Culture ’Ironheart’s Rotten Tomatoes Audience Score Hits 32% Thanks To Review Bombing Hours Before It Premieres - Believe it or not, a black guy told me about this story

Source: https://collider.com/ironheart-review-bombing-rotten-tomatoes-audience-score/

’Ironheart’s Rotten Tomatoes Audience Score Hits 32% Thanks To Review Bombing Hours Before It Premieres​

By Chris McPherson
Published 1 day ago

Marvel’s long-awaited Ironheart series hasn’t even dropped its first three episodes on Disney+ yet, but that hasn’t stopped the internet from lighting the match. In a move that’s becoming depressingly familiar to everybody involved, Ironheart is already being review-bombed on Rotten Tomatoes, with early signs pointing to another manufactured backlash fueled by racism and anti-diversity sentiment rather than actual criticism of the content. The show officially launches with a three-episode premiere on June 24, but as of now, some corners of the internet are trying to make sure it doesn’t get off the ground.

A visit to the site shows Ironheart sitting at a 32% audience rating on Rotten Tomatoes — a head-scratching number considering that general audiences haven’t even seen the series yet. Currently, only press members have been granted early access to the show for coverage purposes, meaning these “audience” scores aren’t coming from actual viewers. It’s classic review bombing behavior, a pattern that has haunted Marvel projects like Ms. Marvel, She-Hulk: Attorney at Law, and Captain Marvel, all of which were similarly attacked online before (or immediately upon) release due to their focus on... well, what you would expect internet trolls to complain about.

Last month, we reported that, at the time, the official teaser had over 317,000 dislikes on YouTube compared to just 178,000 likes, despite racking up nearly 7 million views. That’s roughly 64% negative feedback, which mirrors what happened with Ms. Marvel and The Little Mermaid — both of which went on to become success stories for Disney+, despite the pre-release hate.

What Is 'Ironheart' Actually About?​


Oh yes, of course, there is actually a show that people have yet to watch. Set after the events of Wakanda Forever, Ironheart follows Riri Williams (Dominique Thorne) as she returns to MIT to perfect the most advanced Iron suit ever built — one made entirely on her own. But as Riri’s tech gets more advanced, it also attracts the attention of dark forces, including The Hood (played by Anthony Ramos), a villain who blends magic and vengeance with deadly consequences. The show will bring us a major clash between science and sorcery, with Chinaka Hodge at the helm and a supporting cast that includes Alden Ehrenreich, Lyric Ross, Manny Montana, and Regan Aliyah.

Ironheart premieres with three episodes on Disney+ today, followed by weekly releases. Stay tuned to Collider for more updates on the Marvel Cinematic Universe.



Ed. Note -
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1 Fake news outlet
(Collider has long been exposed as as nothing more then a PR agency for the entertainment industry even discounting the famed Harloff meltdown over not getting properly rewarded with Galaxy's Edge freebie access for pushing Disney's BS for the previous five years.)

2 "reporting" on fake review site
(RT has been caught manipulating (and lying about that manipulation) of the data presented most prominently with "Captain Marvell" (shocking I know) and is currently manipulating what is presented with Ironfart deleting -ve reviews but not the maxed out reviews from "reviewers" with zero other review history.)

3 in the context of a corporation (Disney) whose entire business model seems to be based on deceit
(Do I really need to rehearse some of the stunts they've pulled such as pushing figures for "production budgets" into the public domain that, years later once we have the tax records turn out to be far less than the actual cost - spoiler alert; Solo was not the only Disney Star Wars film to lose money. Rise of Skywalker Palpatine did as well as despite taking more than a billion at the box office as it cost over $620m to make and publicise. They were also caught pulling immensely shady shit with "Captain Marvell" (seems to be a theme here) with charities set up to buy tickets - i.e. Disney was the charitable beneficiary!)

Must be a day with a "y" in it.
 
Must be some shitty new comic character from recent years because I certainly don't remember any Ironheart. Wtf are these people thinking? Oh yes let's make an expensive movie about a newish character most people have never heard of, also it's a black woman who is basically just a 'better' version of a beloved character everyone has known about for decades. A literal retard could have predicted this.
 
Must be some shitty new comic character from recent years because I certainly don't remember any Ironheart.

The character was created by the woke comic author Brian Michael Bendis in 2016. Bendis had an adopted black daughter and the character was originally some sort of weird personal thing for him. It was about helping his daughter see how great she was or something like that. Originally it was a literal self-insert for his adopted daughter and his awful simping for how wonderful she was to him.

Even thought Bendis wrote her from the start as a sort of arrogant sociopath and semi-criminal young black girl stereotype.

They tried really hard to force the character on the comic audience but the character has not even had a series of its own since around 2020.
 
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Apparently in the first few minutes of the first episode, Ree-Ree has a monologue about how much of a victim she is and how the world is holding her genius back, helps other students cheat for money, gets expelled from MIT for the cheating for cash scheme, then commits theft on her way out the door. She's basically a black stereotype. I thought it was supposed to be racist to perpetuate racial stereotypes? Maybe Disney secretly made a based series that shows niggers for who they really are disguised as yet another wokescold project?
 
Last month, we reported that, at the time, the official teaser had over 317,000 dislikes on YouTube compared to just 178,000 likes, despite racking up nearly 7 million views. That’s roughly 64% negative feedback, which mirrors what happened with Ms. Marvel and The Little Mermaid — both of which went on to become success stories for Disney+, despite the pre-release hate.
Oh you dirty journo scum, you know full fucking well both films were bombs that lost Disney money. The Marvels is the biggest bomb of the MCU and Disney+ numbers didn't do shit for it. Disney+ is a fucking blackhole for their revenue.

I will always hate that kike Bendis for creating this nigress, along with that nigger Miles
 
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At that time? Even a sociopathic Black girl who steals superpower-enabling gadgetry and complains she isn't oppressed enough was too far a reach for them.

They probably hoped things would "improve" socially so that it'd be a safer bet, but, now they probably are just biting the bullet and chucking it out there. Holding on to it at this point would be just as bad optics as the twisted moral messaging that everyone's upset over (and that's why it got bombed, if you know what happened in the comic? You know what's coming, if not getting even WORSE.
Chris Gore of Filmthreat has already seen the whole thing. He said he believes it was re-edited to remove a bunch of stuff and condense the runtime because the episodes vary in length in a strange way. There's one overtly woke scene he's mentioned, but he said the show, while bad, isn't that woke... which could explain why it was apparently edited.
 
The character was created by the woke comic author Brian Michael Bendis in 2016. Bendis had an adopted black daughter and the character was originally some sort of weird personal thing for him. It was about helping his daughter see how great she was or something like that. Originally it was a literal self-insert for his adopted daughter and his awful simping for how wonderful she was to him.

Even thought Bendis wrote her from the start as a sort of arrogant sociopath and semi-criminal young black girl stereotype.

They tried really hard to force the character on the comic audience but the character has not even had a series of its own since around 2020.
Shitty self insert fan fiction explains this bullshit perfectly, ty
 
This series will only be good for the Content Creators who will rip it apart. If they're releasing only a few episodes at a time instead of just dumping this pile of shit down quickly like they should this just allows the YouTube reactors to stagnant their content. In a way Disney has no one to blame but themselves in that. Already ramping up the "MAGA hats are down voting us articles" just hypes up the all coverage is good coverage that I'm sure PR managers shit out since the 90s. You can just que up the Critical Drinker video. I can practically quote it beat to beat by heart. His culture war grifter friends will be the only ones to watch this crap and it'll just be forgotten to the capeshit anals of time. Cool 😎
 
Isn't it odd how "review bombing" wasn't a thing before Current Year, yet the Rotten Tomatoes site was still online?

Then with "social justice", suddenly "review bombing" is a thing now: when a movie goes "woke" and inevitably broke.
It used to be that if hundreds of thousands of people hated your show before it even aired, you'd fucked up catastrophically somehow. Audience hate for your show was useful information about your market, not something to get ass-blasted over.

It's only in the last 15 years that it became acceptable for mega-corps to claim they are infallible and the audience is just racist and therefore they are justified in continuing the thing that keeps losing millions of dollars.
 
Every time I see anything about this movie, I get excited for a millisecond thinking it's based on "Steelheart". It's a YA novel but well-written with an interesting premise, and when I was in the cube gulag I'd listen to any audiobook that was halfway decent. (The "Red Rising" series got me through some long days too.)

Ten years ago, Calamity came. It was a burst in the sky that gave ordinary people extraordinary powers. The awed public started calling them Epics.

Epics are no friends of man. With incredible gifts came the desire to rule. And to rule man, you must crush his will.

Now, in what was once Chicago, an astonishingly powerful Epic named Steelheart has installed himself as emperor. Steelheart possesses the strength of ten men and can control the elements. It is said that no bullet can harm him, no sword can split his skin, and no fire can burn him. He is invincible. Nobody fights back . . . nobody but the Reckoners.

A shadowy group of ordinary humans, the Reckoners spend their lives studying Epics, finding their weaknesses, and then assassinating them. And David wants in.

When Steelheart came to Chicago, he killed David’s father. For years, like the Reckoners, David has been studying, and planning, and he has something they need. Not an object, but an experience.

He has seen Steelheart bleed.

And he wants revenge.
 
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