Law Internet Archive (Archive.org) sued over the National Emergency Library by publishers - Publishers: "Pay up"

Lawsuit PDF attached from the Reclaim The Net article

A group of publishers sued Internet Archive on Monday, saying that the nonprofit group’s trove of free electronic copies of books is robbing authors and publishers of revenue at a moment when it is desperately needed.

Internet Archive has made more than 1.3 million books available for free online, according to the complaint, which were scanned and available to one borrower at a time for a period of 14 days. Then in March, the group said it would lift all restrictions on its book lending until the end of the public health crisis, creating what it called “a National Emergency Library to serve the nation’s displaced learners.”

But many publishers and authors have called it something different: theft.

“There is nothing innovative or transformative about making complete copies of books to which you have no rights and giving them away for free,” said Maria A. Pallante, president of the Association of American Publishers, which is helping to coordinate the industry’s response. “They’ve stepped in downstream and taken the intellectual investment of authors and the financial investment of publishers, they’re interfering and giving this away.”

The lawsuit, which accused Internet Archive of “willful mass copyright infringement,” was filed in federal court in Manhattan on behalf of Hachette Book Group, HarperCollins Publishers, John Wiley & Sons and Penguin Random House.

Brewster Kahle, the founder and digital librarian of Internet Archive, defended his organization and said it was functioning as a library during the coronavirus pandemic, when physical libraries have been closed.

“As a library, the Internet Archive acquires books and lends them, as libraries have always done,” he said in an email. “This supports publishing and authors and readers. Publishers suing libraries for lending books, in this case, protected digitized versions, and while schools and libraries are closed, is not in anyone’s interest.”

But Internet Archive operates differently from public libraries with e-book lending programs. Traditional libraries pay licensing fees to publishers and agree to make them available for a particular period or a certain number of times. Internet Archive, on the other hand, acquires copies through donated or purchased books, which are then scanned and put online.

Mr. Kahle said that the group decided to drop lending restrictions because teachers were looking for more resources to help facilitate remote learning after school buildings were closed. Authors who do not want their work included on the site could opt out, he said. Some authors, however, had asked that their work be included, he added.

There is a long list of authors in the lawsuit who disagree, including Malcolm Gladwell, John Grisham and Elizabeth Gilbert. Douglas Preston, a writer and president of the Authors Guild, said in a statement that the “wholesale scanning and posting of copyrighted books without the consent of authors, and without paying a dime, is piracy hidden behind a sanctimonious veil of progressivism.”

The lawsuit argues not just against the National Emergency Library format, where books can be lent without restriction, but says that Internet Archive’s longstanding approach to book lending “seeks to destroy the carefully calibrated ecosystem that makes books possible.” Ms. Pallante of the Association of American Publishers said that aggrieved publishers had been weighing their legal options before the pandemic struck.

“Books have long been essential to our society,” the complaint said. “Fiction and nonfiction alike, they transport us to new worlds, broaden our horizons, provide us with perspective, reflect the ever-growing knowledge of humanity in every field, spark our imaginations and deepen our understanding of the world. Yet, books are not self-generating. They are the product of training and study, talent and grit, perseverance and creativity, investment and risk, and untold hours of work.”
 

Attachments

Google Cache doesn't really do anything substantially different, as far as I know. It's not just about the mechanism of having an archive site that many of those people have an issue with, it's as usual also about what organizations it's in the hands of. They don't appear to have an issue with Google doing pretty much the same thing, in many ways.

i've noticed that the cache link doesn't exist on lot of websites on google anymore.
 
Do what Valve and GOG did, make services that are better than pirating.

I swear, people who failed kindergarten run these companies. This isn't open heart surgery.

If companies can't make money from content in the age of piracy I wish they'd fuck off out of the way to make room for the others who have proved they can.

Anyway, who are the real pirates here? The publishing houses, MSM, record companies etc who, with their monopoly over the means of distribution, profit of content created by individual authors and use the copyright stick to beat anyone who doesn't cough up.

Surely this has to be on the way out? Right? Stuff like this seems to be pissing off enough average consumers. I'm even hearing the normiest of normies complaining about censorship via the memoryholeing of info and misuse of right to be forgotten laws.
 
Surely this has to be on the way out? Right? Stuff like this seems to be pissing off enough average consumers. I'm even hearing the normiest of normies complaining about censorship via the memoryholeing of info and misuse of right to be forgotten laws.
Even Gizmodo/Gawker journalists got mad that a dead celeb's management used it to take down stupid things he said in the past.

I can't wait for IA to present logs that show that 99.999% of the books on the site were utterly ignored, and <200 were ever digitally "checked out" more than once simultaneously.

Programming and other textbooks get checked out an assload on archive.org because they're useful. It's take a bet on Amazon.com/eBay for a beat to shit copy of a programming book for UNIX/DOS/Windows 9x/Mac OS Classic, check out a worn out library copy of some Turbo Pascal book, or find a crisp clear PDF scan that you can read on any ereader or computer of your choice.

That's also why there's a ton of websites archiving this specific thing, from Bitsavers to sites that archive specific old computers. Check the MAME source code and you'll find quite a few bitsavers links cited in the source code.
 
Internet Archive ends “emergency library” early to appease publishers

"We moved up our schedule because, last Monday, four commercial publishers chose to sue Internet Archive during a global pandemic," the group wrote. The online library called on publishers to "call off their costly assault."

But that doesn't seem very likely. The Internet Archive isn't ending its online book lending program altogether. Instead, the group is returning to a "controlled digital lending" (CDL) model that it had followed for almost a decade prior to March. Under that model, the group allows only one patron to digitally "check out" a book for each physical copy the library has in stock. If more people want to read a book than are physically available, patrons are added to a waiting list until someone checks the book back in.


In March, the Internet Archive temporarily dispensed with that limit, allowing an unlimited number of people to read the same book. The online library argued that this move was necessary—and legally justified—because the pandemic was denying the public access to millions of books that are locked in closed libraries.

Experts have told Ars that the CDL concept has a better chance of winning approval from the courts than the "emergency library" idea with unlimited downloads. But the legality of CDL is far from clear. Some libraries have been practicing it for several years without legal problems. But publishers and authors' rights groups have never conceded its legality, and the issue hasn't been tested in court.

Good news, I'm "sure" the publishers and all of the authors who have been whining about the IA and calling it a "piracy site" and howling for blood will be sated by this news, this Internet Archive thing is driving me insane. All the comments from supporters of the authors supporting the lawsuit, mostly authors of YA trash with titles like "The Cressidia Danger Chronicles" or "The Apartment on Jazzy Boulevard" are like “BOOKS AREN'T EXPENSEIVE” or “wHaT aBoUt LiBrArIeS” because they clearly don’t live in the real world where buying a $25+ book is expensive and libraries are closed, you know, because of a pandemic.
 
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If companies can't make money from content in the age of piracy I wish they'd fuck off out of the way to make room for the others who have proved they can.

Anyway, who are the real pirates here? The publishing houses, MSM, record companies etc who, with their monopoly over the means of distribution, profit of content created by individual authors and use the copyright stick to beat anyone who doesn't cough up.

Surely this has to be on the way out? Right? Stuff like this seems to be pissing off enough average consumers. I'm even hearing the normiest of normies complaining about censorship via the memoryholeing of info and misuse of right to be forgotten laws.

It's the same fight we saw years ago with music and the music industry when the internet was still a baby: users vs old farts who don't understand how the internet works. I remember many said that the artists people were so defensive about ("you wouldn't steal from your favorite singer, do you??") barely make any money as most of it comes from concerts, not albums or records. I remember maths being done about it, if you pirate their music and then directly send them a $5 bill, they would be making more than what they are paid by their record companies. This doesn't help the actual creators but their managers, jee, no wonder the hoteps hate the (((music industry))).

At the end, people always find a way. If the online versions aren't available, then physical pirated books will pop up as they always did. Or, as I mentioned, something worse, pirate websites offering books behind a paywall for half the price.

Before the internet, we still pirated cassettes. Or we bought one and then made a copy for others. For free. Out of good will. The music industry survived very well. Learn to adapt.
 
Good news, I'm sure the publishers and all of the authors who have been whining about the IA and calling it a "piracy site" will be sated by this news, this Internet Archive thing is driving me insane. All the comments from supporters of the authors supporting the lawsuit, mostly authors of YA trash with titles like "The Cressidia Danger Chronicles" or "The Apartment on Jazzy Boulevard" are like “BOOKS AREN'T EXPENSEIVE” or “wHaT aBoUt LiBrArIeS” because they clearly don’t live in the real world where buying a $25+ book is expensive and libraries are closed, you know, because of a pandemic.
One of the companies suing is Wiley. Wiley owns a few textbook brands, including Sybex and Wrox. Textbooks are infamous for having extreme markups, even for a used beat to shit copy on eBay.

Of course they'd be threatened by this business model.
 
Internet Archive ends “emergency library” early to appease publishers



Good news, I'm sure the publishers and all of the authors who have been whining about the IA and calling it a "piracy site" will be sated by this news, this Internet Archive thing is driving me insane. All the comments from supporters of the authors supporting the lawsuit, mostly authors of YA trash with titles like "The Cressidia Danger Chronicles" or "The Apartment on Jazzy Boulevard" are like “BOOKS AREN'T EXPENSEIVE” or “wHaT aBoUt LiBrArIeS” because they clearly don’t live in the real world where buying a $25+ book is expensive and libraries are closed, you know, because of a pandemic.

Well, why bother with even a veneer of lending and acting like an actual library when you can just straight up pirate their shit anyway? Fuck them all. Property is theft after all.

Before the internet, we still pirated cassettes. Or we bought one and then made a copy for others. For free. Out of good will. The music industry survived very well. Learn to adapt.

They sued over that too and wailed about how they were being driven out of business and music would never exist any more because of cassette piracy.

1591985293490.png
 
Twitch vods are being DMCA'd and people need to remove years of archived video.
Internet Archive is being threatened and already started marking a few of their pages as fake news.
Null is still being targeted by the Banks.
Statues are being ripped down while Libraries are being burned.
Every couple years more fundemental internet protections like 230 and Net Neutrality are being removed.

Most of it likely isn't related, but it all paints a sinister picture, no?
 
Tarl's take on the issue.

And I agree with him.

Btw, some Youtubers commented on this.

Nostra Fn Damus

The past was erased, the erasure was forgotten, the lie became the truth. - Some bloke called George.
The Collective Consciousness
The way I see this is Farenheit 451 intermixed with Animal Farm and a dash of 1984.

Vanillaman

Aaaaand this is why book piracy becomes stronger. Who would guess? The more you regulate the "less regulated market" the more the "not regulated at all market grows".

kreese 1984

Imagine Chuck Wendig, of all people, whose books attract zero interest from audience, leading that charge against Internet archives...
 
Tarl's take on the issue.
And I agree with him.

Btw, some Youtubers commented on this.

Might as well post the Bitchute link as well since he is trying to diversify.

The textbook industry is also bad for one other reason, they make new editions by changing a couple of words which leads to some professors telling students just to listen to this part or that part. Some even give out photocopies or write their own books.

The books are also killing trees and creating waste as in the quarter system passes by superfast for anyone to just read the whole goddamn textbook for some courses as the books are way too fat. I would prefer textbooks with the just right amount of information that would be usuable for the course rather than extra bullshit added on. Also leads to many textbooks thrown away because for most people, once its over, its over.

This university and textbook alliance combined with rich ivory tower smug communist professors benefiting off the very system they hate needs to die. I believe Tucker is probably the only pundit who has covered the lobbying and the parasites within the system on MSM. Otherwise even right wingers don't go beyond "hahah Ben Shapiro/Crowder destroys these dumb SJW college students".


 

Record Labels Hit Internet Archive With New $400m+ Copyright Lawsuit​

August 12, 2023 by Andy Maxwell

Record labels including UMG, Capitol and Sony have filed a copyright infringement lawsuit in the United States targeting Internet Archive and founder Brewster Kale, among others. Filed in Manhattan federal court late Friday, the complaint alleges infringement of 2,749 works, recorded by deceased artists, including Frank Sinatra, Billie Holiday, Louis Armstrong and Bing Crosby.

internetarchive.jpg

As the Internet Archive continues to deal with an adverse ruling in a copyright infringement lawsuit filed by the world’s largest publishing companies, late Friday some of the world’s largest record labels launched similar legal action in the United States.

Filed in Manhattan federal court, the complaint lists UMG Recordings, Capitol Records, Concord Bicycle Assets, CMGI Recorded Music Assets, Sony Music and Arista Music as plaintiffs, with Internet Archive (IA), founder Brewster Kahle, Kahle/Austin Foundation, George Blood and George Blood L.P named as defendants.

Pre-1972 78rpm Records by Iconic Artists, All Deceased​

The plaintiffs’ complaint focuses on the Internet Archive’s ‘Great 78 Project’ which aims to preserve, research and discover 78rpm records produced between 1898 and the 1950s.

“While the commercially viable recordings will have been restored or remastered onto LP’s or CD, there is still research value in the artifacts and usage evidence in the often rare 78rpm discs and recordings,” IA wrote following the launch of the project in 2017.

“Already, over 20 collections have been selected by the Internet Archive for physical and digital preservation and access. Started by many volunteer collectors, these new collections have been selected, digitized and preserved by the Internet Archive, George Blood LP, and the Archive of Contemporary Music.”

great-78-project.jpg

From IA’s perspective, the project is all about the preservation of art. From the diametrically opposed view of the plaintiffs, the defendants willfully made copies thousands of recordings to which they own the copyrights. The digitized copies were then uploaded to the Internet Archive from where they were illegally distributed to users of the website millions of times.

The complaint lists 2,769 individual works from some of the most fmaous artists of all time, including Frank Sinatra, Ella Fitzgerald, Billie Holiday, Miles Davis, and Louis Armstrong. Listed songs include “White Christmas” by Bing Crosby, “Sing, Sing, Sing” by Benny Goodman, “Peggy Sue” by Buddy Holly, and “Roll Over Beethoven” by Chuck Berry.

Plaintiffs: Preservation Claims Are a “Smokescreen”​

The nonprofit Internet Archive is known for its ambitious projects that aim to retain, restore and redistribute content that they believe should never be lost to history. For the plaintiffs, these grand ambitions are nothing but a “smokescreen” to hide what amounts to IA offering “free and unlimited access to music for everyone,” regardless of copyright.

“In truth, Defendants’ malfeasance springs from their disregard for copyright law and the rights of artists and content owners. Internet Archive and the other Defendants have a long history of opposing, fighting, and ignoring copyright law, proclaiming that their zealotry serves the public good. In reality, Defendants are nothing more than mass infringers,” the complaint reads.

The record companies further reject claims that the music being made available illegally needs to be ‘saved’. They claim that of the 2,749 recordings listed in the complaint, all but a “small sample” are already available to stream or download from licensed online platforms so they “face no danger of being lost, forgotten, or destroyed.”

The complaint states that when the 78rpm records were converted into digital files, IA reproduced copyrighted recordings without permission. When IA copied those files to a server, that amounted to another unauthorized reproduction, and when it transferred those copies to the public, yet another. When it streamed unlicensed copies to the public, each time that constituted an unlicensed public performance.

“When Defendants exploit Plaintiffs’ sound recordings without authorization, neither Plaintiffs nor their artists see a dime. Not only does this harm Plaintiffs and the artists or their heirs by depriving them of compensation, but it undermines the value of music,” the complaint adds.

Overall Infringement and Claims For Relief​

The plaintiffs allege that the Great 78 Project contains more than 400,000 works that have been downloaded or streamed millions of times. In a letter sent by the RIAA to IA in 2020, the plaintiffs allege that IA owner Brewster Kahle was informed of the following:

“You and Internet Archive have reproduced thousands of sound recordings in which RIAA member companies own or exclusively control copyrights, and have made those recordings available to the public for unrestricted download and streaming, all without the consent of the rights owners.

“Your unauthorized reproduction, distribution and public performance of these recordings is a plain violation of the RIAA member companies’ rights under 17 U.S.C. § 1401, and constitutes nothing less than piracy on a massive scale.”

The RIAA says that Kahle and the Internet Archive were ordered to “immediately cease and desist from their infringement” but the demand was ignored.

The complaint lists several causes of action against different combinations of defendants, including unlawful reproduction under 17 U.S.C. §§ 106(1) and 1401(a)(1) for which the companies are entitled damages and any profits accrued. Alternatively the record companies seek statutory damages of $150,000 for each protected recording infringed, so with over 2,700 works in suit, damages could exceed $400m.

Other claims include infringing reproduction and distribution, infringing public performance, contributory copyright infringement, inducement of infringement, and vicarious copyright infringement. The companies also seek injunctive relief to restrain “continuing infringing conduct.”

The complaint and list of sound recordings are available here (1,2, pdf)
 
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