The lack of emotional development especially shortchanges the movie’s main plot thread — Mulan battling, and ultimately coming to terms with, her gender. The new
Mulan, I’m sorry to say, offers a
much more binary reading of gender than its predecessor, which was frequently unsubtle in the way it coded
Mulan’s refusal to accept her assigned gender, offering multiple readings of the character.
[...]
And because we see Mulan leaning so strongly toward
presenting as transmasculine, the film’s conflation of “true” identity with the gender you’re assigned at birth, and Mulan’s ultimately abrupt
embrace of her womanhood, feels a little like ...
transbaiting. If
queerbaiting in the modern sense involves intentionally including overt queer subtext in a work in order to capitalize on a queer audience, only to later
textually reject the possibility of queer relationships, then this version of
Mulan feels a lot like that for trans identity, a tantalizing tease to trans viewers that ultimately
reinforces a gender binary — like it wants to have its gender reveal party cake and eat it too.