I was reading about him on one of the tranny threads yesterday, I didn't even realize this was the same dude who had a melty and quit his job at some music magazine after harassing his interviewer. He was probably getting paid pennies for it to be fair.
He DFE'd recently. Had a hunch this guy would be a recurring character so I wish I archived it now.
https://twitter.com/forrealnadine
(this is his current one where he deleted a lot recently)
He's really into performing the
suffering artiste shtick to such a cringe degree, showing him to be a rather naïve individual too. Except his 'art' is just writing review blogposts about other artists. He's quite childlike and simple-minded but likes to write extensive essays that few seem to interact with. Reminds me of TheSecretGamerGirl except scarier.
His most recent post is funny. He just flat out refuses to talk about the song in question, instead preferring to drawing connections between underground rap and alt/far-right ideology. I think this blogpost can provide decent insight into how this type of person thinks.
He starts off the "review" with a long self-aggrandising preamble, giving slivers of self awareness. He initially over appraises the historical importance of his blogpost.
Could you imagine writing something like this in ANY other context other than in a joke?
At least he's honest
Despite the post being uploaded in May 2024, our GOAT claims to have written this in 2023. What we do know is that the song that is to be discussed (This song is Terrorism - DJ Smokey and Christ Dillinger) was released in April 2024. Now, it isn't clear if it was only the introduction that was written during some psychotic episode experienced last December; a large portion of the post could have been written at any point in time. Because like I said, he doesn't review the actual song AT ALL.
And a healthy dose of paranoia to go with it. I think the only person in the world that truly wants Nathan dead is himself.
I'm sure this cancels out
In reference to the cover picture:
I can't tell if this meme is insinuating that our beloved lasagne-lover is a tool of the state, or if this is a plea for help. I can't work out what the last line says in full, it looks like it says "didatic", but that isn't a word. I'm going to assume it's a typo and meant to read as "didactic about this".
DJ SMOKEY & CHRIST DILLINGER: "THIS SONG IS TERRORISM"
Now we can finally dig into the meat of this. I was honestly looking forward to read through this post, as this song features two black artists I enjoy listening to - RKXNephew and Rx Papi. Our author starts off by providing context to this song by, of course, describing Kanye's Nazi fetishism and his affiliations for four paragraphs.
After he has temporarily satisfied the topic of Kanye, he moves onto target other prolific internet figures such as DJ Akademics. He also rips into adam22 for being a shit journalist.
He calls 6ix9ine a ridiculous looking clown
I think it's telling when you feel the need to wear more makeup than a clown.
Doja Cat is mentioned:
Then Sam Hyde is mentioned, then Joeyy, finally DJ Smokey.
He then goes onto denounce Lil Darkie
Nathan impresses us with his ability to identify irony. What is even more extraordinary is the fact that he mentions two of the most impactful tracks that Lil Darkie has released, and then he proceeds by completely failing to understand his work. Both of these tracks managed to highlight the grievances that some minorities have with the general ignorance of leftoids.
In
Holocaust Lil Darkie explores the self destructive mindset that a criminally oriented individual may have, and likens it to the Holocaust - an implication being that this mindset is what's killing niggas. This song was/is popular with all races as violence, rage and criminality are inherent parts of human nature. Lil Darkie doesn't necessarily have to be linked with black stereotypes as Nathan claims, seeing it under that lens alone is basic, and just a projection of your psyche. Lil Darkie could also be personified as the "dark" side of the personality. However, the point to be made here is that this song has reached many black youth and has had an impact.
Note the inverted crosses on the shorts - plays into the "dark" personality theme. You could go on and on.
Now In
Genocide Pt 1, the
real irony here is that Lil Darkie starts off the song by satirically censoring the introduction to his previous song
Holocaust and poking fun at censorship. The kicker is that AFTER
Genocide was released,
Holocaust was censored, taken off Spotify and eventually reinstated due to people failing to understand the intention of the song, and getting emotional just at the mention of Jews dying. This censorship directly undermined blacks.
Here, our lovely non-white supremacist author dismisses Lil Darkie's perspective, simply because of who he has affiliated himself with (crackers), further bleeding irony from the fruit. You would think that someone who has worked for the Fader would have any amount of interest in wanting to understand what an artist is trying to communicate.
No, the problem is that you need to think critically in order to write critically. You are the joke.
"Voice on a song", it seems that the music "journalist" doesn't know what a producer tag is. Pretends to care for context. Still talking about Kanye.
And he concludes with:
No mention of the song, no mention of Rx Papi, no mention of RKX Nephew.
Nathan wants to preach for black music, but doesn't bring up the two other BLACK artists that have talked consistently about BLACK issues that are on this fucking song. He twists the narrative in his mind in order play both the hero and victim on somebody else's account, gaining some kind of egoistic self pity. How the fuck do you manage that? He could have chosen to blindly praise Rx Papi's critically acclaimed Foreign Exchange (it's the first result when you google his name) for providing perspective to your average cracker. Or even, to follow along with our authors demented logic, at least cried over Nephew's humorous satirical observations.
American Tterroristt - Crack therapy 3
Oh, also I wonder what RKX Nephew has to say about faggots?
Slither Conspiracy:
Most normal black people do not give a fuck about transgenders
Most normal black people do not give a fuck about gays
Most normal black people would dislike Nathan for his ignorance
In conclusion, Nathan does not actually care about black people as he claims, or art for that matter. All "Nadine" cares about is fueling his ego driven delusions of persecution to rack up self pity points. These points culminate into a rare form of white privilege, that is spent by actively undermining the black community. If not funny, it's horrifying that he honestly believes that this blog is "didactic", and helping society. His value goes as far as providing an example as to what can happen when one does not keep an eye on ego. There is a high chance of suicide with this one.
Archive:
https://archive.ph/ij7z3
