Got a job interview At GreenPeace - No Joke

[Disgruntled Pupper]

Get them to blow up the Twitter and Facebook servers because they're nothing but decadent carbon and pollution makers and start the ecoterrorist vs Silicone Valley war

 

[Kirito]

Mention a seedless watermelon casually and see if they freak out.

 

[Gustav Schuchardt]

Convert them to eco-fascism

Laibach's video for 'Opus Dei' was described as 'A beautiful Heideggerian ecofascist video'

As one of the other comments put it 'The great thing about Laibach is that, despite their sinister fascist image, in reality the whole thing is one elaborate inside joke. Just look here. They took a hippy dippy John Lennon-esqe tune and turned it into a ridiculous martial 'anthem' than mocks martial anthems. They even reverse the footage on the waterfall!'

The song a cover of a feel good anthem as a sinister military march. I bet Opus who wrote the original were horrified.

https://en.wikipedia.org/wiki/Laibach#Musical_style

Laibach's cover versions are often used to subvert the original message or intention of the song — a notable example being their version of the song "Live is Life" by Opus, an Austrian arena rock band. Laibach recorded two new interpretations of the song, which they titled Leben Heißt Leben, and Opus Dei. The first of these, the opening song on the Laibach album Opus Dei (1987), was sung in German. The second was promoted as a single, and its promotional video (which used the title "Live is Life") was played extensively on American cable channel MTV.[16] Opus Dei retained some of the original song's English lyrics, but was delivered in a musical style that left the meaning of the lyrics open to further interpretation. Whereas the original is a feel-good pop anthem, Laibach's subversive interpretation twists the melody into a triumphant military march. With the exception of the promotional video, the refrain is at one point translated into German, giving an example of the sensitivity of lyrics to their context. The Opus Dei album also features a cover of Queen's "One Vision" with lyrics translated into German under the title '"Geburt einer Nation" ("Birth of a Nation"), revealing the ambiguity of lines like "One race one hope/One real decision". In NATO (1994), Laibach also memorably re-worked Europe's glam metal anthem "The Final Countdown" as a bombastic disco epic