Culture A video game vampire has captured the hearts of many

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By Scottie Andrew, CNN
October 31, 2023

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Behold, the beloved vampire elf of "Baldur's Gate 3." Astarion has quickly become the popular game's runaway star.

In “Baldur’s Gate 3,” a massive video game set in the world of “Dungeons & Dragons”, winged beasts have nothing on one devilishly handsome vampire.

Astarion, a silver-haired vampire with a jawline that could cut glass and a propensity for even more cutting verbal takedowns, is an integral member of a player’s “party” and sardonic foil to self-serious wizards, warlocks, clerics and other standard D&D characters. But many players care more about what happens between quests — attempting to win Astarion’s cold, undead heart.

“Baldur’s Gate 3” players can woo Astarion throughout the game, and hundreds of thousands of them have tried — and failed. But even those who can’t successfully romance the bloodsucker have fallen for him anyway — he’s inspired TikTok homages that have been viewed over 600 million times, fan-made artwork on Tumblr and, like many vamps before him, steamy Wattpad fan fiction.

“On my honor,” Astarion says with feigned seriousness, “the only thing on my mind is depraved carnal lust.” That line alone has spawned dozens of fan videos.

Astarion is a clever, mercurial charmer, but he’s also a rogue elf who lived much of his eternal life as a slave and became a bloodsucker against his will. His casual coldness, players realize, is his defense against feeling anything too deeply. It’s enough to make them think, “I can fix him.”

Rachel Stewart has tried, even playing the game twice through to win his affections. During her first playthrough of the game, Astarion didn’t care for her “neutral good” campaign style and rejected her. So on her second go-round, Stewart, a Victorian literary historicist at Ohio State University who’s extensively studied vampire fiction, crafted the perfect mate for Astarion — a semi-chaotic dark elf sorcerer with whom the vamp shares a much stronger connection.

“Whether you want to marry Astarion, be his therapist, project your own issues onto him, or merely wallow in the angst, he’s got you covered,” Stewart told CNN.

It’s not easy to win his affections​

Players have a veritable buffet of potential romantic partners in “Baldur’s Gate 3,” but Astarion is perhaps the most charismatic — and objectively gorgeous.

“Let’s get the obvious out of the way — he’s hot!” Stewart said.

And yet, his approval may be hardest to win. The character, colorfully voiced by Neil Newbon, is such a desirable beau that fans have authored step-by-step guides on how to earn his approval and reach coveted “intimate scenes.”

Prying his heart open can take dozens of hours of gameplay, and one wrong response can turn Astarion off for good. Nearly 100,000 players were rejected by Astarion in the opening weekend alone, per Larian Studios, which released the game. It’s given players all the more reason to return to the game and try their luck with Astarion again.

And even if players do get there, there’s no guarantee Astarion will stick around: “Ugh,” he’ll yowl. “Five seconds into this relationship and I already want to break up with you.”

Vampires like Astarion are endlessly compelling​

Stewart said Astarion is a near-perfect example of a “Byronic vampire,” based on the 19th-century poet Lord Byron, known for being “beautiful, flirty but constantly moody and a jerk to most people.”

The modern vampires with whom fans have fallen in love tend to follow a similar model: They’re often gorgeous and shamelessly sexual, but they’re secretly tortured, too, and deeply devoted to those to whom they open up, Stewart said. Before Astarion, there were Louis and Lestat of Anne Rice’s “Vampire Chronicles,” “Twilight’s” Edward Cullen and Damon Salvatore of “The Vampire Diaries,” to name a few vamps with which Astarion shares his most endearing traits.

“The allure of the Byronic vampire comes with the sympathetic quality to them — that they struggle with their own status as ‘monster’ and have a heart underneath all that blood,” Stewart said.

Some players have already brought the best out of Astarion: “I am capable of doing the right thing from … time to time,” he quips in one scenario.

Vamps — they’re just like us!​

When they’re not dream-partner material, they can be our stand-ins, too. Their experiences often represent a fantastical, distorted version of our own, Stewart said.

Astarion may be an especially meaningful character to players who’ve felt subjugated or abused: It was never his choice to become a vampire, Stewart noted, and the lack of control that defined so much of his eternal life shaped who he became even after he was freed.

“Choice is something that seems to be getting stripped away from us more and more each day, so his struggles feel especially topical,” she said.

Creators of vampire fiction have also used vampirism as a metaphor for addiction or sexuality, and many vampires experience alienation or discrimination because of their “abnormal consumption habits,” Stewart said. They often spend their existences reconciling their dark nature with their more human qualities — psychological wrestling that even some humans do.

“Their popularity comes down to our increasing willingness to identify with the monster itself,” Stewart said. “It’s a dangerously dark fantasy to want to be the one to help the vampire fight their inner demons, but it’s also a reality for many people who also struggle with their own darkness and it’s affirming to see our own complex monstrosities depicted in fiction.”

Whether Astarion leans all the way into his inner darkness or overcomes his more violent urges through the power of love is for players to discover. At the very least, they can pray that he offers them a cuddle.
 
Female writers think therapy is the end all be all of any conflict. Everything can be solved if you just talk it out. What's hilarious is how so little problems are actually solved by talking about them. Video games are doing things, not talking about them. That's why it feels so weird and out of place. Why it's so forced and unnatural. More than just being different, that line of thinking goes against the logic of videogames themselves. It's why talking down Lanius in FNV is retarded no matter how much people try to justify it: you created an anticlimax in place of a perfect climax that you would've had little to no difficulty pulling off.
The female model of 'conflict resolution' in media is fucking Steven Universe. Everyone has a big talk and expresses their FEEWINGS and has a good cry.
Steven Universe had disastrous conquences for writing in general, not because it was sending the message of "Let's be nice to each other" but because every Californian writer whether they're male or female thinks any show should be their outlet for therapy.

I wouldn't even say this is a female writers exclusive problem, if anything the first example of writers/directors running down things
whether its their own show or another company's franchise so they can have their gay little therapy sessions is surprisingly Halo 4, which
debuted in 2012.

Where the creative director completely ran down an already established and well crafted lore and characters
because his mommy died and instead of going to a therapist for it, he decided to shit up an existing franchise
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I’m gonna disagree with everyone and say not only does BG3 own ass, but that faggy vampire is a million times more tolerable then most of the other NPCs.

Everyone else? Moral busybody or complainer. Vampire fag doesn’t mind when you become the slayer and when you lie to everyone.

Unlike Karlach or Wyll who just whine 24/7 and demand you never have fun.
 
The more I hear of this game, the more gay Dungeons and Dragons comes off.
It used to be considered nerdy, but now it just seems fucking faggy. Was it always this gay? Or did faggots and troons just infiltrate it the past 10 years or something?
The gayness has increased while the humour of players, consooomers and coomers has decreased.

A male dwarf shagging a female dwarf with a beard in 90s RPGs was just a bit of fun and light-hearted humour. Nowadays it would be hoisted on a flag pole as super cereal trans representation.
 
Imagine having any interest at all in western RPGs from the early 2020s. They're all written by middle aged roasties now.

Meanwhile, JRPGs are the best they've been since the 90s.
I'm really interested in seeing how The Elder Scrolls VI turns out after that 15-17 year gap from Skyrim's initial release wow. I guess ESO would give some clues, but I haven't looked at it.
 
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Creators of vampire fiction have also used vampirism as a metaphor for addiction or sexuality, and many vampires experience alienation or discrimination because of their “abnormal consumption habits,” Stewart said. They often spend their existences reconciling their dark nature with their more human qualities — psychological wrestling that even some humans do.
Whether Astarion leans all the way into his inner darkness or overcomes his more violent urges through the power of love is for players to discover. At the very least, they can pray that he offers them a cuddle.
What if I just want to play a good role playing video game and not focus so much on sex all the time? This kind of reasoning translates to coom-merism like behavior.
 
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How sad is it that with all the faggotry and barely disguised fetishes BG3 is still one of the best games of the entire year?

How pathetic is it that random barely disguised fetish companions in BG3 have more well written stories and personalities than the entirety of a triple A game like Starfield?

How insane is it that Spider Man 2 has more wokeness and politican pandering to random faggots and communists in a single quest than the entirety of BG3?

Where did it go so wrong gamerbros?
 
Despite some grievances and criticism I have with Baldur's Gate 3 I like the companion system in that game in that companions don't unload their life's story or secerts on you unless you gain their approval and trust. It reminds me of the good old days of New Vegas and the aspects that I liked of that games companion system. It is a breathe of fresh air compared to the; "By the way I'm trans if you didn't already know.", from Mass Effect: Andromeda with your only options on how to respond being:
"Good"
"Cool"
"Excellent"
"Great"
I still laugh at that to this day.
 
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Absolutely!

I miss this series.
Here I thought they were going to be talking about Velvet Velour...
the faggotry of baulder's gate 3 can pound sand, VTM Bloodlines already had good enough vampire chicks and that game can legally vote now. Even with the limitations of early 2000's graphics, they at least tried to put attractive women in front of you because they knew people liked that shit. View attachment 5458447
NEVER STICK YOUR DICK IN MALKAVIAN.
I wouldn't even say this is a female writers exclusive problem, if anything the first example of writers/directors running down things
whether its their own show or another company's franchise so they can have their gay little therapy sessions is surprisingly Halo 4, which
debuted in 2012.
And Aeris getting shanked was one of the writers dealing with his mother's passing, and another guy watching his father deal with dementia gave us some awesome shit about Nemesor Zahndrekh. So its less to do with therapy and coping and more just modern writers being total shit.
 
Here I thought they were going to be talking about Velvet Velour...

NEVER STICK YOUR DICK IN MALKAVIAN.

And Aeris getting shanked was one of the writers dealing with his mother's passing, and another guy watching his father deal with dementia gave us some awesome shit about Nemesor Zahndrekh. So its less to do with therapy and coping and more just modern writers being total shit.
The daughters of Janus are the best girls.
 
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