MF DOOM Appreciation Thread - Remember all caps when you spell the man's name

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The Last Stand

Lady Bougainvillea
True & Honest Fan
kiwifarms.net
Joined
Aug 17, 2018
With MF DOOM's untimely, tragic death, I've found myself appreciating more of his music every day.

If you are unfamilar with MF DOOM, he was a prolific, underground rapper best known for his sampling, complex rhyme schemes, and political commentary with his lyrics.

Discuss facts, stories, favorite songs from MF DOOM. If you don't know anything about him in particular, perhaps discuss your favorite rappers.


RIP. :semperfidelis:
 
I saw the villain at Coachella years before it was Brochella. He had a toddler wandering around onstage as he performed it was mad

 
favorite memory of doom is at the Mmm Food release party Brother Ali was the opener and this dude in the crowd, at a small venue in Chicago, refused to turn and face the stage until Doom went on. Brother Ali actually killed it and Doom was his usual mediocre live self, but it cracks me up to this day.

RIP DOOM! Brit Hume wishes he was still this relevant.

 

Comment section said that MF DOOM created this beat. Adult Swim.

That piano jazz combination hits in all the right places.
 
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Hey @The Last Stand you remember in GTA V when Trevor was so pissed off that a certain song that he did not like replaced his usual punk rock/metal station?

https://youtube.com/watch?v=HAidM8xRhHI
Well, he actually remixed it with his own version.
Sampling is What a Fool by The Doobie Brothers. Interesting. It's catchy.

MF DOOM songs were in a few video games. I didn't even know until much later.

Skate 3:

 
Hey @The Last Stand you remember in GTA V when Trevor was so pissed off that a certain song that he did not like replaced his usual punk rock/metal station?

https://youtube.com/watch?v=HAidM8xRhHI
Well, he actually remixed it with his own version.
Sampling is What a Fool by The Doobie Brothers. Interesting. It's catchy.

MF DOOM songs were in a few video games. I didn't even know until much later.

Skate 3:

 
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