- Joined
- Dec 24, 2018
I did collect the entire saga from start to end here, if you're interested.Thanks. means a lot
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I did collect the entire saga from start to end here, if you're interested.Thanks. means a lot
To the surprise of absolutely nobody in retrospect, Monkman is also a genderspecial, but he takes a lighter dose of trannypills compared to the twenty/thirtysomethings of today.It's not even the first time Billy shared art from Kent Monkman
first time was this one IIRC
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Methinks Billy and Monkman are kindred spirits in their expressed supposed sympathies for the plight of Canada's indigenous populations. The former is pretending to care about marginalized groups because he's an abhorrent MAP and successful trannygrifter, while the latter, an actual native, is trying to pass off his erotic victim fantasies as something deeper and representative of the indigenous struggle.For Billy and people like him it's about signalling virtue because of the skeletons he has hidden in his closet. Like the skeleton of being a diaperfur who faps to the idea of kids in diapers. Signaling his support for Canada's Native population helps him feel less bad about what he really is. Him "caring" about minorities helps him "make up" for being a pedo.
Look at this shitty artwork. “I’m going to honour Near by depicting two people with FAS staring into the middle distance.”
“I’m trying to find evidence that they’re celebrating causing this suicide, but they seem to have removed all of it and somehow made it look like the suicide is fake. But I’m sure the pedo with a thread on there has no reason to lie about this!”
And then everyone in the workplace clapped.
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I just realized he changed his font for the first time in years.
It’ll come, once Billy has had more time to centre the narrative on himself. Labelle is just a bit more PR-savvy than most troons, and is just smart enough to realise that “RIP Near, give me money” is a bit too blatant.The only thing I'm suprised about at this point is he never used it as an excuse to post a link to his Patreon.
It’ll come, once Billy has had more time to centre the narrative on himself. Labelle is just a bit more PR-savvy than most troons, and is just smart enough to realise that “RIP Near, give me money” is a bit too blatant.
Labelle appropriating someone else’s tragedy/hardship and making it all about himself? Stop the presses!Look at this shitty artwork. “I’m going to honour Near by depicting two people with FAS staring into the middle distance.”
I note that this tribute to the fallen has very little to say about the fallen. It is in fact the author’s self-insert talking about how she personally is a victim. Billy has, in a very real sense, made this all about him.
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ah yeah, they've been harassing me since 2014, and it's not likely to get better.
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to complain to whom? these people are in the four corners of the planet and are anonymous.
I reported someone I was able to unmask to the police and I was laughed in the face.
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It's not even the first time Billy shared art from Kent Monkman
first time was this one IIRC
I don't mean to derail this thread, but what the actual fuck is this painting? This is some Buck Breaking-tier shit. With that said, I'm not the least bit surprised that Labelle is one of those lefties who likely derives pleasure from being party poopers on national holidays. Expect the same thing to go down with Twitter nogs on the 4th.
To the surprise of absolutely nobody in retrospect, Monkman is also a genderspecial, but he takes a lighter dose of trannypills compared to the twenty/thirtysomethings of today.
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After taking a cursory glance at some of his work, you can't unconvince me that he doesn't get off to the things he paints. The dude is way, way too into drawing almost naked Indians and cryporn of helpless native women and children getting subjugated by whitey.
Methinks Billy and Monkman are kindred spirits in their expressed supposed sympathies for the plight of Canada's indigenous populations. The former is pretending to care about marginalized groups because he's an abhorrent MAP and successful trannygrifter, while the latter, an actual native, is trying to pass off his erotic victim fantasies as something deeper and representative of the indigenous struggle.
I'm not sure whom I detest more in this regard, tbh
I immediately thought of George Caitlin's painting when I saw that, and in my art book it was opposite a painting of guys dancing about deer hunting. I remember thinking it was odd there were so many more guys at the berdache dance than were at the deer hunting dance.Sorry guys, gonna artfag here for a moment to give some context to Monkman’s work.
A lot of what he actually does is take actual historic images used by settlers back in the day of natives or famous painting and repainted them with a more pro-native or more historically accurate light. I won’t get into a whole Canadian history thing right now but in the above cases I believe it’s a reinterpretation of Ruben’s “Massacure of the Innocents” but with the Canadian residential schools (I think painted the same year the Canadian gov apologized for them?) and “Dance of the Berdash” (<- I think, I also forget who painted the original).