General Discussion for Virtual Youtubers / Vtubers / Chuubas - it's okay to be a simp for 2D, just don't thirstpost.
- Thread starter samuraicrack
- Start date
- Joined
- Dec 26, 2014
Imagine being cucked out of hololive by the chicken
- Joined
- Oct 20, 2018
I mean, if Kiara of all people managed to take their spot, they probably werent that charismatic to begin with.
- Joined
- Mar 11, 2021
I thought Subaru was Yagoo's favorite.
I think Ollie needs more of a schedule /w breaks than just 9 day break. She streams anywhere from 1-3 streams a day and when she's off stream she is online watching other people's streams. What she has to cut down on is total online time per day. When she's off she should just disconnect or she will get burned out again.
Watame should totally do oppai mousepad.
That looks like peak autism.
- Joined
- Jul 15, 2019
Towa has mentioned that the MV for 'Palette' was paid for out of her own pocket by donations, and has essentially said to keep donating and she'll always give back in similar ways.
In other words, the implication would be that Cover don't seem to financially support their independent endeavours at all, but probably take a cut from them no matter what they do.
For most of them who are comfortably raking in 6 digits a year, getting shafted here and there is probably a necessary evil towards their own end. Unfortunately, this kind of culture also blatantly shows the disparity when it comes to Mel, and as far as the industry at large goes, there was a Nijisanji member begging fans to buy their voice packs so they could put food on the table as they lost their main job as a result of the virus and Ichikara don't pay a salary.
In that regard, it's quite horrifying that the comararderie and hugbox community V-Tubing has fostered is potentially masking an industry that, in some aspects, treats them more overtly as cash cows than the actual Japanese Idol scene.
The one disparity I find vexing, though, is what the fuck Cover see in Aqua to give her a million concerts a month, but knock back a proposed idea by fucking Pekora of all people. Surely Aqua's corporate, vapid spreadsheet data on the screens of middle management isn't so much greater and awe-inspiring than what Pekora gives to the company too.
In other words, the implication would be that Cover don't seem to financially support their independent endeavours at all, but probably take a cut from them no matter what they do.
For most of them who are comfortably raking in 6 digits a year, getting shafted here and there is probably a necessary evil towards their own end. Unfortunately, this kind of culture also blatantly shows the disparity when it comes to Mel, and as far as the industry at large goes, there was a Nijisanji member begging fans to buy their voice packs so they could put food on the table as they lost their main job as a result of the virus and Ichikara don't pay a salary.
In that regard, it's quite horrifying that the comararderie and hugbox community V-Tubing has fostered is potentially masking an industry that, in some aspects, treats them more overtly as cash cows than the actual Japanese Idol scene.
The one disparity I find vexing, though, is what the fuck Cover see in Aqua to give her a million concerts a month, but knock back a proposed idea by fucking Pekora of all people. Surely Aqua's corporate, vapid spreadsheet data on the screens of middle management isn't so much greater and awe-inspiring than what Pekora gives to the company too.
- Joined
- Oct 20, 2018
- Joined
- Jan 6, 2021
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RedRage
kiwifarms.net
- Joined
- Dec 3, 2020
Couldn't find a schedule anywhere on her Twitter, so I'm assuming this is another gorilla Minecraft stream.
Potatohead
kiwifarms.net
- Joined
- Nov 2, 2020
They’ve been at this for a while, I think the first known sighting of their schizoposting was sometime in Febuary. I spent 2 hours trying to coax a talent or two from orc-schizo and every single time I’d get back an automated rant on how Kiara was simultaneously talentless and also stole their spot.
They also somehow think they’ll get into EN gen3 and cuck Kiara out of all of her paypigs.
Edit: Oh, right, the reason they got banned was for replying to themselves 30 times, noted in the red public ban message. And I think this is only the second time ever that there was a unique ban announcement. So then they started schizoposting from their mom’s house, and got her wifi banned from /vt/ as well. The current narrative is that they’ve been running around looking for public wifi hotspots that aren’t banned to drop off their kiara hate copypasta.
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- Joined
- Dec 20, 2019
Kiara might rub many people the wrong way, but anyone claiming she doesn't have any talent is high or deranged, probably both.
Doing my taxes makes me wonder what non-Euclidian horror Calli's returns must look like. An independent contractor living abroad making six figures from Youtube donations who also probably has to 1099 a ton of people involved with her music and animation stuff?
Doing my taxes makes me wonder what non-Euclidian horror Calli's returns must look like. An independent contractor living abroad making six figures from Youtube donations who also probably has to 1099 a ton of people involved with her music and animation stuff?
reinigen
kiwifarms.net
- Joined
- Dec 8, 2020
Not pictured: The glorious in sync jiggling
]
Never change Ame
]Never change Ame
- Joined
- Feb 22, 2020
Gawr-illa stream, get in, she has the scuffed cat ears on and will nyanspeak for around ten minutes.
- Joined
- Apr 1, 2019
- Joined
- Dec 26, 2014
- Joined
- Mar 18, 2021
Got a feeling she just wants to talk about the recent streams and reminisce
She can learn a thing or two from our resident catshark
- Joined
- Feb 22, 2020
>My favorite part are my cat ears
>Mama Shiro did a good job, Mama Shiro thank you!!
There you have it. She cool with it. Topic is done.
>Mama Shiro did a good job, Mama Shiro thank you!!
There you have it. She cool with it. Topic is done.
- Joined
- Dec 20, 2019
"I saw the open-toed shoes, and all I could think was 'how am I going to break this to the chumbuds?'."
- Joined
- Dec 26, 2014