Hazbin getting "snubbed" at the Grammy's because anyone older than 17 is thoroughly unimpressed with the writing and songs is pretty funny.
Hollywood conspiracies aside, I don't see the soundtrack of Hazbin Hotel as something to get a Grammy or even an Oscar nomination. It's stylistically diverse, funny and charming at times, well mixed and doesn't start feeling too annoying along the full listen, but it just feels... uninspired? Bland? I mean, don't get me wrong, I loved the electro swing standoff between Lucifer and Alastor and Adam's song is great simply because he's the best character of the series and whoever disagrees is a poser. It's just that all of these songs don't have too much of a character to them, like they ain't got much to stand out on their own. I really don't want to compare it to any Disney-produced or any nominated soundtracks and I frankly don't have the energy to listen to them, but I would assume that they've either left more impact on the culture or were just produced more lovingly.
Part of me thinks the reason they pushed Poison for best song is because it's "Wow so deep!", basically the song equivalent of an Oscar bait movie, because Stayed Gone, Hell is Forever, and Hell's Greatest Dad are massively better than Poison, maybe then it would have grabbed a nom.
Poison sounds nothing like an Oscar bait and definitely not a lyrically deep song. If any, I feel like "Respectless" out of all songs would have ended up a banger and a potential major award nominee, if it was performed by two pop music icons and its part in the episode received additional stylistic treatment.
It's funny because Poison was essentially a replacement for the song Addict. Even funnier because most of the Fandom likes Addict better than Poison too.
Might be due to the fact that Addict came out when Hazbin Hotel was still a pilot and Angel was voiced by Michael Kovach: when a character is created and its actor clicks with it in perfect chemistry, he becomes irreplaceable - the voice actor
becomes his voice, just like Brandon Rogers became the irreplacable voice for Blitz. I could think of at least a dozen voices for a gay Italian prostitute spider from hell, which also implies that four years before the release of the pilot VivziePop was considering his voice to be similar to
Richard Gere and
Steve Buscemi, but Michael has eventually defined both Angel and his voice in other projects - whenever I've heared his voice in other cartoon pilots, like Lackadaisy or Digital Circus, I was instantly thinking of "that Hazbin dude" speaking. His current actor Blake Roman, who I think did a decent job imitating his voice cracking and snarky intonation, won't bring the same energy into Angel Dust as Michael did. Most likely never will. In the context of a song accompanied by an animated sequence that features Angel Dust himself, an avid fan would expect to see and hear the character he got used to adore, yet that same energy is no longer there, even if the arrangement is of a better production quality. Perhaps if Michael's voice was in the first season "Poison" would have found more appeal, but at this point it's just an imitation - a not particularly bad one, but still an imitation.