🐱 Comedians like Chappelle, Gervais want to punch down, but what about the need to punch up?

CatParty

There's something missing from the current debate about who can say what in comedy.

Comedians are in a fierce dispute about the appropriateness of "punching down" in humor. Punching down, as it's called when making jokes about people with less power than the comedian, keeps coming up as high-profile comedians aim their humor at trans people and other marginalized groups, often at their expense.

Some comics, like Dave Chappelle or Ricky Gervais, reserve the right to make jokes about anyone (Gervais even charmingly joked about literally punching down and hitting a toddler in his latest Netflix special, "SuperNature"). Both have faced intense criticism for punching down at those people with offensive, harmful jokes.

It's a conversation that's likely to continue, but in the discourse about whom comedians are allowed to make fun of and how, what's lost is a discussion of one of the great traditions of American comedy: punching up.

"There's something inherently much more powerful about comedy and satire when you're using it to point out something about the people in power that needs to be pointed out," says comedian Sarah Cooper, who rose to fame in 2020 for social media videos parodying then-President Donald Trump. "If you're trying to point out something about people who don't actually have a lot of power, I don't find a lot of gratification in that."

From Lenny Bruce to George Carlin to Richard Pryor, the legends of the comedy art form have used their platforms, microphones and comedy stages to punch up: to speak truth to power, raise issues that need raising and fight for their ideologies.

Carlin is a prime example of using punching up to make his comedy powerful and funny all at once. In HBO's "George Carlin's America," a recent documentary about the comedian, director Judd Apatow includes an archival clip from "Larry King Live," in which Carlin points out that "comedy traditionally has picked on people in power, people who abuse their power." Carlin famously brought his fight with the FCC over censorship of his "Seven Dirty Words" bit all the way to the Supreme Court. Carlin was fighting for free speech, and the comedy bit he used to do it is considered a classic.


But while punching up has a long history in American comedy among some of its greatest talents, punching down feels more common in the current social media landscape, especially as tweets, comedy specials and TikToks go viral.

"I think that punching down is very easy," says comedian Alison Leiby, whose "Oh God, A Show About Abortion" ran at the Cherry Lane Theater in New York this spring and will return in the fall. "Often (when) learning comedy you have to rely on stereotypes a bit, and sometimes you make or tweet or say jokes that are insensitive in the process of learning how to write jokes that are not. That's just, unfortunately for some people, a part of the learning curve. There's always growth to be had. There's always learning to be done," she says. "Punching up can be harder and can be a lot more interesting. But I think it's scary."

Leiby's show details her personal experience getting an abortion at 35, and punches up in its own way: using her personal story to comment on one of the biggest political fights of the modern era.

"Comedians are leaning into personal narratives, and I think that's an inherently very powerful, political tool," she says. "That's how we can really use comedy to tackle politics. People should be speaking their experiences, and that kind of humanizes the things that we have these big blanket ideas about."

A comedy show about abortion has only become more relevant since Leiby began performing it. The leak of the Supreme Court draft decision overturning Roe v. Wade and the constitutional right to abortion came during her show's run, and when she returns to perform it in the fall, abortion will have been banned in many states around the country.

What is said on the comedy stage can affect society at large, notes Sam Jay, the star of HBO's talk show "Pause with Sam Jay," when it comes to abortion or LGBTQ+ rights or anything else. "Art helps change things and art helps bring perspective and art helps open people's minds," she says. "It's important for art to comment."

There's room for big ideas in comedy along with the laughs. Making sure jokes are funny is one of the ways to make this kind of speech powerful.

"At the end of the day, it's a comedy show first and an abortion show second," says Leiby of her show.
 
Nobody gives a fuck about punching up or down, people who like provocative comedy just like hearing people say things that are unsafe to say. Now that premise has been ruined by the advent of unfunny or washed up retards trying to linger around and collect money solely on the basis of being 'anti woke'. It's like the only actually funny thing left in existence is to laugh at people who aren't trying to be. These faggots made it this way when they decided that their awful stand up is meant to change the world so they should stop whining about it.
 
why aren't
Politicians have always made fun of those with power.

In the 80's, Eddie Murphy had someone from the crowd yell "Reaganomics Suck!" and he got a good laugh out of the audience riffing on that for a few minutes.

Spitting Image in the 80's mocked those with power.

It's just that now there's sacred cows nobody is allowed to mock.

But that means they have power, so they SHOULD be mocked.

Could you imagine if these fuckers heard a Sam Kinison set?
What they mean by "people in power" aren't the people who run governments or corporations, or the people who can ruin your life because you looked at them wrong. They mean white males from rural areas.
 
Making fun of transexuals isn't punching down anyways.

this. if trannies are so powerless and victimized, then why is there an army of culture journalists and Twitter posting warriors screaming that Chappelle is literally Black Hitler for calling himself a TERF? there's a difference between being victimized and having a victimhood complex, faggot.

"Comedians are leaning into personal narratives, and I think that's an inherently very powerful, political tool," she says. "That's how we can really use comedy to tackle politics. People should be speaking their experiences, and that kind of humanizes the things that we have these big blanket ideas about."

preaching your stupid political opinions is not funny. if your idea of comedy is politics first and laughs second, you are annoying and a terrible comedian. have you seen Saturday Night Live recently? Colbert? those are two groups of writers who decided that politics is more important than being entertaining, and coincidentally those shows are also devastatingly unfunny. I'm sure this chick's stupid show about her abortion or whatever was a laugh riot though
 
what they mean by "people in power" aren't the people who run governments or corporations, or the people who can ruin your life because you looked at them wrong. They mean white males from rural areas.
It's not only White men. White women are vilified by everyone too. White males are vilified by everyone excluding the centre to far right.
 
Lenny Bruce would fit in well today, he wasn't funny and his act was just complaining about how he was being oppressed.

We need a Carlin or Patrice O'Neal - the fact that Chappelle and Gervais are pilloried for having a difference of opinion about a tiny part of the population, and aren't even mean about it, just saying it out loud, is fucked. Standup got taken over by the talentless victimhood assholes who used to be confined to improv.
 
Neither Chapelle nor Gervais are punching down when they criticize rainbow people, celebrity millionaire Marxists, far-Left politicians and other acolytes of the Woke religion, which has become the de facto state religion of several Western countries, since 'punching down' denotes going after a person or a group with less social status and clout, and the Woke--taken as a monolithic bloc--has more clout than anyone. Outspoken critics or even those who quietly refuse to play along can be (and are) canceled and ruined. One of the things that pisses off people like the author of this piece is some people can't be canceled because they're too big, too popular, too talented to suppress.

Besides, the author of this piece isn't really complaining about popular comedians like Chapelle and Gervais punching down. They're complaining Chapelle and Gervais and a few other big-name entertainers aren't happy little carriers of the Woke mind virus, using their popularity to advance The Narrative. These Woke totalitarian bastards don't want entertainment; they want propaganda, and they want it everywhere and all the time, pounding away at the public psyche, invading every aspect of our lives, getting in our heads.

Fuck them and fuck their mothers.
 
Lenny Bruce would fit in well today, he wasn't funny and his act was just complaining about how he was being oppressed.

We need a Carlin or Patrice O'Neal - the fact that Chappelle and Gervais are pilloried for having a difference of opinion about a tiny part of the population, and aren't even mean about it, just saying it out loud, is fucked. Standup got taken over by the talentless victimhood assholes who used to be confined to improv.
Imagine Patrice on Twitter the last five years. Who am i kidding, he'd have been quickly banned.
 
Imposing rules on humour is the task of humourless people.
It is easier to be a scold than to be funny.

As for this "need" to punch up? If the author feels it and I do not, then the need is not mine, it is hers. She can watch her safe, defanged "comedy" by herself. Her wish to claim that this "need" extends to me is purely an attempt to override my wishes with hers. I don't accept that and never will.
 
oh i have a need to punch up too
but everytime someone tries to make fun of certain politicians (you know, people with more power, therefore it is punching up)
you simps reeee and get that shit banned

you don't care about punching up
 
I don't accept the premise of "punching" up/down. It reeks of trannyism, conflating everything they dislike with violence. Jokes are jokes. They do not punch anyone, in any direction. Nothing is off limits in humor. Jokes are not bullying, Jokes do not harm those they ridicule. Nobody has the right to be free of ridicule.
"Anyone who says words hurt has never been punched in the face." - Chris Rock
 
But they both make jokes about Whites and politicians. According to you fuckers, there is no higher power in all the lands. Do you just watch clips and get angry about them?
There seems to be great confusion and a major disagreement on just who is "up" for the purposes of punching up. Arguing about who is and isn't privileged isn't funny. Kikes' big noses and nigger monkey-lips are.
 
Punching down is funny, from minorities to the poor to the deranged.

You know what's funnier? Punching down anyone of the aforementioned groups that act as if they have power.

Funniest? Punching down on people who do have power but claim to be oppressed so they can have their cake and eat it too while their supporters consider them helpless victims, then as time passes they reveal themselves to be loathsome monsters and their supporters flee like cockroaches, and then its the supporter's turn to get punched down for their clout chasing brigadeering.
 
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