we have long since established that “being better than enter” at anything isn’t a sign of competence, just a sign that you’re not the worst.
As for the critic topic, the problems with enter are similar to most internet reviewers. They come from a place of passion be it positive or negative rather than from a technical understanding of the subject. They all love to bash specific plot points but if actually tested on it, I doubt many would even get the mechanical reasons why said plot point was used, even if it wasn’t used well.
Animation in particular is interesting because if just how deep the collaboration is. More individual people impact the end product than live action by a massive margin, and as a result it’s harder to discern where a project went bad. Someone with intimate knowledge of the development process that is also capable of articulating their views would make for an excellent critic.
That’s also why you tend to see people in animation being more positive to les then savory projects. It’s not just ass kissing(though there is plenty of that) a lot of it is them looking at the aspect they are most familiar with and enjoying it. A background designer would have a different reception than a story artist, as would writers and voice actors.
Online critics though, most of them are just people who happen to like cartoons. Which is totally valid, they just lack a lot of understanding that’s vital to making a proper analysis.
that said, Enter is also a literal moron. His reviews would be bad regardless