Final Draft, the screenwriting software, now has an inclusivity meter so you can define a character's gender, disability, orientation, and race, plus charts so you can make sure dialog is equitably distributed by race.
In your fictional story. Which might not even have humans.
“Peachy, loved the script! But the trans black cyborg had fewer scenes than the cisgendered anthropomorphic hedgehogs, so we have to pass.”
Meanwhile, there is only a single metric one should use when evaluating a script or story of any kind: does it suck or not? Here is my promise to you: The better the Inclusivity Analysis results, the suckier the script.