I always thought it was like anime from when I was a kid, like Digimon or Monster Ranchers, were a kid from the real world falls through a portal and ends up in a fantasy land where they, as the outsider, are able to ease the audience into this new place. Was not aware they all fucking died. That's a bit macabre.
Isekai just means any story where a character ends up in another world, so those examples would indeed count. Death's not a requirement, but getting smashed by Truck-Kun has become a meme because of how frequently that specific example has been used to get your main character into their power fantasy world.
Bobby, no doubt buddies with the legal luminaries in Harvard, reminds you that "innocent until proven guilty" is a "legal construct". He is the judge, jury, and executioner.
Uh, Bob, I'm no legal scholar, but that kind of sounds like one of those rules that would be a part of the social contract, no? I mean, it's best for all parties if that standard is upheld, such that people have a right to a fair trial and
also you don't have mobs lynching you under the mere presumption of guilt. Even if it's enshrined in legal statutes, it's still a good rule for any society to live by. If you don't think it's that important, try living anywhere that doesn't guarantee it and see how well that works out for you.
You are indeed allowed to think however you want about someone and choose not to associate with them, but unless there's proof (and good luck on decade+ accusations), you're stupid to just blindly believe someone's guilty. Then again, this is the same man who thinks that photographic evidence of Hunter Biden smoking crack and engaging in salacious acts with women of questionable age is not only fine, but makes him a rockstar.
Once again Bobby reminds you "fanboys" is not synonymous with "audience".
Bob was cheering on nerd shit taking over the box office, and now he's claiming that it doesn't matter anymore because the wrong type of nerds (in his opinion) have a voice. Am I detecting a note of sour grapes from an increasingly irrelevant dumbass?
Side note, the box office of 1995 was very different from the box office of today (ah, I long for a time when you could have such a variety of movies be hits):

Batman Forever was indeed successful, but not an "absolutely **monster** smash hit" like Bob claims, it really doesn't stand out from the pack here. And let's not forget that Batman & Robin, Schumacher's followup that continued to do everything the fans didn't like, was a bomb that killed the franchise until Christopher Nolan revived it successfully with his darker and grittier take a decade later. This is a shit example for your point, Bob.
Netflix finds a treasure booty in
One Piece. Bobby totally doesn't care.
Y'know, most people who don't care about something don't go on about how much they don't care, nor do they come up with ridiculous reasons about why they don't care, such as the fact that a wildly successful live-action adaptation is being produced by a company you also dislike. Again, I'm detecting notes of sour grapes here.
(It should come as no surprise that Drinker gave it a glowing review, continuing to prove how much of an anti-Bob he is.)
"Bob, what the fuck is this? Seriously, what are you doing? This is your review of that terrible Teenage Mutant Ninja Turtles cartoon you decided to shill for."
Bob really will just not let the coof go, will he?
Look, I'm not going to deny the coof threw a major wrench into the works of basically everything, but at some point you're going to have to admit it's not really that much of a factor anymore and stop using it as an excuse for anything that goes wrong. Studios are putting out their movies (or were until this whole strike thing started), and people are going to see them. If a movie fails, it's because the audience doesn't care for it, not because they're still paralyzed in fear over a fucking cold.
And Jesus, that's quite the word salad. Cool it with the purple prose, the tortured grammar, and the sound and fury signifying nothing, fatass.