Careercow Jonathan "Full" McIntosh / RadicalBytes - "Pop Culture Detective", Cucked hard by Anita Sarkeesian, King Snowflake

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David Cage is trying to do this since the beginning of His career and He's almost a laughinstock in the industry,John
Ironically,the biggest breath of fresh air of the last decade in the gaming industry are the Soulsborne,which are about killing,dodging and parrying stuff:almost a back to basics,I will say
 
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In DOOM, you know all you need to know about the story in that 30 second elevator ride: Doomguy fucking hates demons, and also fucking hates anyone trying to do anything remotely connected to demons, and will smash anything that gets in his way (in fact, later on, Samuel Hayes has to flat out shut computer systems down just to get a chance to talk to Doomguy face to face).

In the Souls series, the story is...well, I only played the first one, but from what I gathered, it doesn't care about you, and that's fine. People who want to seek it out can seek it out, and people who just wanna stab things can just stab things. It's kinda like Secret World-you can go out and collect Lore entries that tell you all about the world, past events, and other things, but if you just wanna throw fireballs and shotgun shells at zombies, well, have fun.

In other words, McIntosh, the games that are telling the best stories...are in fact, about killing and dodging. DOOM will not win a Pulitzer. It doesn't want to-it wants to give you a damn good time shotgunning demons. The story exists if you care to read it-and it's a damn fine read-but it ain't an award winner, it's no Oscar nominee. And that's fine-they tried telling a story with DOOM3. That failed miserably.
 
Jonathan's general idea about video games is they need to take out all the fun but pack them to the gills with intersectional horseshit nobody gives a flying fuck about. This isn't surprising since he essentially hates fun. There has yet to be a more humorless cocksucker on the face of the planet.
 
John seems pretty oblivious to gaming in general. Pretty much all the stuff he desires has been present for decades. It's also pretty weird how he thinks good combat mechanics and narrative are mutually exclusive....it's almost as if he doesn't understand what he's on about and thinks his ideological stances are the only game in town.
 
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In DOOM, you know all you need to know about the story in that 30 second elevator ride: Doomguy fucking hates demons, and also fucking hates anyone trying to do anything remotely connected to demons, and will smash anything that gets in his way (in fact, later on, Samuel Hayes has to flat out shut computer systems down just to get a chance to talk to Doomguy face to face).

In the Souls series, the story is...well, I only played the first one, but from what I gathered, it doesn't care about you, and that's fine. People who want to seek it out can seek it out, and people who just wanna stab things can just stab things. It's kinda like Secret World-you can go out and collect Lore entries that tell you all about the world, past events, and other things, but if you just wanna throw fireballs and shotgun shells at zombies, well, have fun.

In other words, McIntosh, the games that are telling the best stories...are in fact, about killing and dodging. DOOM will not win a Pulitzer. It doesn't want to-it wants to give you a damn good time shotgunning demons. The story exists if you care to read it-and it's a damn fine read-but it ain't an award winner, it's no Oscar nominee. And that's fine-they tried telling a story with DOOM3. That failed miserably.

Let's be fair, he'd still whine about Souls or The Secret World because they don't just hand you the full story on a silver platter right away
 
Okay, great, I'm actually all for good non-combat driven games. Key word there is "good". Most of aren't.

Question though, how come whenever indie devs make a game that these people think is oh-so-good it only ever amounts to walking around, looking at things, and reading things?

If you had a game based on being Jonathan McIntosh, it would have more features. You wouldn't be able to just walk around, look at things, and read things. Sometimes, you'd also get cucked.
 
Damn, that season of South Park about SJWs really is going to live on forever in minds of bitch boys like Jonathan here.

They continually ignore the nuance of what South park's message was. It wasn't "Social Justice is bad!", it was "Social Justice is being twisted and distorted by fucktards so they can get laid, cash in, and protect their fee-fees".
 
He also doesn't seem to understand that South Park is a comedy. You don't go to comedy for moral instruction on how to live your life; you go to comedy to laugh.
Josh can't comprehend comedy because he doesn't understand humor or fun. He's a humorless neopuritan that crusades against gaming because gaming gives people joy and he has absolutely none in him. All the intersectional shenanigans bullshit is a smokescreen to hide that he's just a petulant asshole buttmad that other people can derive pleasure from things he doesn't like, so it's no surprise that any kind of comedy also falls under that umbrella.

He can barely work up 1/10th of what Princess Eyebags (Ali Rapp) can manage on Patreon. Goes to show what value he has even to his "own side" now that the Armenian strumpet ditched him.
 
Josh can't comprehend comedy because he doesn't understand humor or fun. He's a humorless neopuritan that crusades against gaming because gaming gives people joy and he has absolutely none in him. All the intersectional shenanigans bullshit is a smokescreen to hide that he's just a petulant asshole buttmad that other people can derive pleasure from things he doesn't like, so it's no surprise that any kind of comedy also falls under that umbrella.

He can barely work up 1/10th of what Princess Eyebags (Ali Rapp) can manage on Patreon. Goes to show what value he has even to his "own side" now that the Armenian strumpet ditched him.
The extent of his humor is "Ha ha ha... the Star Wars prequels were bad, am I right, guys?"

Yes, Josh. That is very funny and not a popular opinion online. P.S. I am actually a Nigerian prince.
 
Of all the SJW arguments, this one confounds me the most.
If characters in a story can't do anything, then telling a fictional story is impossible. Reminds me of those aliens in Galaxy Quest who couldn't comprehend what fiction is.

[Josh is] a humorless neopuritan that crusades against gaming because gaming gives people joy and he has absolutely none in him.
And he probably projects the way he sees things onto others.
 
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He also doesn't seem to understand that South Park is a comedy. You don't go to comedy for moral instruction on how to live your life; you go to comedy to laugh.
He really can't understand that fiction doesn't influence people's real behavior like he thinks it does. I always thought Anita peddled that video games cause sexism bullshit for the cash. Josh actually seems to believe it for real. What a nutcase.
 
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If characters in a story can't do anything, then telling a fictional story is impossible. Reminds me of those aliens in Galaxy Quest who couldn't comprehend what fiction is
Funny you should mention it because Dan Olson made up his own buzzword for people using in-universe reasons to defend "racist" and "sexist" works called 'The Thermian Argument (Thermians were the aliens you mentioned), saying that they don't matter because "it's all because a writer chose to make it that way and the diagesis isn't real, only the finished text and the idea it represents is." Post-modernist horseshit at its finest.
 
Funny you should mention it because Dan Olson made up his own buzzword for people using in-universe reasons to defend "racist" and "sexist" works called 'The Thermian Argument (Thermians were the aliens you mentioned), saying that they don't matter because "it's all because a writer chose to make it that way and the diagesis isn't real, only the finished text and the idea it represents is." Post-modernist horseshit at its finest.

By Olson's logic, Mark Twain and Harper Lee are evil KKK members for writing "Huckleberry Finn" and "To Kill A Mockingbird".

Intelligence, logic, and nuance is lost on pseudo-intellectuals like Dan and Josh.
 
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