He was gay from the beginning. He's fucking flamboyant in book 1. Old style british bugger, he was described short of speaking polari.
Idunno, context matters. There are a lot of poofters (wokes say "queer-coded characters") in children's media (Willy Wonka, Wizard of Oz, many Disney villains) and in the Harry Potter books (Lockhart, Flitwick, Xenophilius, Slutborn, Nick the ghost; Pettigrew and Fenrir Greyback are chomos, Fenrir literally loves giving children magical AIDS). In the books, all wizards wear robes for every occasion; movie costume designers used more normal clothes so Dumbledore stands out there. Some of the male characters have fruity traits, but have you seen the females (Sybil fucking Trelawney)? Adults simply behave stupidly in the books because tee hee funny, there's background retard radiation permeating everything. "Nastily Exhausting Wizarding Test", fuck me sideways.
However, I see it over and over when Harry Potter is brought up, from both sides, that the "Dumbledore is gay" was a woke retcon, and both sides are angry. Anti-wokes are angry that he was
turned gay and consider it the big bang of the diversity trend, wokes are angry that he hadn't been gay from the beginning. Now we won't know for sure if he's always been a butt pirate unless Rowling's drafts surface, but I will stand by a weaker claim of "the tale grew in the telling".
The Weasleys are incredibly dysfunctional, I have more of a beef with Freorge and Gred, who I think are annoying delinquentes, and Arthur, whom I think Lucius Malfoy had a point about: He's incompetent at best and corrupt at worst.
He's pretty much comic relief, he also allows us an insight into the wizarding world that neither Harry nor Hermione have for purposes of worldbuilding but also occasionally plot-relevant.
Frorge and Gred, Percy the yuppie and the parents have some character to them, even if they're terrible. Ron has none and he's one of the leads. Hermione should've been a bookish Weasley, teased by her older brothers Fred and George (they don't realize she's younger and a girl). She already is a walking encyclopedia of wizard history despite her muggle background, a pureblood-Hermione could also be a source of information on wizard daily life when needed (and Rowling is bad at daily life, see: wizards shitting themselves, so the less wizard daily life is there outside of school, the better). She'd be diligent and patient when supplying historical facts but Harry's lack of common knowledge would sometimes skip her mind. The one to make connections between disparate wizard facts would be Harry himself, as protagonist and audience stand-in.
Draco Malfoy filled the Saskue-sized gap in the female readers heart.
Draco is a coward, a pussy, and inconsequential. His ultimate role in the story is "see, even this pussy has a mother who loves him". Sasuke (from cultural osmosis, I haven't seen Naruto) is a Chosen One's sidekick who resents being a sidekick. I'd have liked Harry to have a
- competent
- bad boy
- rival
- who's good at magic,
- breaks school rules to show off and gets away with it
- (whereas Harry breaks school rules to fight Voldemort and help his friends and suffers the consequences),
- occasionally does something for his own purposes that helps the good guys (fights a villain on the loose, talks back to a shitty teacher, steals a valuable book from the library and the heroes know what's missing, puts Harry in detention where he makes a friend),
- and eventually sides with them and is an asset to them
- (and brings other Slytherins over so they wouldn't be Hitler Youth).
Someone fangirls would be justified in wanting to fuck. Harry Potter would defeat him in books 1 and 2 at least (to please young readers) but eventually will have to choose between school bullshit and saving his friends (like he did in the actual books IIRC), and not-Draco would have some character growth of his own. For there to be a good ending and a reconciliation, Harry Potter has to unite Hogwarts for the battle of Hogwarts.
On one hand, the magical community is severely inbreeded, classist, with an ineffectual, corrupt government and mudbloods are suggested to enrich it and actually prevent it from actually disappearing. The magical community elites are suggested to be rabidly, irrationally scared of muggles.
On the other hand, muggles are represented by Little Whinging, Surrey and the Dursleys, Rowling jab at the white british middle class: Vain, mean-spirited, hypocritical, insincere, shallow, judgemental and intolerant, and they're, of course, all bullies and racists towards muslims and niggers and faggots the magical community and get deranged at any instance of magic (see the former Prime Minister).
I'd say both wizards and normies are justified in being scared of technology and magic respectively. Getting a brush with magic would fuck up a lot of people, finding out there's a secret magical society that they can't tell anyone about, who commit crimes against humans and mindrape them, would fuck them up even harder. If the existence of wizards is ever revealed, muggles will want to subject wizards to restrictions, to compensate for muggles' inability to interact with magic.
Wizards on the other hand might have an understanding that muggle technology scales really well, develops really fast, and is not tied to specific people. There's a RL church doctrine that all supernatural power comes from either God (through prayer) or the devil. Niggers in Africa still murder witches for dick theft. Having formed a divergent civilization, wizards don't want to become accountable to muggles, they don't want to pay muggle taxes, be forced to fight in muggle wars, or be judged in muggle courts by muggle juries. Also, while the magical abilities of purebloods, halfbloods and muggleborn
wizards aren't different, children of a wizard-muggle couple often have no magical ability, thus wizards are justified in banning association with muggles and keeping their women away from muggle dick.
I will abstain from getting into the specifics of wizard society and muggle relations (apart from highly isolated real-world questions like "can a masquerade exist" or "is magic hereditary" or "why didn't muggles go extinct") because
wizards mindraping normies and stealing and grooming their children -- and it's the good guys doing it, pureblood supremacists wouldn't have bothered! --
justifies total wizard death. (Another reason why it's good for Hermione to be a Weasley instead.) In light of this it doesn't matter whether the current Minister for Magic is honest or corrupt or retarded. Total wizard death.
I think Harry Potter is a classic masculine story, with a classic masculine protagonist and, in many ways, is reflective of Jo's, let's say, complicated relationship with men. Jo is an old school feminist
(I may be compensating for my own femaleness here)
Harry Potter is saved by his mother's love at birth and in the first book. A mother's love is the greatest power in the world!11!!! While this is
true (insert bell curve meme), and songs and stories have been written about mothers' (and wives') love, Rowling is firmly on the retard end of the bell curve, she goes about it in an insultingly autistic way, beating the reader over the head with it, having Dumbledore expound on it, integrating Mother's Love into her magic system with Redactum Skullus and the Bat-Bogey Curse, and figuring out its radius of effect. This is unmasculine cringe that appeals to liberal mothers looking for books to teach their midwit elementary-grade sons Very Important Lessons.
And it never ends, every year Harry goes back to the Dursleys because mother's luuuuurve and the book has to explain it. Famous shonen centering around love like Fullmetal Alchemist (two brothers try to resurrect mom, fail, get cursed, fight magic Nazis; female author) or Galaxy Express 999 (boy's mom gets murdered by robots and he goes to space hell with a sterile fallen angel waifu; male author), none of them have it as an actual superpower. When Padme Amidala of Star Wars prequels died of a broken heart, everyone thought it was ridiculous, because while people do die of a broken heart, this has no place in a boys' story.
"You are protected, in short, by your ability to love! The only protection that can possibly work against the lure of power like Voldemort's! In spite of all the temptation you have endured, all the suffering, you remain pure of heart, just as pure as you were at the age of eleven, when you stared into a mirror that reflected your heart's desire, and it showed you only the way to thwart Lord Voldemort, and not immortality or riches. Harry, have you any idea how few wizards could have seen what you saw in that mirror?"
-- Dumbledore in book 6, via the Harry Potter wiki
gaaaaaaaaaaaaaaaaay
There's no fantasy. You have dragons, but the only place they're mentioned is when Hagrid raises one, and the dragons guarding the bank vaults. They just exist; there's no backstory or rhyme/reason to their being. They're just there for the sake of the story.
There are dragons in the tournament in book 4. I don't see it as a fault that a lot of magical creatures only feature in "filler episodes" in a book about a magical school. Most of the creatures have IRL pedigrees. Dragons aren't special, just like pixies and mandrakes and boggarts aren't special, they're rare animals. (Do you know anything about e.g. snow leopards except that Liz Fong Jones wants to rape one?) If you want moar creature kahntent, a natural place for it is videogames, where quests, minigames, crafting and spell collection are built around magical creatures.
Going through the beast / being / spirit lists, I remember these from the books, with some role in the plot:
- dragons
- unicorn
- troll
- phoenix
- thestrals (invisible winged horses)
griffin hippogriff
- centaurs
- werewolves
- ghosts
- dementors
- giants
- house niggers
- Jews
There's an handful of other magical creatures; but most of those mainly exists for comedy and the occasional set piece. Only thing that managed to stay relevant was the fucking centaurs.
House niggers and Jews are more relevant. Centaurs are just rapey Indians on a reservation, any other rapey race on whose conceptual space Rowling hadn't infringed could have been used. (Horses aren't well-adapted to forests, which is why the Mongols rolled over the steppes but got bogged down in Europe.)
Jews run the whole wizard economy and are inspired by Norse Svartalfar (black elfs) -- thus Jews and human dealings with them are a part of the setting where magic stops being haha funny and is on the verge of becoming serious and epic and tragic, despite their goofy looks.