#Comicsgate - The Culture Wars Hit The Funny Books!

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Roger Ebert was a film critic. RedLetterMedia's Plinkett Prequel reviews were fan criticism raised to the level of art in its own right. Neither should be compared to Friday Night Tights or the pop culture complainer crew, who are more accurately described as 'professional hatewatchers' at this point than critics of any sort. A good critic can provide information or perspective the reader did not know or think to consider, making their service of value. A hatewatcher by contrast does not offer information and instead operates on a purely emotional level; they take feelings of dissatisfaction and/or alienation from a work or its fandom and translate them into feelings of validation and a sense of social belonging through their shared dislike in exchange for the viewer's time and money.

To an outsider looking in, none of this makes any sense - why the fuck are people lining up to watch woke garbage that they hate that has zero real likelihood of improvement? Or pay a gaggle of chucklefucks through the nose for the privilege of chortling stupidly at some C-list TV series? Though they try to disguise their nature and say they're critics, or somehow contesting these global media corporations over what's considered good culture and what's not, the reality is they simply peddle emotional validation and inclusion in a parasocial relationship to their viewers for money. Sometimes to excess in the case of clearly disturbed, vulnerable individuals like George Molho.
 
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Roger Ebert was a film critic. RedLetterMedia's Plinkett Prequel reviews were fan criticism raised to the level of art in its own right. Neither should be compared to Friday Night Tights or the pop culture complainer crew, who are more accurately described as 'professional hatewatchers' at this point than critics of any sort. A good critic can provide information or perspective the reader did not know or think to consider, making their service of value. A hatewatcher by contrast does not offer information and instead operates on a purely emotional level; they take feelings of dissatisfaction and/or alienation from a work or its fandom and translate them into feelings of validation and a sense of social belonging through their shared dislike in exchange for the viewer's time and money.

To an outsider looking in, none of this makes any sense - why the fuck are people lining up to watch woke garbage that they hate that has zero real likelihood of improvement? Or pay a gaggle of chucklefucks through the nose for the privilege of chortling stupidly at some C-list TV series? Though they try to disguise their nature and say they're critics, or somehow contesting these global media corporations over what's considered good culture and what's not, the reality is they simply peddle emotional validation and inclusion in a parasocial relationship to their viewers for money. Sometimes to excess in the case of clearly disturbed, vulnerable individuals like George Molho.
Well said, absolutely correct.

While it's easy to see past their claim of being critics, the thing that gets me is that they claim to be fans of much of the shit they're trashing. Douchebag Griggs talks shit about how awful Star Wars is while wearing that ratty, sweat stained Star Wars hat he's got some sort of emotional attachment to. Ryan Kinel has wasted years of his life absorbing every piece of Star Wars media he can get his hands on and can't wait to tell you how bad the shit sucks. Gary's setup is surrounded by reminders of things he absolutely cannot fucking stand.

And I really, truly understand being disappointed in these cultural icons and cornerstones of one's childhood turning into gay diarrhea. It sucks. It's terrible. But I also have no interest in watching these dudes jerk each other off over who hates it more. I don't care to consume the stuff or to watch people who have been consuming it stumble out onto the street and puke it up.

I've been a fan of most of these genre franchises for almost my entire life and I know when it's not for me anymore. I LOVE Star Trek but, for me, it's over. My interest waned with the Abrams movies and the first season of Discovery was quite enough for me to call it quits. I have absolutely zero interest in any of the new projects and I don't plan on seeing any of them. I simply do not care anymore.

Same with Star Wars. It was a cornerstone of my childhood and it got dumber and dumber (in hindsight, it got dumb with ROTJ) until I just lost interest. I didn't get mad about it, it's just not something I care about. I halfway liked the Mandalorian show, but I could also not watch it ever again and it would be fine.

I grew up on comics and in the last few years got back into reading them, but I don't give a shit about superheroes. There's tons of more interesting stuff out there for me to read at this stage of my life. Superhero stories seem to be handled better in movies these days, partially due to them not carrying 8 decades of baggage with them. But I also don't give a fuck about whatever "phase" the MCU is in and I definitely don't want to pay to read the adventures of black trans lesbian Captain America in comic form.

I have no interest in watching the live action Cowboy Bebop. Loved the anime. Don't care to see the adaptation. I may find the idea of a live action version starring a middle aged John Cho to be extremely silly, but I'm not going to bitch about it for hours. I'm just not going to watch it. I'm not angered by its existence, I am merely uninterested.

FNT are a bunch of soulless pricks who like the money generated by bitching about things they say they used to love more than they ever really loved those things. There are plenty of good games, comics, movies, and shows they could be talking about. They could discuss their favorite pieces of the old stuff they used to like. They could do pretty much anything but complain. But that wouldn't bring in the money. Just as thots are enabled by simps, the FNT crew are enabled by the impotent rage of sad, autistic nerds paying to have their opinions spit back at them by no-talent midwits in the guise of a "community" that would evidently fall apart if the content was anything other than wholesale negativity.

EVS was right about Az. He's a zero. Gary, Griggs, Kinel, Doomcock, They're all zeroes. Fuck them.
 
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For what FNT do, they do well. They provide an outlet for frustrated reactionaries. They don't produce anything other than commentary. It might as well be conservative radio! Everything about them is upfront, in full view and there's no delay in putting it out. What you see is what you get. YouTube in a nutshell.

The Comicsgate thing initially had critical angle of a show like FNT but with an added proposition: they had the power to do something about it. Once the crowdfunders started, they effectively became brand salesman and everything seemed geared towards funneling money into these projects. This model was so successful that we now have an abundance of "solutions" to the SJW comic problem. Solutions that aren't really solutions, but "alternatives" as pointed out by Sciverfrog. Comics that aren't delivered within a year of their due date if at all. The alternative to a corrupt industry can't really be called anything other than a hustle for semi-retired pros at best. At worst you will get ripped off for way more money than you ever could buying comics off the shelf by the very same "pros". The most deplorable thing is how readily Sciverfrog and co. have thrown their weight behind many projects headed by trash individuals with questionable talent and negligible work ethic. For every CG project people have backed and received, how many are still in limbo after 1 or even 2 years?

CG is one long bait and switch operation. Finally, Zach is showing everyone how wrong his original fans were to back him. He is showing that he is nearly as thick-headed and arrogant and greedy as the entrenched SJW. In bringing in the new blood of old pros, Ethan's hoping to leverage the complete failures of CG 1.5 to cover up his own responsibility for being the brand manager without securing a high level of quality across the board. He doesn't have the right to call anybody over at FNT a zero, especially when he has Cecil and Donal on board. The only thing he's shown to have any consistency on YT is degeneracy and labeling SJWs anyone who starts to criticize him. Gary might be a grifter, Az might be a know-nothing, but you know them well enough that they won't be reduced to alcoholic pisstreaming at any point. Frog plays this bullshit game of plausible deniability when it comes to his wack pack when it's clear he's always been a self-serving cloaca who will be perfectly content burning his own house down as long as he still has a dog he can blame it on for the insurance payout.
 
For what FNT do, they do well. They provide an outlet for frustrated reactionaries. They don't produce anything other than commentary. It might as well be conservative radio! Everything about them is upfront, in full view and there's no delay in putting it out. What you see is what you get. YouTube in a nutshell.

The Comicsgate thing initially had critical angle of a show like FNT but with an added proposition: they had the power to do something about it. Once the crowdfunders started, they effectively became brand salesman and everything seemed geared towards funneling money into these projects. This model was so successful that we now have an abundance of "solutions" to the SJW comic problem. Solutions that aren't really solutions, but "alternatives" as pointed out by Sciverfrog. Comics that aren't delivered within a year of their due date if at all. The alternative to a corrupt industry can't really be called anything other than a hustle for semi-retired pros at best. At worst you will get ripped off for way more money than you ever could buying comics off the shelf by the very same "pros". The most deplorable thing is how readily Sciverfrog and co. have thrown their weight behind many projects headed by trash individuals with questionable talent and negligible work ethic. For every CG project people have backed and received, how many are still in limbo after 1 or even 2 years?

CG is one long bait and switch operation. Finally, Zach is showing everyone how wrong his original fans were to back him. He is showing that he is nearly as thick-headed and arrogant and greedy as the entrenched SJW. In bringing in the new blood of old pros, Ethan's hoping to leverage the complete failures of CG 1.5 to cover up his own responsibility for being the brand manager without securing a high level of quality across the board. He doesn't have the right to call anybody over at FNT a zero, especially when he has Cecil and Donal on board. The only thing he's shown to have any consistency on YT is degeneracy and labeling SJWs anyone who starts to criticize him. Gary might be a grifter, Az might be a know-nothing, but you know them well enough that they won't be reduced to alcoholic pisstreaming at any point. Frog plays this bullshit game of plausible deniability when it comes to his wack pack when it's clear he's always been a self-serving cloaca who will be perfectly content burning his own house down as long as he still has a dog he can blame it on for the insurance payout.
CG streams turned into full-blown 4-hour infomercials for products you'd be lucky to receive years after their promised delivery dates (if at all).
 
There's some debate in media analytic circles about the social merits of "hatewatching", which is considered 'subversion of corporate expectations of media consumption'; I suspect any debate will be effectively over once the curriculum takes shit like the Geeks and Gamers or Nerdrotic's "brand" into account. There dissatisfaction and dislike of the existing mainstream fare has not resulted in substantial textual criticism (a most valuable quality to academics), nor transformative or creative works. Instead the act of hatewatching is distilled to it's purest form - hundreds of hours of paypigs lined up to watch an oafish middle aged manchild tell them what they want to hear and let them feel like part of an internet hugbox while they play a brightly colored video game meant for 6-8 year olds. Indeed, FNT/G+G even disproves the hatewatcher's dearly held shared pretensions of having superior taste to what the mainstream doles out. We've seen what their offered alternative to the latest MCU or Lucasfilm product that they lap up instead - performative sperging and gaming livestreams - and it is the lowest effort, lowest value content imaginable. If nothing else, the entire TFM/FNT scene disproves once and for all the assertion that disliking something automatically means you have taste.

Without exaggeration, study on these guys will result in re-evaluation of entire sub-branches of media analytics like "fandom studies"and "fan scholarship" which, once packaged and sold to media corporations, will result in nothing good for either them or their unsuspecting upset nerd "community". Comicsgate, as opposed to extremely scrutinized phenomena like Gamergate, is somewhat blessed in this aspect, as a side effect of the boycott of coverage from all established comics journalism is the almost complete absence of data for these people to work with. As far as I've been able to tell, the only time Comicsgate gained academic notice was when Marvel's VP of sales put out a statement at a summit in 2017 saying "people had had enough of Marvel's diversity push", something that challenged a widely shared dogmatic belief that fandom is inherently liberal, as well as offending their own cultural marxist sensibilities. After that? Not much.

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So far, the only academic work on Comicsgate, Superhero Culture Wars , was released this January by two assistant English professors. I haven't read it myself, but the reference to comic creator "Michael Bendis" in the description does not lead me to believe that this is a book of serious rigor.


Anyways, in Comicsgate news:

So Leroi was sniping the auction stream and the matter of Gabriel Eltaeb coming off very much like Doug 2.0 with his rhetoric and self importance came up. I do distinctly recall him trying to shill his book the second he came on Ethans stream the first time and having to be shut down. Even went so far as saying 'i'm comicsgate to the core' in the chat only to have to asked about comicsgate lore soon after. That is just horrible optics.

He is also going full on right-wing retard and that really is burning a lot of people on him. I sperg out on the farms about politics but that shit needs to stay out of business and entertainment. Ethan does his sperging during the election but i never heard him outright say 'fuck democrats.' I get his is a bit fresh about being forced out after safely collecting a DC paycheck until others had made him a platform but he needs to shut up. See how well courting Ben Shapiro worked out for Mike.

The other issue being late books and 100% agree. Angry Vanessa has heard a rumor Fragga is doing a side book while his book is many months late. I like Fragga but if legit that's a hard nope for any future support. People tend to be very understanding for a long time but once that breaks it's all over. The list of creators i'm willing to back again is shrinking.

Stream in question. I may timestamp at some point but i am lazy and i think i got the gist of the issues i felt were worth sharing.

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A few days after Leroi and The Chat's efap of Frog's underwhelming Autumn 2021 art auction that turned into a vitriolic screed against all the late books he backed, the entire channel was deleted suddenly and without warning with the above explanation. Leroi laments that he never wanted to reach the staggering heights of fame, success and relevance that he did with his youtube channel. The role of Comicsgate Vox Populi was not taken, it was thrust upon Leroi; he simply and humbly wanted only to make a show with his friends.



Although Leroi no longer has a channel, Shane Davis makes it clear that there's always a place on his jock show for Leroi. The Inglorious Rex author's wife is in the hospital for complications regarding her C-section, leaving the job of Shane-wrangler to fall upon his trusty #2. At 21 minutes into the stream (which until that point was about Shane talking about hitting a deer with his Nissan Cube) the host invites Leroi to elaborate his decision to cancel The Chat. "It stopped being fun" explains Leroi, said fun ending when he started "getting flack" for complaining about all the late books he ordered but did not receive. At 656 subscribers, the channel had grown too big, the burden of responsibility for his platform too heavy for what was supposed to be a humble get together for him and his fellow fans. When you get big like him, a target is painted on your back. Rumors being made up about him trying to become an "influencer", viciously trying to frame things like Leroi's constant namedropping of comicsgate creators he talks to in DMs and private group chats as "clout chasing". A charge that disgusts Leroi. Another complaint now that he's a target is how people are "trying to tie him to groups", an extremely oblique reference to the rumors circulating in various cliques about how curious it is "Leroi" became active once Warcampaign status became stigmatized, speculating that he's a renamed WCer. I for one actually believe Leroi that these innuendoes are unfounded, if only because a Warcampaigner would 100% have known who Lola was as she regularly invited them for cybersex in their discord server, and Leroi had no idea who TUG's wife is.

Shane rises to his friend's defense by making the truly intellectual argument that if Leroi was truly a "clout chaser", like these unnamed plebs say, why did he erase his channel after forgetting his place and criticizing his betters? Answer Shane that, detractors. Indeed, were Leroi truly about the pursuit of social clout, he would have never erased his channel (after getting pushback from the holders of said clout), framing Leroi's decision to walk away as the "voice of the fans" like the story of the farmer-appointed-dictator Cincinnatus voluntarily relinquishing his office once the crisis passed. Except if nobody asked Cincinnatus to provide this role instead of everyone, and instead of when the crisis passed, Cincinnatus instead stepped down from power the moment he started asking uncomfortable questions about the patricians and they threatened to stop giving him asspats and cummies. But other than that, exactly the same. Leroi says he'll miss hosting closeout streams like he did for Irene Strychalski and Patrick Thomas Parnell, and that he was touched by all the Comicsgate creators who reached out to him and asked if he was okay in DMs. For his part, Shane Davis at one hour twenty minutes makes another reference for the unwelcome "group associations" made by a creator in his DMs, saying that these people should "go jerk off or something" instead of being gossipy bitches online.

So there you have it, it just wasn't fun anymore.


27/11/2021 - LORD FINATRA - HAIL CHAT?

Leroi's passing was taken hard by Finatra; the two started channels at the same time, they came up together as comicsgate youtubers. And things are looking bleak for Finatra's channel (1,130 subscribers) as well. Not because he's a target for being a "voice of the CG fans" like Leroi, but the more prosaic problem of various ukrainian and korean softcore camwhores have come together to mass flag his channel for proflic amounts of content piracy with his streamsniping of women exercising while yelling and getting yelled at by guests on drunken livestreamed benders. Everyone in Comicsgate has their cross to bear. Things look bleak for Finatra and he may not have a channel himself soon. Several times over the next couple of hours he instinctively begins to search for a fatassed korean woman doing squats in yoga pants to fill dead air before realizing he can't and settles on morosely looking at livestreamed bloodsports gone by, the stream taking on the character of a depressing clip show as Finatra nostalgically reflects on some of the Oz Show-style bloodsports he's hosted on his channel (before unlisting them to avoid flagging).

Not wanting to risk a final flag to his channel for copyright violation, Finatra opens the show up to the chat where "Old Dirty Fatty" and Checkpoint show up. Old Dirty Fatty is the shitpost account of a Comicsgate artist who, even as someone who publicly joined Comicsgate, does not want the optics of showing up on shows like Finatra's against them, while Checkpoint is a friend of Finatra's who has an avatar of Lady Liberty in a stockade and ballgag. Their chosen topic: politics. The discussion unfortunately failed to live up to its promise as the two took turns soapboxing what passes for Comicsgate political discourse - vague rants about government shadow cabals and corporations in collaboration to secretly pull the strings on society like something from a dystopic cyberpunk setting. This dialectic where nobody disagrees with one another goes on at excruciating length before being broken up by an impromptu and sudden appearance from Frog.


Without so much as a "hello", Frog demands to know everything they know about Leroi shutting down his youtube channel. Finatra answers that he did what he always said he would and shut down his channel if he became a star. Frog isn't so sure about that, relating how "I get a message from Leroi saying 'I'm getting all kinds of hate. I'm getting dox threats from creators in this community." After years of similar mailbox-related stunts however, Frog was not as credulous as he once was and asked for receipts of this creator's threats. After all, a creator idiotically going around threatening backer with doxing in DMs for criticism is a huge liability from Frog's perspective and he has every reason to expel anyone engaging in such behavior, if true. When pressed however, Leroi refused to provide receipts, Frog's unstated conclusion being that Leroi is completely full of shit. There were also assurances from Leroi that he has "no intention of going to war" with over late comics, a stance met with confusion from Frog. And that might have been the end of it, except for the unnamed snitch creator also in Frog's DMs messaging him about Leroi being Warcampaign infiltrator - he woudn't put this person above threatening Leroi with doxing for leading a would-be uprising against Comicsgate creators. We also learned who called Leroi an infuencer - Frog relating how he explained to Leroi that "if you're going to go on livestreams, start being a quote-unquote influencer, talking about how you're never going to back people who haven't even launched a project yet, yeah expect some pushback".

At least one of the two people in Frog's DMs are working some kind of gayop, but there's always the possibility of it being both. The waters are murky sometimes when navigating the CG lifeboat; always keep your oar on hand and don't be afraid to swing wildly into the dark. In any case, Frog gave Leroi's alleged dox threat the due consideration, which is to say he used it to juice up a boring Finatra livestream because Fin couldn't fill it up with slavic asses.

The chat comes positively alive with speculation on who this "CG Hitman" could be. Suspicion is immediately directed towards Nasser Rabadi, because Liam has been talking up Nasser being Frog's "enforcer" for almost a year now. Given the several hours that a Finatra stream can go on for, there was ample time for people to start throwing memes together before the show ended and clown Leroi in real time.


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1) Finatra fanart of Mister Dongs eulogizing Leroi 2) "Smug Pug" investigating the murder scene 3) Artistic depiction of the CG Hitman

F
 
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CG is one long bait and switch operation. Finally, Zach is showing everyone how wrong his original fans were to back him. He is showing that he is nearly as thick-headed and arrogant and greedy as the entrenched SJW. In bringing in the new blood of old pros, Ethan's hoping to leverage the complete failures of CG 1.5 to cover up his own responsibility for being the brand manager without securing a high level of quality across the board. He doesn't have the right to call anybody over at FNT a zero, especially when he has Cecil and Donal on board. The only thing he's shown to have any consistency on YT is degeneracy and labeling SJWs anyone who starts to criticize him. Gary might be a grifter, Az might be a know-nothing, but you know them well enough that they won't be reduced to alcoholic pisstreaming at any point. Frog plays this bullshit game of plausible deniability when it comes to his wack pack when it's clear he's always been a self-serving cloaca who will be perfectly content burning his own house down as long as he still has a dog he can blame it on for the insurance payout.
It's hard to argue against your points here.

As you say, CG had the ability early on to offer an alternative product to the stuff they were griping about. Unfortunately, that potential was squandered by grifters, outright thieves, retarded attack dogs, and pros that can't seem to get a book out in less than a year. Zack seems more schizo than ever and I think even his diehards are starting to walk away after watching him continue to plug new projects while they wait for stuff they paid for two years ago.

Lim and Ernst seem to be doing it right without the constant 4 hour streams of whores shitting themselves and degenerates talking about STDs they've collected over the years. They make pro quality books and get them out on time with a minimum of bullshit. Unfortunately, those two are persona non grata at the big table when they should be the pro-customer examples of how to make the indie scene work.

self-serving cloaca
I choked on my drink, thanks.
 
I have two main issues with the FNT show. One, it is so fucking boring. I honestly don't know how they continue to get more viewers, every time I tune it I leave in a minute. So boring it is incredible.

Second, their constant complaining without any proposed alternatives is just depressing after a while. They offer no alternative shows, movies, or books to 'fight back.' It also shows how shallow their entertainment really is, and how poorly they view their own audience. No scifi books recommendations, no fantasy book recommendations, no older shows or movies. Just whining about the most popular trash of today. This was most exposed in their star wars coverage, as I don't think any of them had every even read the most popular star wars books (Heir to the Empire) or played the most famous/story centric star wars games (KOTOR I and II). This is also exposed because I don't think any of them are covering the Wheel of Time show, as I doubt any of them had ever even heard of it before Amazon, much less read it.

Anyway, the reason I originally started watching Ya Boi and Frog is because they were actually entertaining and fun. Zach has no been reduced to 'not being on twitter' while constantly making videos based around twitter comments, and Frog has basically stopped making the videos that got him so much popularity, namely the 8-14 minute videos of him filming his ipad with his phone and laughing at some silly star wars nonsense. I know he doesn't want to give more attention or whine about star wars stuff anymore, but one video a week in that style I think could help with potential growth, as new viewers are going to be hesitant to show up if all the content is 4 hour livestreams instead of actual videos.
 
Roger Ebert was a film critic. RedLetterMedia's Plinkett Prequel reviews were fan criticism raised to the level of art in its own right. Neither should be compared to Friday Night Tights or the pop culture complainer crew, who are more accurately described as 'professional hatewatchers' at this point than critics of any sort. A good critic can provide information or perspective the reader did not know or think to consider, making their service of value. A hatewatcher by contrast does not offer information and instead operates on a purely emotional level; they take feelings of dissatisfaction and/or alienation from a work or its fandom and translate them into feelings of validation and a sense of social belonging through their shared dislike in exchange for the viewer's time and money.

To an outsider looking in, none of this makes any sense - why the fuck are people lining up to watch woke garbage that they hate that has zero real likelihood of improvement? Or pay a gaggle of chucklefucks through the nose for the privilege of chortling stupidly at some C-list TV series? Though they try to disguise their nature and say they're critics, or somehow contesting these global media corporations over what's considered good culture and what's not, the reality is they simply peddle emotional validation and inclusion in a parasocial relationship to their viewers for money. Sometimes to excess in the case of clearly disturbed, vulnerable individuals like George Molho.

I couldn't reply to your later one, but I do hate watch and even enjoy things ironically.

Well said, absolutely correct.

While it's easy to see past their claim of being critics, the thing that gets me is that they claim to be fans of much of the shit they're trashing. Douchebag Griggs talks shit about how awful Star Wars is while wearing that ratty, sweat stained Star Wars hat he's got some sort of emotional attachment to. Ryan Kinel has wasted years of his life absorbing every piece of Star Wars media he can get his hands on and can't wait to tell you how bad the shit sucks. Gary's setup is surrounded by reminders of things he absolutely cannot fucking stand.

And I really, truly understand being disappointed in these cultural icons and cornerstones of one's childhood turning into gay diarrhea. It sucks. It's terrible. But I also have no interest in watching these dudes jerk each other off over who hates it more. I don't care to consume the stuff or to watch people who have been consuming it stumble out onto the street and puke it up.

I've been a fan of most of these genre franchises for almost my entire life and I know when it's not for me anymore. I LOVE Star Trek but, for me, it's over. My interest waned with the Abrams movies and the first season of Discovery was quite enough for me to call it quits. I have absolutely zero interest in any of the new projects and I don't plan on seeing any of them. I simply do not care anymore.

Same with Star Wars. It was a cornerstone of my childhood and it got dumber and dumber (in hindsight, it got dumb with ROTJ) until I just lost interest. I didn't get mad about it, it's just not something I care about. I halfway liked the Mandalorian show, but I could also not watch it ever again and it would be fine.

I grew up on comics and in the last few years got back into reading them, but I don't give a shit about superheroes. There's tons of more interesting stuff out there for me to read at this stage of my life. Superhero stories seem to be handled better in movies these days, partially due to them not carrying 8 decades of baggage with them. But I also don't give a fuck about whatever "phase" the MCU is in and I definitely don't want to pay to read the adventures of black trans lesbian Captain America in comic form.

I have no interest in watching the live action Cowboy Bebop. Loved the anime. Don't care to see the adaptation. I may find the idea of a live action version starring a middle aged John Cho to be extremely silly, but I'm not going to bitch about it for hours. I'm just not going to watch it. I'm not angered by it's existence, I am merely uninterested.

FNT are a bunch of soulless pricks who like the money generated by bitching about things they say they used to love more than they ever really loved those things. There are plenty of good games, comics, movies, and shows they could be talking about. They could discuss their favorite pieces of the old stuff they used to like. They could do pretty much anything but complain. But that wouldn't bring in the money. Just as thots are enabled by simps, the FNT crew are enabled by the impotent rage of sad, autistic nerds paying to have their opinions spit back at them by no-talent midwits in the guise of a "community" that would evidently fall apart if the content was anything other than wholesale negativity.

EVS was right about Az. He's a zero. Gary, Griggs, Kinel, Doomcock, They're all zeroes. Fuck them.

Definitely. What makes it worse is, some of them started out with some legit fandom/shows.

Gary was originally a hardcore Song of Ice and Fire fan. Kinel was a diehard Star Wars EUfag. Midnight's Edge was doing serious documentaries and commentaries before the human testicle changed directions.

They all started out and have progressively degenerated worse and worse.
 
I think it's slightly different if it's done in the context of a schtick or a character. Guys like AVGN and Angry Joe have millions of subs and they have the word "Angry" in their name. It's branding. The "pissed off nerd reviewer" became a trope because people found the scripted humor funny or they laughed at the bits of genuine low-T autistic rage on display. The good ones manage to couch legitimate, thoughtful criticism into their on-camera antics (the Plinkett reviews of the Star Wars prequels are probably the best examples of thoughtful film criticism disguised as an in-character "nerd rant"). In any case, it's been copied to death and the trope is mercifully dying off.

But that's not the FNT crew. They're just unlikable assholes who've managed to brand their exceptional opinions as if they're Roger fucking Ebert. The difference is that Ebert actually liked movies and even when he didn't like a particular movie he managed to express his opinion in an intelligent and often witty way. His negative reviews were often so good they were collected into a couple of books. Even if you disagreed with him, you at least knew he put some thought into it.

Dumbfucks like Gary, Az, Jeremy Griggs, and Ryan Kinel don't have a schtick. They don't do comedy skits or become characters to make some stupid point. They sit there and consume, complain, rinse, repeat. They hop onto YouTube and start immediately shitting on some project months before the cameras even start rolling, they bitch about how bad they think it's going to be, they shit on it at every stage ("Look at this single photo somebody took on the set! This whole thing is going to be shit!") and then they WATCH THE FUCK OUT OF EVERY EPISODE so that they have some fucking content. But, as @The Bovinian Derivative said, lots of people out there can't just not like something and avoid it, they NEED the dopamine release of some talking dicks with a platform justifying their dislike.
The FNT guys are Matt Jarbos only they do Geek shows instead of Gamergate
 
I am super pissed about Leroi quitting and the fact he is getting flak over it by creators. I'd feel rather bad if my post had anything to do with it as what was brought up in that stream was 100% valid and worth discussion. All they did is break the thermometer in hopes that it will no longer be so hot. Want to rant more on this but no one should read that much autistic screeching.
 
I'm certainly no artiste but is this normal?

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56 minutes later...

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EDIT: that's actually a continuation of a drawing stream from earlier today where he started from the blank page:

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34 minutes later...

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So 90 minutes?

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Roger Ebert was a film critic.
Well... he was a bit of an SJW too. He and Siskel's hatred of the Friday the 13th franchise was pretty legendary. They weren't content to just let Paramount make their money. They had the whole "I don"'t like this, so I want it destroyed!" mentality. Sound familiar?


I wonder what @NasserRabadi13 thinks of this. He likes the 80s horror movies, IIRC.

To an outsider looking in, none of this makes any sense - why the fuck are people lining up to watch woke garbage that they hate that has zero real likelihood of improvement?
Hate is more marketable these days.

You're right, it doesn't make a lick of sense to a rational person, Time should be better spent providing positive reinforcement to media that doesn't go the woke route.

But, for some reason, the "5 minutes hate" gains a bigger audience every time. You know it. I know it.
 
Looks like a splash page that will be penciled and inked within 2-3 days, which isn't that far outside the norm for artists with highly rendered styles like Frog's. If he normally worked at that pace he would not be having deadline problems.
I guess I just assumed he already had the whole thing at least laid out and story-boarded since that's what he said when the campaign was launched a couple years ago. It's just frustrating to see someone throw away all the good will built up over several years. It's not like he can apologize and promise it won't happen again since he already said all that when the first book was a year late. I can't decide if it was the dolls that fucked him up in 2021 or deciding to fulfill all his deadbeat orbiter's campaigns instead of his own obligations.

It's hard to see this book shipping before summer at the earliest now. Rainbow Brute *might* ship next December (instead of next week). How does he launch a new campaign while being so late on TWO unfulfilled projects? Then add on 2+ years for that to be finished and the CF trilogy will be complete in what, 2025? Maybe? What a disaster.
 
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I guess I just assumed he already had the whole thing at least laid out and story-boarded since that's what he said when the campaign was launched a couple years ago. It's just frustrating to see someone throw away all the good will built up over several years. It's not like he can apologize and promise it won't happen again since he already said all that when the first book was a year late. I can't decide if it was the dolls that fucked him up in 2021 or deciding to fulfill all his deadbeat orbiter's campaigns instead of his own obligations.

It's hard to see this book shipping before summer at the earliest now. Rainbow Brute *might* ship next December (instead of next week). How does he launch a new campaign while being so late on TWO unfulfilled projects? Then add on 2+ years for that to be finished and the CF trilogy will be complete in what, 2025? Maybe? What a disaster.
I think Frog is smarter than he looks could see the writing on the wall for his grift and jammed as many campaigns as he could out as fast as he could to gobble up all that sycophant money before they dried up and blew away. Now he's rich, the grift has lost its shine, and it doesn't matter that CG is falling apart before his eyes.
 
I think Frog is smarter than he looks could see the writing on the wall for his grift and jammed as many campaigns as he could out as fast as he could to gobble up all that sycophant money before they dried up and blew away. Now he's rich, the grift has lost its shine, and it doesn't matter that CG is falling apart before his eyes.
I don't think so. I think he found himself in a completely different environment where he didn't have a deadline imposed on him so he let a lot of other things take priority over the actual comic book, like his grab ass show that is only rewatchable when someone does something stupid. Drawing streams are a big improvement and sticking to what made him a name to begin with would be the ideal way to go. Is it boring? You bet, but it's stable and a subtle sign of respect to his supporters. At least that way he could show his backers that he's actually working on what they paid for.

The reactionary "everything sucks" stuff can work, but in short bursts. I can never get through more than 10 minutes of it at a time no matter how much I like the people involved. If it's an open-ended hours-long stream that is one tangent to the next, it's almost a guarantee I'm going to disagree with something they say and as most of these streamers get so used to hugging their hug box, they tend to start thinking every topic is safe to talk about using the same rhetoric they use for the popular one. They start to think they have more relevance and status than they do and that's were the pride comes in, and the personal vendettas, and the internal drama. Once they're in that negative feedback loop, it's tough to escape.

Looks like Mr. Biggons is back to old form on Twitter. I thought this was a parody account at first. https://mobile.twitter.com/SlaerofUgly/status/1464672673250873345
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"Cecil has met me irl... I got invited to a threesome..." So we're counting his blowup doll now?
 
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I think Frog is smarter than he looks could see the writing on the wall for his grift and jammed as many campaigns as he could out as fast as he could to gobble up all that sycophant money before they dried up and blew away. Now he's rich, the grift has lost its shine, and it doesn't matter that CG is falling apart before his eyes.
He's not smarter than he looks. If he was, Ethan would be able to keep the grift going at the same pace as before and eventually turn it into a proper business. Instead he acted like a sleazy salesman from "get rich" infomercial by bragging how much money he made off comicsgate, and you could too! You can even own the SJWs by giving Ethan money!

Multiple people were warning Ethan that comicsgate's success would not last if they do not improve, but he was dismissive. If Ethan was at least smart enough to listen, he would actually complete his comics on time, be able to make them good, build his own site to sell them and not have to share profits with third parties, not waste time on internet drama, and in general plan long term to make his business sustainable. In short, do more or less what Lim and Pelligrini did.
Instead, Ethan kept chasing a quick buck. His behavior shares a lot with the big two and SJWs. Only major difference is that people working for big two have better work ethic, so their books are not over one year late on regular basis.

Ethan might not be as rich as it seems either. Portion of that money goes to IGG and taxes. Then you have to pay for fulfillment, and Ethan went with pretty cheap options for some reason. There were rumors that his donations were inflated either by himself or his buddies from Dynamite. They came from antis and former comicsgate people, and there were no receipts.
Ethan also nickles and dimes his supporters pretty hard. Meanwhile, Lim and Pelligrini are able to scale up their business and thus be able to charge less for better comics. Few pages back people were arguing that this was only possible because of Lim's day job in medical field. Ethan could do the same (minus good comics delivered on time) if he wanted to. His campaigns made enough money to easily scale up the operation. And yet he did not for some reason, even though people were suggesting it for a long time. Maybe comicsgate is not as lucrative as it seemed, or maybe Ethan is that lazy, shortsighted, and greedy.

I wonder if Crowdfunding Trust Alliance and other rumored measures to combat fraudulent or misleading campaigns will affect comicsgate's ability to fund their projects. I would not be surprised if that's what finally got Ethan to try finish his over year late comics.
 
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Frog streams seem to be trending down pretty bad lately. Even CG Kings was around 700 this week. That's a far cry from the average 12-1400 viewers a year ago.

And the auctions are bringing in Smiller auction numbers.

What's going on?
It's all boring shit and the whole "movement" has been coasting on retard momentum since 2018?

Without a source of momentum or any real value all trends eventually roll to a halt.

I know It's gay to ask but I have been drinking, do you guys think there's any point in pursuing creating your own graphic novel within comicsgate?
There was plenty of availability for first class rooms on the Titanic once it got up around 45 degrees.
Titanic-e1630453763407.jpg

I'm certainly no artiste but is this normal?
No, usually the layouts aren't so detailed from him.

Timewise? Yeah, don't expect your book until summer. He never works and when he does it's very slow going.

Looks like a splash page that will be penciled and inked within 2-3 days, which isn't that far outside the norm for artists with highly rendered styles like Frog's.
Frog makes Frank Quitely look like Kirby pumping out 8 books a month.

I can't decide if it was the dolls that fucked him up in 2021 or deciding to fulfill all his deadbeat orbiter's campaigns instead of his own obligations.
He's just a fat lazy slob and he got the money before he had to do the work.

It's a story that's as old as time. Anyone who expected him to do better because he "promised" doesn't understand what they're dealing with.

Maybe comicsgate is not as lucrative as it seemed, or maybe Ethan is that lazy, shortsighted, and greedy.
It's the latter. The simplest explanation is usually the correct one.
 
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I don't think so. I think he found himself in a completely different environment where he didn't have a deadline imposed on him so he let a lot of other things take priority over the actual comic book, like his grab ass show that is only rewatchable when someone does something stupid. Drawing streams are a big improvement and sticking to what made him a name to begin with would be the ideal way to go. Is it boring? You bet, but it's stable and a subtle sign of respect to his supporters. At least that way he could show his backers that he's actually working on what they paid for.

The reactionary "everything sucks" stuff can work, but in short bursts. I can never get through more than 10 minutes of it at a time no matter how much I like the people involved. If it's an open-ended hours-long stream that is one tangent to the next, it's almost a guarantee I'm going to disagree with something they say and as most of these streamers get so used to hugging their hug box, they tend to start thinking every topic is safe to talk about using the same rhetoric they use for the popular one. They start to think they have more relevance and status than they do and that's were the pride comes in, and the personal vendettas, and the internal drama. Once they're in that negative feedback loop, it's tough to escape.


"Cecil has met me irl... I got invited to a threesome..." So we're counting his blowup doll now?
True. I kind of still like The Critical Drinker, YBZ, JSG and Mr H. for the simple reason that they will talk about the things they do like.
 
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