5. Elminster, Forgotten Realms
I like
Forgotten Realms, but Elminster is notorious for a reason, to the point where he has the nickname "Elmunchkin" in some circles.
Offenses: In 3.X D&D, a level 35 character in a realm where you can't go above 20 without GM permission. Has lived over a thousand years and is a chosen of the goddess of magic, Mystra. About as close as one can get to a living
fucking god in the world, Elminster is so powerful that his mere
existence fucks over campaigns, since he by all accounts makes any adventuring party irrelevant. Irrevocably written into the fabric of the world. Unlike many other very or even
insanely strong NPCs in FR (Hallaster, Khelben Blackstaff, Eclavdra, etc), all of whom have perfectly legitimate reasons to just do their own thing and keep to themselves or, more importantly,
have perfectly legitimate reasons to delegate as part of a campaign, Elminster
always overshadows pretty much every other character and is a canonized version of
that guy.
The tragedy is that it's not truly his fault.
Mitigating Factors: As a literary character or party facilitation device, Elminster is fine. His problems come from the fact that he's been terminally overused by terrible GMs, which of course leads to him being a DMPC or enforcer for terrible shit. At this point, all the crap Elminster is normally involved with become the traits of a Sue and immediately backlash hard. It sort of sucks because when used right, there's a lot of potential for the guy, though I would argue not quite as much as some of the other famous NPCs.
4. Kaldor Draigo, Warhammer 40,000
Being a Mary Sue in a universe where magic is a thing, powerful psy powers that can rip apart worlds exist, and countless different species that all hate one another is a hell of an accomplishment. Draigo makes it happen.
Offenses: Concentrated Matt Ward insanity. Killed a Daemon Prince in his first combat action. Banished a Daemon Primarch (Mortarion) back to the warp, somehow carving the name of his old master into the heart of said Daemon Primarch (bear in mind, Mortarion is the
chosen of Nurgle, and Draigo somehow did not contract
Space AIDS). Single-handedly holding off a daemon horde for two days in realspace. Killing a Daemon Prince with a Broken Sword. Killing one of Khorne's strongest Bloodthirsters single-handedly (note: for contrast, Sanguinus of the Blood Angels did a similar feat, and it was considered impressive despite him
being a fucking Primarch). Taking said Bloodthirster's axe and somehow forging it into a sword for his own personal use with his mind. Suffering no corruption at all from using what was previously the weapon of a greater daemon. Setting fire to Nurgle's Garden (again, somehow avoiding Space AIDS). Slaying six of Slaanesh's chosen Daemonettes (lore note: looking at one is enough to instantly force submission from any mortal). Walking into the City of Tzeentch and somehow destroying a city that largely exists as a Ry'leh-esque impossible geometry construct beholden to the whims of the fucking
god of sorcery.
Mitigating Factors: With such lofty accomplishments under his belt, you'd suspect he'd be higher on this list, aye? Well, no. See, Draigo is so hilariously stupid as to be a meme, and apparently people with self-awareness decided that this was retarded, and Games-Workshop, not known for self-awareness under normal circumstances, decided to chain-retcon him via various writers, because seriously,
fucking look at this idiocy.
3. Janus Prospero, Resident Evil Movies
Self-Insert Sue
par excellence.
Offenses: Started pretty mediocre; by the second movie was full-fledged action hero mode and was essentially a god-mode Sue by the end of it. Winds up with unexplained psionic powers that let her explode heads through video consoles. She was cloned multiple times, and used her super-powered clones as an army before said army is unceremoniously dealt with in one of the other movies. In all movies she shows up in, she renders every single character irrelevant, even when - and indeed,
especially when they a character from the actual series. No one else is permitted to do
anything when Alice is around - invulnerable monsters lose this invincibility if Alice is shooting, and when Alice and Wesker finish up a ridiculous wire fight battle, only
then are the other characters are allowed to start shooting.
Mitigating Factors: Only exists so Mila Jovavich's husband, Paul Anderson, can write what is, essentially, self-insert fan-fiction for his wife.
2. Allison Holiday, Socially Unconscious: The Election Eve
Mother of
god. If you're not familiar with this character, familiarize yourself with her; she's fucking amazing at how much she breaks the story's universe entirely.
Offenses: The secondary main character of
Socially Unconscious, Brianna Wu's magnum opus, is ridiculous. A constant boozehound and asshole, yet she never suffers
any repercussions for her behavior, which has included breaking peoples' property, fucking up someone's career multiple times, essentially cementing why the primary villain hates the cast in the first place, and breaking and entering, and that's the first two chapters. She hits full insanity by the third chapter, when she beats up trained bodyguards, correctly identifies someone recording her friends as spying on them, flying a helicopter, and more without any logical, in-universe explanation for why a college grad boozehound
has any ability to do this.
Mitigating Factors: This work never got released, and Wu
genuinely became a better writer than this (though not by much).
1. Bella, Twilight
Fucking. Bullshit.
Offenses: Bella is a Sue that despite the setting, is almost incomprehensibly bad. Like, literally, I speak no hyperbole when I say she may demarcate one of the worst characters in the history of fiction in this regard. Bella is intended to come across as a character anyone can project onto, but the result is one of the most transparent Mary Sues in the history of fiction. A hideous crossbreed of Black Hole Sue, Jerk Sue, Purity Sue, and Sympathetic Sue, and that's just the first book.
I could write a doctoral thesis on how much of a Sue this character is by the standards of her own work of fiction, and not scratch the surface. So I'll let Doug Walker cover a much more general synopsis for me:
The Nostalgia Critic said:
Bella. From Twilight. This has to be the most selfish, male-dependent, uncaring, manipulative, self-centered, pretentious, idiotic, whining little bitch-bag you will ever see in your entire life. And honestly, that wouldn't be too bad a character - it could be very interesting - if it was intentional. But it's not. Bella is supposed to represent the "every-day teenage girl." If that's the case, then the story really got mixed-up who the blood-sucking monster is. She thinks she's tortured, even though really, she has no problems. She gets a crush on a boy, and decides she wants to marry him, even though she's not even out of high school yet. She wants to be turned into a vampire, which everyone has said is throwing her life away - but of course, at the enlightening age of seventeen, she already knows exactly what she wants. Aren't you glad you followed through with every bright idea you had at seventeen? Aren't you totally glad you committed to something you knew you could never make a mistake on at that age? Oh yeah. Seventeen! Nobody ever fucks up at that age! The boyfriend tries to leave her so he can save her, but she constantly keeps throwing herself off cliffs and putting herself in danger, just so he can notice her. Good. Fucking. God. That's right, girls. If your boyfriend leaves you, do exactly this! I assure you, it won't backfire in the least. Sure, you might be dead, but... That'll teach him. She then gets another boy involved, who actually seems supportive and attentive, but she dumps him because the other guy looks at her weird. And by god, how can she turn down a guy with no personality, who just looks at her weird? Again, one of those brilliant choices you make at seventeen. So now a whole war is going on - all because of her - And everyone is going out of their way to protect her, and she's simply like: "Yeah, that's cool." oh, wait. She does try to say once that she's not worth it, but that only lasts a few seconds. She then realizes that she is worth it, and is totally on-board with having muscle-boys carry her around everywhere. And just as her boyfriend finally agrees to marry her? Imagine, a boy being pressured into marriage. She dicks around with the other guy, yet again. Oh my god. I mean, oh. My. God. I have never seen a character more needy, and more insecure. She is such a dumbass in distress that it's actually kind of scary. She is a scary character. In another dimension, maybe she could have been a great Shakespeare villain - this really complex, developed, psychotic mind. But as the common, every-day, relatable girl that we're all supposed to identify with? She is, and always shall be - the biggest dumbass in distress.
Mitigating Factors: White-Knighting this shit is one of the funniest things Moleman does, and even
he acknowledges that Bella is a fucking Sue
.