#Comicsgate - The Culture Wars Hit The Funny Books!

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Didn't Kieran try to make a comic on Kickstarter that got funded and never saw the light of day? (genuine question because half of these clowns are white Brits or Americans who all look the exact same) I really don't think he can criticize Zack over Jawbreakers until he puts up and releases the comic.

Unless, you know, he took the Kickstarter money and ran. Let's be honest, that option is far more likely.

The biggest difference with Meyer is he has been showing product all along. Art in various stages, etc. actual product in development. whereas most of the other Kickstarter comics, yeah no. At best a weird idea about intersectional gender fluid fanfic characters, with maybe a single character sketch.
 
Clearly our boi Zack (AKA @damian ) led a raid on the postal service and stole all of the deliveries. When will that monster be stopped?!
Until all blacks, trannies and women are gone from the comicbook industry, never. Now support my IndieGoGo: https://www.indiegogo.com/projects/jawbreakers-lost-souls-graphic-novel/x/18673996#/
The biggest difference with Meyer is he has been showing product all along. Art in various stages, etc. actual product in development. whereas most of the other Kickstarter comics, yeah no. At best a weird idea about intersectional gender fluid fanfic characters, with maybe a single character sketch.
he showed himself paying the people working on the comic once.
https://twitter.com/diversityandcmx/status/990384769778233344
 
"Comics isn't a club, let me explain exactly how comics ISN'T a club":
https://twitter.com/MagsVisaggs/status/996121572934070272 (http://archive.is/rxBQL)
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Fuck Mags if she thinks that she can set the criteria for who can be in the "community."
 
It's absurd to me how nakedly these anti-cg spergs revel in the idea that being on the "right side of history" is synonymous with endorsing the perpetual duopoly of massive for-profit corporations.

Reminds me of something I read just recently:

The campaigns to regulate social media are not against algorithms, just the algorithms in front of them. What they really want is better targeted ads. James Bridle cements this point in his viral essay on Youtube Kids, ‘Something is wrong on the internet’:

Automated reward systems like YouTube algorithms necessitate exploitation in the same way that capitalism necessitates exploitation, and if you’re someone who bristles at the second half of that equation then maybe this should be what convinces you of its truth.

I believe [Youtube and Google] have an absolute responsibility to deal with this, just as they have a responsibility to deal with the radicalisation of (mostly) young (mostly) men via extremist videos — of any political persuasion. They have so far showed absolutely no inclination to do this, which is in itself despicable. However, a huge part of my troubled response to this issue is that I have no idea how they can respond without shutting down the service itself, and most systems which resemble it.

Almost nothing is said here and yet every sentence is wrong. Bridle claims that the only silver bullet for “exploitation” would be to turn off the Moloch machine and go back to asexual budding. Fine. But since that’s not going to happen, what’s the second-best option? I nominate, “go outside,” “delete your account,” or, “literally just use a different website, idiot.” Bridle instead pushes for “responsibility” from corporate America—i.e. more control over what is posted—and defends the importance of branding:

As another blogger notes, one of the traditional roles of branded content is that it is a trusted source.

Do you see? If Bridle can’t have full communism now, then rather than face the perils of unbranded content, the second-best option is Mercantilism. That’s what regulation of Silicon Valley means, either through legislation or populist pressure: a rent-seeking oligocracy that excludes any newcomers who can’t comply with the rules. Bridle’s idealistic concerns are worthless. When he and other authoritarian leftists rank options in this way, they are the greatest ally the corporate establishment could ever want—and vice-versa.


The whole thing is worth a read if you have the time:
https://hotelconcierge.tumblr.com/post/173526578129/shame-society
 
For anyone following the Sperg out that is "Comicsgate", you will have seen this coming. For the unfamiliar, this is essentially gamergate, just with comics. Far left SJW ideologues at major publishing houses like Marvel, IDW and DC have coopted beloved franchises and heroes and have been tying them into knots to conform with a new "woke" ideology. This has led to delightful things like turning Ms. Marvel into a butch lesbian, Thor into a feminist woman, Iron Man into a black female (Iron heart, hurr, we changed the name, its different now!), a new generation of diverse and woke GI Joes beating the shit out of the old joes, (all in good fun!) and for the icing on the cake, making Captain America himself into a Nazi. This was too far for daddy Disney though since the MCU canon is precious shekels, so that plot line got retconned last year. But its indicative of just what is going on in comics.

Enter diversity and comics, a known comics book sperg who has been bandied about the farms before. He runs a youtube channel with modest viewership that watches him livestream from his cellphone. Usually just shit talking the above aforementioned bullshit from modern comics book "professionals". Recently however, he has crowdfunded his own independent comic book, and had received a publishing deal with a small indie comics book firm to put it on store shelves. Breitbart can take it from here.

http://www.breitbart.com/tech/2018/...endent-creators-of-jawbreakers-graphic-novel/

SJWs Attempt to Silence the Conservative and Independent Creators of ‘Jawbreakers’ Graphic Novel

In yet another example of leftists attempting to silence those on the right, a group of conservative comic book creators are being targeted by social justice warriors.
A group of comic book creators has begun dealing with an issue seen in many other industries — the silencing of conservative voices simply for being conservative. Brett R. Smith, Jon Malin and Richard Meyer (better known by his YouTube handle Diversity and Comics) recently announced a new graphic novel titled Jawbreakers. The graphic novel is written by Meyer, drawn by Malin and colored by Smith, and is actually not a political comic book.

The plot is described as “A team of ex-superheroes attempt to save a “monster” from a vicious warlord who wants to exploit it!” The team of comic creators took to crowdfunding platform IndieGoGo to gain financing for the graphic novel and have currently raised $261,509 from comic book fans eager to read the new novel. Malin and Smith are both veterans of the comic book industry having worked for the “big two” companies, Marvel and DC, while Meyer has gained a large following online for his critical reviews of modern graphic novels and comics.

Smith has previously worked on conservative graphic novels and books such as Clinton Cash and Thump: The First Bundred Days, Meyer has been a vocal critic of what he feels is forced political correctness within current popular comic series while Malin hasn’t openly stated his political views but has criticized social justice warriors in the comic book industry referring to them as “Nazis.”

But leftists could not stand the idea that artists and writers that had criticised forced diversity in comic books could possibly publish a successful graphic novel. They made their move against the graphic novel’s publisher. Antarctic Press, a small comic book publisher, had agreed to publish Jawbreakers and were initially quite excited about the graphic novel release

That was until Mark Waid, a Marvel and DC writer known for his work on titles such as The Flash, Captain America and Daredevil, took it upon himself to call the publisher and inform them of “who they’re getting into business with,” according to a post on Waid’s (now deleted) Facebook page:

hortly after this, Antarctic Press chose not to publish Jawbreakers, stating in a Facebook post:

After careful consideration, it is the decision of Antarctic Press to not release the comic series Jawbreakers.

Antarctic Press is a staunch believer in Creator’s Rights and giving creators a chance to showcase their creation and allowing that creation to be judged on its merits.

Many forces, many of them should be viewed with great trepidation about how our society acts, have led us to this decision. We do not take this decision lightly as we do believe that there should be separation between “ART” and the “ARTIST” and that separation has been blurred in our decision.

We appreciate all our supporters and detractors in this process.

Thank you for taking the time to read our statement.

This statement will be removed in 7 days.

The publisher also confirmed via a Twitter post that they had been contacted by Waid shortly before their decision not to publish Jawbreakers but claimed that they were not bullied into dropping the title:

hortly after this, Richard Meyer announced that the three comic creators behind Jawbreakers would be forming their own company to publish the graphic novel: “We are starting our own company called Splatto Comics, Splatto del Gato Comics for legal reasons.” Meyer further described the aim of the company saying:

Splatto Comics will be obviously comic centered. That’s what we love. That’s our thing that we do. It’s going to be a variety of things. Exclusive crowd-funding campaigns, for example my Iron Sights graphic novel might only be available in IndieGoGo.

The 112 page one is exclusive. It will not be in stores in that 112 page thing. The only way you can ever get this is through this IndieGoGo. We are going to do exclusive IndieGoGo’s for something like Iron Sights probably.

Moving forward on a way to get it into brick and mortar stores like Barnes & Noble and Amazon and things like that. And then we’re also going to go for things like maybe the Jawbreakers Digest the traditional route into comic book stores through Diamond.

Breitbart News spoke to Brett R. Smith exclusively about the current situation, Smith described the need for more content to cater to the large market of conservative Americans. Smith stated:

We were able to turn Clinton Cash into a New York Times number one bestseller and I just don’t think that’s a fluke. And then you look at the reaction to Jawbreakers, there really is a huge underserved audience out there, you see that with [the TV series] Roseanne, 28 million people turning up to watch her, you see that now with Last Man Standing coming back.

Then you see it with things like American Sniper, or the Passion [of the Christ], when something is catered towards the mass majority of the country in a commercial way that doesn’t lecture, people eat it up. And it’s not that any of it is political, I get back to the fact that it’s pro-Western culture. That’s really kind of the bullseye that we need to focus on, does it advances Western culture and Western philosophies, and if it doesn’t we’re not interested in it, I don’t wanna do it.

Discussing a soon to be announced project he’s working on, Smith commented on the political correctness that has overtaken not only the comics industry, but practically every aspect of popular culture. He said, “at the same time it [the project] is not political at all, it’s just total, pure escapist entertainment which I think people are craving because that’s why we go to entertainment, is to get away from all this stuff. And yet, we’re bombarded with it, even when we turn on the football game or the TV series.”

Smith has seemingly been proven right by the success of Jawbreakers — an apolitical comic book that Smith described as an “80s throwback, Expendables” style story — in his belief that the public is craving pure escapist entertainment. In fact, Jawbreakers has beaten the sales numbers of a number of extremely popular and well-known Marvel and DC graphic novels, which have been criticized for allegedly pandering to SJWs in recent years:

Jawbreakers is set to be released to IndieGoGo backers in August 2018, Breitbart News will be publishing a full review of the highly anticipated independent graphic novel when it is available.

tl;dr, high level artist "professionals" at Marvel and DC such as Mark Waid could not stand the idea of LITERALLY NAZI'S getting published, so they used their position as highly connected comic book "professionals" to bully the publisher of D&C's graphic novel to drop them, threatening them with everything from industry blackballing to vitriolic social media hate campaigns.

There is just a problem with that. Its illegal to do this in the United States. It is a violation of the Federal Trade Commission Act to engage in deceptive and unfair business/marketing practices. Further, if such practices result in successfully hindering the free flow of commerce, you violate numerous provisions such as fraud, and libel under title 18. Which has occurred as Antarctic Press (the publisher) bowed to the pressure and dropped publication of the novel. This moves the situation out of the purview of FTC , bringing title 15 and title 18 provisions into the Federal Courts as opposed to a simple civil arbitration issue. As Mark Weid (and others) spoke as official representatives of their companies, Marvel, and potentially Disney, can be named as defendants.

More in depth law review for the interested.

 
Mark Waid actually was forced to delete and suspend his social media accounts by Marvel after they realized what he'd done.

I hope Richard/Zach sues the shit out of him and Marvel and gets a fuckton of money.

In full disclosure, I'm backer #6386 of his book and I am stoked for it to get released. I think his indiegogo crossed $275K today.
 
What I love is how the Sherman Anti-trust act is being bandied about. That is a part of the law that lawyers get boners about, because the moment you have the Sherman in your lawsuit, the amount of money involved becomes huge. Companies like Disney will settle for millions if you have a case under that particularly glorious part of the law.
 
Does anyone remember Mark Waid's Irredeemable series? The main villain features an angry insecure manchild who is initially loved and respected by everyone and has assloads of power but then completely loses it because he simply cannot stomach the slightest bit of criticism lobbied against him and ends up ruining everything.

Mark has become everything he hates *sigh*
 
Can someone who has followed this closely explain what D&C's supposed crimes are?
 
Can someone who has followed this closely explain what D&C's supposed crimes are?

He said the current generation of comics are political garbage, called Ms. Marvel "Carl Manvers" and says the current group of professional comics book artists are lesbian feminists and loser men with no children.

In short, he has simply said entirely true things, and that apparently is what makes you a Nazi in current year.
 
I guess Disney could settle but they’re also the company that controls copyright law and will force daycares to paint over unauthorized paintings of their characters. I wouldn’t put much faith in a lawsuit.
I don’t think they even apologize when their mistakes get people killed.

This has nothing to do with copyrights and entirely to do with federal commerce law, which is something that even they have to abide to or find federal lawsuits shoved up their ass, something no company ever wants to deal with.
And it's obvious they're not happy what with Waid suddenly being muzzled again- this isn't going to be an easy fight for them. You can settle with private parties in a civil court no sweat since they have such a strong arm and massive wallet, but not that easily in a federal court when the other party is D&C and the FTC.
It's clear cut what he did broke ethics and trade codes as well as libel law- it's up to the courts however, to rule on this.
 
I guess Disney could settle but they’re also the company that controls copyright law and will force daycares to paint over unauthorized paintings of their characters. I wouldn’t put much faith in a lawsuit.
I don’t think they even apologize when their mistakes get people killed.

This isn't a copyright lawsuit though. Its a potential title 15 lawsuit. This shit is super dry so here is the basic gestalt. In the 19th century, the US economy was a free for all. People were able to sell whiskey as magic elixirs that cured cancer, and their competitors who were selling vodka that could cure cancer could say that the whiskey that cured cancer caused your penis to fall off and turned the frogs gay. Oh, and something about grinding rats into paste and saying it was ground beef.

Anyway, title 15 covers interstate commerce in the United States and sets the rules for the road for anyone wanting to sell anything from a pickup truck, to a comic book. The States have their own rules but since D&C is clearly selling over state lines and with numerous interstate and international partners (via gofundme) this is a federal issue. These rules are numerous, complicated and open (deliberately) to a ton of interpretation, but there are a few sacrosanct truths that unite them all. And like the One Ring, there is ONE RULE that binds them all. Never lie about the competition. That is the one ring to bind them all. Its why General Motors cannot say Ford Cars will explode if you turn the ignition key, don't buy them! If you lie about the competition, you commit unfair business practice and open up title 15 issues, further you open yourself up to defamation, fraud and conspiracy under title 18. Making title 15 stick is also massively bad for any company on the receiving end, especially at the federal level, because title 15 covers their right to conduct business in the first place and the sanctions at the high end of the violation spectrum are severe. Such as, Volkswagen executives going to federal prison for saying their clean diesels were clean when they were not clean levels of severe.
 
No, I know it’s not a copyright lawsuit. I’m saying Disney literally controls the legislature and has the best (((lawyers)))) money can buy. I’m just using their copyright and wrongful death suits to say it’s unlikely.
 
Does anyone remember Mark Waid's Irredeemable series? The main villain features an angry insecure manchild who is initially loved and respected by everyone and has assloads of power but then completely loses it because he simply cannot stomach the slightest bit of criticism lobbied against him and ends up ruining everything.

Mark has become everything he hates *sigh*

Now all I can think about is the Plutonian's "safe space" and all the shit it contained.

What is Waid hiding?
 
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