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I am 20 minutes into Weapons and I cannot understand how people tolerate this main character. She is everything people hate about Reddit teachers. Her voice is annoying, she looks like shit and she acts like a cunt.

The little girl talking in the intro sounds like she's reading a bad copypasta.

The scene of the kids running away is just an excuse to shoot a music video the same way Barbarian used pop music. There's loads of long shots that need to be cut in half or removed entirely to get this movie to a reasonable run time.

I'm seeing nothing here I couldn't see in any other generic modern horror film. Same annoying casting, same generic cinematography, same glacial paced horror about 'duh vibe' and not telling a story.

I will continue watching but any one recommending this shit has no taste.
 
Weapons spoilers for what it's worth.

The movie is bland, modern horror with bad pacing and an okay story that's told poorly. The core idea of a witch kidnapping people is good but the Witch doesn't appear until the final act and it feels like a poor imitation of Long Legs. Without Nicholas Cage or the tension of Long legs it has nothing to offer.

The story does contain woke elements and leftist talking points. The obvious one is Police Brutality that goes no where and serves no purpose in the plot. It's just there because it's a modern talking point. The film makes small town America look like Salem witch trials are still going on and makes out parents are bad for wanting to know what the school is doing with their (now missing) kids. The gay couple is in your face, serves no purpose and is diversity pandering. Especially offensive since it's the head master of the school.

Is it good? No. The main character at the start is bland, screechy and annoying. She has nothing you should like about her. When it switches characters the movie works better but it offers nothing but a few jump scares with spooky clown people. The main character does everything wrong, stalks kids and there isn't even a real pay off to those set ups because the resolution comes from else where.

The reason people like it is the finale. It's 28 days later with a bunch of rage zombie children. The last 15 minutes is the best part of the film and if that's what you walk out remembering you think it's decent. It would have worked better as a TV series and as a film it's too long and by the time the finale kicks off I had lost interest. Nothing really happens until the very end and some bad jump scares are all the horror until that point. The mystery isn't engaging because it's barely explored and when the resolution comes it's obvious who the bad guy is and then they reveal how it's done.

If there's a novel or a TV remake I'd engage with it again. As a movie I recommend skipping it unless you like modern horror. It does nothing new or original and you won't miss anything by watching it later.
 
I only made it through the first 20 minutes of Barabrian, but I was hoping this would be better - between Brolin and Garner and the director getting some faggotry out of his system (and or being uncuffed due to the culture shift on DEI) that this would be a different story, but I guess not.

Also re-watched Rawhead Rex and what a classic. The (shitty looking) monster shows up in the first 5 minutes and it just ramps up from there. Forgot about the demon piss baptism, which was great. Also hilarious how despite being written by one super gay guy and directed by another, different super gay guy that they manage to shove a good titty scene into it. Yeah there's some stretched out bullshit scenes (at the police station), but other than that it's just great.
 
I only made it through the first 20 minutes of Barabrian, but I was hoping this would be better - between Brolin and Garner and the director getting some faggotry out of his system (and or being uncuffed due to the culture shift on DEI) that this would be a different story, but I guess not.

Also re-watched Rawhead Rex and what a classic. The (shitty looking) monster shows up in the first 5 minutes and it just ramps up from there. Forgot about the demon piss baptism, which was great. Also hilarious how despite being written by one super gay guy and directed by another, different super gay guy that they manage to shove a good titty scene into it. Yeah there's some stretched out bullshit scenes (at the police station), but other than that it's just great.
The first 20 minutes of Barbarian are better than anything in Weapons. Barbarian had tension and an interesting set up. The intro to Weapons is a little girl reading a bad copypasta how it totally happened but it was all covered up and the children were never seen again.
 
That's interesting. I've been at that venue for a lot of punk and metal shows. He assumed ownership from his brother Sean, who passed away in 2016. They never disclosed the cause of death. Sean also played a significant role in founding Riot Fest here in Chicago. I wonder if Tim also ended up taking over Sean's brewery, All Rise.The ILSOS states that the venue is managed and owned by Tim and his brother Patrick.
Victims were claiming Cobra Lounge to be a snuff ring, claiming an initiation consists of having to watch a 12 year old commit suicide. I haven’t posted these claims as I can’t verify them yet, however, what I can verify is that after… recent actions… Lucifer has deleted his instagram account:
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His Backup is still up:
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Victims were claiming Cobra Lounge to be a snuff ring, claiming an initiation consists of having to watch a 12 year old commit suicide. I haven’t posted these claims as I can’t verify them yet, however, what I can verify is that after… recent actions… Lucifer has deleted his instagram account:
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View attachment 7782982
His Backup is still up:
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Double post but Lucifer (Shawn) came out of his drug induced schizo episode and restored his main instagram account.
 
I hate modern trailers.

She came back has a couple of interesting scenes but you can tell it's another slow burn do nothing movie in a genre flooded with them. The VHS stuff looked interesting but I know it's going to be a tiny part of a boring movie.

Why can't we have horror where things happen any more? Why is everything break neck super hero slop or do nothing slop?
 
stop falling for hype. very rarely anything ever lives up to it.
It blows my mind how a lot of people still don't understand that these companies create fake hype for these "movies" to drive sales and they keep falling for it every time. One or two times is understandable but a lot of people just continuously fall for it over and over again.

Kind of like how Jordan Peele's shitty ass movies get massive fake hype every time they come out. I learned my lesson from seeing both Get Out and US after reading so much hype for these movies, everyone saying they were both the greatest horror films ever made so that's what I expected. Instead we got "whipeepol" and the longest stinkiest episode of Tim and Eric ever. Fucking rip off.

Or Skinamarink, oh fuck that movie pissed me off and all of the Youtubers being paid to suck it's taint worked because you still have zoomers talking about what a masterpiece Skinamarink was but it was genuinely one of the worst movies I've ever fucking seen. Most of them probably didn't even watch it, they just saw Wendigoon jerk the movie off so they parrot the shit. The same thing happened with Blood Meridian, but at least that book is really good, but after Wendigoon made that video every zoomer wouldn't stfu about Blood Meridian. It's still like that and it's all because of Youtubers telling people what to think.
 
It blows my mind how a lot of people still don't understand that these companies create fake hype for these "movies" to drive sales and they keep falling for it every time. One or two times is understandable but a lot of people just continuously fall for it over and over again.

Kind of like how Jordan Peele's shitty ass movies get massive fake hype every time they come out. I learned my lesson from seeing both Get Out and US after reading so much hype for these movies, everyone saying they were both the greatest horror films ever made so that's what I expected. Instead we got "whipeepol" and the longest stinkiest episode of Tim and Eric ever. Fucking rip off.

Or Skinamarink, oh fuck that movie pissed me off and all of the Youtubers being paid to suck it's taint worked because you still have zoomers talking about what a masterpiece Skinamarink was but it was genuinely one of the worst movies I've ever fucking seen. Most of them probably didn't even watch it, they just saw Wendigoon jerk the movie off so they parrot the shit. The same thing happened with Blood Meridian, but at least that book is really good, but after Wendigoon made that video every zoomer wouldn't stfu about Blood Meridian. It's still like that and it's all because of Youtubers telling people what to think.
tbh I didn't even hate Skinemarink but its definitely an acquired taste and very, very niche. IMO it wasn't scary but I felt more a sense of dread I haven't felt since I was little.
 
Why can't we have horror where things happen any more?
fuck if I know
if they at least knocked the shit down to 90m they could cram more showings at the box office and make a buck more
maybe there's some bullshit metric for streaming about "engagement time" so there's motivation to go slow motion everything for three hours
 
maybe there's some bullshit metric for streaming about "engagement time" so there's motivation to go slow motion everything for three hours
I actually think this is the case. I think they claim that each movie or show's individual runtimes are a factor in that too.
 
Maybe I just need to give Weapons another watch but I'm just really not getting the hype.
Weapons is all about presentation and order of consumption. The reality is, Tarantino is famous for this and it's why his movies are so good. The self regulated pacing of telling movies in sections lets story impact hit the hardest because you have more room to manipulate narrative. You can present conclusions and show them in new lights or drip information to audiences. It also excludes character knowledge so you feel like you're smarter than the characters in the movie as a framing device. This can be used for suspense and tension. People eat this stuff up. They really, really, really eat this stuff up. Its why some of the best movies/series/stories have a similar format. There's just not a lot of horror movies doing this. So Weapons got the benefit of that plus timing. The last closest things we got were Hill House and the first part of IT which both made fuck tons of money and are beloved.

In a vacuum is Weapons good? Fuck no. If you were to describe the movie to anyone, it's terrible. It's incredibly goofy, it's incredibly stupid. We get answers for nothing. The characters don't really have an impact on the plot. The mystery is just dropped and isn't not all that amazing. It's not really all that scary. Heck it even flat out cheats. However, the movie just barely crosses the finish line because the ultimate antagonist is really hateable for the limited screentime it has. The payoff also isn't that far away from the time it's introduced, so it gets a lot out of it's climax and we forget about all the stupid stuff in between.

Reminds me of the hype for Barbarian. No one will say what the film does well, just that it's "great". Which means it's average at best.
Don't push that button. I've written several posts in this thread on how much I despise Barbarian. Its probably my most hated movie of all time right there next to Suicide Squad 2016. Weapons is better than Barbarian in every single way and isn't nearly as woke. I have an autistic level of hatred for that movie. Heck, even their joke with Justin Long in Weapons was at least funny.

The first 20 minutes of Barbarian are better than anything in Weapons. Barbarian had tension and an interesting set up.
Then the movie ran out of money to afford Bill Skarsgard and fed him to the titty breast milk meme monster.

I learned my lesson from seeing both Get Out and US after reading so much hype for these movies, everyone saying they were both the greatest horror films ever made so that's what I expected
Get Out is a guilty pleasure. I like it. It's stupid, but it's a unique kind of stupid only someone as stupid as Jordan Peele could slap on screen. Its a dumb, dumb, stupid movie but it's pretty darn amusing watching rich white people once again auction off black people. Brought something warm to my heart to see that on screen.

Or Skinamarink, oh fuck that movie pissed me off and all of the Youtubers being paid to suck it's taint worked because you still have zoomers talking about what a masterpiece Skinamarink was but it was genuinely one of the worst movies I've ever fucking seen.
Skinamarink is a hard watch....Its so fucking long.

On a side note, Late Night With the Devil is the best modern horror movie in the 2020s and you cannot convince me otherwise.
 
What am I missing about Weapons? I thought it was okay but nowhere near as great as everybody says it is. Me and my husband had the same reaction that modern horror films are falling into consistent trends and are starting to blend into one another. Same style of cinematography, same quips, same scares (slow pan jump scares, old people and crazy smiles). Also ALWAYS a married gay couple will just materalise like mid movie. This felt like I'll forget about it in a few weeks times. We watched Together a week or so ago and I enjoyed it a lot more (some cliches too but it felt more fun and interesting).

Maybe I just need to give Weapons another watch but I'm just really not getting the hype.
Idk, getting a horror movie Rashomon is unique and he pulls it off well. The movie is unsettling which also lends to its comedy. Its longer than it needs to be by about 30 minutes but all that said its an enjoyable watch. The climax is satisfying particularly because the whole move rests on a boomer trying to use Gen x/millenials to stay alive, realizes that won't do it so then goes to Gen z to survive parasitically and then gets torn limb from limb by the children the boomer was trying to leech off of. In 2025, that is a very emotionally relevant message and even if 80% of the audience didnt notice that, their brain did.

Even without it being 2025 and the absolute shitty time in movie making, Weapons does a pretty good job as a movie. 7-8/10 in an all time scale. It isn't its fault that horror movie standards are so low historically.
 
Idk, getting a horror movie Rashomon is unique and he pulls it off well. The movie is unsettling which also lends to its comedy. Its longer than it needs to be by about 30 minutes but all that said its an enjoyable watch. The climax is satisfying particularly because the whole move rests on a boomer trying to use Gen x/millenials to stay alive, realizes that won't do it so then goes to Gen z to survive parasitically and then gets torn limb from limb by the children the boomer was trying to leech off of. In 2025, that is a very emotionally relevant message and even if 80% of the audience didnt notice that, their brain did.

Even without it being 2025 and the absolute shitty time in movie making, Weapons does a pretty good job as a movie. 7-8/10 in an all time scale. It isn't its fault that horror movie standards are so low historically.
The kids would have been Gen Alpha not Gen Z. The alcoholic teacher in her mid 20s would be a Zoomer.
 
Fags ITT hating on the absurd hilarity of Weapons. Lol calm down.

I just watched a cam rip of 28 Years Later. Much better than the plot summaries made it sound.

I disliked a lot of the editing choices... cutting to random scenes of people in other places (time periods?) was weird and off-putting. So was trying to integrate the trailer's use of Boots into that one segment. But I loved the "poor man's bullet time" as an effect, and I think the movie looked pretty great.

The script was solid enough. People wanted the movie to be about the father, but it wasn't, and that's fine. The plot is a little rambling, but it's about Spike's coming of age, and, when you look at it that way, it works. I liked that Spike's mother was a real character who got some good development towards the middle and end. I assume we'll see more of dad searching for Spike in the next one.

Most of the payoffs are set up early (including the WTF ending) but not telegraphed, which is nice. There's a logical progression to the script that formally explains things you might have figured out from the trailer, and that's always good.

I will say I thought the very English refusal to accept any religious perspective was annoying... you have people living an almost medieval lifestyle, but the religion is mostly absent. People would slip right back into faith in that situation, even in that part of the world. Except maybe Jimmy... for understandable reasons. Using the Doctor to create a sort of secular humanist message was not very satisfying.

Overall, 28 Years was weird as fuck. I appreciate how creative it was even if it didn't all work. (Though it mostly did.) Like with Twin Peaks: The Return, after a long time gap you're almost free to do whatever you want, so a big, risky swing for the fences has to be admired, IMO.


I'm concerned about the next movie. Boyle not directing is troubling.
 
Also re-watched Rawhead Rex and what a classic. The (shitty looking) monster shows up in the first 5 minutes and it just ramps up from there. Forgot about the demon piss baptism, which was great. Also hilarious how despite being written by one super gay guy and directed by another, different super gay guy that they manage to shove a good titty scene into it. Yeah there's some stretched out bullshit scenes (at the police station), but other than that it's just great.
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Imagine if they had used the penis monster design.
 
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