Dreadnought: The Quest for Cringe - White-Kettle-Shufflepunk reads a trans YA superhero novel

Yeah, the only bit of evidence that Roger is abusive is that Danny had to pick up his shit behavior from somewhere.

I mean, I do like that this is gesturing in the vague direction of consequences, but I don't have any anticipation that this book has the (aheh) balls to have Danny stare down who he actually is and what he is actually doing.

I mean, this has to be an actual Rubicon, right? Danny is going to have to realize that whatever abuse he wants to accuse his father of, he's done worse, yes? It just seems so on-the-nose for Danny to be initiating bullshit court proceedings, be prepared to threaten violence when mildly inconvenienced, and then go and do unadulterated domestic abuse at GrayWytch because she might be involved, and then have Doc cover for him. I can't see how this doesn't end in Danny either rapidly 180-ing his life, perspective, and characterization, or else sliding directly into the consequences that Doc predicts. Honestly, this whole bit feels...oddly based? This feels...honest to Danny as he's presented himself. I can almost hope that there's a point to all of the previous bullshit on the horizon.

But my assumption and fear is that we're leading to a "No, this is why GrayWytch and my family really did deserve this, and their upcoming dismemberments!"
 
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I mean, this has to be an actual Rubicon, right?
In-character, I think Danny would have to hit rock bottom and face actual consequences for his actions before he improves. Just being called out by Doc won't do it. Remember, his motto is still "Never back down again".
The only people whose approval Danny actually wants are Calamity and those new genderspecial superheroes. Maybe if he upsets one of them enough, or even injures them in a fit of rage, that would do it.

Out-of-character, Danny is probably just going to realize that he was actually a great person all along, say "You people and your petty struggles are beneath me", and then the story will move on without examining his morals ever again.
 
Yeah, the only bit of evidence that Roger is abusive is that Danny had to pick up his shit behavior from somewhere.
Even then, it comes across more as projection of Danny's own thought process onto Roger.

I mean, I do like that this is gesturing in the vague direction of consequences, but I don't have any anticipation that this book has the (aheh) balls to have Danny stare down who he actually is and what he is actually doing.

I mean, this has to be an actual Rubicon, right? Danny is going to have to realize that whatever abuse he wants to accuse his father of, he's done worse, yes? It just seems so on-the-nose for Danny to be initiating bullshit court proceedings, be prepared to threaten violence when mildly inconvenienced, and then go and do unadulterated domestic abuse at GrayWytch because she might be involved, and then have Doc cover for him. I can't see how this doesn't end in Danny either rapidly 180-ing his life, perspective, and characterization, or else sliding directly into the consequences that Doc predicts. Honestly, this whole bit feels...oddly based? This feels...honest to Danny as he's presented himself. I can almost hope that there's a point to all of the previous bullshit on the horizon.

But my assumption and fear is that we're leading to a "No, this is why GrayWytch and my family really did deserve this, and their upcoming dismemberments!"
Yeah, I'm leaning towards the book being firmly Danny is Right camp. Maybe not about the crippling people, but even then, only partially.
 
Mach 3.3. That’s how fast my suit’s nav computer says I’m going before my grip on the lattice fails and I’m punted into the wind like a leaf on a freeway. Flying that fast at sea level is hard. It’s tiring, and it wears on my focus. Once I get past my limit, my mind tends to butterfinger the lattice, and whoops, there goes my controlled flight. I become a ballistic body, tumbling through the air. Today I manage to catch myself before I smack into the ocean at two thousand miles an hour. I flip onto my back and do lazy backstroke arms at a mere eighty miles an hour or so. I needed this. A good fly over the ocean sets me right every time. I nose up for some altitude and head back to New Port.

The lattice doesn't feel like the kind of thing that'd produce a flying brick by default. Maybe if it was more of a subconscious thing, and D1 was influenced by Superman or Captain Marvel's presence in pop-culture at the time, but neither of them seem to exist as fictional characters in Danny's world. I'd expect the Dreadnoughts to come off more like the more ambitious Green Lanterns, or even Jean Grey.

When I’m entering the city airspace I text the police that I’m starting my patrol early and drop down among the towers downtown. Patrol is easy. I fly low and slow through New Port, focusing especially on downtown where there are more people to see me. The whole point is to let people know I’m around. Civilians feel safer, and bad guys think maybe that daylight diamond store robbery wasn’t such a hot idea after all. If I stumble across something happening, I can get involved, but mainly I wait around for a call from Detective Phạm or the chief of the fire department. Because I’m a minor, I can only do this for twenty hours a week, but in a few years my contract will be renegotiated, and I’ll be out here full time.

Lame. If the government is so concerned about superhero child labour laws, why the fuck are they letting Danny do hero shit at all? Fighting superpowered murderers is a bit different from working at your dad's general store or fucking acting. She should be training at some military base until she's eighteen. It'd be a bit more understandable if this was an Evangelion situation (you know, that anime that ripped off the other Dreadnought) and Danny was holding back the apocalypse, but she got called away from Cold Con Bravo to deal with the Influenza Avatar!

Actually, about that, New Port is meant to be a world centre of cape-bullshit, absolutely swarming with supers. You're really telling me Danny and Myra are the only "registered heroes" in town?

I spend a few hours gliding around downtown, taking pictures with tourists, that sort of thing. For a hopeful moment I think I’ll have a little bit of excitement with an armed robbery, but they surrender immediately so all I get to do is sign autographs for the perps while we wait for the cops to come arrest them. We take a group selfie as the police are rolling up, and then I’m back on patrol.

This is actually kind of cute. Would be cuter if it wasn't right after Danny was confronted about turning into a blood psychopath. Reminds me a little of the opening of Whedon's Justice League, aka, the one bit I'm sad Snyder cut from his version. I wonder if it might not have been better to start the book with this kind of thing, then have it be interrupted by a fight, contrasting Danny's wholesome connection with his community with his bloodlust.

But, you know, it’s nice. Patrol is nice. People wave at me, and I wave back, and I don’t think about anything else. About Graywytch being horrible or about how much it hurts that Doc took her side. Especially not about my parents making a grab at my money, like they even wanted me to keep the powers that make my paychecks possible.

...At what point did they even suggest they were interested in your money? How is that even in character? When Roger found out Danny was D4, his eyes didn't exactly light up with dollar signs.

My suit buzzes with a call from Detective Phạm. I put a finger to my earbud radio and answer the call. “Hey, Detective, what’s up?”


“Danny, I need you to come down to police headquarters.” The bottom drops out of my stomach. Graywytch didn’t call the cops on me, did she? That would be—I don’t want to think about how bad it would be if they reacted the way Doc did. But then she continues, “That perp you collared a couple nights ago was found dead in his cell two hours ago.”


Can I be relieved by that? Is that okay to feel?

If you're a fucking moron, yes.

Detective Phạm is waiting for me there, her face drawn and serious. The roof lights throw an X of shadows out from her legs.


“Thank you for coming, Dreadnought,” she says. “I need to ask you some questions about the night you captured Crenshaw.”


“I put everything in my report,” I say.


“I know, but he was killed in the M-double-C—”


What?” The MCC is the Metahuman Containment Cell. It’s the world’s most expensive drunk tank. Built like a bank vault, with magnetically active shackles for the wrists and ankles that even I would have difficultly pulling out of, it’s designed to be airtight with the ability to administer a variety of sedatives, either as a gas or through an IV drip, and is the only place the cops can safely store someone with superpowers. Whenever it is occupied, there is a fully armed MRU team on guard twenty-four hours a day, as much to protect the (still legally innocent) prisoner as to keep them locked up. It’s a big deal, is what I’m driving at. Someone getting killed in there is…bad. Really bad.

Ah, so it was the Clintons, got it.

Naturally, everyone is looking for someone to blame.

I suppress a sigh and begin the story from when I arrived in New Port. It’s nothing I haven’t told the cops already before, and in writing, but Phạm has a bunch of extra questions about everything. Every one of my answers gets scribbled down again.


We’re almost done now, and she asks, “When you were apprehending him, did Crenshaw say anything about any enemies he might have?”


I close my eyes and try to think back to that night. We’re in the restaurant at the top of the tower. There are flames crackling quietly somewhere nearby. Civilians whimpering.


…and Crenshaw sounds like the adults in a Charlie Brown cartoon.


To be honest, I don’t really pay attention to what supervillains say very much anymore. It’s always misunderstood genius this, you’ll regret the day that. Supervillains are, as a rule, drama queens.

I mean, you were paying enough attention to relay what he said as a first-person narrator.

“I’m sorry, we didn’t talk—no, wait, he said something about a cathedral?”


Phạm flips to a fresh page in her notebook. “Okay, which cathedral?”


“Hell if I know. He said it was brainwashing me, and everyone else too.”


She raises her eyebrows at me. “Seriously?”


“I’m pretty sure, yeah.”

I would suggest Crenshaw was on r/atheist, but then he would've trooned out by now.

Because Calamity is the fucking GOAT, she pulls a Batman and suddenly appears, asking how Crenshaw died.

“Dreadnought, arrest Calamity,” says Phạm.


“Um, no?” I say. “That’s not going to happen, like, ever.”


Her eyes stay locked on Calamity while she chews that over. “That’s fine, I just had to ask,” she finally says. “And I won’t be able to lie about you refusing, if anyone puts the question to me.”

I love how Danny is somehow both the local government's bitch, but he can can get away with doing shit like this.


Liaison officer, I am coming to realize, does not mean advocate, in much the same way that mother didn’t mean it, either.

Man, that's some Gretch level venom right there.

She must be extra scared by this Crenshaw stuff if she’s letting slip that she doesn’t have my back when it comes down to it. Or maybe she thinks I won’t notice what she just said because I’m a kid. Maybe she didn’t grow up in the kind of house where people learn cynicism alongside how to tie their shoes.

Danny, she's a cop. Woman's probably seen the kind of houses where you learn how to prepare a needle at that age.

“She’s got a point, though,” I say. Phạm breaks away from death-glaring at Calamity to look at me quizzically. “How did Crenshaw die?”

“His throat was slit,” she says. “He was still in his manacles. CCTV shows nobody going in or out, but there’s one frame with a blurry smudge of someone inside his cell with him. Our perp might be metahuman, so you’ll need to be ready to serve an arrest warrant when we have one.”

Goddamn it, I already used my Epstein joke.

“Wouldn’t the MRU want to do that?” I ask. They don’t like me doing their jobs for them in the best of times. If they let a suspect get murdered under their noses, they’re definitely not going to want me swooping in to make them look even worse.


Phạm glances at Calamity before she answers. “There might not be an MRU by the time we have an arrest warrant. That’s the kind of shakeup that’s coming, and that’s why you really can’t be associating with criminals right now.”


“You’re going to bruise my tender and vulnerable feelings, Detective,” says Calamity.


“Get the fuck out of here before I drill you, kid,” snaps Phạm. She doesn’t point her gun at Calamity. Not quite. But her fingers get awfully tight around the handle.

She only associates with one violent maniac!


Calamity rises from her crouch and leaps off the backside of the roof access hut. A tap of boots, the flutter-snap of her jacket, and she’s over the edge of the building. She fires her grapnel and vizzes away on a cable.

“I hate you so much,” mutters Phạm under her breath. She doesn’t know how sharp my hearing is.

There's such a pulpable sense of loathing in this book towards any woman or girl who doesn't worship Danny's dolphin-testicles.

After Calamity is well gone, she turns back to me. “If you think of anything else Crenshaw said to you when you were fighting, let me know. But other than that, stay out of this one until I call for you.”


“Okay.”


“I mean it. And don’t let Calamity stick her oar in, either.”


“Detective, she and I don’t really—”


“Save the bullshit for someone who’s buying, Dreadnought.” Phạm slides her gun back into her shoulder holster. “I’m trying to protect you here. Those new caping contracts the City Council offered you haven’t even been written down yet, and this is exactly the sort of thing that gets promises rescinded, do you understand?”


I straighten in surprise. If the City Council takes back their offer to sign three new cape contracts, I’ll never be able to get Kinetiq a job up here. Hell, I might not even be able to get control of the Legion back. I could get fired. “They’d do that?”

Back? Bitch, you never had control over the Legion, because you were never part of it! This is literally one violent little boy's quest to steal a woman's job.

“I saw what happened today at the courthouse on the news,” she says.

I wish we had. Danny and Phạm bid farewell, and the former flies off. Calamity summons him for a chat via a laser-pointer to the eye.

“You’ve got my phone number,” I say as I land.


“Where’s the skill in that?” says Calamity.


“You really shouldn’t tease the cops like that.”


“They’re big kids, they’ll get over it. Anyhow, we got bigger fish on the pan,” she says, eyes bright with excitement. “To wit—who would want to murder Crenshaw?”


I shake my head. “I’m not getting involved; that’s Homicide’s job.”


“You ain’t a cop, Dreadnought,” says Calamity.


“Politics matter, Calamity,” I say, holding onto my calm with both hands.

"Being a tranny, I'm basically half-Vogon."

Why does she have to be so difficult about everything? Why can’t she just let something go for once in her life? Why does it always, always have to be the hard way? Just as I feared, even being near her is knotting my guts back up. It drives me mad, the way she’s so arrogant, self-righteous, stubborn, and way too hot!

Danny, seen here whining that a hot chick doesn't do what he says.

“If I want to take over the Legion, I can’t get mixed up in this.”

Calamity rocks back on her heels, hands in her jacket pockets. “Do you even listen to the song they’ve got you singing?”

Between the fiasco at the courthouse, and Graywytch’s insufferable smugness, and Doc’s weird freakout, I’m at my limit. “I’ve had enough shit for today, Sarah,” I spit, low and hot. “Go have fun committing more felonies, but I swear to God if you fuck this up for me I will never talk to you again!”

"Felonies" meaning "the exact same shit I do, but with way more personal risk to yourself and without getting paid them glowie bucks."

Her eyes widen, her hands come out of her pockets. “Danny—”


But I’m rolling now, and I can’t stop. “The Legion matters. What I’m trying to do matters.

The Legion is dead, you just want to rob its grave for trannybux.

Calamity goes blank. Turns and starts walking to the edge of the roof. Ten thousand tons of cold regret smash down on me. Maybe I’m a horrible person after all.

Yes, yes you are.

“Calamity, wait. I’m sorry,” I say. Stupid, I’m so stupid. “I’ve had a really bad day. I’m sorry.”

She stops walking. “Is that what you think I’m trying to do here, Danielle? You think I want to stomp on you?
“No. No, I’m sorry.”
Sarah—and she is Sarah now—turns back, her arms folded against her stomach. “You’re not—we’re changing. I don’t like it.”

I regret to inform you all this book ends with Sarah and Danny making out.


“I…I don’t know what to say.” I run my hand through my hair, frustration tugging at my insides. She stops taking my calls, and now she’s, what, missing me? Upset that I’ve got responsibility now? Or something else? Maybe I am changing. Maybe I’m…no, Doc is wrong. I’m not a bad person. That was what my father wanted me to think, but it was a lie. I’m a good person. Aren’t I? “Things have been weird.”

Honestly, at this point, I'm wondering what parenting Danny was actually like. Constant calls from the school for the creep shit he and David got up to?

“Is this how being a hero is?” asks Sarah, from that weird space where she’s half-Calamity. “Steppin’ aside. Letting the law act like it owns justice?”

"But the law makes lesbians and rape-survivors pretend I'm a woman!"

“I screwed over a friend of mine by accident,” I say. “And I need these contracts, at least one of them, to make it right. I can’t risk that. Not over someone like Crenshaw. Please, just don’t mess this up. I’m sorry I yelled. It’s…being me is hard right now.”

By "screwed over" we mean "responded to a crime in progress, which is our job."

Danny asks Sarah if she wants in on this whole Karen thing.

Calamity hunches her shoulders and turns away. She starts walking toward the edge of the building. “You go on ahead there, Dreadnought. I wouldn’t want to get in the way.”


“What are you talking about? You’re not going to—”


“’Course I would,” says Calamity. “I can’t fly.”

"Also, my skills are shooting people and parkour. I'm really not sure how that helps with possession."
 
The lattice doesn't feel like the kind of thing that'd produce a flying brick by default.
It's like they took one of those fan-pseudoscience explanations about "Why battleships don't crack in half when Superman lifts them", and then went ahead and gave that to someone as their explicit power.
A lot of this book's worldbuilding seems to be like that, they're starting a few levels down on superhero deconstruction, and then taking that as a baseline.
Ironically, Superman himself was a reaction to the amoral might-makes-right "Ubermensch" concept, but now we've come full circle and we have Danny thirsting for battle because he loves winning the bloodstained game of survival-of-the-fittest. It's like superhero horseshoe theory.

The MCC is the Metahuman Containment Cell. It’s the world’s most expensive drunk tank. Built like a bank vault, with magnetically active shackles for the wrists and ankles that even I would have difficultly pulling out of, it’s designed to be airtight with the ability to administer a variety of sedatives, either as a gas or through an IV drip
This is one of those things that should just be left out for tonal reasons. Yeah, in real life it would be a thorny and ethically fraught problem if you needed to jail uncooperative superhumans. But for the genre we're aiming for, just saying "They have a super-jail for super-criminals" is fine. Don't talk about shackling people 24/7 and drugging them while they wait for their day in court.
Also, I'm calling it now, Graywytch is the killer. She can teleport, is nearly undetectable, and uses daggers. And, of course, she is a murderous psychopath because she doesn't like troons.

About Graywytch being horrible or about how much it hurts that Doc took her side.
What side is that? The side of "Don't break into the good guys' headquarters, smash things up, and try to kill the city's most powerful mystical whitecape for no reason"?
Graywytch didn’t call the cops on me, did she? That would be—I don’t want to think about how bad it would be if they reacted the way Doc did.
What, by hacking into government servers, destroying evidence and sweeping everything under the rug? Yeah, that would be bad.
Doc’s weird freakout
Doc is wrong. I’m not a bad person.
Seriously, am I missing something here? I almost wonder if an earlier draft had Doc going absolutely ballistic over the Graywytch incident, and they didn't quite clean up all the loose ends after revising it out.

Meanwhile, the contract negotiations continue!
This has zero place in a superhero book. Nobody wants to read about the accounting differences between having a salaried superhero and hiring them on an hourly basis as a contractor, or whether child labor laws apply to a kid who's being puppeted by a 1200-year-old brain parasite.

EDIT: oh, and one more thing.
But, you know, it’s nice. Patrol is nice. People wave at me, and I wave back
Why do people think Dreadnought is the friendly neighborhood superhero? We just saw that there are rabid paparazzi in this setting, do none of them go out and snap photos of fights? Hasn't the whole world seen Danny in berserker killmode by now? Doesn't Acid Andy have a team of ambulance-chasing lawyers (some of whom can literally chase down ambulances on foot) and a mother crying on daytime TV about how her poor crippled son just needed mental help?
Nobody should be waving at Danny, it'd be like waving at The Punisher... if not Sabretooth.
 
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One of the things I really don't like about the setting is how there's clearly no actual attempt to scale Danny to anything, or to think about his powers and what they imply. Like, if Danny breathes, then he's got a metabolism. That means that he could be poisoned. It also means that whatever his grip on the lattice can do, it can't decompose CO2 back into oxygen, because if it could, then that would be presumably one of the autonomic settings it would apply like it does healing.

Another thing which should be pointed out is that the lattice should specifically be able to act as a sink for kinetic energy that comes in large singular bursts, and be able to absorb most of it. The idea here would be that Dreadnought would be the best suited to fight kaiju and similar things, because a hit from a 300-foot monster doesn't actually hit him that much harder than a 100-foot monster. That would also explain why he can theoretically spin out and hit the ocean at a little under Mach 3 and not fear being splattered over the pavement. Then give him a lesser ability to shunt basic energy attacks away, no real ability to deflect electricity or poison, and then explain all that, and make part of Danny's schtick doing his best to avoid letting his actual weaknesses leak, and letting everyone see him take the big hits so hopefully no one tries, e.g., Macing him.

But as it stands, the lattice is just "The plot wants this to happen." It's literally tweaking the script so something happens. It's so fundamental that there's nothing meaningful there. Danny is not his own thing at all; he's just, as was pointed out above, a Great-Value brand Superman knock-off.

I am sad but not surprised that Calamity is primarily here to validate the author's fetish, but she is at least trying to arrest Danny's fall into psychopathy.

Actually, on that note; one of the big signs for me for how fucked-up Danny is that he's placing having an angry, rude outburst several steps above domestic abuse or literal dismemberment in his personal response lexicon. Normal people can have an angry outburst without breaking down doors or maiming people, and indeed usually need to get pushed to another level entirely to get to that point. But Danny is literally acting like his words are worse violence then his actual violence is. It feels literally psychopathic, like Danny doesn't consider GrayWytch or his supervillain enemies or the press as people; if he did, then he'd have a whole bunch more levels of escalation we'd see him work through.

I also think that we're really missing something here by Danny existing in a pure state of wish-fulfillment, with really limited characterization. I feel like Danny should have some sort of official government liaison to the Legion who's been on his side from the first book and who's been walking him through the various bits of bureaucratic maneuvering, and covering for Doc's drunken incompetence; that way, we'd have a solid point of "Danny defaults to obeying the law because his friend would be disappointed in him if he didn't." Hell, someone gently insisting that Danny's family does have a say over him until he's 18 because that's the law, but helping him with the emancipated minor bit, would give him a sounding board to explain what was going on, and bring up the possibility of, e.g,. his family garnishing his heroing wages as opposed to him just accusing them of it out of left field.

As it is, Danny clearly doesn't give a shit about the law, or anyone else; it's not like he's espoused a "Heroes don't kill, they just cripple for life with sexy, sexy arm-pully-offies!" point of view, so why the hell does he care if someone offed Crenshaw before he got out and started his revenge arc as opposed to after? Hell, that would have been a great way to play this; Calamity is going into an investigation, Danny clearly doesn't care and considers whoever did this vaguely allied to him, Calamity stops short and Danny points out that she's a vigilante and she has penetrator rounds in her gun as well, so she doesn't have much of a moral high ground, and then they can actually talk about the difference between killing in the heat of combat versus murder, and Danny can point out that since he's basically invulnerable, it's the same to him; his life is never really in danger, so to him, it's all about stopping the threat to others, permanently.

We could have an actual clash of perspectives and views, and interrogate some genre tropes and see how different people in different places in the world would see them. Hell, make it a thing that Calamity absolutely believes that her father doesn't kill and wouldn't kill (which is how she knows he was framed), and have that inform how she fights. Go back and make it a point that she always fought nonlethally, and that she wasn't literally gunning for Utopia, and now you've got a solid point of actual conflict between her and Danny. But because both her and Danny's characterization is so weak, and because the author is a fuckhead, we're getting this fake-ass tension here.

I'd also like to suggest that it's possible that GrayWytch murdered Crenshaw, but I confess I don't see the why myself. Presumably we'll learn something that ties Crenshaw to the Superpower Doom Rock, and that GreyWytch wants more Doom Rock or something, but I'm not seeing it yet myself. I don't see what GreyWytch gets from killing him.

But I also have to wonder, given that this is a kitchen-sink powers setting, aren't there entire classes of people who can do what GreyWytch does? Like, presumably that metal guy we met in Book 1 doesn't give a shit about drugs of any kind, and it would be a pretty hilarious kick in the teeth if he's personally ferromagnetic enough to fuck with the electromagnetic cuffs, and thus is quite capable of walking out of the MCC on his own. There should be a point that the MCC is a best-effort that works most of the time, but that there are classes of people who can get out easily and others who can't get put in in the first place (like the aforementioned kaiju). That way, you've got a set-up and you make it clear that the mundanes are doing the best they can, but that there are problems that strictly require superheros. And by leading with that, you set up Crenshaw as a problem, by raising the question that he was actually powerful enough to escape, and then reveal that the actual issue was that someone was powerful enough to get in and out without anyone noticing or being able to stop them.

If GrayWytch can do that, however, I want to know why she isn't constantly stabbing Danny. I don't expect a good answer, of course.
 
We begin our next chapter with something shocking: an intact, happy family!
About forty seconds later I’m ringing Charlie’s doorbell. His mom, Louise, opens the door. Charlie’s dad is a doctor, and his mom’s a homemaker who wears a lot of knit sweaters and is always quiet and friendly. She’s sort of got a black June Cleaver vibe going on. “Oh, hi, uh, Dreadnought.” Louise vaguely knows that Charlie and I were in school together before I dropped out. I don’t think she knows we met because he used to go caping with Sarah.

Now, there's nothing wrong with a woman being a homemaker, or being quiet and friendly, but I feel like it's telling this is the one adult woman Danny hasn't heaped scorn on.

“Hi, Louise. Can I come in?”


“Sure.” But as I’m passing her in the hall, she catches me by the cape. “Does…does Karen have a place to stay?”


Uh, crap. I’m not sure how much Karen wants me to say. I shake my head. “She’s homeless. Charlie and I are trying to figure out how to help her with a metahuman problem.” Louise’s brow pulls in and she nods like this confirmed something for her. “If you don’t want her around, she can come stay at—”


“No, I’m going to tell her she can stay as long as she likes,” says Louise. “I’m glad you and Charlie are helping her.” She says this super seriously, like this is really hard and important stuff. I mean, I’m a superhero. Of course I’m going to help her, that’s what I’m for.

She does seem like a nice lady. I would suggest maybe Danny should board with Charlie's family instead of the Drunk-Doc 3000, but what have they done to deserve that?

Karen is with Charlie in his room, about half a library spread out between them. Neither looks like they’ve taken a nap since I left them this morning, and between the books there is a forest of empty soda cans. Charlie’s digging it, though. Focused, intense. He doesn’t notice I’m in his room until Karen pings an empty can off his head. And that’s kind of what does it, what makes it a little too perfect for me to buy that they’ve been laser-focused on a cure since I left this morning.

Or maybe it’s the way Karen’s cherry lip balm is smeared a little bit onto her cheek.

I'm shocked we're getting a sympathetic hetero relationship in this book. Although, I'm also surprised Karen is down for some macking given she's currently being evicted from her own body by an army of her own female ancestors. Maybe I'm right about Val being racist, and Karen's trying to piss her off by messing around with a black dude.

“Any luck?” I ask, closing the door behind me.


“Not yet,” says Charlie, not quite meeting my eyes. “There’s still thirteen days of Christmas break left, though.”

I thought Americans only got a few days off around Christmas?

There’s a sort of Hanging Cloud of Awkwardness over the room until I offer to pay for more takeout. Chinese this time, and Charlie’s mom insists we eat at the dinner table, so we all troop downstairs, and during the meal Karen explains to Louise that she’s being possessed by a dead woman, but leaves out all the complicated parent stuff. The tone of Louise’s questions suggest a woman who is only now realizing how much she doesn’t understand about her son.

I'm kind of curious how Charlie got into magic. It's pretty it isn't a family thing, unless his dad is Doctor Strange. He doesn't seem to be have worked it out from first principles or the like, either, given he knows about the Council of Bullshit.

The research isn't getting very far, so Karen suggests another lead:

“Um.” Karen seems to psych herself up for something. The words come tumbling out on top of each other. “Actually, I was hoping you could come with me to retry one of the options I already checked out. There’s this guy with a weird sort of powerset, and he couldn’t really help me, but I was hoping that between him and you working together…” Her voice sort of trails off, and she’s not meeting anyone’s gaze.


Well, I’ve never tried mixing my powers with someone else’s before, but I know it’s theoretically possible. Some of the best cape teams of all times have figured out how to do it, so it’s worth a shot. “Sure, that sounds doable. Who is he?”

By "mixing powersets" do we mean simple cooperation like Colossus and Wolverine's fastball special, or something more esoteric like the Five being able to ressurect the dead in the current X-Men stuff? Because one would have... implications.

“His name’s Richard Garrison. He lives on—sort of an island thing off the coast.”

“Sort of an island?”

“You’ll see,” says Karen.

"It's a peninsula!"

Wait, why do I know that name?” says Charlie.


“He’s one of those people who’s so rich he’s famous just for being rich,” says Karen.


Something clicks in my head. “Right! Right, he was big in the tech scene, wasn’t he? I didn’t know he was metahuman.” It’s not entirely surprising, though. More people have powers than like to admit it, even if they wimp out and call them “special abilities” instead of full-on powers. And like I said, most people with superpowers don’t become superheroes. This is double-true of people who were already well-off before they got their powers, and triple-true of people who were actually rich. When you’ve got more to lose, the whole make-enemies-of-superpowered-psychopaths part of the gig is way, way less appealing.

I don't know, J.K Rowling has all the money she'll ever need, and she still trolls TRA Twitter for a hobby. Also, some rich people literally pay to hunt pirates. Whatever Richard can do, it only helped Karen for a bit, much like what Danny did, but she's hoping them working in tandem can affect something more permanent. With that, the two fly off to California:

I glance over at Karen and see the grim set of her jaw in the moonlight.


Valkyrja betrayed her. It’s still hard to believe. We’ll make it right. Somehow. If this doesn’t work, maybe Charlie and I can get the Council of Avalon to take a closer interest.

Given Valkyrja is over a thousand years old and a powerful magic user, you'd think the Council would be tracking Karen down themselves, like the Legion did with Danny.

“Not so fast,” says a girl above and behind us. I flip over on my back to get a look, but spotlights clack on, obliterating the night in a wash of hard, white glare. “First, tell me who you are.”

It’s all but impossible to squint through the glare, but someone’s up here with us, and she’s somehow brought God’s own flashlights with her. Questions about how and who and why crowd my mind, confusion and surprise gumming up my thoughts, making me nervous. I shut my eyes and look in the lattice, and nearly fall out of the air in surprise.

The girl confronting us can’t be more than twelve or thirteen and is wearing a militarized pink princess dress with a gleaming silver chest plate and shoulder guards. She’s surrounded by a halo of equipment floating on invisible pedestals of antigrav—powerful spotlights, autocannons, a laser projector, and enough high-density hypertech to start and win the third world war. There’s some kind of signal I can’t make out linking all the tech to the fat red gem set within the silver tiara on her forehead, and she’s got an imperious sneer on her face that makes me think she’s never been told “no” in her life.

Certainly no other entitled characters in this book, nosiree. This is Lily, or "Princess Panzer" as she prefers to be known, Richard Garrison's daughter. She's of course magical girl themed, because I'm guessing that's Daniels' main conception of twelve-year-old girls. She proceeds to escort the pair the rest of the way.

At first I think it’s an oil derrick. A cluster of lights in the black glass of the ocean at night. But as we get closer, I realize it’s bigger than that. A lot bigger. What I took to be a modest workers’ housing block turns out to be a glass and steel tower like I’d see downtown. Then we come close enough for the angle to shift and I see there are three of them, linked by bridges and studded with broad, hanging balconies. They sit at each point of a triangle of parkland the size of a pro soccer stadium, and then beyond that, there’s a walking promenade of smaller buildings and plazas that surrounds the towers and goes down to three full-sized small-boat marinas. Most of the berths are empty, and most of the lights are off. But there, suspended between all three towers by sky bridges, is a circular patch of lawn about as big as the city block I grew up in, and it’s lit up with powerful spotlights so the classically-styled mansion at the peak of this whole place is visible even from a mile or two out.

All of this sitting out there in the middle of the ocean, just a few dozen miles off the coast.

“This wasn’t here the last time I was down in California,” I say.

“Of course not,” says Panzer. “It was being built in Bangladesh. We just arrived off the American coast last month.”

Yep, they're sea-steaders, because Daniels can't seem to decide if these people are neoreactionaries or Rand style libertarians.

“Daddy, Dreadnought’s here!” says Panzer. “And, uh, Karen too, I guess.”

The man she’s speaking to is dressed in a lightweight suit of gray silk, the jacket and top two buttons of his shirt open, his tie hanging around his neck undone, like a long blue ribbon. He’s got dark brown hair that’s starting to frost over, skipping gray and jumping straight to white. He’s got a strong face, tough and weathered with deep laugh lines and a pale raccoon tan line around his eyes. “And did you remember your manners?” he asks his daughter, gentle chiding in his voice as he reaches out to muss her hair.

Panzer goes still. “Uh…yes. I totally did.”

He looks up and locks eyes with me. I get the strange sense that I’m being tested. “Greetings,” he says after just a sliver too long. “My name is Richard Garrison. Welcome to Cynosure.”

This is Richard. He's the villain.

What? You think I spoiled that? He's a rich dude in a book written around 2017, where in the opening chapters a guy at a fancy restaurant burned people alive while screaming about "peasants." Of course he's the fucking villain.

Apologies for the short post, I want to be fresh when we dive into the bullshit.
 
Wait, Garrison? Like the cartoonist?

Is the historic Sargon of Akkad going to show up for another fight scene? Wait, no, that would be too cool for this book.

And you know what? I like the awkward dorky teenage romance. I'm also pretty sure that as a het thing it's only allowed because of the interracial angle, but we're also not getting that angle pushed, so I'll take it, and the little slice of family life as well.

Different schools in America have different policies for time off. I'm just assuming that in this universe, everyone just heads for bunkers around every major holiday to avoid the Seasonal Special episodes of supervillainry, and that gets priced into jobs and school hours.

And yeah, this book's villains are 100% a confused mish-mash of several Extremely Online communities. Which both saddens me and makes me glad that we are hopefully done with the actual neoreactionaries. But now we won't get Actual Vampire Peter Thiel, alas.

Also, billionaires in a supers setting always struck me as meh. Money is an abstract token of value; it matters because everyone wants it, and in our world, being able to offer something that everyone wants lets you trade with everyone. But some things can't be bought with money; love, friendship, etc. But in a supers setting, there is a two-tier society; there are the people with enough superpowers that they can become political actors on their own, and everyone else. And a great deal of the people with superpowers are fairly indifferent to money, because they're villains, and can just take by force whatever a normal person would buy. And going around flashing your million-dollar cars and fifty-million-dollar property is a great way to get targeted by a supervillain, just like waving the latest iPhone in a crime-riddled ghetto will.

In a world like that, fucking off to a mobile island lair and packing every bit of hypertech weaponry you can onto your only daughter is absolutely understandable. It establishes in two brief beats that Garrison is powerful, that his wealth presumably comes from that power instead of business dealings or inheritance, and it shows that he rightly has no faith in either greater society or the current crop of superheroes to protect him or what is precious to him.

This is the first actual credible villain build-up I've seen yet. Presumably he is on Team Magic Space Rock, and I guess that he probably had Element-Blasty-Man killed to stop him from being interrogated (although again, if he actually was a neoreactionary, leaving him alive to talk would be the best way to ensure that no one had any idea what his goals or plans actually were). Or hell, maybe he's been quietly sponsoring villains for months with the specific goal of throwing the kitchen sink at Dreadnought and see what kind of superpowers he's actually weak to, so he can capture him and extract the Boob-Inciting-Orb for himself for extra Space Rock power when the time comes (with the help of GrayWytch, who may or may not betray him)

I do sadly acknowledge that what he's up to is probably much dumber than that. But with nothing more than that introduction, he seems cool.

A big 'meh' on the daughter, though. Unless we're getting a point about her and her specific tastes from growing up on a hypertech seastead, I don't really see a 12-year-old girl going "An armored breastplate in the vague shape of a princess dress! And an long-barreled autocannon! Just what I wanted to make me feel special!"

And heh, that does actually wrap back into topicality, doesn't it? We could have gotten an actual elegant construct of forcefields and energy that Dreadnought would have had to look at carefully to distinguish from actual magic, and showcase the subtlety of Garrison's hypertech as well as the obvious power we see in the island itself. But instead, we get a gross parody of femininity that barely manages to match the superficial form of it, with the symbols and accidents of masculinity literally poking out of it where they shouldn't be.

This book is definitely at its best when the author is accidentally owning himself.
 
One of the things I really don't like about the setting is how there's clearly no actual attempt to scale Danny to anything, or to think about his powers and what they imply. Like, if Danny breathes, then he's got a metabolism. That means that he could be poisoned.
Another example of the incomplete job they did at filing the serial numbers off of Superman. The Man of Steel has superior Kryptonian biology and whatnot, and he's not the same species as earthlings. But Danny is just some regular kid who got "lattice" powers designed to explain one aspect of Superman (and apparently one free shapeshift).
I'm more or less fine with saying "Don't sweat the details, he's super just lke that other Man who is Super", but they do need to pick a lane when it comes to Dreadnought's power level. Is he pretty much God, or is he a slightly tougher Captain America?

But Danny is literally acting like his words are worse violence then his actual violence is.
That's the author leaking through. Superheroes are just made-up, but angry words on Twitter are serious business!

Although, I'm also surprised Karen is down for some macking given she's currently being evicted from her own body by an army of her own female ancestors. Maybe I'm right about Val being racist, and Karen's trying to piss her off by messing around with a black dude.
Or maybe Val just wants some of that brown sugar regardless of what her host body thinks :tomgirl:

She's of course magical girl themed
The anime-to-troon pipeline is real.

so he can capture him and extract the Boob-Inciting-Orb for himself for extra Space Rock power when the time comes
Know what would be funny? If he was also a troon and he wanted to kill Dreadnought just to get the magical bazongas for himself.

But instead, we get a gross parody of femininity that barely manages to match the superficial form of it
I dunno, I took it just as "Dad says 'You have to be a walking arsenal', kid says 'Can't I at least have it in pink?' "

Good villain intro this time around and good description on the villain lair, but what does this guy have to do with anything? (And how did Karen the nobody orphan ever get to meet a famous zillionaire for a consult in the first place? She didn't have Dreadnought the first time around.)
I'm not quite seeing the villain angle here. Garrison doesn't seem like the world-conquest type, seeing as his paradise is "Leave-Me-Alone Island" and he prefers armoring up his daughter over raising an army. He's already rich, powerful, and superpowered. Shouldn't he be happy with the status quo as long as people let him do his thing in international waters? It seems to me that he should be anti-Nemesis, and indifferent on the Legion's internal politics.

Really, that's the problem with the whole Nemesis storyline. The asteroid is going to shake up the foundations of society, but we haven't met anyone who actually wants that or would benefit from it.

Also:
a pale raccoon tan line around his eyes
Is this supposed to be a Trump reference?
 
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“Thanks,” I say, unsure how to take that. Who the hell says greetings?

People who aren't slangy "quirky voice" YA protagonists?

Karen, Panzer, and I fall in behind him. The balcony enters into a lounge area, with low, gray leather seats everywhere, smoky glass and polished steel, a carpet so deep you could drown in it. From there we head into a hallway lit every ten yards with soft sconces of diffuse amber light that splash up the wall and across the pale ceilings. The whole place is like that, sort of a scientifically calibrated luxury, no concessions to tradition, no wood, just the latest and greatest in environmental ergonomics.

This here in particular doesn't feel very neoreactionary. If the name didn't give it away, neoreactionaries tend to look to the past a lot. They often favour older architectural styles and aesthetics. This however, is pure modernist. Sleek and frictionless. Stylish without being at all ostentatious. Boring. It feels like something your standard tech-billionaire would build. You know, Mark Zuckerberg types who wear jeans and t-shirts and have interviewers film their kids doing kitchen chores just like your children, because modern rich people tend to try and avoid class signals associated with "old money."

Most neoreactionaries don't respect that kind of rich person. They like lords. Aristocrats. Kings. People who are in charge and aren't afraid to show that off, within the bounds of good taste. When you ask most neoreactionaries what kind of aesthetics they like, they'll probably answer with say, neoclassical, baroque, or even art-deco. They'll talk about how the upper-class traditionally funded gorgeous civic buildings and art as part of nobilesse-obligege. If you gave a neoreactionary infinite money and told them to build a supervillain air, I imagine it'd look like an 18th century reading room writ large. Something like this:

1685550876043.png


Whereas the space Danny describes sounds more like the sort of thing that would inspire a neoreactionary would write a long, meloncholy, very wordy essay about the airport-ification of public spaces.

“This is a, a nice…boat?”


Panzer laughs. “It’s not a boat!”


Garrison frowns at her. “Lilly, be polite to our guests. She’s never seen something like this before. Almost nobody has.”


Panzer hangs her head. “Sorry, Dreadnought,” she mutters.


“Thank you,” says Garrison. “Now, I can see you’re tired after a big day. Why don’t you go to bed?”


She looks up at him. “But, Daddy—”


“To bed, Lilly.”


Panzer waves at me, and says, “Goodnight, Dreadnought. It was nice meeting you.”

Also, I feel like a neoreactionary should have a bunch more kids, those guys are pretty pro-natalist, at least when it comes to smart people. Lily should be leading a whole weird, monarchist Power Pack.

“She’s not wrong, you know,” Garrison says. “Cynosure is not a ship. She’s a new form of vessel, a mobile seastead, the first of many. We have over forty acres of sovereign, privately owned territory here. We’re totally self-sustaining. Every window you see here is a high-efficiency transparent solar cell. When we come to a resting posture, we’re kept in place by two dozen suction anchors that hold us fast to the mud on the sea floor, and every one of those anchors is topped by a wave motion generator. With new efficiencies in design, we actually start running a surplus of electricity the moment we drop anchor, and that’s projected to hold true even when we’re at population capacity. We make our own fresh water, and we’ve got over fifty thousand square feet of high-density hydroponics bays. We can feed more people than you’d think, and let me tell you, soy is not what it used to be—we’re going to have some turkey sandwiches in a moment, and I defy you to tell me you can taste that they’re vegan.”

You just know Daniels was playing a lot of BioShock when he wrote this. Though, nicking the visual design of the cities in that would've improved things. Especially Columbia.

“Come on, help yourself!” he says, leading us to the food at the back.


I’m about to speak up and say we’re not really here to be wowed by how neat-o his big floating house is, but Karen brushes past me and grabs a plate. She begins piling food on it with grim, mechanical purpose. I follow suit. Then Garrison leads us to one of the clusters of chairs, and we sit down around the low glass table.


He bites into his own sandwich with gusto, and I’ve got to admit, the tofurkey is not bad. “This was all harvested last week, including the grain for the bread,” he says. “We’ve got plans to expand production soon so we’ll have something to export.”

A neoreactionary soy-boy. Interesting.

Also, why is Danny so bloody jaded? I know I just spent a couple paragraphs critiquing this place's design, but it's still a floating fucking city.

He says this with a look in his eye, like he’s baiting a question. Okay, fine, I’ll humor him. If he can help Karen, he can try to sell me the moon for all I care. “What does a resort need with exports?” I ask obediently.


Garrison laughs. “Nothing! But this isn’t a resort, it’s a country!”


“A country?” Holy shit, I kept a straight face. Cecilia would be so proud.


“Yes, of course! We’re not recognized at the UN yet, but that will come.” He hunches forward at the edge of his seat. “Look, Dreadnought—may I call you Danielle?—Danielle, the nation-state is dying off. Small, privately owned communities in a global network are the future. Out here, we’re free of territorial disputes, of the archaic and rotting Westphalian system—we’ve got a clean slate! There’s no bureaucracy, no handouts, no petulant special interests; it’s the urgent and inevitable path forward for human development, and we’re taking the first big steps here.”

Again, this doesn't sound neoreactionary. It sounds like the ideology of someone who might join the same dissident right Twitter space, but not the same thing. I wish I knew more about weird political subcultures to go into more detail.

“That’s really cool,” I say, and it even sounds like I mean it. The truth is, Garrison’s personal crusade seems like another rich dude’s fantasy of remaking the world so that it will kiss his ass just that much more, and I cannot scrounge up even half a shit to give about this. Not that you’d hear it from my voice or see it in my body language. Hooray for media training! “But, and I hope you won’t mind, I actually came here because I was hoping that you and I could help Karen with her problem.”

I love it when troons pretend like half the reason they've made so many in-roads isn't because a bunch of rich dudes like Garrison didn't get coom-brain themselves. Anyway, it turns out Karen brought Danny here on false pretenses. Garrison already has a cure for her, and it's her payment for introducing him to Dreadnought.

Garrison has reached into his jacket and pulled out a small phone, not a smartphone, but an old-style digital-faced cell. He pushes a single button and speaks into it. “Jonathan, why don’t you come take Ms. Kim to one of the other lounges, and bring her payment with her.”


Even as the words leave his mouth, Karen is standing. Eyes locked to the ground, shoulders tight and high to her neck she marches away. A man in a dark suit, this one buttoned up, meets her near one of the halls away from the lounge and hands her something. I twist back around in my seat to look at Garrison.


“What the hell was that?”


“I really could not begin to say,” says Garrison. He cracks a can of soda and takes a sip. I look down at my own food and suddenly lose my appetite. “Karen came to me in quite a state. We each had something the other wanted, and I offered to make a trade. If she decided to keep you in the dark about our arrangement, well, she’d been on the streets a long time. She might not be very stable anymore. God knows the poor girl has more pressure on her than anyone should have to bear.”

More understandable than... anything Danny has ever done. He's naturally curious why Garrison's so interested in him.

“Aha, yes! To the heart of it!” He shakes his fists with that kind of Silicon Valley excitement that tastes stale everywhere else. “I’ve got a major project in the works, totally world-changing. Cynosure is part of it, but it goes so much further. And I need a spokesperson. Someone with name recognition, someone who’s modern and polls well. What about the world’s preeminent cape? What about the first transgender superhero?”

Still not sounding very neoreactionary. Not because he's apparently okay with the trans thing. Opinions on that kind of thing kind of vary with neoreactionaries. Roko (of basilisk fame) for instance doesn't like troons at all and uses them as examples of negative transhumanism versus "trad-humanism" (using advanced technology to LARP as Victorian gentlepeople or whatever) while Moldbug cheated on his fiance with a trad-Cath TIF who called herself a "eunuch choirboy." My issue is that Garrison is talking like a Netflix executive deciding which Sandman character to make black today.

What I'm saying is, this book would be amazing if it was more accurate.
“I’m not,” I say.

“What?”

“I’m not the first transgender superhero. The first was Masquerade in 1959, though she only came out in the ’70s after her retirement.”

I'm curious, did Masquerade fight crime disguised as a woman (shapeshifter/illusionist?) or was he the equivalent of all those veterans who troon out once they leave the army? Did he run a ranch with horribly neglected Skrull-cows?

Karen’s gone; I can’t see her anymore. What the hell was she thinking? And…crap, she spent days with us in New Port, pretending to be looking for a cure. Or was it even pretending? Maybe she was hoping to find an alternative. Or maybe she doesn’t need a cure at all. And what’s so special about a necklace? When I’m done here, she and I are going to have a long, long talk.

Yeah, the payment took the form of a necklace, and apparently Danny--total cape fangirl--isn't familar with the concept of magic jewellery. Despite knowing two wizards.

“So, Dreadnought, will you listen to my proposal?” At least he’s not talking down to me for being young. That still happens sometimes, despite all the footage of me beating the crap out of supervillains two or three times my own age.


“I have a publicist,” I say. “Why didn’t you just call her up and arrange a meeting?”


“I like to do this sort of thing one-on-one, without the help. It builds investment.”


The help, he says. Now there’s an interesting way to describe a woman with degrees from Harvard, Yale, and Princeton.

We get it, Daniels, Danny's woke. Cecilia is literally Danny's publicist. His employee whose job it is to make his life run a bit smoother. She is in fact, the very definition of "the help." That's only dishonourable if you choose to view it as such. And how many fucking degrees do you need to be a PR agent? I know she doesn't need to sleep, but I think after your second degree in business management you're probably just wasting your time.

“Excellent!” says Garrison, truly excited now. He stands up and punches another button on his phone. A holographic screen pops to life at one end of the room, ten feet high and twenty wide. It’s showing a picture of low orbit, the Earth a slightly curved, fuzzy blue line along the bottom of a star field, a crescent moon hanging high to the left. “Now I’ve got to start with a little bit of background. Since the ’90s, private spaceflight has really taken off. One of my subsidiaries is a pure-science outfit, and they piggybacked an orbital telescope up on one of my heavy-lifter contracts. That’s how we spotted this.”


The screen snap-zooms in on a segment of the sky to focus on a fuzzy blue dot. My blood freezes. It’s the Nemesis. I know it is.

It'd be funny if it was actually Neptune or something.

Garrison doesn’t seem to notice that I’ve gone rigid with shock and prattles on: “At first we didn’t know what it was, but after we consulted with NASA we realized what we had here. When Northern Union went out to stop that asteroid a couple years ago, they were heading off a fragment of this thing. It’s exotic matter, of a sort we don’t really have the science to describe yet. Every three-and-a-half-thousand years it makes a close pass through the inner solar system. It’s also the cause of all superpowers.”

Alright, here we ago. Time to iron this setting flat as a fucking board.

“And you’re sure about this?” I ask. I’m remembering Professor Gothic’s words. You have enemies you won’t recognize until they strike. Without taking my eyes off the screen, I turn my gaze inward toward the lattice. The steel skeleton of the building jumps out at me, pretty standard construction. I don’t see any hidden weapons systems, and Garrison himself reads as thoroughly baseline.

That last detail is going to make very little sense shortly.

“Quite certain,” says Garrison. “We’ve matched up its trajectory with the historical record, and we’re pretty sure this is where the myths about Greek Gods came from. And not just the Greeks, either. Every ancient culture has stories of people or entities with fantastic powers, and many tell of a twilight of the gods or an era when the magic began to fade. Now the hour of the gods has come again.

So, this is basically Shadowrun, but boring. Also, badly contradicts shit we already know about this world. So, superhumans started appearing sometime around the early 20th century, but things really amped up after Dreadnought 1 got his powers during WW2. Okay. But Val is a something like twelve hundred years old. Ancient, but well after the time of Greek myth. How has her consciousness managed to survive the centuries when Nemesis was chilling outside the Oort Cloud? I assume the Council of Avalon is also pretty old, too.

Another thing, doesn't this kind of render the conflict moot? Utopia and Prof Gothic both seemed convinced reality would breakdown completely once Nemesis got too close, but apparently we made it through the first time just fine. Or are we meant to assume it somehow caused the Bronze Age Collapse?

Garrison proceeds to show Danny a live feed of Lagrange 2 on the dark side of the Moon, where they've basically built a scaffolding around the thing. You'd think someone would've noticed all the space launches, but whatever.

“Obviously she was wrong. Look, I’m not saying there isn’t any danger, but we’ve got it well contained. The quantum destabilization effect of the exotic matter relies on line of sight to operate, and by hiding it behind the Moon we’re able to limit its effects on Earth. My company has satellites in polar orbit of the Moon, monitoring the anomaly and allowing us to precisely control the observer effects.”


“How? Utopia could barely control her fragment.”

Really? The gun seemed to work fine.

Garrison smiles. “We’re cheating. We use magic.”

"Which we now of course know is just superpowers for mentally-ill theater kids."

“The satellite fleet is just a tool to cast spells on a global scale, and Phase One is perfecting a spell to boost the probability curve in certain sectors—in layman’s terms, we’re fudging the dice roll to pick who gets superpowers. Until recently, we thought it was just random chance. A lab accident here, an ancient curse there. Nothing seemed connected, and yet from the very beginning there’s been a suspicion that something was causing all these people with strange talents to show up starting in the late nineteenth century. And for them to become more common and more powerful as time went on? There had to be something connecting them all, right? Now that we’ve definitively concluded that it’s all just the expression of a lot of weird quantum math, we can—and have—systematized it.”

This feels like a very troony approach to magic and high strangeness.

The screen has switched to an animated infographic showing how the cameras near the Moon take observations of the Nemesis. How those observations cause quantum instabilities of a predictable nature. How, by taking advantage of those instabilities, a spell cast from a ritual chamber here on Cynosure gets beamed up to the satellites and then repeated all over the planet. How a single individual can be picked out, and their probability graph pulled way, way up, so that it’s all but guaranteed that by the end of the week they’ll encounter a mysterious woman selling special rings, or experience a non-fatal accident with exotic chemicals, or some other canned origin story.

The magic ring saleswoman reminds me of something that occurred to John Bryne when he was writing the Scarlet Witch. Originally, the Scarlet Witch's power was mostly conceptualised as "causing bad luck." Byrne realised that, in order for her to nudge events in the present, she logically had to rewrite the past to accomadate them, making her extremely powerful. In that spirit I have to ask, does Nemesis cause the hypothetical ring-lady to just spontaneously appear from the either, or does she have a history stretching back to the beginning of time like everything else that exists? Because if it's the latter, it shouldn't really matter how close Nemesis is to the Earth, because its effects would be felt all throughout spacetime.

Honestly, there's not nothing to this concept. Lots of superhero stories feature mad scientists or other characters that sell superpowers. Usually it involves dosing you with strange chemicals or exposing you to weird radiation, but the idea of a probability-manipulator who just increases your chance of having an origin story in the near future is actually quite clever. It's just... do we have to reduce all magic and wonder to "weird quantum math" like God is a woman who watched What the Bleep Do We Know? It oddly enough reminds me of creationists who try suggesting that Moses "parted" a shallow, salty marsh and not the actual Red Sea. If you're going to make it that lame, why even bother?

This is…huge. Bigger than I thought possible. Utopia’s failed plan to turn everyone into software she could control suddenly seems like it lacks ambition.

“Our initial calculations were pessimistic by an order of magnitude,” says Garrison. “We’re not only able to pick who gets superpowers, we can even pick roughly what sort of powers they can get. Further refinements are on the way, but this is really just a means to an end. Ask yourself, what are the implications of being able to pick and choose—?”

Then why the fuck are you still a baseline human? And why is your daughter wired up to a bunch of guns and shit and not Winter Moran with hopefully more clothes?

Danny asks if Nemesis can only grant so many people powers over a certain period of time, and they're just deciding who, or if they could turn as many people they want into supers. Garrison confirms it's the latter.

I look back at him, excitement blooming in my chest. My smile isn’t media-ready armor anymore, it’s real, and growing. “We could give everyone in the world superpowers, and we could do it in a safe and controlled way.”


Garrison’s smile falters a little bit. “But, well that would almost defeat the point, wouldn’t it? I mean, what’s the point of powers if they’re common?”


“No!” I shake my head. “You’re wrong. It’s not like we’d all have the same powers, right? We’d all have something unique that we can do. We could let people pick what they want, be whatever they chose. We don’t have to wait for the Nemesis to do it naturally; we can do it right now! Look, I absolutely do want to be your spokeswoman, okay? Of course I do, this is huge! But if we’re going to do this, we need to do it for everybody.”

This feels we're having the wrong argument. Or rather, it's an argument worth having, but one side is written by an idiot with an axe to grind about rich people. I'm very much in favour of like, the idealised idea of transhumanism where we uplift the whole species, but there are plenty of valid arguments against giving everyone on Earth superpowers.

I'm sure all of you reading are familiar with Krypton, Superman's home planet. Most of you probably also know that Kryptonians only have Superman powers when exposed to Earth's yellow sun. Krypton had a red sun, so its people were pretty much identical to humans in their capabilities at home. What some of you might not know is that this wasn't originally the case. In the early years of the comic, Kryptonians were just more "highly evolved" than Earth people, and thus were stronger, faster, and smarter all the time, no matter if they were on Earth or Krypton. In fact, in the first episode of the 1950s Adventures of Superman show, we actually see Jor-El Superman leaping his way to the Council's (there's that word again) meeting place. It's goofy as all hell.

However, that was when Superman was a much less powerful character than he is today. An exploding mortar shell would in fact break his skin. He couldn't even fly. As his powers grew, people started questioning why Krypton exploding didn't just leave a lot of confused Kryptonians floating unharmed in the vacuum of space. Another issue was that it was becoming to imagine what a civilisation of such physically powerful beings would even look like. Imagine if every bar-fight resulted in a Man of Steel style swath of destruction. Now imagine everyone in that city has a different set of powers, some of which don't include invulnerability.

This also feels like a very trans-coonsomorist way of looking at it. "Everyone gets to pick whatever powers they want!" Infinitely customizable bodies. Except, are you really going to give anyone who asks telepathy? Or Chlorophyll's Rohypnol pheromones? Hell, wouldn't you look sideways at someone who asked for Wolverine claws? I'm guessing Daniels is in favour of gun control, so you'd think he'd see the parallels. Although, I guess he could be one of those "disarm cops, arm transwomen!" type gun-troons.

Overall, I think I lean more towards Danny's side of things (and would be very interested in seeing your thoughts on the matter, good readers) but there's a lot of nuances to consider. Except we don't get to do that, because Daniels just has her self-insert's opponents arguments be rooted in pure, naked elitism.

arrison purses his lips. “You’re picking up on this quickly, so I think we can skip ahead to some of the more advanced material in the presentation.”


“There’s more?”


“Oh yes. You see, this is Phase One. It’s the big one, but this is a holistic project—we’re not stopping there. There’s a lot of problems we’re going to solve.” He shrugs. “All of them, more or less. And like in any great undertaking, we’re going to make enemies.” Garrison pauses, seems to calculate some odds. He pulls out his phone again. “Peter, would you come in here? I think maybe Dreadnought could use your perspective.”


A discreet door in the side of the room opens, and out steps Thunderbolt. Electric thrills go up my spine. He’s one of California’s premier heavyweight superheroes, and would likely be the head of his own team if the cape laws in California weren’t so screwed up.

NIMBYS, ruining everything! Are you really telling me California was like "no, superheroes don't get to work together" and the heroes listened? Losers! Fucking losers!


“Can I call you Danny?” he asks, and I nod because of course I do. I wonder if it’d be too dorky to ask for an autograph. “Good. Danny, I think you’ve been in the game long enough to notice some of the problems with how superpowers currently work.”


“Uh, I guess? I don’t really know what you mean.”


“Well, for one, most people with powers are in the closet about it,” says Thunderbolt. “It’s all special ability this, peculiar talent that. They might use it for a job—a job!—or just to dick around, but they don’t really get the most out of it.”


The fangirl blush fades a little. “I guess I don’t really see the problem. My job is super dangerous; not everyone wants that kind of life.”

Again, there should be loads of rich and famous supers who aren't heroes. They'd probably have their own sports leagues. Of course, then a bunch of idiots who think ADHD is a form of psychic power would capture all our institutions and make them let in baselines, but that's besides the point.

“But you want it, don’t you?”

“Well, yeah. New Port kinda needed me. Even if I didn’t like it, I’d probably still do it.”

“But you do like it, don’t you? It’s okay to say you do. I love it,” says Thunderbolt, putting his hand to his chest. “And if someone wants to stay conventional and safe, they can do that. But isn’t it kind of a waste for them to have their powers, if that’s what they want?”

Wait, are you telling me the baddies think only superheroes should have powers? You'd think they'd be more in favour of a Plato's Republic sort of set-up, where people get powers suited to their station and function in society, and "superheroes" are either philospher-kings or Spartiate warrior-aristocrats.

That sounds off somehow. But it’s hard to put my finger on why. In fact, it sounds a lot like what I’ve asked myself when I saw people with powers who were obviously more interested in blending in than standing out. So maybe I’ve never called it a waste. But still. Why settle for normal when you can do the kinds of things that I can do? Hell, look at Calamity, she’s barely superhuman, and she’s still way cooler than basically anyone else in the city. “I…I guess. I mean, waste is a strong word—”

“—but you see what I mean, right?”

“I think I do.”

Um, Danny, if nobody but superheroes get powers, who do you think you're going to vent your bloodlust on?

Well, what we’re going to do is remove the random chance from who gets powers and who doesn’t. Only people who want them—and who’ve earned them—will get them. The best people should have the best powers. No more supervillains, and no more slackers. That’s what Phase One is all about, and everything else flows from there.”

“What’s Phase Two?” I ask. My trepidation grows.

“That’s not ready to be revealed yet,” says Garrison with an even look at Thunderbolt.

There's a term in Mormonism called "milk before meat." It's the idea that the nice young men and women who keep knocking on your door should lead with the less... outlandish aspects of their faith when trying to attract converts. You know, Jesus Christ spent some time in America, there's another testament of the Bible. Probably not the easiest sell, but not too out there. Then, once they're already balls-deep in your religion, you explain that the endgame is for you to ascend to godhood and populate a planet by fucking your spirit-wife. That's also why the Scientologists were so pissed about the Xenu shit becoming public knowledge back in the day. You're not supposed to learn about that until you've invested a lot of time, money, and emotion in the church.

What neither of those groups do is immediately inform you there's a Secret Second Phase they're not going to tell you about, while they're trying to recruit you.

Thunderbolt dips his head and moves away from the topic. “Right now, there’s no efficiency to how superpowers are allocated. A market-based system would be vastly superior, and Richard already showed you how we’re going to bring some creative disruption to that problem. But more important is what it means for the wider world. There’s a lot wrong with the world these days. We’re at a—what’d you call it, Rich?”

Neoreactionaries aren't usually that fond of capitalism, either.

An inflection point of history,” says Garrison. He sips his soda.


“Right. The old world is rotting. There are too many problems that are going unaddressed because of special interests and small-minded politicians. And it’s not just in government; the West’s culture is sick too. Flabby mediocrity is the order of the day. We’re raising generation after generation to believe that the worst thing you can do to someone is offend them. We’re told to pretend that everyone is equal, but excuse me, some of us can fly! Excellence isn’t celebrated anymore, and it’s suffocating humanity.”

Can't say I disagree with that premise.

Garrison chimes in, “I started homeschooling my daughter because the other students were taught it was okay to shame her for using her powers. They get scared because she can do things they can’t, and so they expect her to stifle herself simply because of their cowardice. And this was at a so-called elite academy in Zurich. It’s like that all over now.” The way he says this makes me think he’s voiced this complaint before. A lot. “There’s no escape. Someone does something outstanding and they get shouted down for not being fair to the people who can’t.”

Wait, Lily's a super? I thought she just had a lot of guns and gear? Or is that the point, that Garrison is convinced the school should've let Lily bring her arsenal with her? If so, it would've been actually interesting if Lily was a natural superhuman, and Garrison had developed a complex from people treating his kid like a walking time bomb for something she didn't choose.

“Right!” says Thunderbolt. “And that’s who they care about. The people who can’t. There’s no concern anymore for the people who can, the people who do. They’ve murdered the meritocracy! No civilization can thrive if it insists on strangling its best members. We can take the best lessons of history, and abandon the failed ideologies that got us here.”


My enthusiasm has completely drained away. This conversation has more red flags than the Chinese Embassy. Cecilia’s media training is in full effect, and I crack a soda of my own to cover my unease. After a sip, I ask, “Which ideologies are those?”


Garrison and Thunderbolt trade a look. It seems to say well, it’s now or never.


Thunderbolt looks at me and says, “Democracy.”

Are we talking about actual democracy? Or the system where occasionally "experts" bless us with a study confirming men aren't actually taller than women on average, and then we get called chuds for thinking that's bullshit?

“Look, I know that’s kind of a lot to take in, but you adjusted to having superpowers,” says Thunderbolt. “I haven’t had the pleasure of working with you, but the capes you’ve fought with who I talked to speak very highly of you. They say you get it, that you’re understanding your role almost instinctively. Now take that shift of perspective to its logical conclusion. Democracy is the political form of equality. One man, one vote, that sort of thing.”


“Uh-huh,” is all I can muster up to say to that.


Thunderbolt rolls on like he’s making perfect sense. “What’s equality, really? It’s make-believe. Not everyone is equally strong. We’re not equally fast, or equally smart. Some of us are geniuses. Some of us are retards. There’s no magic quality we all share equally, nothing that really makes us the same—I mean, come on, who are they kidding? But our obsession with pretending that everyone is equal—or worse, that everyone should be, no matter the cost—has bogged us down as a culture. We’re not all the same. We’re not all equal, and we never will be. That’s why communism didn’t work. And that’s why democracy is falling apart too. Now, don’t misunderstand, we’re not against freedom. We’re the most pro-freedom people around, including the most important freedom, the freedom to rise as far and as fast as you can, without worry about what the flabby mediocrity thinks is polite. And that’s a pretty big thing to say, these days. I know, I know. It sounds crazy, but we’ve got to face the facts as they are.”

Why even keep "phase two" secret if you're just going to immediately start calling people retards in front of this trans zoomer?

Despite Garrison’s plan of having another cape introduce this to me as a way to get me on board, he doesn’t seem to be able to help himself from butting in. The words seem to erupt from him, like a bark of pain after a struck nerve. “We’ve got swarms of refugees in Europe. Recessions in America. Who’s doing well? The Chinese. They don’t give a shit about being PC; they just get things done. That’s what radical inequality does—it lets the cream rise. The people at the top have the resources to set their own path in life, and the people at the bottom get some sort of structure and guidance, which, if the feckless corruption of the Western democracies is any guide, they sorely need.”

At this point we're just throwing every right wing ideology and talking point into a pot.

We’re trying to create a new society here on Cynosure,” says Garrison. “We’ll be a model to the rest of the world, combining the best in modern thinking with the most timeless and enduring human wisdom.”


“Like what?” I ask. I think Thunderbolt is twigging to the fact that they haven’t made the sale, but Garrison is still so euphoric after coming out of the closet as a fascist lunatic that he answers without hesitation.


“Hereditary dictatorship. It’s the oldest form of government, and when left alone, the most stable. We’ll have the best and the brightest living in luxury, not just here, but in seasteads all over the planet. Hierarchy is natural. It’s healthy. Why do you think people love stories about kings and queens so much? They’re yearning for the past. They want to pay us tribute. Aristocracy means rule by excellence, and that’s what we’ll be—the excellent, trained from birth to excel, leading the mundane. Trust me, Dreadnought, when they see the benefits of going back to the old ways, they will beg us to save them from themselves, and we will be happy to oblige.”


“No, you won’t,” I say. Garrison’s train of thought derails and he stares at me, confused. I clarify for him: “Because I’m going to beat the shit out of you instead.”

This all feels very... rushed. Wouldn't it have been more interesting if Garrison and co. had contacted Danny a lot earlier, and taken more time bringing him on side? Then, when they think Danny's basically already come around to their way of thinking, reveal their actual plan for civilisation.

Wait, sorry, that would take time away from Danny fretting about employment contracts and... well, we'll get to it.

Danny tries to fight Thunderbolt, but not only does he have electrical powers, Danny soon finds his own powers are gone. It turns out Garrison can mute them.

Garrison is crossing the room, pulling his rings off. “I told you my own power wasn’t very impressive. And it’s not. Power is about change, and mine are more the creation of absence. But I find that there are many places where a carefully considered disruption is more useful than anything else.”

Garrison’s first punch lands like the end of the world. It hurts so much. I’ve been shot, and it didn’t hurt that much. My head swims. My lip stings.

“I’m disappointed in you, Danielle. Here I thought you could overcome your degeneracy. You seemed bright, at least.

Well, we know Garrison isn't a very perceptive man.

I could have made you rich. I mean true wealth, not that chicken feed the city is paying you. But more than that, you could have been in on the ground floor of the next evolution of humanity. For the sake of pragmatism, I was even willing to overlook your gender issue, since you seemed different from the rest of the filth.” More punches. Thunderbolt is watching from the side, his face hard.

Of course Garrison hates trans people, because God forbid one of Danny's enemies be so because of philosophical and not personal reasons.


“You said you wouldn’t hurt her!” It’s Karen. She’s standing at the hallway, aghast, terrified.


“Get the fuck out of here!” shouts Thunderbolt. “You got what you came for, now go!”


Karen turns and runs, and Thunderbolt goes after her.


Garrison grabs my chin and forces my attention back on him. “We’re going to rule this planet like gods. The peasants will know their place, and we will have the worship that is our due. Governments will tremble to defy us, and all the world will be ours, as is right. You could have been one of us, and you spit in my eye.” He spits in mine. “She was right. You’re just another degenerate, after all.”

Do I even need to tell you that "she" is Graywytch? Because as we all know, everyone who doesn't like you is on the same team.
 
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At this point we're just throwing every right wing ideology and talking point into a pot.
I couldn't have put it better.

The bones of this plot are fine, I suppose - scenery-chewing villain decides he wants to rule the new humanity, and has already recruited a few big-name supers. It's just smothered under so much inane and contradictory "generic rightoid chud" discourse that it's unreadable.
The "observer effect" continues to be nonsense - just looking at Nemesis through a telescope causes enough quantum weirdness to magically amplify into world domination? Ridiculous bunk, and this in a genre where a fair bit of silliness is acceptable.
Why not just say: when the Northern Union went up to smash the piece of Nemesis, they actually captured it (or a large fragment of it) for Garrison, and now he's got Nemesis fragments in all his satellites? Done.

We’ll have the best and the brightest living in luxury, not just here, but in seasteads all over the planet
But why? If you're going all-in on world conquest and God-Emperorhood, and you control all superpowers, why not live wherever you want instead of building island-boats? Turn London into your palace, like Miracleman.
The whole libertarian self-sustaining private island fantasy doesn't mesh at all with being a king (sorry, "hereditary dictator") who rules and accepts tribute. Shouldn't a good monarchist want the king to live on the territory he claims?

We’re not all equal, and we never will be. That’s why communism didn’t work.
Thunderbolt needs to know his audience. What trooner zoomer knows or cares about communism or why it didn't work? Danny might even like communism.

And why is Garrison fighting Danny himself hand-to-hand? Doesn't he already have Thunderbolt as "the help" for this sort of thing? Even if Dreadnought's powers are switched off, Garrison is still just some guy (right?) and Danny still has all his muscles, bloodthirst, and whatever weapons might be built into his super-suit.

Do I even need to tell you that "she" is Graywytch? Because as we all know, everyone who doesn't like you is on the same team.
Pretty sure Stevie Wonder could have seen this one coming. I guess when she wasn't picking up her phone she was out in Sealand casting super-selection spells for Garrison's Starlink knockoff. But why did she go out of her way to antagonize Danny if the Stonecutters wanted him as the spokesbeing for the Human Troonstrumentality Project?

Next up: I wonder if Karen will take off her suppressor necklace in order to let Valkyrja save Danny.

EDIT for more:

At least he’s not talking down to me for being young. That still happens sometimes, despite all the footage of me beating the crap out of supervillains two or three times my own age.
So there is plenty of footage of Dreadnought going berserk in fights. Why aren't civilians terrified of him? If a kid waves to Danny on patrol, his mother would probably say "Don't do that, he'll notice you."

Garrison’s first punch lands like the end of the world. It hurts so much. I’ve been shot, and it didn’t hurt that much.
So in other words, he's not used to this, because Roger never laid a hand on Danny before he became Dreadnought. Good to get confirmation.

On the whole "quantum strangeness creates superheroes" thing: I think the problem is that it's mixing two different ends of the spectrum. On the one hand, Narrative is the driving force of reality (the lattice, if you will), and superpowers must express themselves via dipping down into the well of archetypes and pulling up a stock origin story. And on the other hand, we have quantum mathematical whatnot driving the universe via spooky action at a distance. Either one is fine, depending on what subgenre you're aiming for, but not both at once. Either the world is a story, or it's a Schrodinger equation. Pick one.

You could have been one of us, and you spit in my eye.” He spits in mine.
Was this necessary? Really now.
 
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In a better story, Garrison would have been a red herring. Not a good guy, but the fall guy frontman for the real mastermind.

Of course, we'd be rewriting most of this shit to make a better story. In fact, I'm going to spitball one right now.

First change right off the bat, Danny's not trans, but a regular girl. Maybe even a short, small, casually bullied girl. She wants to be like the supers of the city, and leaning into her being a total fangirl, she's actually actively watching D3 fight because hey, he's the best. Only, he's not fighting Utopia, but another major big bad with the Legion. He gets knocked into a building near Danny and she rushes over to see him. He gets up, brushes himself off, and then without warning, he keels over in pain. Danny rushes over to help D3, who seems to realize something is wrong and that he's about to die if he can't control the lattice, and decides it must be someone trying to steal it, so he decides to pass it on, trusting that she will do the right thing with it. He passes the Lattice Orb to her and tells her to run. Danny doesn't see his death, but she hears Utopia gloating and monologuing. She runs, and hides, and then begins transforming. Not instantly, but very very quickly.

From then we get conflict with parents- very overprotective, still worried about their daughter's sudden transformation, very against their daughter's love of heroes because they want her to stay safe, etc. Maybe very traditional and we can even let Danny stay gay in this version.
For the legion, we get a lot more of them, the focus on Danny being far too young, with Danny misunderstanding their hesitance as the previous Dreadnoughts or whatever name we choose instead being men and Danny thinking people are mad about the power going to a girl and wondering why some of the women are against it too.

I don't know if Greywitch even exists in this version or if she has a beef with new Danny, but we definitely want to focus on the legion and their feelings about D3, who he was as a person. Like, actually lean into the being a legacy powerset here. Hell, maybe make note that each Dreadnought was more powerful than the one before, giving a plausible reason for our Danny to be able to shrug off the thing that killed the previous one.

There's so many missteps in these novels that you can change basically anything and come out improved.
 
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But why? If you're going all-in on world conquest and God-Emperorhood, and you control all superpowers, why not live wherever you want instead of building island-boats? Turn London into your palace, like Miracleman.

I'm always happy to find someone else has read Miracleman.

And why is Garrison fighting Danny himself hand-to-hand? Doesn't he already have Thunderbolt as "the help" for this sort of thing? Even if Dreadnought's powers are switched off, Garrison is still just some guy (right?) and Danny still has all his muscles, bloodthirst, and whatever weapons might be built into his super-suit.

Oh, he's not really fighting Danny, just beating the shit out of him while his minions hold him up.
 
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Well, there's not a lot I have to say about the latest section that you and the others haven't already said more-than-adequately, so I'll instead weigh in tangentially on the reason why aimable quantum gribblies in Nemesis are a really bad idea.

One of the basic rules you need for a functional setting is that you need to not have generic superpowers in a can that comes from a mundane source. The reason you need to avoid this is because if you can make superpowers on command with non-super tech, then the single winning move is for whoever figures this out first is to invest all of their superpowers into acquiring the mundane resources and infrastructure to make more powers, and then investing those into getting yet more resources and infrastructure. And from the sounds of things, Incoherent Cartoonist Lex Luthor has done that and more. Phase 1 of his plan should be to set up a core of hypertech engineers and just outright super real engineers who can replicate the Quantum Gribbly Array several times over, and then repeating; he should be deep into singularity territory, because the setting has made superpowers not something numinous or deliberately-unknowable-or-repeatable, but purely a function of rock gribblies.

And unless the series wants to turn around and say "But wait, Dreadnought is special-est of the specials! That dirty right-winger couldn't possibly replicate his power!" (which of course it will), there's no coherent way for Dreadnought to oppose Garrison at this point. And it doesn't help that Dreadnought only has his powers. Actual Superman could be expected to carry on a moral debate, or his deep ties to the world as it is, or his connections to his friends and family, both powered and mundane. A real Superman character would have depth beyond super-strength and eye-lasers, and running into Kryptonite should be a chance to show that.

Also, flattening out superpowers into one generic thing is dumb. There is nothing conceptually tying a kaiju to a valkyre to a plant-person to a rogue(ish) alcoholic AI creation of a mad genius to Danny himself. Now, if you want to tell a world where superpowers actually are all one thing, then you can do that; you just need to set things up so that there are little gaps and unexplained hints of things as you set up the earlier characters, so that when you pull them all into one conceptual bucket, the reader can go "Oh, that's why Valkyrie isn't as old as she said she was; she was using the same unexplained retroactive warping ability we saw from Kaiju man, which means..." And that also means that you can get into some interesting drama with, e.g., GreyWytch simply holding to her radial feminist Wiccan faith in the face of any evidence and refusing to believe that magic and gods are just reality-warping and high-level supers with a specific theme.

I feel like a better and more dramatic way to do this would have been for there to have been three main categories of supers; magic-users, hypertech inventors, and Other, where the Others all got linked into a basic conceptual bucket specific to them but with relatively few commonalities, and accordingly little ability to generalize between, e.g., made-of-metal-man and doesn't-get-tired-lass. Then you tie Nemesis to those supers specifically, and get into the ominous bit of supers being able to force their localized reality onto the world, and bring up, e.g., kaiju as people whose feel for reality and humanity is fundamentally broken and get (or are forced to have) the power to express that.

In that paradigm, you've got a built-in reason for Utopia to take drastic measures to kill everyone before someone manifests "Fuck Utopia in Particular - The Powerset", and you can validate that fear by having Garrison be able to escalate to "Fuck Dreadnought In Particular, In Stereo Surround, With Back-Ups If He Gets Lucky Somehow". And the best thing is that as the tension of the series is escalating, you can tease and build the relationship between Dreadnought's Plot Orb and Nemesis, and recast Dreadnought's slow power escalations and successes not as growth, but as Nemesis growing ever-further, and have Dreadnought realize that when it does become public knowledge that the Nemesis close-pass will destroy the world and make him unquestioned king of the wreckage, he'll lose everyone who doesn't deeply and implicitly trust him already.

---

And actually, on reflection, I do have a little to say about Garrison. It is absolutely true that he's a lazy-ass mish-mash of a bunch of different and mutually-exclusive right-wing stereotypes, as has been said, and we've missed a golden fucking opportunity for Garrison not to throw Danny's actions and characterization back in his face, saying that he recognizes in Danny a fundamental disdain for the world order and sees how he is being held back by the mewling masses, who want to leash him and take his money and force him to be subservient to his meaningless, inferior parents (oh, and I absolutely cannot imagine that specific wrinkle playing well with any flavor of any kind of neoreactionary whatsoever). Let this be the point that Danny admits to himself that he absolutely is a bad person and he absolutely could let his rage lead him down the same path that Garrison is walking, have him stand up and attempt to make things right, and then immediately get slapped down because Garrison's not an idiot and then set up the climactic arc.

But we can't have Garrison be any flavor of neoreactionary. We basically need him to be a radical transhumanist for him to even think that there's any worth in recruiting Danny. As it is, Garrison has no real reason to engage in the theatrics, and 90% of the mutually-exclusive flavors of right-winger Garrison is pulling from would each have their own reason to want Danny dead as soon as they could pull it off. And given that Garrison has already monopolized superpowers, what the hell does he care about PR at this point for? He literally needs to do nothing and let his power base quietly accumulate in order to win; if he did feel the need to take the risk of bringing Danny in, then murdering him and Val Jr. is absolutely the only reasonable play.

The only remaining answer, of course, is that Garrison really is the mirror to Danny; he also uses his incredible power in shallow and stupid ways, and also plays with his food, even to the point of endangering his own life against unknown and potentially-deadly opponents, because being known to have win over their chosen enemies is their only real motivation.
 
Garrison honestly reads like the author read the short story Harrison Bergeron and decided to make a villain based on that with some neo-reactionary trappings to make him more hate-able by the audience. He's halfway to being a decent villain, but, as someone pointed out earlier, he would work a lot better as a fall guy than the mastermind.
 
A while back, I remarked that Dreadnought is more of a martyrdom-simulator than a power fantasy. More about wallowing in misery and being a woobie (forgive me, recovering tv tropes reader) than being a badass superhero. Reading Sovereign, I was beginning to think this trend was reversing itself. The sequel does seem more interested in having Danny revel in his power than having him be beat down by the cis-heteroarchy.

I think Daniels realised his mistake:

They throw me in a hole. No light in this cell, just a hard cot and a combination toilet and sink I’ve got to find by touch. No light until there’s nothing but light, searing white from the ceiling, and a squawking buzzer to jerk me awake. My hair is soaked through with cold sweat. The echoes of one nightmare resolve into the shape of another I can’t wake up from.


My suit and cape are gone. Instead I’ve got rough cotton clothes on, a plain green top and bottom, and a thick steel collar around my neck. My ear is painful and irritated where they tore the glued-in earbud out with some pliers. I grope for the lattice, but it’s not really there. I can feel…something. More at least than I did last night during those awful seconds when it was sinking in that Garrison had muted my powers. But not enough to do anything with. Vague hints of the strands underlying everything, ephemeral and flimsy to the point where I can’t decide if I actually see them, or if that’s simply what hope looks like.

This is going to be like that Superman Red and Blue story where he got bummed in a prison for months, isn't it?

A slot in the door clacks open and a tray of food slides in. It’s like a microwave dinner, but with breakfast food. Mushy, lukewarm waffles and syrup that tastes of industrial chemicals. Orange juice that’s mainly yellow water with some pulp in it.

How could this get any worse is a question I am scared to find an answer for.

I mean, they're feeding ya. Anyway, Graywytch shows up, as if there was any doubt.

Armed goons in green polo shirts slip into my cell and seize me by the arms. No speaking, no orders, they simply rush in, grab me, and haul me up on my feet. Graywytch watches me with pinched lips, like I’m a rabid dog being carried away by animal control.

Danny is the pitbull of superheroes. The dog, not Mr. 305. Bet none of you were expecting a fucking Pitbull refeference in 2023!

About halfway down the hall, I make my first break for it.


I feint one way and dive hard the other, slamming one guard into the lip of a hatch and spinning to try and kick the other in the—


My head is pounding when I wake up. The blue linoleum has little silver swirl patterns in it, which I notice because my cheek is pressed hard against it. My stomach and sides sing with new bruises. Another kick comes in, and all my breath whooshes out of me.


“That’s enough,” says Graywytch. “I need him healthy.” She steps into my line of view, looms over me with a disgusted sneer. Little flits of shadow dance around her fingers, and as I watch they suck back up into one of her rings and disappear. “No more of that, boy.”


I suppose I’d like to say I have something witty to say, but I don’t. The fear is so tightly packed into my chest I can barely breathe, barely think. I don’t nod or shake my head or even glare. At this point, I’m proud that I haven’t shit myself.

I've said this before, but Danny basically exists to be the ideal troon-as-victim figure. This perfectly passing teenage girl being kicked around by armed thugs. Obviously, this treatment would still be atrocious if Danny looked like a sixteen year old boy, but you see the intent.

Actually, speaking of sixteen year old boys, it occurs to me that Danny hasn't mentioned David--her childhood BFF until he decided to turn into a cartoon MRA--once in this entire book. Not even in passing. At this rate, I'm shocked he isn't working with Garrison too.

“Strap him in,” says Graywytch. She disappears into a room just through another hatch, and the moment she’s out of sight I’m trying to make another break—


Wow, getting punched in the kidney really hurts when you don’t have superpowers.

Didn't Danny spend his entire childhood being bullied by other boys? He really hasn't gotten kidney-punched before?

Graywytch returns with a bowl of water and begins splashing my forehead, my chest, my stomach, my groin. She sets the bowl aside and retrieves a needle from somewhere behind me. It pinches into my elbow, but she misses the vein. That’s okay, though, since she’s not at all shy about digging around inside my arm until she finds it. After she’s got her blood sample, she pulls the needle out and lets the wound trickle until the bleeding stops on its own. She’s moved on to cutting my shirt off with a pair of surgical scissors and snipping my bra away as well. With my own blood she begins painting squiggle figures on my chest and down my stomach. She’s muttering under her breath, some kind of chant.


Through it all, I am silent. I’m holding myself in tight, because if I don’t I will start screaming, and I’m not sure I’ll stop. I am not giving this bitch the satisfaction.


Then Graywytch turns on the lights, and there’s some quality in them, some ineffable weirdness in the pale blue light that the blood responds to. It starts to bubble and hiss and BURN oh God I’m burning it hurts IT HURTS so—


So despite all my best intentions, I’m screaming.

This feels like if Gretch was really timid. Torture porn as written by a youth pastor.

Graywytch seemed like she was trying to figure something out. Not that she was asking me anything. It isn’t an interrogation. It’s an experiment, and I’m the lab rat. Whatever question she was investigating, she didn’t find the answer today. But that doesn’t seem to have surprised her—at the very least, she showed no signs of frustration.


It’s obvious who rigged up Garrison’s magic for him. Now that I know she’s linked up with him, I recognize that together they form that most ancient and venerable of all Silicon Valley pacts—the Hacker and the Backer. One puts up the money, the other puts up the talent. Sooner or later, one stabs the other in the back, but until then it’s a game of screwed-you chicken to see how long the partnership can last.

Graywytch kills seventy gorrillon trans-girls by introducing community notes.

Doc explained the relationship to me once during one of our long, aimless conversations as we sat on the balcony and watched the sun slide red and wet behind the horizon.

I really hope this was one of her drunk conversations:

Doc waves a half empty whiskey bottle

"
And now--hiccup--let me tell ya 'bout Wozniak!"

She was talking about software development, particularly the version of the Internet that she was first instantiated on. The way Doc tells it, in those days the Internet was a cyberpunk playground through which she, as an infant AI, first came to know and love humans.

Now it's like, three web-platforms, all governed by troons. Yay.

That was several versions of her core code ago, a time and place she still harbors a longing nostalgia for. When she says she’s only seven years old, she’s talking about when she first started walking around as a physical entity. In other ways, she’s a bit over thirty.

Then why the fuck does she say she's seven? Is she just trying to bait internet pedos?

I might never see her again. It bothers me more than I’d have expected it to.

IS THIS THE EMOTION YOU CISSIES CALL "LOVE"?

The screaming buzzer wakes me up again. My heart is sprinting, my hair is damp. Another awful, awful breakfast, and then they drag me into the experimentation chamber again. I don’t fight this time. No point. Until I have a plan, I need to play along and minimize the damage. If I could get my hands on one of their guns, maybe.

Shit, I wish Calamity was here. She’d know what to do. Or, better yet, wouldn’t have gotten captured in the first place.

I mean, he has a witch and another Superman expy on staff, and her power is guns that don't kill people. Actually, would Garrison be able to negate Calamity's powers? I'm sure her granddad's cancer-serum only worked because of Nemesis, but aren't her abilities just really basic, physical shit like improved muscle tone and twitch-fibers? Would Garrison suddenly make her flabby and out of shape? This is something that bugs me about characters like Leech from Marvel, how do their abilities affect all supers?

Someone back in New Port must have noticed I’m missing by now. Right? Doc will be looking for me, and there are GPS beacons sewn into my suit. But Graywytch or Garrison might have destroyed it by now. Maybe Charlie will—no, damn. We barely told him where we were going. Goddamnit, Karen. You towering asshole. I trusted you. I was trying to help you.

"How dare you invite me to a business meeting so you could prevent your soul from being devoured by your mother!"

No, stop it, that’s not useful. What would Calamity do? She’d focus on the here and now. Wait for them to make a mistake. Be ready to explode into violence, or quietly slip a tool down her pants, whatever the situation calls for.

A guard pokes his head into the chamber. “Sovereign would like to speak to you.”

“I’m busy,” says Graywytch, not looking up from her notebook.

“Now,” says the guard.

Graywytch straightens and I can only see the back of her head, but whatever is on her face makes the guard go pale and duck out. She closes her notebook and follows him. The hatch stays open behind her.

“We agreed that you would not interrupt my work,” says Graywytch by way of greeting. I can just see a slice of her back through the hatch, but whoever she’s talking to is out of sight.

“Unless absolutely necessary,” says Garrison, as if he were concurring with what she was saying. I guess Sovereign is his supervillain name. That’s a bit on the nose, dude. No class at all.

Supervillains, well known for their good taste. Also, I refuse to believe Daniels wasn't playing Mass Effect when he was writing this.


Graywytch says, “He’s resisting me. That makes it harder.”


“They’re all going to be resisting you. We’ve got to get this right. The market for proven powersets is predicted to be our bestseller. Have you made any progress, at least?”


“Yes,” she says. “I’ve eliminated some of the more obvious solutions. I can also clearly identify the mantle and separate it from the rest of his pattern—”


“You can separate it!” Garrison says. “That’s good!”


“Conceptually. I can separate it conceptually, and tell where he starts and his power ends.” After another pause, Graywytch adds, “This would go much faster if you would allow me to work without these onerous restrictions—”


“No,” says Garrison immediately. “If he dies, the mantle might be lost entirely. I’m not willing to take that step yet.”

Why not? Seriously, you can make as many supers as you want. Even if Dreadnought is super-special and better than every other super in the world, if you kill Danny and the Plot Inciting Orb goes pop, well, then you don't have to worry about Dreadnought at all, do you?

“Yet?” she says. Oh man, Graywytch, don’t sound too hopeful, now.


“We’ve already had to plug one leak. I think we’ve got maybe two weeks before we’re forced to go public. I need to be able to fly for the camera when we make the announcement, or the optics will be all wrong. That’s the classic superpower; nobody will take me seriously if I can’t do it.” Garrison sounds almost anxious. “You’ve got to make it work. One way, or the other.”

Then use Nemesis to make yourself able to fly. We just established this is a thing you can do! And optics? As Iridium pointed out, Garrison has a monopoly on superpowers. Optics do not fucking matter anymore.

“Well, in that case—”


“You know what? Hold on,” says Garrison.


Footsteps, and then Graywytch is saying “Wait, that’s not—”


Garrison steps through the hatch. He’s not wearing a supervillain outfit or anything, just a polo shirt and khakis, and he still has his people call him Sovereign. That’s not how that works. The name goes with the suit, even for blackcapes. Shit, everyone knows that. Fucking rich boy tourist. If I had more guts, I’d be working up a loogie just for him. Right now I’m satisfied to be able to keep my face blank. Then his eyes catch on my bare chest, and his cheeks go pink as he looks away.

Oh, yeah, Danny, God forbid this dude not obey the bullshit conventions of a criminal subculture you're not even part of, that's definitely the problem here.

You unbelievable dickhead! Oh, sure, he can order me imprisoned and tortured, but the sight of my breasts is just too much for his pure soul. And somehow the sheer hypocritical bullshit of it all cracks through the fear and gives me enough courage to sneer at him.


“Your concern for my modesty is touching.” I say.


Graywytch pours in after him. “You said you’d stay out of my laboratory.”


Garrison ignores her. “Danielle, I’m willing to cut you a deal. Give up your powers and I’ll let you go. All will be forgiven.” He says this to the back wall, carefully avoiding looking at me, like somehow that makes any of this even remotely okay.

Of course Daniels inserts a bit where the villain is flustered by his self-insert's totally not tubular moobs.

Now, I despise Graywytch. I mean I loathe her with a purity of hate that almost scares me. But there’s something in my feelings about her—not quite respect, but almost. She’s consistent. In her own screwed up way, she’s even honest. When she cuts my shirt off, there’s no emotion, no suggestion of intimacy or transgression. It’s only a job she’s doing. It’s mortifying, at least until the soul-scalding pain blasts all thoughts of modesty out of my head, and I hate her more than ever…


But at least she’s not hiding from everything she’s done to me. She needed my shirt off to do her experiments, so she cut it off. She’s not pretending she gives a shit about my dignity. In a weird way, that almost seems respectful. Like we’re not kidding ourselves that this isn’t messed up and gross beyond all reasoning. Like we’ve agreed that we will never be anything but enemies. It’s a strange sort of understanding. Tacit, and sour. But also real.

There’s none of that almost-respect for Garrison. If I was ever going to feel anything but disgust for him, it went out the porthole the moment he decided he was okay with strapping me in a chair and torturing me for days on end, but not with seeing me half-naked.

This is a man fetishising being debased and abused in a female body. Also, of course Danny starts respecting Graywytch more once she starts actually hurting him instead of using mean words.

I don’t respond fast enough for his liking. “Danielle? Are you willing to cooperate? This can go on for as long as it needs to.”

“I’ve been thinking about your offer,” I say slowly. “After long consideration, I’ve decided that you should go fuck yourself.”

“Give me your powers,” he says, just at the edge of stammering.

Of course the evil mastermind can't stand up to what to him looks, sounds, and acts like a powerless teenage girl. Them billionaires, am I right, they never get anywhere on merit, even the most basic sorts.

“Eat shit!” I shout, jerking against my restraints. “You don’t get to do this to me and then ask nicely, understand? You get nothing! Not a goddamn thing!”


“I said, give me your powers!”


“Look at me, coward!” He does. He’s gone pale with rage, but it doesn’t scare me. What can he do? Torture me? Kill me? “You don’t deserve my powers, and I will die screaming before I let you have them.”


Garrison turns and begins to walk stiffly out of the room. I lean over the side of the chair and spit on the deck. He hears me, turns, and crosses the room in three quick strides to backhand me across the mouth. I spit again, blood this time.


And smile.


I win, motherfucker.

"I'M NOT OWNED, I'M NOT OWNED!"

But better than that, I see my way out. All this was just instinct, some urgent need to prove they didn’t control me. But now I have a plan. Doc was right. The Hacker and the Backer always end up turning on each other, and these two aren’t going to be any different. I’ve got to find the sore spot between them and push on it.


Garrison would be easier, since I know how weak he is now, but I don’t have access to him. I’ll have to go through Graywytch. She’s tougher, but it doesn’t matter. She’s not tough enough. I’ll find her tender spot. I’ve got two weeks. Plenty of time.

She's a fucking witch! You couldn't even stand up to your dad!

She closes the hatch behind Garrison and pulls a lever to crank the array of watertight latches shut. For a moment she stays there, face to the door, quiet and still.

“You really don’t like him, do you?” I ask.

She slowly turns. Under the glare of the fluorescents, she looks pale and old. “Shut up.”

Troons seem to default to calling women they don't like old.

“Why are you helping him?” I ask. “I mean, I get why you hate me in particular, but why help him with this plan of his?”


Graywytch ignores me and returns to the lectern where she’s got her notebook set up. She begins writing notes. This is one of the precious few breaks in the session that I’ll get. I need to make the most of it.


After a few moments, I think I know what to say. “You don’t strike me as being on board with his politics.”


“You know nothing about me.”
"And you never will, because the author is lazy and the cultural moment rewards that."
“So, what, you’re a fascist now too?”

Of course she is. She disagrees with a troon. It's Umberto Eco's 1 Point of Fascism.

“Did you murder Crenshaw? Or was it someone else on Garrison’s payroll?”


Graywytch looks up at me, surprised. People always think I’m stupid. (To be fair, until a few months ago, so did I.)

You were right. Also, everyone figured that out like five chapters ago.

“Garrison killed Crenshaw to keep him quiet,” I say. “Do you think he’ll be any more forgiving when he decides you’re a danger to him too?”


Graywytch steps away from her lectern to flip the switch for the torture lights again. Searing pain erupts through my chest, and I can’t speak anymore after that.


Maybe this isn’t such a hot plan after all.

Graywytch don't have time for this shit.

Back in my cell. The new shirt they’ve given me is cheap and scratchy and I end up taking it off because it’s only making my burns hurt worse. After the lights go out, I lay on my bunk, trying to organize my thoughts. The plan isn’t going well. She’s too stubborn. But until something else comes along, I don’t know what else to do.

The conversation between Garrison and Graywytch, that’s important. Phase Two isn’t just about my powers—he said that “they’ll all be resisting.” So I’m the guinea pig. They’re trying to figure out how to steal powers. What’s Phase Three?

...Conquering the fucking world with their army of supers?

Graywytch starts the torture up again. She’s narrowed the beam of light this time, and passes it back and forth across my chest according to some unknowable pattern. It kind of hurts, in the same way that the sun is kind of bright.


When she shuts the light off, I lie sagging, gasping, sweating in the chair, trying to unkink my brain enough to speak.


“What are you getting out of this?” I ask when I’m able to get my mouth to work. “Money? Power?”


She reaches over and flicks the switch for the lights. One long, scalding second, and then off again.


“Shut up.”

I initially respected Graywytch for not taking Danny's bait, but then I realised it just means Daniels doesn't have to write her dialogue that isn't what he wants people to think are TERF-talking points.

“Myra,” I call. She looks up at me. “When I get out of here, I’m going to kill you.”


She snorts, and looks back down at her work. “No, Daniel. I don’t think you will.”

This is exactly as good as that prision-transport scene in Last Stand. More torture:

During the last session of the day, my chest begins to glow. A bubble of fizzing white light starts to rise from my skin. Horror locks me stiff as I watch the mantle nearly pull itself out of my chest. Worse, I can feel my bones begin to shift and flex. Not just my ribs, but all of them.


No.


Please, no.


I can’t go back.


I’ll die. Please don’t do this.


Don’t take it from me.

"All those trannies who don't have their bones magically morphed, they can get fucked."

Somewhere, an archeologist is licking their chops.

Graywytch grunts with satisfaction. The light fades, and the mantle snaps back inside of me. The skin over my sternum stops glowing, but I don’t feel better.


“The crystal needs to cool,” says Graywytch. “But tomorrow? Tomorrow, I think, is the day.”


No more bravado. No more courage. She’s beaten me. “Myra, please don’t do this.” It’s contemptible begging. Weak. Not worthy of Dreadnought. “I’m sorry. Whatever I did to make you hate me, I’m sorry. Please don’t do this.”


“It’s not about you, young man. You were only the catalyst. Push women far enough, and we push back. And we win. You’ll see.”

"Ah, but you see, we can make women with beards and frog-voices who think they're men birth children for us to breast-feed!"

When it really comes down to it, I don’t give a shit about my powers. I lived my whole life without them, and I could go back to that.

"Even though I've spent this whole book talking about how life without super-violence isn't worth living!"

Is this Danny's arc? Realising he likes having a jiggly chest more than crippling people?

But what will happen to my body? Will it go back to the way it was? I can’t survive that. I can’t go back. I can’t face the world with those shoulders and that voice.

How do troons think people with actual deformities cope? Also, I love how Danny mentions those two things and not his dick.

Maybe they’ll kill me when they’re done. Maybe they’ll roll me off the side of the deck and into the deep, and I won’t have to live through that nightmare. It seems almost too much to hope for.

This romantisation of death and suicide is really gross.

They say that your real identity is who you are in the dark. The lights shut off, and I figure out that I’m really a trembly little girl who is too weak to protect herself. Down, down I spiral into the depths. For hours.

I have the horrible feeling Daniels finds these bits really "affirming."

Curled tight in a ball, sobbing until my chest hurts, I miss the sound of gunfire through the thick metal walls until it’s just outside my cell. A flurry of shots, and then silence.

The hatch opens.

“Get up, partner,” says Calamity. “We’re leaving.”

Thank you for saving us from this pity-party, Calamity, your invitation to the Transhuman Earth Guardians is in the mail.
 
I guess an arc of Danny without his powers was too much to hope for. It would have allowed some actual introspection into his character, and we can't have that.
 
Also, of course Danny starts respecting Graywytch more once she starts actually hurting him instead of using mean words.
Being an unrepentant sociopath seems to be the number-one way to earn Danny's respect. I bet he'd have respected Roger more if he dropped all the "I love you" talk and just beat the hell out of his son.
"He may be a child abuser, but there's a certain primal honesty to the way that when he feels the urge to beat children, by God, he beats children."

Now that I know she’s linked up with him, I recognize that together they form that most ancient and venerable of all Silicon Valley pacts—the Hacker and the Backer. One puts up the money, the other puts up the talent.
How is that remotely true? Isn't Garrison putting up all the talent for the hypertech half of this operation, in addition to being the ideological leader who's charismatic enough to recruit top-level supers? Graywytch didn't build that moonbase or do the quantum woo-woo math.

Horror locks me stiff as I watch the mantle nearly pull itself out of my chest. Worse, I can feel my bones begin to shift and flex. Not just my ribs, but all of them.
If Danny's rockin' bod is a magical effect of the mantle, why didn't he turn back into a stinky male nerd as soon as Garrison shut his powers down? We just got through establishing that all powers are pretty much the same under the hood.

When it really comes down to it, I don’t give a shit about my powers. I lived my whole life without them, and I could go back to that.
This is the utter negation of heroism right here. When push comes to shove, all the lives he could save as Dreadnought, and all the people who depend on him, they're nothing compared to ensuring a future for the only two orbs that matter.
Not that Danny's the only person who would say, at one point or another, "Screw this, I'm just going to enjoy the windfall and live my best life". But those people aren't heroes, and this is supposed to be a story about a hero.

Anyway, yeah, this chapter was just gross fetish bait. "Oh no, I'm a weak little girl!"
The new shirt they’ve given me is cheap and scratchy and I end up taking it off because it’s only making my burns hurt worse.
"And I'm all alone in my cell, letting my sensitive, ravished sweater puppies air out!"

Bleah.
 
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Well...that was...a bit.

The point of putting your characters though adversity is to show their character, but there's none of that here. I mean, we are getting Danny's lack of character revealed, as pointed out above, but that's...not even satisfying. Danny believes, in his bones, in a cruel, vicious world, where the strong do as they will and the weak suffer as they must, and being at the mercy of those stronger than him who seek to break him for their own reasons triggers not even a momentary "Shit, maybe dismembering people is wrong after all!" reflection.

I'm also wryly amused to see that Danny thinks that pissing off Crenshaw is any kind of a win. It makes him look as pathetic as Crenshaw is written to be; utterly fixated on social status and unaware of the actual realities that can overturn the social situation instantly. Would Danny have still been celebrating his win if Crenshaw had said "You know, Dreadnought doesn't need an intact frontal cortex or four working limbs to hold the mantle. Let's take a quick little security measure before the next test, just in case something unexpected happens."? And hell, that would have been something; if Danny deliberately sought to try to piss of one of the two into killing him in the hopes that the mantle would just go elsewhere and hopefully find someone worthy, or at least not fall into their hands, that would be something.

And, as mentioned above, I have no idea what the actual dynamics of Crenshaw and GreyWytch actually are. The one thing that could keep GreyWytch in check seems to be possibly Danny; she has no reason not to cut his throat while he's powerless, quickly gank Crenshaw before he realizes it and hits her with the power-nullifying jutsu or whatever he's got and shoots her in the head.

Also, there is the fact that this book is written in Current Year, I strongly predict that Crenshaw will get betrayed by GreyWytch, because we can't have a man win a social victory over a woman without getting his comeuppance later, and successfully predicting and pre-empting a betrayal would absolutely be such a win. And while I am doing this with meta-knowledge, both Crenshaw and GreyWytch not having multiple in-case-of-betrayal contingency plans, some hidden and some bragged about, beggars belief.

Hmm. We could have gotten something more interesting if we actually did have conversation between GreyWytch and Danny. Like, we could have had her do some magic to blur the cameras, as she's been shown to be able to do, and tell Danny that she's not going to let the mantle pass into the hands of another man; she needs its power to sucessfully take down Crenshaw's entire operation and all of the other would-be patriarchs. Give her some ambitions! Have her let slip that she'd been hoping to do this for years to the old Dreadnought, but couldn't until she found someone with Crenshaw's power. At least acknowledge that this is an incredibly unlikely villain team-up. Or, hell, have GreyWytch throw Danny's actions back in his face. Have her say that she needs to work with a disgusting patriarch like Crenshaw because even he's better than Danny's horrible violence spree, and have her say that whether powers are randomly distributed or not, she will never be safe unless she can claim the mantle for her own, and that Danny proved that to her himself absolutely clearly.

But we don't get any of that, because everyone the author doesn't like is on the same side, it's a given that they have no real motivations other than spite for him and his chosen few, and there is no reflection as to what it might mean that people who should be at each other's throats have put aside their differences to deal with you instead.
 
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