🐱 Interesting clickbait, op-eds, fluff pieces and other smaller stories
- Thread starter CatParty
- Start date
CatParty
LateNightMuffin
kiwifarms.net
- Joined
- Jul 25, 2019
Not to powerlevel too much, but I've been around cows most of my life. They're often nice and chill, but if they get mad at you they can kick the shit out of you. I knew someone who died when a big ol' Holstein bull decided to slam him against the wall of the dairy barn.
- Joined
- Jan 11, 2017
Enjoy your ringworm, fuckwits.
- Joined
- Sep 10, 2017
Instagram has refused to remove an image depicting two black women holding the severed heads of white people, claiming that “people may express themselves differently” and that the picture doesn’t violate community guidelines.
The image, produced by an artist working under the name ‘sugarygarbage’, was shared to a page called ‘supportblackart’ and shows two obese black women posing with the severed heads of a white woman and man.
Despite an ongoing crackdown on offensive content, Facebook-owned Instagram refused to remove the ‘black art’, claiming it didn't violate community guidelines.
“Because Instagram is a global community, we understand that people may express themselves differently,” Instagram said in response to an enquiry about the piece.
Needless to say, the piece generated strong reactions online. “I would put this in the same category of art as using a public toilet and not flushing,”wrote one critic.
Instagram’s stance on the piece also garnered a lot of negative feedback, with many arguing that, were the races reversed, the post would receive a vastly different response from those in charge at the social media company.
The platform is one of many in the online world engaging in a crackdown on certain types of content, often drawing accusations of bias or hypocrisy in the process. Instagram recently announced it would ban all QAnon accounts for alleged promotion of “real world harm.”
The site was also accused of censoring independent media and helping in a wider effort to suppress stories regarding Hunter Biden and his ongoing slew of scandals involving his emails and alleged business dealings with foreign powers.
Also on rt.com The purges begin! Under new ‘independent’ oversight board, Facebook & Instagram ban QAnon & ‘Militarized Social Movements’
However, Instagram previously fell foul of Black Lives Matter after it accidentally blocked a plethora of posts relating to the movement because its algorithm mistook them for spam. The site quickly rectified the issue and issued an apology. “We want to be clear that using #blacklivesmatter is supported and celebrated on Instagram, and we are moving quickly to ensure voices using this hashtag are heard,” it said in a statement.
A drawing circulating on instgram of two black women holding beaten, decapitated heads of white people does not violate their guidelines because "people express themselves differently"
- Joined
- Dec 16, 2019
Trump's Twitter account hacked after Dutch researcher guessed passwor…
archived 22 Oct 2020 16:22:55 UTC
smells like absolute bullshit
Donald Trump’s Twitter account was hacked last week, after a Dutch researcher correctly guessed the president’s password: “maga2020!”, Dutch media reported.
Victor Gevers, a security expert, had access to Trump’s direct messages, could post tweets in his name and change his profile, De Volkskrant newspaper reported.
Gevers – who previously managed to log into Trump’s account in 2016 – gained access by guessing Trump’s password. He tried “maga2020!” on his fifth attempt and it worked. Maga stands for Trump’s oft used campaign slogan Make America Great Again.
“I expected to be blocked after four failed attempts. Or at least would be asked to provide additional information,” Gevers told De Volkskrant.
Twitter, however, denied the report. “We’ve seen no evidence to corroborate this claim, including from the article published in the Netherlands today. We proactively implemented account security measures for a designated group of high-profile, election-related Twitter accounts in the United States, including federal branches of government,” a Twitter spokesperson said in a statement.
However, Gevers told De Volkskrant the ease with which he accessed Trump’s account suggested the president was not using basic security measures like two-step verification.
Gaining access to Trump’s Twitter meant Gevers was suddenly able to connect with 87m users – the number of Trump’s followers – and according to De Volkskrant’s story, it sent him into a bit of a panic.
“So, he tries to warn others. Trump’s campaign team, his family. He sends messages via Twitter asking if someone will call Trump’s attention to the fact that his Twitter account is not safe. He tags the CIA, the White House, the FBI, Twitter themselves. No response,” the paper reported.
A day after he gained access, Gevers noticed that two-step verification had been activated on Trump’s account. Two days later, the Secret Service got in touch. According to De Volkskrant, they thanked him for bringing the security problem to their attention.
Remarkably, it wasn’t the first time Gevers has gained access to the president’s Twitter account. In 2016 he and two others guessed Trump’s password and got into his account.
Back then Trump’s password was “yourefired”, according to VN news.
Lucas Silva #4903141
kiwifarms.net
- Joined
- Feb 24, 2018
VICE: How Watching WWE Helped Me Come To Terms With My Sexuality
Growing up queer, I enjoyed watching wrestling matches for entirely different reasons than the rest of my family.
By Navin Noronha
archive.is
Growing up queer, I enjoyed watching wrestling matches for entirely different reasons than the rest of my family.
By Navin Noronha
How Watching WWE Helped Me Come To Terms With My Sexuality
archived 16 Oct 2020 07:04:35 UTC
- Joined
- Nov 12, 2019
OnMoTi
kiwifarms.net
- Joined
- Jan 3, 2020
This isn't really an interesting click-bait, op-ed, or whatever else. It's more a facepalm moment from a retard who doesn't deserve her own thread.
archive.is
archive.is
Normally I would just roll my eyes at this. "Dumb colored cunt? Par for the course." But then I looked at her listed biography;
This bitch is a law school graduate (presumably) and an elected official at the state level. She doesn't understand basic terminology about immigration or that states set their own minimum wage (above the federal floor.) I was going to look for more bullshit to post, but I could feel myself being infected with her stupid (and possibly AIDS.)
Dar'shun Kendrick on Twitter: "Did @realDonaldTrump just say 545 kids…
archived 23 Oct 2020 16:00:44 UTC
Dar'shun Kendrick on Twitter: "Minimum wage is left up to the states?…
archived 23 Oct 2020 04:46:31 UTC
Normally I would just roll my eyes at this. "Dumb colored cunt? Par for the course." But then I looked at her listed biography;
This bitch is a law school graduate (presumably) and an elected official at the state level. She doesn't understand basic terminology about immigration or that states set their own minimum wage (above the federal floor.) I was going to look for more bullshit to post, but I could feel myself being infected with her stupid (and possibly AIDS.)
- Joined
- Jun 7, 2019
Eladio Garcia-Gasca
DOB: Aug. 7, 1970
619-590-0839
Docket Number: 1847003
5961 55th Ave. N.
St. Petersburg, FL 33709
Super-Chevy454
kiwifarms.net
- Joined
- Apr 2, 2018
Vice is now been gawkered and nothing of value was lost.
- Joined
- Nov 12, 2019
- Joined
- Nov 12, 2019
goood News everybody your now 
Bannned from talk about Pedo agenda on Twitter 
New Tos Change on twitter
Most Likely will affect bidden leak & Anime twitter
Bannned from talk about Pedo agenda on Twitter New Tos Change on twitterMost Likely will affect bidden leak & Anime twitter
- Joined
- Nov 12, 2019
Inventor of the Telephone
kiwifarms.net
- Joined
- Sep 29, 2020
BScCollateral
kiwifarms.net
- Joined
- May 28, 2018
Eh, as long as they're supervised by someone who knows the cow and can take direction, they should be fine. You can pet a tiger at the Australia Zoo, provided the cat seems okay with it.
- Joined
- Aug 28, 2019
Inventor of the Telephone
kiwifarms.net
- Joined
- Sep 29, 2020
Female pilot teams are required to sync their menses before being cleared for flight. Unsynced menses are responsible for 80% or all crashes involving teams of female pilots. I'm betting that Navy trans lied about locking in their menses into sync. You could have prevented this.
- Joined
- Dec 28, 2014
"If I misgendered you, would you die?"
"It would be extremely painful."
"You're a big guy."
"It's MAAAAAAAAAAA'AM!"
[crashes plane with no survivors]
- Joined
- Nov 12, 2019
Hey Zuck can we have GIBS
Sorry for double post But,
NO mercy or Quarter for Twitch when your on top for Record mafia
Twitch, Amazon Slammed by RIAA and Major Industry Groups for Using Unlicensed
Music; Twitch Disputes Claim
Sorry for double post But,
NO mercy or Quarter for Twitch when your on top for Record mafia
Music; Twitch Disputes Claim
UPDATED: Twitch, the rapidly growing livestreaming platform, and its owner Amazon received a blistering letter on Thursday signed by multiple major U.S. music organizations including the RIAA, the Recording Academy, the National Music Publishers Association, the Music Managers Forum, the American Association of Independent Music, SAG-AFTRA and more than a dozen others over its licensing situation with many major music rights-holders. The letter is addressed to Amazon founder/CEO Jeff Bezos, with Twitch CEO Emmet Shear on copy (a full list of signatories appears below).
The letter, obtained by Variety, accuses the service of failing to secure proper synch and mechanical licenses for its recently launched Soundtrack tool, as well as “allowing and enabling its streamers to use our respective members’ music without authorization, in violation of Twitch’s music guidelines,” among other claims. The platform was primarily used for gaming until the COVID-19 pandemic, when its music livestreams began to surge.
https://variety.com/2020/tv/news/trump-60-minutes-interview-ratings-1234815571/
“Twitch appears to do nothing in response to the thousands of notices of music infringement that it has received nor does it currently even acknowledge that it received them, as it has done in the past,” the letter continues. Twitch denied some of the claims in a statement posted below.
While Twitch announced a new tool called Soundtrack earlier this month that provides streamers with the use of licensed music for millions of songs from certain independent labels, the service lacks deals with all three majors as well as many publishers and other rights-holders, and lacks other rights on the songs it has licensed.
Twitch delivered some 5 billion hours of livestreamed content in the second quarter of 2020, a dramatic 83% year-over-year surge, per a report by Streamlabs and Stream Hatchet. As lockdown has paralyzed the concert industry, many artists have turned to Twitch as a platform for livestreamed concerts, DJ sets and other broadcasts involving copyrighted music. The service, which was acquired by Amazon in 2014 for $970 million, is expected to top 40 million U.S. users by 2021, according to eMarketer forecasts. The music-licensing issues have come to the fore in recent months because of the surge in music being streamed over Twitch, which was previously primarily a gaming platform.
“We represent artists, songwriters, musicians, vocalists, managers, producers, audio engineers, major and independent labels and publishers, and many other professionals in all genres of music in the United States,” the letter begins. “We read with interest Twitch’s recent announcement regarding its Soundtrack tool. According to Twitch, this tool gives Twitch’s users the ability to feature a curated library of licensed music in their live streams.[1] We appreciate that Twitch has acknowledged that it is good business to offer licensed music for use by its streamers, and we welcome that Twitch has started to enter into some agreements with rightsholders to provide licensed music for use by its streamers.
“However,” the letter continues, “we are confounded by Twitch’s apparent stance that neither synch nor mechanical licenses are necessary for its Soundtrack tool. We are also deeply disappointed that Twitch continues to allow and enable its streamers to use our respective members’ music without authorization, in violation of Twitch’s music guidelines.[2] We are further concerned that Twitch continues to host and widely make available unlicensed music on its platform despite the company’s announcements, most recently in June 2020, that it would remove such unlicensed music.[3] Twitch appears to do nothing in response to the thousands of notices of music infringement that it has received nor does it currently even acknowledge that it received them, as it has done in the past.”
Twitch refuted some of the claims in a statement to Variety on Monday: “We are incredibly proud of the essential service Twitch has become for so many artists and songwriters to connect with their fans, especially when real world venues are closed and tours are paused around the world,” the comment reads. “Thousands of music creators rely upon Twitch to express themselves creatively, connect with their fans, and generate income during the global pandemic – and that number grows each day. We’ve partnered with dozens of labels, music distributors and promoters to ensure artists and songwriters have these opportunities during this challenging time. We’ve also continued to support the music economy by paying royalties to performing rights organizations like ASCAP, BMI, SESAC, and GMR, and licensing fees to labels and publishers for the use of music in Twitch’s own productions and projects. We are contributing to the health of the music community, and we are proud of that.
“We’re also proud of the work we are doing around recorded music on Twitch through Soundtrack. Soundtrack is a fully licensed service. Twitch has entered into agreements with rights holders for the recordings and compositions included in the service. Soundtrack is not only a fully-licensed way for streamers to play great music in their live streams but also an important discovery tool for independent artists and labels.
“Finally,” the statement concludes, “let’s be absolutely clear, Twitch responds to each valid DMCA notification it receives by removing the allegedly infringing content expeditiously in compliance with DMCA requirements.”
In response, RIAA chairman/CEO Mitch Glazier sent Variety the following statement: “Twitch raises a lot of points – none of which address the questions in the letter. Instead, Twitch continues to turn a blind eye to the same users repeatedly violating the law while pocketing the proceeds of massive unlicensed uses of recorded music. And Twitch’s claim that it responds to takedown requests it considers ‘valid’ fails to show good faith with music creators. Further, Twitch’s shifting of its responsibilities to artists who use the platform is certainly not the act of a company that genuinely wants to partner with creators. That’s why a broad coalition of organizations have united to call Twitch out on continuing to make available unlicensed recordings and compositions on its platform.”
Twitch’s Soundtrack partners include SoundCloud, CD Baby, EMPIRE, Create Music Group, UnitedMasters, DistroKid, Westwood Recordings, Dim Mak, Nuclear Blast, Chillhop Music, and the artist mxmtoon, among others. It apparently has not struck a deal with the indie label collective Merlin.
“Further,” the letter continues, “we are concerned by your responses to questions regarding licensing made during the House Judiciary Committee hearing on July 29, 2020. We note that you failed to confirm whether Twitch has acquired any licenses to make copies of musical compositions or digital performances of any sound recordings on your platform. You also failed to state what action Twitch is taking to prevent unauthorized copies and performances.
“Twitch’s neglect of the fundamental rights of musicians, songwriters, sound recording artists, and many others whose music is exploited on Twitch without due compensation stands in stark contrast to Twitch’s competitors and to the support of such interests extended by Amazon’s own Amazon Music services.”
The letter then references another letter, sent to Amazon and Twitch by the Artist Rights Alliance collective in August, which cites Bezos’ testimony during a House Antitrust Subcommittee hearing on July 29. The chief exec, who is the wealthiest person in the world, was asked by Rep. Kelly Armstrong (R-N.D.) whether Twitch allowed users to stream unlicensed music. Bezos claimed he didn’t know the answer and would investigate.
“We were appalled… by your inability or unwillingness to answer even the most basic question about Twitch’s practices in this regard,” the ARA letter says.
Thursday’s letter concludes: “As Twitch uses music to grow its audience and shape its brand, the company owes creators more than the willful blindness and vague platitudes you offered during your Congressional testimony. For working songwriters and performers, fair royalties on a growing platform like Twitch can literally be a matter of life and death – the difference between having a place to live and homelessness and having access to health care or being uninsured. For others it’s the difference between being able to work as an artist or having to give up a lifetime of dreams.”
We hope you appreciate the gravity of the situation and will take proactive efforts to ensure that unlicensed music is not available on Twitch.
Sincerely,
American Association of Independent Music
Americana Music Association
Artist Rights Alliance
Church Music Publishers’ Association
Christian Music Trade Association
Global Music Rights
Gospel Music Association
International Bluegrass Music Association
Living Legends Foundation
Music Managers’ Forum – US
Nashville Songwriters Association International
National Music Publishers’ Association
Recording Academy
Recording Industry Association of America
Rhythm & Blues Foundation
SAG-AFTRA
Songwriters of North America
SoundExchange
The letter, obtained by Variety, accuses the service of failing to secure proper synch and mechanical licenses for its recently launched Soundtrack tool, as well as “allowing and enabling its streamers to use our respective members’ music without authorization, in violation of Twitch’s music guidelines,” among other claims. The platform was primarily used for gaming until the COVID-19 pandemic, when its music livestreams began to surge.
https://variety.com/2020/tv/news/trump-60-minutes-interview-ratings-1234815571/
“Twitch appears to do nothing in response to the thousands of notices of music infringement that it has received nor does it currently even acknowledge that it received them, as it has done in the past,” the letter continues. Twitch denied some of the claims in a statement posted below.
While Twitch announced a new tool called Soundtrack earlier this month that provides streamers with the use of licensed music for millions of songs from certain independent labels, the service lacks deals with all three majors as well as many publishers and other rights-holders, and lacks other rights on the songs it has licensed.
Twitch delivered some 5 billion hours of livestreamed content in the second quarter of 2020, a dramatic 83% year-over-year surge, per a report by Streamlabs and Stream Hatchet. As lockdown has paralyzed the concert industry, many artists have turned to Twitch as a platform for livestreamed concerts, DJ sets and other broadcasts involving copyrighted music. The service, which was acquired by Amazon in 2014 for $970 million, is expected to top 40 million U.S. users by 2021, according to eMarketer forecasts. The music-licensing issues have come to the fore in recent months because of the surge in music being streamed over Twitch, which was previously primarily a gaming platform.
“We represent artists, songwriters, musicians, vocalists, managers, producers, audio engineers, major and independent labels and publishers, and many other professionals in all genres of music in the United States,” the letter begins. “We read with interest Twitch’s recent announcement regarding its Soundtrack tool. According to Twitch, this tool gives Twitch’s users the ability to feature a curated library of licensed music in their live streams.[1] We appreciate that Twitch has acknowledged that it is good business to offer licensed music for use by its streamers, and we welcome that Twitch has started to enter into some agreements with rightsholders to provide licensed music for use by its streamers.
“However,” the letter continues, “we are confounded by Twitch’s apparent stance that neither synch nor mechanical licenses are necessary for its Soundtrack tool. We are also deeply disappointed that Twitch continues to allow and enable its streamers to use our respective members’ music without authorization, in violation of Twitch’s music guidelines.[2] We are further concerned that Twitch continues to host and widely make available unlicensed music on its platform despite the company’s announcements, most recently in June 2020, that it would remove such unlicensed music.[3] Twitch appears to do nothing in response to the thousands of notices of music infringement that it has received nor does it currently even acknowledge that it received them, as it has done in the past.”
Twitch refuted some of the claims in a statement to Variety on Monday: “We are incredibly proud of the essential service Twitch has become for so many artists and songwriters to connect with their fans, especially when real world venues are closed and tours are paused around the world,” the comment reads. “Thousands of music creators rely upon Twitch to express themselves creatively, connect with their fans, and generate income during the global pandemic – and that number grows each day. We’ve partnered with dozens of labels, music distributors and promoters to ensure artists and songwriters have these opportunities during this challenging time. We’ve also continued to support the music economy by paying royalties to performing rights organizations like ASCAP, BMI, SESAC, and GMR, and licensing fees to labels and publishers for the use of music in Twitch’s own productions and projects. We are contributing to the health of the music community, and we are proud of that.
“We’re also proud of the work we are doing around recorded music on Twitch through Soundtrack. Soundtrack is a fully licensed service. Twitch has entered into agreements with rights holders for the recordings and compositions included in the service. Soundtrack is not only a fully-licensed way for streamers to play great music in their live streams but also an important discovery tool for independent artists and labels.
“Finally,” the statement concludes, “let’s be absolutely clear, Twitch responds to each valid DMCA notification it receives by removing the allegedly infringing content expeditiously in compliance with DMCA requirements.”
In response, RIAA chairman/CEO Mitch Glazier sent Variety the following statement: “Twitch raises a lot of points – none of which address the questions in the letter. Instead, Twitch continues to turn a blind eye to the same users repeatedly violating the law while pocketing the proceeds of massive unlicensed uses of recorded music. And Twitch’s claim that it responds to takedown requests it considers ‘valid’ fails to show good faith with music creators. Further, Twitch’s shifting of its responsibilities to artists who use the platform is certainly not the act of a company that genuinely wants to partner with creators. That’s why a broad coalition of organizations have united to call Twitch out on continuing to make available unlicensed recordings and compositions on its platform.”
Twitch’s Soundtrack partners include SoundCloud, CD Baby, EMPIRE, Create Music Group, UnitedMasters, DistroKid, Westwood Recordings, Dim Mak, Nuclear Blast, Chillhop Music, and the artist mxmtoon, among others. It apparently has not struck a deal with the indie label collective Merlin.
“Further,” the letter continues, “we are concerned by your responses to questions regarding licensing made during the House Judiciary Committee hearing on July 29, 2020. We note that you failed to confirm whether Twitch has acquired any licenses to make copies of musical compositions or digital performances of any sound recordings on your platform. You also failed to state what action Twitch is taking to prevent unauthorized copies and performances.
“Twitch’s neglect of the fundamental rights of musicians, songwriters, sound recording artists, and many others whose music is exploited on Twitch without due compensation stands in stark contrast to Twitch’s competitors and to the support of such interests extended by Amazon’s own Amazon Music services.”
The letter then references another letter, sent to Amazon and Twitch by the Artist Rights Alliance collective in August, which cites Bezos’ testimony during a House Antitrust Subcommittee hearing on July 29. The chief exec, who is the wealthiest person in the world, was asked by Rep. Kelly Armstrong (R-N.D.) whether Twitch allowed users to stream unlicensed music. Bezos claimed he didn’t know the answer and would investigate.
“We were appalled… by your inability or unwillingness to answer even the most basic question about Twitch’s practices in this regard,” the ARA letter says.
Thursday’s letter concludes: “As Twitch uses music to grow its audience and shape its brand, the company owes creators more than the willful blindness and vague platitudes you offered during your Congressional testimony. For working songwriters and performers, fair royalties on a growing platform like Twitch can literally be a matter of life and death – the difference between having a place to live and homelessness and having access to health care or being uninsured. For others it’s the difference between being able to work as an artist or having to give up a lifetime of dreams.”
We hope you appreciate the gravity of the situation and will take proactive efforts to ensure that unlicensed music is not available on Twitch.
Sincerely,
American Association of Independent Music
Americana Music Association
Artist Rights Alliance
Church Music Publishers’ Association
Christian Music Trade Association
Global Music Rights
Gospel Music Association
International Bluegrass Music Association
Living Legends Foundation
Music Managers’ Forum – US
Nashville Songwriters Association International
National Music Publishers’ Association
Recording Academy
Recording Industry Association of America
Rhythm & Blues Foundation
SAG-AFTRA
Songwriters of North America
SoundExchange
Helichrysum
kiwifarms.net
- Joined
- Dec 16, 2019
Sweden: 33 do 72
An excellent study on crime in Sweden was published in Society journal earlier this year (13 Jan 2020). The study, ‘Migrants and Crime in Sweden in the Twenty-First Century,’ investigated crime rates over a 15 year period, discovering that migrant populations commit hugely disproportionate amounts of crime, relative to their total share of the population of Sweden. The study also found that this over-representation continues among the children of migrants (i.e., second, third, etc. generation migrants).
This isn’t exactly groundbreaking information. However, what was interesting about this study is that it completely cut the crap and was free of all insane, Leftoid, “politically correct” biases. It seemed to be written in an almost exasperated manner, as if to say “what the fuck are we doing?” (Fair enough, really, Sweden has been turned into a crime-ridden shithole). This is pretty rare in academia — most studies covering badthink topics are shrouded in a thick layer of Leftoid psychobabble (for examples of this, see my long post on studies that document the negative effects of diversity).
Most relevant information can be found in the study’s Abstract, Introduction, and Figures (graphs), which are quoted below.
Begin quote:
[Abstract]
The investigation (from 2002 to 2017) covers seven distinct categories of crime, and distinguishes between seven regions of origin. Based on 33 per cent of the population (2017), 58 per cent of those suspect for total crime on reasonable grounds are migrants. Regarding murder, manslaughter and attempted murder, the figures are 73 per cent, while the proportion of robbery is 70 per cent. Non-registered migrants are linked to about 13 per cent of total crime. Given the fact that this group is small, crime propensity among non-registered migrants is significant.
[Introduction]
“The situation for us Swedes is, then, infinitely more fortunate. Our population is homogeneous, not only in terms of our race but also regarding so many other issues.” (Erlander, 1965, p. 60.) The words belong to Tage Erlander, Sweden’s Social democratic Prime Minister between 1946 and 1969. We are a prosperous and fortunate country, he maintains, because we are unified. We think alike and act alike. By means of careful and persistent social measures, our population has slowly been trimmed and finetuned so as to achieve a historically unique sense of trust, social order and efficiency. In modern language, Erlander would claim that our country is fortunate because it is not characterized by multiculturalism and “diversity”.Since Erlander’s time, a silent revolution has occurred at the heart of the reformist left. Now, diversity is said to give us prosperity, while defending the idea of a unified population is fraught with imminent political risks. Social democratic views of the 1960’s are now considered far right-wing – a psychological trauma as if straight out of an Ingmar Bergman movie.
As a result of the hegemony of multiculturalism and diversity in Sweden since the 1990s, we have accepted very large immigration, especially from the Middle East and Africa. During the refugee crisis of 2015 only, Sweden received 163,000 migrants. As a result of an expected immigration of relatives – often labeled “family unification”, the figures might rise to over 2 million individuals.
Migration, we are told, is beneficial for Sweden. But if this is so, it would also show in crime statistics. According to the present investigation, the first more comprehensive study since the 2005 report by the Swedish Crime Prevention Agency, this is, however, not the case. In 2017, 58% among those suspected for crime on reasonable grounds are migrants. Regarding murder and manslaughter, the corresponsing figures are 73%. These figures are interesting out of purely scientific reasons. Due to migration, murder rate in Sweden has quadrupled.
As a universal role model for social and political prosperity, Sweden’s recent crime trends has gained international attention. What can we do about it? What does it mean? The are no answers to these pressing questions. But Sweden might point towards an uncertain future. In a global world with increasing migration where the nation state is being eroded by neo-liberals from the outside and multiculturalists from the inside, these Swedish trends may soon spread throughout the Western community.
[Figures]
% of Population
% of Total Crime
% of Rape and Attempted Rape
% of Other Sexual Offenses
https://i.imgur.com/HmJNbee.png
% of Murder, Manslaughter, and Attempted Murder
https://i.imgur.com/3dSL0do.png
% of Assault
https://i.imgur.com/jefaJDw.png
% of Robbery
https://i.imgur.com/qhxd6Av.png
End quote.
Sweden: 33 do 72
Data from an extensive study on race and criminality in Sweden, published 2020.
thuletide.wordpress.com
Leonard Helplessness
kiwifarms.net
- Joined
- Nov 28, 2018