From the New York Times Article:
When Padilla ended his talk, the audience was invited to ask questions. Williams, an independent scholar from California, was one of the first to speak. She rose from her seat in the front row and adjusted a standing microphone that had been placed in the center of the room. “I’ll probably offend all of you,” she began. Rather than kowtowing to criticism, Williams said, “maybe we should start defending our discipline.”
She protested that it was imperative to stand up for the classics as the political, literary and philosophical foundation of European and American culture: “It’s Western civilization. It matters because it’s the West.” Hadn’t classics given us the concepts of liberty, equality and democracy?”
One panelist tried to interject, but Williams pressed on, her voice becoming harsh and staccato as the tide in the room moved against her. “I believe in merit. I don’t look at the color of the author.” She pointed a finger in Padilla’s direction. “You may have got your job because you’re Black,” Williams said, “but I would prefer to think you got your job because of merit.”
Discordant sounds went up from the crowd. Several people stood up from their seats and hovered around Williams at the microphone, seemingly unsure of whether or how to intervene. Padilla was smiling; it was the grimace of someone who, as he told me later, had been expecting something like this all along. At last, Williams ceded the microphone, and Padilla was able to speak. “Here’s what I have to say about the vision of classics that you outlined,” he said. “I want nothing to do with it. I hope the field dies that you’ve outlined, and that it dies as swiftly as possible.”
