Y'know, I've never understood the whole representation argument that terminally online sorts like this make when it comes to media. I've discussed it with a gay friend of mine, and we both agree that it's silly not to be able to relate to someone who doesn't look and act like you and share all your characteristics. That's basic empathy, being able to put yourself into someone else's shoes and understand their situation. Race, sex, sexuality, class, whatever - if it's a well-written character in a good story, I'll be able to relate to them. Diversity for diversity's sake is just pandering.
Funny how Pete tries to flip this around by saying that it's not his side that is constantly complaining about what they're seeing in media. I seem to recall
so much bitching about how X franchise needs a Y character over the years, and then when it happens, they go on to say that it now needs Z representation, or Y character isn't being done well enough, or now we need to go back and make A, B, and C characters into Ws, and on and on. You could probably go into A&N right now and find a few recently posted articles in this exact format.
And finally, the opposite of woke isn't ignorant, it's "not being a sanctimonious, holier-than-thou asshole."
Uh...it sounds to me like it
is all planned out ahead of time (or at least broad strokes anyway), considering that the only thing that Sam Raimi apparently changed was the timing of Scarlet Witch going evil. If she was going to do it anyway, but the reveal got moved up by maybe an hour, then has anything really changed?
Bob needs an electroshock therapy collar that zaps him every time he uses a

emote.
Bob fails to understand why a joke repeated well over a dozen times at this point just isn't funny anymore, if it was ever all that funny to begin with. Considering he's probably somewhere on the autism spectrum, not understanding humor seems par for the course.
The "character lampshades that a comic book character's name sounds goofy" joke is frankly just lazy humor, and pretty symbolic of how the MCU treats its stories as a whole. I mean, I'm not expecting cinematic greatness or anything, but one of the big issues I ended up having with it as the movies went on was that they were written in such a way as to remove any dramatic tension through constant quippiness. I enjoy a fun adventure as much as the next guy, but when tension is immediately dissipated by a lame joke, it takes me out of the movie and makes me stop caring. If the characters aren't going to take it seriously, then why should I?
Hell, this particular "joke" has become so repetitive that Screen Junkies made an entire montage in one of their recent Honest Trailers (about the 4 minute mark):
Methinks Bob doesn't actually have his finger on the pulse of public opinion. Call it a hunch.
Here's a nice pair of Bob's retarded movie ideas. One is Bob's child brain demanding more giant monkeys for Godzilla to fight, because he claps when he sees big animals punching each other on screen. I don't even know where to begin with this one because I can't make myself that dumb, so I won't.
The other is in his classic vein of "I'm actually an unacknowledged genius and all of my movie ideas would be guaranteed to have a nine-digit opening weekend because I'm just
that brilliant." Again, I'm not dumb enough to actually parse why he thinks a semi-serious Fast and Furious-style take on Crazy Taxi of all things would be a mega blockbuster. All I'll say is that Bob is a fucking retard.