met one until now. I certainly don't think its the same thing and he didn't bring that clone of Thrawn. Thrawn stayed down and was impersonated by a con man...
It's news to me that Vision of the Future is considered to be weak, too, because aside from the fact that the series could probably have used a third novel (despite how much of a door-stopper Vision of the Future is)
You should browse some of the old Force.Net Literature boards, because opinions on the
Hand of Thrawn Duology are decidedly more mixed.
I'm not saying
I don't like it. I myself prefer them to the
Thrawn Trilogy, but that's largely because it's better paced and features more interesting interactions between Luke and Mara.
Okay. Are you putting Traviss' Star Wars books as better than Timothy mutherfuckin' Zahn?
Bookwise? I haven't read enough of Traviss' work to place her higher than anybody. In terms of maintaining continuity without breaking it to voice her skepticism of previous story arcs? Yeah, she hasn't done that yet in any of the books I've read.
Zahn has. I also don't put him on the same pedestal as the rest of the fandom does...especially in the wake of his newer books, which are just Godawful. He has his share of good work---in fact, I think his Mara Jade comics, standalone novel, and
Outbound Flight book all outshine his work in the 90's. But he's every bit as capable of churning out horrible writing, very much like Traviss or Denning.
The difference is that, like Filoni, the fandom can't seem to level any criticism at him. The only other author equivalents I've seen that can seemingly buy that kind of blind, white-knighting goodwill from fans are Charles Soule and Claudia Grey, and they're miles below most of the EU talent.
It is incredibly obvious that Zahn wasn't a big fan of Dark Empire, but he still incorporated its plot elements by having Luke be enthralled in the dark side for almost all of the duology as a result of it, and Mara has to break him out.
I would hardly call that evidence of being influenced by
Dark Empire, especially considering the whole point of Mara's arc in the Thrawn Trilogy was already to be yanked out of her dark path by the other characters. Zahn was likely attempting to do a reversal of what he'd already done in his initial trilogy. It certainly works, and compliments her and Luke's romance a bit considering how incredibly rushed it is (even though one could characterize their relationship as something that evolved over several other instances between both Zahn story arcs), but calling it direct influence from
Dark Empire is kind of a stretch.
I'm not saying Zahn outright hates the people who worked on
Dark Empire, in fact, he took some advice from Tom Veitch when approaching his next books. Veitch thought that
Heir to the Empire's action scenes and pacing lacked the kind of nuance people were looking for in Star Wars books, so it encouraged Zahn to try to make certain scenes in the
Hand of Thrawn Duology more cinematic. Zahn stated as much in a Star Wars Insider Interview. But his revulsion for the
Dark Empire comics are pretty well-known at this point.
And his attempts to rebuke the events of that story arc are loud, clumsy, devoid of subtlety and immersion-breaking. He doesn't get a free pass for that just because he wrote books and created characters I happen to like.
Do you any sources on Zahn being a pain in the ass to work with because with Filoni there's a fair bit out there about him interfering with some episodes of the CW and not letting anyone touch his OCs.
Also I've been under the assumption that the EU wasn't always as interconnected as it got to be during the late 90s and early 2000s. Maybe some older fans can better elaborate but wasn't it until after the Trawn trilogy and Dark Empire that The EU started to expand and tie in with other works (I know there was a short dark period EU wise before those two titles where released but I'm really not familiar with that period).
There are interviews in issues of Star Wars Insider that I'm to lazy to dig around through--they're there for anyone to find.
From what I've researched, there wasn't any cross-communication between the novels and the comics from 1978 to 1990. The first efforts to have novel authors and comic writers communicate and attempt a shared continuity was in 1991 with
Dark Empire and
Heir To The Empire (to mixed success), after Bantam and LFL Publishing decided to maintain continuity between both mediums, using the established terms and lore that had been built in the West End Star Wars RPG (Timothy Zahn even had to read multiple RPG sourcebooks to be primed on all of the terminology of the SW universe before starting his novels). This was the first time that LFL made a conscious effort to market their materials as the Expanded Universe, and largely ignored a lot of the books and Marvel comics published before 1991 (although the Brian Daley Han Solo novels were migrated into canon, as were the comics that reference Lumiya).
But then the EU took even larger strides to be more closesly-knit with novel publshing/comic writer cross-communication and story arc planning once Del Rey acquired the license for books after Bantam in 1999. Sue Rustoni and Shelly Shapiro admit as much in their Round Robin interview included with the CD-ROM and eBook for
The Unifying Force. There was still an attempt in the early/mid-90's Bantam era EU to have references and continuity---you have Kevin J Anderson referencing Thrawn and
Dark Empire in the first few chapters of his Jedi Academy books. There are several references to the events on Bakura and in the
X-Wing novels throughout a lot of the Bantam books. But Del Rey felt that a lot of the books from this time felt like one-off trilogies that didn't have much of a narrative throughline when collected side by side, and motioned for the EU to start having huge story arcs and multi-media projects in the early 2000's. While this created a lot more communication between authors and led to some ambitious story attempts, it didn't always avoid the same pitfalls as the Bantam era. In fact, the lack of communication or lack of forewarning caused things like cancelled books, canon changes that would force authors to accomodate on short notice (sometimes frustrating authors into resignation, like Karen Traviss), or the worst possible scenario, characters being killed off without informing their creators. Some of the old guard were able to transition to the new stuff without any problems (like Luceno and Alliston), some new authors were allowed to flourish and become big players in this environment (such as Denning and Golden), and some quit just as quickly as they had arrived (Traviss). It wasn't a massive upgrade from the Bantam days, and it had its own share of problems, but the Del Rey era saw arguably the best Star Wars books ever written, even reaching the peak of Star Wars fiction before the Day of Reckoning in 2014.
Overall, the harmonizing and consistency of comics and novels got better as time went on, but in varying degrees, and not without casualties. Many cite this as the reason why the EU was too unwieldy and needed to be scrapped by Disney....but they conveniently forget that Disney/LFL are tripping face-first into continuity flubs and insultingly-bad retcons in a rapid time span of only 6 years, as opposed to the EU's 22 years.
And even then, the EU had some the best Star Wars fiction ever written to compensate for it. Disney/LFL have only produced disposable, filler-esque tie-in crap whose relevance and popularity expires in weeks instead of years. People are still talking about
The Thrawn Trilogy, New Jedi Order and the Clone Wars multimedia project to this day....whereas Doctor Aphra has all but disappeared from the collective consciousness of the fandom outside of a few desperate porg shills.