Lazarus (Anime) Thread

FPTMIU

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Did any of you guys see the new episode that released yesterday that contained a fat landwhale tranny preaching to a nigger about how oppressed he is? This is directed by the same guy who did Cowboy Bebop, Samurai Champloo and Space Dandy, all 3 some of my favorite shows ever made. To say I am seething at this would be an understatement like what the fuck Watanabe

https://files.tears.sh/files/UDKprolV.webm

What do you guys think? Do you think that Watanabe has lost it? Is James Demarco to blame for this travesty of a show so far? Even without the retarded messaging the writing and directing is absolutely abysmal in every way. Certainly a huge disappointment. I was looking forward to this show for a while and it's shat in my face.
 
did the choreographs fights fall in quality after the first episode? cause ive only seen the first episode
 
did the choreographs fights fall in quality after the first episode? cause ive only seen the first episode
Choreography stayed about the same quality (Dipped in episode 2, became slightly better in episode 3), though unlike episode 1 the action makes up like 5 seconds of each episode. Most of the episodes is just stuff like the clip

Contact with the west has been a disaster for anime industry. A lot of them buy wholeheartedly the idolization of trannies and niggers as societal victims.
Granted, this is a show made for western audiences funded by a western channel with the English dub being the first released version. It's not necessarily a product of the anime industry more than it is just Americans hiring a Japanese guy to make a show for them.
 
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that contained a fat landwhale tranny preaching to a nigger about how oppressed he is?
HE CAN'T KEEP GETTING AWAY WITH IT!
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I saw all those gaijin names in the opening credits and got a knot in my stomach. Very disappointed in the tranny and the outdated race issues. Like a college President would actually say "there will never be a black Einstein" to a black guy in this day and age, let alone the future.
 
I saw all those gaijin names in the opening credits and got a knot in my stomach. Very disappointed in the tranny and the outdated race issues. Like a college President would actually say "there will never be a black Einstein" to a black guy in this day and age, let alone the future.
There will never be a black Einstein, because Einstein was Jewish :^)
 
Given the director's bibliography I'm surprised this show hasn't been shilled to high Heaven, whether it's wokeslop or not, This is very odd.
 
Jesus yall are so miserable.
I like things that are good, too bad most things are shit and I don't like lowering my standards. That being said I have been enjoying Kowloon Generic Romance so far. That's the one surprisingly solid show this season.

Given the director's bibliography I'm surprised this show hasn't been shilled to high Heaven, whether it's wokeslop or not, This is very odd.
Probably because zoomers do not give a shit about the director's previous shows. It should have been released 10 years ago for it to have a high impact. Nowadays millennials have little to no cultural power to shape things.
 
Probably because zoomers do not give a shit about the director's previous shows.
Carole & Tuesday came and went and people have since stopped talking about it. Either it's due to fucked attention spans, or the show was actually not that good/memorable.

Lazarus also just doesn't have the hype behind it for whatever reason. Like it was first announced with some fanfare back in 2023, and then it wasn't talked about since. It's likely there were production issues like with Uzumaki but everyone involved kept their mouths shut this time around, and there were no Covid restrictions to give it more time.

Toonami's wanted a second Cowboy Bebop or even a Dandy forever now, but they just haven't learn their lesson from Wolf's Rain, and likely never will.
 
You can tell Watanabe wanted to throw this stuff into Bebop and Dandy since forever ago. I can't blame Franco completely for this because sometimes Japanese creators embrace Western autism all on their own it's just more jarring when it comes up because they tend to have their media mostly in their culture. But that's rapidly changing every year it seems. I'm not touching Adult Swim/Toonami anime anymore after they fucked up Uzamaki and that Ninja series seemed promising but ended up being nothingshit. So I'm noping on Lazarus. This is Devilman Crybaby all over again but that was Netflix looks like Cartoon Network wants to crap up anime too. They've been floating the idea to revive The Big O for years can't see that going well.
 
Carole & Tuesday came and went and people have since stopped talking about it. Either it's due to fucked attention spans, or the show was actually not that good/memorable.

Lazarus also just doesn't have the hype behind it for whatever reason. Like it was first announced with some fanfare back in 2023, and then it wasn't talked about since. It's likely there were production issues like with Uzumaki but everyone involved kept their mouths shut this time around, and there were no Covid restrictions to give it more time.

Toonami's wanted a second Cowboy Bebop or even a Dandy forever now, but they just haven't learn their lesson from Wolf's Rain, and likely never will.
Requesting a primer on what happened with Wolf's Rain.
 
Requesting a primer on what happened with Wolf's Rain.
It was literally advertised by [adult swim] as a spiritual successor to Cowboy Bebop, so everyone was expecting Bebop 2.0. It wasn't, because Watanabe wasn't the director. Many people were left disappointed for having given in to the hype (although the show's still good for what it is). And then it got left in the dust by Fullmetal Alchemist not long afterwards.

Samurai Champloo was more of a spiritual successor (even though honestly I think Space Dandy is), and yet it's not talked about as much either even though it's still a damn fun watch. Many oldtaku hold Cowboy Bebop and even Trigun to such high regard that they cannot judge a new series at face-value without comparing them, and since it was Toonami's flagship and most successful show in their entire line-up, they're really desperate for that big hit to fill in the Bebop hole despite having rights to air it on the block. Or maybe they're just mad people aren't taking to their FLCL sequels like they wanted because they literally think they understand FLCL better than anyone.
 
Many oldtaku hold Cowboy Bebop and even Trigun to such high regard that they cannot judge a new series at face-value without comparing them
Funnily enough, I recently watched the original Trigun for the first time and thought it was shit (Or, more accurately, the second half is shit. I was actually really enjoying the first half before it retard'd out). The Manga might be better, still gotta finish that. Hoping that the second half of the anime is just the anime itself having a shitty original story because the manga didn't finish before the show did.

You can tell Watanabe wanted to throw this stuff into Bebop and Dandy since forever ago. I can't blame Franco completely for this because sometimes Japanese creators embrace Western autism all on their own it's just more jarring when it comes up because they tend to have their media mostly in their culture. But that's rapidly changing every year it seems. I'm not touching Adult Swim/Toonami anime anymore after they fucked up Uzamaki and that Ninja series seemed promising but ended up being nothingshit. So I'm noping on Lazarus. This is Devilman Crybaby all over again but that was Netflix looks like Cartoon Network wants to crap up anime too. They've been floating the idea to revive The Big O for years can't see that going well.
I disagree. Watanabe's previous work did not really illustrate this in any way. Champloo is a story centered around Christian persecution under the Shogunate and portrays the persecutors as in the wrong, Kids On The Slope has 2 of the main characters be devout Christians despite taking place in Japan. Someone who would have always supported this western Marxist lunacy would not be this favorable towards the main religion Marxism is meant to destroy. That's one.

Bebop and Dandy do not really have any political messaging beyond having people of different races (Or species, in Dandy's case), the stories are universal and hold little to no hints that the creator wanted to replace narrative with politics in the future. The only direction I really saw Watanabe going was in a more bizarre comedy direction, and if it wasn't for James Demarco he would have made another dandynian comedy.

It does certainly feel more like Demarco just gave Watanabe a specific set of quotas that AS wanted him to meet with Lazarus which heavily limited his creativity and he just phoned it in. It's the most likely option to me as the show lacks any of the passion or creativity of his previous work. Even when directing a simple slice of life story about kids playing jazz Watanabe still decided to go the extra mile and made sure that the animation for the instruments matched what was being heard when he could have just phoned it in and did what any other anime would do. That extra level of effort and polish is just completely lost in Lazarus and this doesn't really feel like an issue of skill more than it is an issue of him just not caring. Being animated by MAPPA is not doing it any favors either in terms of animation quality.

Carole & Tuesday came and went and people have since stopped talking about it. Either it's due to fucked attention spans, or the show was actually not that good/memorable.

Lazarus also just doesn't have the hype behind it for whatever reason. Like it was first announced with some fanfare back in 2023, and then it wasn't talked about since. It's likely there were production issues like with Uzumaki but everyone involved kept their mouths shut this time around, and there were no Covid restrictions to give it more time.

Toonami's wanted a second Cowboy Bebop or even a Dandy forever now, but they just haven't learn their lesson from Wolf's Rain, and likely never will.
Watanabe had a general cycle of him releasing a new show, people hyping it up going "DIS IZ LICHURLY GON B NEXT BEBOP", inevitable disappointment, falling into obscurity and later being rediscovered and praised. Happened to Champloo, happened to Dandy, happened to Bebop itself even, sorta (It only really got popular after it aired and not during its airing). Though with every other show he made that I've seen, I could appreciate it on their own merit on my first watch, Lazarus is the first one where I really went "wow, this is shit"

Granted, I have not seen Carole and Tuesday myself. So no clue if it truly is a good show or not. Heard mixed things about it, apparently the two main characters are lesbos? If that's so, I'm very skeptical indeed. I hate seeing lesbos even more than seeing faggots in my japanese cartoons somehow.
 
The fourth episode came out today. Another pointless sidequest that went nowhere with no character or plot development. They also made the Canadian crossdress and pretend to be a nigger's boyfriend.
 

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