Anime/Manga - Discuss Japanese cartoons and comics here; NO CULTURE WAR DOOMPOSTING!

you should watch the best anime
ボオ-ンドクス
Why would I go out of my way to have niggers shoved in my face when every aspect of western "culture" shoves them in my face daily, in all ads, in all shows, and in all media in general?

In the wise words of my state mandated sub-equatorial replacement - AFUERA MIERDA! Matalo todo negros.... Los Fatigo es real.
Speaking of Indian anime characters, NieA_7 has one lmao. The dub has him sound exactly as you expect.
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It actually kinda sticks out because the director I guess had an actual Indian friend or knew this guy in person whom he would showcase at the end of the credits just saying funny Indian things, and it looks like the character was based off of him.
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Even had a restaurant at one point, seems to have since closed.
Pajeets too, nice to know there's nothing going on in this section of the site. Onward to greener pastures.
 
it got discovered now and nobody seems to have noticed, but hideaki hatta's dead, k-on enjoyers mourning en-masse
Hideaki Hatta, president of Kyoto Animation in Uji City, Kyoto Prefecture, a studio renowned both in Japan and internationally for high-quality animated works, passed away on February 16, 2026, due to illness. He was 76 years old. The funeral was held privately with close family members, and no public ceremony has been announced.

Hatta led Kyoto Animation from 1985, when the company was formally established, until his passing. Under his leadership, the studio evolved from a subcontracting animation house into a full-fledged creator of original content, earning a reputation for meticulous craftsmanship and emotional storytelling. Hatta’s vision transformed Kyoto Animation into a major force in the Japanese animation industry.

Kyoto Animation: Origins and Vision​

Kyoto Animation was founded in 1981 by Hatta’s wife, Yoko Hatta. Hideaki Hatta became its president in 1985. Initially focused on subcontracted animation work, the studio gradually shifted toward original productions, cultivating a distinctive style known for detailed animation, subtle character expressions, and rich storytelling.

Unlike many Japanese animation studios that rely heavily on freelancers, Kyoto Animation’s hallmark was its long-term employment of staff. This enabled internal talent development and continuity of quality. The studio also fostered a unique company culture where knowledge, techniques, and creativity were nurtured internally, ensuring consistent high-quality production.

The studio established the Kyoto Animation Award, which identifies promising new authors, screenwriters, and story creators. Many award-winning works later became the basis for some of the studio’s most successful anime series.

Hit Works and Influence on the Slice of Life Genre​

Under Hatta’s leadership, Kyoto Animation produced numerous landmark titles. From 2000 onward, the studio pioneered the slice-of-life genre, emphasizing everyday experiences with sensitivity and depth, influencing generations of animators and audiences alike.

Key titles include:​

  • The Melancholy of Haruhi Suzumiya, which sparked international recognition and helped establish Kyoto Animation’s reputation.
  • K-On, a cultural phenomenon combining music, friendship, and school life, celebrated for its charm and attention to detail.
  • Sound! Euphonium, a heartfelt story about high school brass band members, showcasing the studio’s talent for emotional storytelling.
  • Violet Evergarden, acclaimed for its exquisite visuals and deep emotional impact, earning worldwide attention.
  • A Silent Voice, a feature film addressing bullying, disability, and forgiveness, demonstrating the studio’s dedication to socially meaningful narratives.
These works illustrate Hatta’s philosophy of creating emotionally resonant anime that deeply affect viewers.

The 2019 Arson Attack and Studio Rebuilding​

On July 18, 2019, Kyoto Animation’s Studio 1 in Kyoto City was the site of a devastating arson attack, one of the deadliest incidents in the postwar Japanese animation industry. Of approximately 170 employees present that day, 36 lost their lives and 34 were injured.

Hatta played a central role in the aftermath, ensuring support for victims and families, rebuilding company infrastructure, and maintaining production schedules despite the tragedy. The studio continued to release new films and series, demonstrating resilience and commitment to its employees and fans.

Employee-Centric Leadership Philosophy​

Hatta’s leadership philosophy centered on creating a culture of collaboration over exploitation. He prioritized providing an environment where creators and staff could focus on their work without undue stress or financial instability.

He emphasized long-term employment, staff development, and safe working conditions, setting a model for the animation industry. He also actively supported women and young creators, fostering diversity and mentoring a new generation of animators. This approach earned Kyoto Animation a reputation as a studio that truly valued its workforce.

Succession and Future Challenges​

Following Hatta’s death, his son, Shinichiro Hatta, assumed the role of president, inheriting his father’s vision and responsibilities. Kyoto Animation faces ongoing challenges, including adaptation to digital animation technologies, global distribution strategies, and evolving market demands. Hatta’s legacy, however, provides a strong foundation for the studio’s continued success.

Industry observers and fans remain confident that Kyoto Animation’s spirit, style, and dedication to quality storytelling will continue to resonate worldwide.

Legacy and Enduring Influence​

Hideaki Hatta was not merely a company executive. He was a custodian of a creative culture that prioritized both artistic integrity and human dignity. He fostered a studio environment where talent could flourish and championed storytelling that combined technical excellence with emotional depth.

His vision left an indelible mark on the Japanese animation industry, influencing not only how anime is made but also how creators are treated. Through his leadership, Kyoto Animation continues to produce works that touch hearts and stand as a testament to the power of animation as an art form.

Even after his passing, Hideaki Hatta’s impact will persist in the studio’s ongoing productions, in the careers of the animators he nurtured, and in the global audience that continues to cherish Kyoto Animation’s creations.

Conclusion​

Hideaki Hatta’s leadership, vision, and dedication to both storytelling and staff welfare established Kyoto Animation as a unique and world-class studio. His contributions to anime, from popularizing the slice-of-life genre to nurturing the next generation of creators, ensure that his legacy will continue to influence the industry and inspire audiences worldwide.
https://whatjapanthinks.com/
 
I've been dipping in and out of Trigun Stargaze, was big on the old tv back in the day and read at least some of Maximum
I'm annoyed about the lack of Kuronekosama but actually paying off on "oh wow there's all these god like powers and fleet ships and stuff JUST OFF SCREEN" really wasn't something I expected
 
Been feeling a bit bummed out. You guys know any manga with nice stories and good endings? Preferably not basic high school romance. That's starting to get old.
I'd recommend Ancient Magus Bride. There's only school shit after chapter 46, but everything up until then is very full of wonder and whimsy. Some conflict here and there, but it's mostly a chill show with a surprisingly wholesome conclusion
 
Been feeling a bit bummed out. You guys know any manga with nice stories and good endings? Preferably not basic high school romance. That's starting to get old.
AKIRA, Showa a history of Japan, Eden It's an endless world, Vagabond (2008 end exhibition if you can't find it since that's the only ending we're getting), Freesia, Fruits Basket, GANTZ, Tokyo Ghoul, Oyasumi Punpun and the original Devilman manga. And for good measure, The Divine Comedy illustrated by the devilman author Go Nagai, and Temple Of The Golden Pavilion (novel better yet just read all Yukio Mishima novels if you're a weeb). 20th Century Boys.
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Bring a translation of the divine comedy with you or just admire the art really while you read it.

Here is the best literary translation of the divine comedy in case you're intrigued:
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For anime, check out Texhnolyze, the vision of escaflowne, FLCL, Gurren Lagann, Rurouni Kenshin 1996, Evangelion and the End Of Evangelion, both adaptations of Hellsing (read the manga too), all adaptations of FULL METAL ALCHEMIST (but if you're a casual with a life just stick to brotherhood and maybe the manga since they're alike), MONSTER (anime only, it's word for word scene for scene)
And the list goes on with shit you've already heard about. This is the most non weeb shit I could muster lmao and it's probably all just seinen stuff mostly.

For a whole multimedia series, PANZER COP. Just avoid the Netflix live action Korean version of Jin Roh.
 
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Apothecary Diaries is a nice show and manga for me. I like palace drama, fashion politics, and having a new appreciation for flowers. No, many treatments probably aren't accurate at all but its enjoyable despite being inspired by Chinkland.
 
After 28 volumes and 11 volumes of the sequel, with 16 pages left, Daigoro commits his first murder at the age of 4
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And the end is similar to the first series but with zero chill and thoughts on it. Just a child holding her second dead father.

What happened to Daigoro after it? This may be one of the biggest mysteries ever.

Overall the sequel is way worse, bot because of the art since the new guy is quite good but the writing itself was worse, there were super natural elements, plots that went nowhere, imagine building characters for pages just to kill them (not even Togo killed them) later just to deliver a message for another assassin just to be killed by other villain later.
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Now I dont know if Samurai Executor is closer to this or the first Lone Wolf. Maybe the structure of the first series was written better by making it episodic and allowing the story to flow better, this was a 11 volume long arc and the conclusion was the most rushed shit ever.
 
Been feeling a bit bummed out. You guys know any manga with nice stories and good endings? Preferably not basic high school romance. That's starting to get old.
If you want something stupid and fun try hard-boiled cop and dolphin. It's a buddy cop except one of them is a dolphin. Can't vouch for the ending because I haven't finished it yet.
 
Youre an asshole for recommending this to anyone wanting a feel good story its like recommending Dear Zachary: A Letter from a Father to his Son to anyone wanting a happy movie.
You're a faggot. He said anything that's not the typical anime shit and I provided damn good irregular recommendations. Texhnolyze is a feel good story about perseverance compared to Lain. Characters like Yoshii overcome the tone of the setting. It's a really good story, how the fuck can anyone just skip it over the mood? It's a nice story and has a good ending. Most of the shit I recommend were good quality, some manga in the beginning were just jokes because of how terrible their ends are. I almost recommended ookami no monshou but that's too mean and too shitty cause it betrays its own narrative for the authors fetish.

I forgot to add Durarara, and Death Note (the manga and anime). Anime rushed and gimps out on the second half of the story so they kind of fucked it up unless you watch the OVA with some of the additional scenes I think cause Madhouse can't ever adapt shit right. PLUTO (same creator as MONSTER and 20th Century bOys) is also an anime worth checking out because it survived production Hell and has hour long episodes like an OVA, doesn't cut anything from the manga as far as I know thanks to Netflix picking them up 6 or 7 years into production. It was kind of missed out on because it was overshadowed by more popular anime in 2023. It's a darker take on Astro Boy. Ghibli films for mostly feel good stuff, Ghost In The Shell 1 and 2, then the Stand Alone Complex series if you're into cyberpunk stuff.

As for manga there's stuff my girlfriend gave me, WOTOKOI: Love is hard.

Also check out Tekkonkinkreet, the anime movie. It's one of those rare anime films that completely surpasses the manga in my opinion. Makes me want more decent American director collaborations with anime studios like 4°C.
 
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Motherfucker Texhnolyze ends with the fucking city commiting suicide due to the power going everyone is fucking dead its the grimmest fucking ending to an anime I've ever seen.
Okay. Now did you pay attention to the rest of the ending? A flower is blossoming on his arm. Protagonist dies on his own but with a smile.

It's more than the nihilistic and bleak label it's given. The implications are humanity could be reborn.

For a tale like Texhnolyze death is a good ending. Compared to what dwells in the surface which is complete apathy for life, the residents in the underground lived as they did and died as they would thanks to Yoshii changing it all up. By turning the surface into some odd Utopia the residents become these mundane ghosts who drove out all of the bad criminals or the incompatible people from the surface world and made a glorified prison complex for them.

Knowing all of this, the protagonist dies with a smile on his face despite it all.

I think the way it wraps up its narrative is something no other has done. Very high octane and a fun spectacle for those who stick with the show. Usually authors would derail it somehow but Texhnolyze is pretty precise in what it does. Some things could have been longer or more thoroughly explained but it's all there. I just wish it was in more than 570p or whatever the odd resolution is, that's the price of old digital animation. I'd love a 1080p master someday and for the rest of the soundtrack to be released. I still think about Texhnolyze especially the trippier aspects of it compared to Lain where I enjoyed the visual spectacle but didn't find much fulfillment there. Also has a very good soundtrack for studying.
 
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@Nameless One , the anime you recommended are good, but they do not have feel good endings. Just because something has a light in the darkness doesn't make it happy. This guy asked for something like K-ON! and you give him something like Now and Then, Here and There. These are not going to help out a guy who wants to be less bummed out.
 
@Nameless One , the anime you recommended are good, but they do not have feel good endings. Just because something has a light in the darkness doesn't make it happy. This guy asked for something like K-ON! and you give him something like Now and Then, Here and There. These are not going to help out a guy who wants to be less bummed out.
If you crave shallow slice of life then specify it. If you're burned out with the genre itself, try new ones. Some of my recommendations are as light hearted as K-On and some are not. Didn't know you guys were the recommendation police, like this guy can't simply check out the titles for summaries and has no agency lol.
 
Started reading Naruto, didn't know what else to read, and I wanted to go through the big three at some point anyway. Should I dread the inevitable power of friendship or isn't it that bad ?
 
Started reading Naruto, didn't know what else to read, and I wanted to go through the big three at some point anyway. Should I dread the inevitable power of friendship or isn't it that bad ?
I didn't remember it being bad in the anime. Especially Naruto's start is incredibly good, and the sourness came in due to a ton of anime filler (some of which was good) and having a meh ending (though it's probably one of the best epilogues that will ever be in a shonen, as long as you ignore Boruto).
Been feeling a bit bummed out. You guys know any manga with nice stories and good endings? Preferably not basic high school romance. That's starting to get old.
Lucifer and the Biscuit Hammer is kino, the author usually does pretty interesting things. I heard Ushio & Tora is really good too.
 
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