Imo it's just that they have much less control over the situation, and are getting less 'reward' - she can block them at any time, and they're paying for photos/videos rather than sex. There are definitely pimps on OF, so I don't know how that would change regular prostitution or whether it's made it more expensive but it's bound to have had some effect. They probably think that before OF these women would have been affordable as regular whores and now aren't.
Maybe, but it also has a cast of women with actual personalities. They have their own motivations and goals, not just "support my man" or "be a good love interest for the seinen main character".
I didnt call him a scrote artist, wtf are you talking about. I only compared his artstyle to the artstyle of women from the same period. My point was how his characters look more mature, whereas the characters from shojo artists look more cutesy and youthful(because it was targeted at young girls). Hideo Azuma, the father of lolicon himself, said he took inspiration from shojo manga to make lolicon because women in Seinen manga, like the ones featured in Matsumoto and Go Nagai work, looked too mature for him. You are also comparing anime pre homogenization vs anime post homogenization(where men stole the shojo artstyle from women and made it the standards) I have no idea what point you are trying to make.
Alternative label for the bottom half of the chart: “she probably voted for this”
Most of what they consider “attractive” in video games highlights their Madonna-Whore complex.
I don't want to derail the thread, but I think you're comparing apples with oranges here. I believe the previous comparison was within the context of the '60s and '70s, when big eyes and cute girls were mostly the domain of female artists. Of course, men quickly adopted the style for their waifus and created the coomer concept of moe. On the other hand:
These works date from 50 years after that time. The women in question all worked in the shounen (comics for boys who like adventures and big fights) department in the 2000s, so why would they make it look like classic shoujo? Although, to be honest, compared to male mangaka from that period, you can still kind of tell that these were probably drawn by women, especially Blood C since it's literally just Clamp with their gay dorito faces.
Men made lolicon in response to women making yaoi. They are vindictive creatures.
I thought it was yuri in response. That works too.
A negro or any shitskin is the perfect tool for white men like you mentioned. When a nignog or nonwhite man chimps out and goes on a rampage or commits a high number of rapes, the white men will smugly use that black or non-white's man chimpout to punch down and as proof how they're the superior race because unlike those savages while also trying to gaslight women that they should be fine with their brand misogyny because it's "noble" and "not as bad" unlike those nignogs.
This reminds me of the time a rape crisis hotline volunteer told me men like to call and jerk off while telling an obviously fake story about how they were graped by a woman. Scrotes, not even once.
Only a pedophile would think this is inhumane. Castratuon is nowhere near as bad as the trauma pedophiles leave their victims with.
The issue wasn't that the paki rape gangs weren't being punished fairly. The few that got caught were. The issue was that they usually weren't even investigated in the first place.
