Careercow Robert Chipman / Bob / Moviebob / "Movieblob" - Middle-Aged Consoomer, CWC with a Thesaurus, Ardent Male Feminist and Superior Futurist, the Twice-Fired, the Mario-Worshipper, publicly dismantled by Hot Dog Girl, now a diabetic

How will Bob react to seeing the Mario film?


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You do have a point about perspective but Bob’s idea about a better world is just him in power and the world being the way he wants it.

Which would be bad considering this is a manchild who has had fantasies about genocide.
That's literally how any autistic Machiavelli plans out their dreamland, though. What, you think he earnestly cares about other people? If they agree with him, they can be useful, but it's all utilitarian. Other people have no inherent value to Bob.
 
Has Bob opened his fat gullet about Venom 2 yet? Because it looks like Sony is trying to split the difference between PG-13 and R by making it as hard a PG-13 as they can.
Is it even out yet? Corona and the MCU killed the last bit of me that even wants to see new movies anymore. I didn't even know there was a new M. Night movie out until I saw that Ralph (no relation) the Movie Maker did a review on it. That shocked me that M. Night made and released another movie and I no clue about it. Maybe this is a good thing
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Conditioning status = Breaking
 
I have a random question, why is it that whenever people like Bob come up with a ideal world it’s always fucked up?

Why is it that when these idiots create a fantasy world it’s always some messed up dystopia?

Because the fantasy worlds that Bob and people like Bob envision are based entirely on resentment and negativity.
 
Hey... I just noticed something...

Moviebob has literally turned into Al from Toy Story 2...
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Al at least had a successful business that he ran, had close contacts within his industry, and lived in a razzy penthouse apartment rather than a flooded basement.
The Sunday Times (archive) observes that Hollywood is turning back from star-based operation in favor of franchise-base operation, and Matt Damon has voiced his concern.
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Blob you ignorant retard, if it wasn't for RDJ's charismatic performance of Tony Stark - a portrayal that was highly influenced by and not so subtly meant to parallel Downey's own efforts to rebuild his life and career after his scandalous and inglamorous fall from grace - Iron Man would not have had anywhere near to the praise, appeal, and success that it enjoyed.
Is it just me, or does everyone in that picture look like they wish they were somewhere else? Lol, hey Blobbert, it looks like even your MCU heroes are getting sick of Disney and Capeshit.
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Can anyone find a photo of Bobby that doesn't gives out the impression of an imbecile?

'Retrograde" people don't deserve votes. Let them fester:
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Only fucking Bob could change his Twitter profile pic into something that looks like an absurd caricature out of Der Untermencsh and still have the gall to suggest that others look ugly, imbecilic, or imply that they are in any way less than human.
 
Archive of Chris's intro.


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This is actually pretty good.
Don't get me wrong, it's atrocious, but it's exactly what I expected. It's like what "Internet Shows" look in sitcoms created by old ass people who don't understand the internet and think of it of all being shit and shoddy compared to cookie cutter TV shows.
For me it's obvious Seth Decker actually sat with Chris and nailed it, he got it perfect for him, that man is a Meta genius.
 
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Is it even out yet? Corona and the MCU killed the last bit of me that even wants to see new movies anymore. I didn't even know there was a new M. Night movie out until I saw that Ralph (no relation) the Movie Maker did a review on it. That shocked me that M. Night made and released another movie and I no clue about it. Maybe this is a good thing
It's not out yet, but a new trailer dropped yesterday with the long-awaited Carnage showcase. It's looking like a movie teenage me would have killed to see in IMAX.
 
It's not out yet, but a new trailer dropped yesterday with the long-awaited Carnage showcase. It's looking like a movie teenage me would have killed to see in IMAX.
The trailer in question.

If Bob does tweet about the trailer he'll be snarky about it because it's a non-MCU Marvel movie by Sony and he associates the character of Venom with dudebros.
 
"Like Kurosawa, I Make Mad?"

This gives me serious "The Chippa Made This"-vibes. At least with Chris' catchphrase I understand what he's trying to convey, but as is often the case with Robert, I have no idea what he wants to say. I made a quick google on Akira Kurosawa, and it seems he was kind of known for being a dick sometimes? Many people in this world are unfortunately dicks though, as Robert so poignantly demonstrates on a regular basis. What is it with Kurosawa, specifically, that Robert identifies with? His filmmaking? How is Robert anything like this famous japanese man? I seriously doubt Kurosawa was known for being an asshole who wrote endless diatribes onto the Internet on how much he wants to genocide large chunks of the global population for not consooming the correct product — as a total joke, of course; a joke of such sophisticated hilarity that us plebs could only dream of understanding it. Never let it be said that Robert doesn't take responsibility for his actions.
Sorry for the lateness. This thread moves fast and the replies are generally high quality.

I didn't know the musical reference, but iirc he adopted the name to dunk on wasteland ghouls that kept referencing Kurosawa in relation to some controversy of minute. He then either forgot about it, or made it his new #RehireJamesGunn

Really? I thought the reason why he was so adamant about being Gen X was because he wanted to be like guys like Kevin Smith.
I think it might be both? I've never seen Clerks. Wasn't that film full of obscure film nerd trivia AND popular with stoners and jocks?

If Moviebob were to actually start punching Nazis, it would look something like this
Back in the day when the internet was great, calling someone a nazi meant you immediately lost whatever argument you were having, and trying to act tough on the internet would get you laughed at. Saying you want to punch nazis with an inglorious bastards gif is both. I see it as cringe.

I can just imagine Bob and Chris waddling up to some roided up Trump supporter, "punching" him with their ham fists, and promptly earn a visit to the hospital. Though they'd never actually do that. They're too cowardly. Maybe they'd try to menace an old woman in a wheelchair.
 
I didn't know the musical reference, but iirc he adopted the name to dunk on wasteland ghouls that kept referencing Kurosawa in relation to some controversy of minute
The Kurosawa Saga starts here. TL;DR: Bobby was defending the honor of tranny Sean MacLaggan ("Ashley Lynch"); soon things got personal when someone commented that Zack Synder was not influenced by Kurosawa.
 
"Like Kurosawa, I Make Mad?"

This gives me serious "The Chippa Made This"-vibes. At least with Chris' catchphrase I understand what he's trying to convey, but as is often the case with Robert, I have no idea what he wants to say. I made a quick google on Akira Kurosawa, and it seems he was kind of known for being a dick sometimes? Many people in this world are unfortunately dicks though, as Robert so poignantly demonstrates on a regular basis. What is it with Kurosawa, specifically, that Robert identifies with? His filmmaking? How is Robert anything like this famous japanese man? I seriously doubt Kurosawa was known for being an asshole who wrote endless diatribes onto the Internet on how much he wants to genocide large chunks of the global population for not consooming the correct product — as a total joke, of course; a joke of such sophisticated hilarity that us plebs could only dream of understanding it. Never let it be said that Robert doesn't take responsibility for his actions.
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A lot of directors are assholes, especially the most auteur, they see any outside ideas to their own as plots to strip their art from them.
It is weird he chooses Kurosawa, when if anything, Bob's more of a Lars Von Trier.
It actually reminded me to an interview in which Von Trier calls David Lynch a sellout for, essentially, being able to socialize with people. Unlike Kurosawa, Kubrick or Von Trier, Lynch is highly improvisational, and usually, when finding something unplanned, instead of retrying the scene dozens of times, if he likes it, he might even incorporate it, and usually takes in ideas from his staff and actors.
How did Von Trier find out about this? He was gonna meet Lynch in a university, then saw some "suits" approaching the room, his reaction against these "Jehovah witnesses looking people" walking to the room was to hide UNDER THE TABLE for the hour the reunion lasted, like some preschool aged kid, then he says he lost his respect to Lynch for pretty much being able to talk to people like a goddamn adult.

Of course, Bob is too lazy to make even a shitty movie, he can't even use his Adobe Premier correctly after over a decade of using it, just saying that if he's gonna call himself like some uncompromising auteur he's definitely more of a Lars Von Trier than an Akira Kurosawa, they even share the same politics, as Von Trier supports dictators because he thinks the unwashed masses cannot be free and have a working society.

My guess is that he doesn't know a damn thing about neither of these people, I doubt he has seen auteur movies, considering that he just references and talks about industry blockbusters, his "rarest" movies being Toho Kaijuu movies, he just saw a quote and used it because it had a famous director on it.
 
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And who will maintain the robots? Lemme guess: Blubber thinks they'll be self-repairing thanks to the power of Sooperiah Fyootchah.
The simple answer is: he hasn't thought that far ahead.

Bob is lazy in every way, including his thoughts about the future. The Mayo Ghouls should be unemployed because they're obsolete. How are they meant to survive? They just will. We need a structure on the moon that grows wheat. How will it be sustainable and what possible use is there for wheat grown on the moon instead of earth? Just make it happen because it's futuristic. CA and NY are perfect utopias. What about the homeless problem, the filth and the people leaving? Right wing lies!
 
The simple answer is: he hasn't thought that far ahead.

Bob is lazy in every way, including his thoughts about the future. The Mayo Ghouls should be unemployed because they're obsolete. How are they meant to survive? They just will. We need a structure on the moon that grows wheat. How will it be sustainable and what possible use is there for wheat grown on the moon instead of earth? Just make it happen because it's futuristic. CA and NY are perfect utopias. What about the homeless problem, the filth and the people leaving? Right wing lies!
But, but he's a Thinker™️, you stupid obsolete GQP Believer!
 
I think it might be both? I've never seen Clerks. Wasn't that film full of obscure film nerd trivia AND popular with stoners and jocks?
Clerks is about two friends stuck in dead end retail. One operates the grocery store, and the other operates the video rental store. They spend the movie discussing various aspects of Star Wars and whether or not the main character should get back with his ex girlfriend. It's a pretty good film about being stuck in a job you hate and what you should sacrifice in order to not squander your potential in life. Unfortunately most people don't grasp the latter and think they're just like Randall, the cleverest man working the stupidest job.
 
Clerks is about two friends stuck in dead end retail. One operates the grocery store, and the other operates the video rental store. They spend the movie discussing various aspects of Star Wars and whether or not the main character should get back with his ex girlfriend. It's a pretty good film about being stuck in a job you hate and what you should sacrifice in order to not squander your potential in life. Unfortunately most people don't grasp the latter and think they're just like Randall, the cleverest man working the stupidest job.
Lots of people are really great at being a big fish in a small pond. Or as we can observe with Bob, an average sized fish in a fairly small pond.
 
I have a random question, why is it that whenever people like Bob come up with a ideal world it’s always fucked up?

Why is it that when these idiots create a fantasy world it’s always some messed up dystopia?
Aside from what's been mentioned it's also because all the fiction they're used to is dystopian in view. Nobody generally wants to read/watch a lot of stories about an actual utopia* as there's no conflict or drama, there must always be a hidden "it's actually a dystopia/not perfect" aspect introduced. Since they view the entire world through the prism of their fictional interests it reflects these tropes.

*Except Gene Roddenberry after he got rich.
 
The only difference between utopia and dystopia is the point-of-view character's place in it.
I'm randomly reminded of We Happy Few, one of my favorite games that got critically panned for its buggy launch, but was fun to play and had a great story. A Dystopian cautionary tale inspired by 1984 and Brave New World with a trippy British 60s throwback aesthetic. I promise that my gushing about it will all tie back into Movie Bob at the end.

If you don't care about all the vidya sperging, skip to the last paragraph to see how it all ties together.

The premise is in a world where Britain lost World War 2, the Germans forced everyone in the isolated island town of Wellington Wells to send their children away to Germany. But the Germans ultimately lost the war, yet the children never returned and their fate was unknown. People came angry and rioted in the streets every time they saw "breeders" having new children, and the population was miserable. So General Byng, the military official basically in charge of the town, ordered a pharmaceutical company to manufacture a drug called "Joy" that would act as an anti-depressant, a memory suppressor and a stimulant all in one. Eventually an entire system is created with machines that track the level of joy in your system, cameras, masks, all kinds of crazy stuff. Spoilers from here on out:

Throughout the game, there are a few major figures behind the Big Brother conspiracy to keep Wellington Wells in a blissful dystopia. General Byng, the cowardly general who surrendered to the Germans in the first place and built fake tanks to convince the people not to fight back against the Germans to "save lives" and is afraid of the almighty "Executive Committee." There's Doctor Verloc, the mad scientist producing the drug which is giving people brain damage and destroying the local environment, there's Uncle Jack, a television host who serves as the Big Brother figure of the regime, and the mysterious "Executive Committee." The Committee is WHF's version of The Party. An all powerful immuninati puppet master group apparently living in splendor and controlling everything.

The big twist? When you break into the headquarters of the all powerful executive committee, you don't find a shadowy organization in black suits in total control, you find a bunch of drug-addled idiots who've been fucked up on Joy this whole time and haven't done anything productive in years. There is no big brother, no Party, no illuminati. There's only a bunch of retards enslaved to the very system they created to wrangle people in the first place. There's no one leading the dystopia at all, it's basically a self-sustaining system where the people who are being victimized are unknowingly the only ones maintaining it.

This is a running theme throughout the whole game: in the pieces of lore and flashbacks to the German occupation, it's made pretty clear that the only reason the Germans were able to keep control is because they got the Wellies to do all their work for them. If there was a prison riot in a POW camp, the Germans would make the "good" prisoners kill the rebelling ones. If people were rebelling, the Germans would tell the Wellies to "fix" the problem themselves by killing the protesters. The Germans didn't need to force anyone to do anything, everyone did their dirty work out of fear. Then by the time the Germans were gone, the Wellies were making the city a terrible, oppressive place to live by wallowing in their own misery and attacking anyone who tried to move forward. Now they're maintaining a nightmarish 1984 hellworld with no leader, all by themselves, not realizing they're the ones putting the boot to their own necks.

Bob is just like the drug-addled, brainwashed citizens of We Happy Few. He has no power or authority himself, but he believes that the people in charge are all basically wizards who hold all the power and all we have to do is everything they say and the world will become a perfect utopia. He's the guy who would attack "breeders" for having babies, he's the guy who carries water for big brother because "they know what's best." He's the guy who shoves happy pills down his throat and shouts at everyone else to conform and play pretend. Because he isn't brave or smart enough to realize that there's no wizard behind the curtain.
 
My guess is that he doesn't know a damn thing about neither of these people, I doubt he has seen auteur movies, considering that he just references and talks about industry blockbusters, his "rarest" movies being Toho Kaijuu movies, he just saw a quote and used it because it had a famous director on it.

If by auteur you mean the film makers that are shown in arthouse theathers then no, Robert doesn't know, doesn't go to those places and doesn't care.

The types of auteur that Robert knows are pretty much the same ones everybody knows, the artists that became the mainstream counterpart of popcorn filmaking, even if they are sorta the popcorn movies of the arthouse world, as in, they have budgets and proper distribution, and Lars Von Tier is pretty much a popcorn "artiste".

So in a way, I agree that the Toho shit is Robert at his most "obscure". I don't know how anyone can stomach those old campy Godzilla movies, but at least he seems genuine.

Which is more than I can say about most stuff I see Robert talking about. For a film critic, he doesn't talk much about movies at all, it is mostly small dick rage at politics and republicans, and when he does talk about the media that is supposed to be his trade, it is either snarky commentary over hollywood crap, hyping up Marvel shit, the Toho shit and for some reason he thinks he is being really edgy and cool to like Chinese cinema because "one they they will own us, right guys!?🤟"
 
So in a way, I agree that the Toho shit is Robert at his most "obscure". I don't know how anyone can stomach those old campy Godzilla movies, but at least he seems genuine.
Because Bob is a genuine smoothbrained retard who claps when the man in the suit fucks up a prop. Basically the same impulses you'd expect as a kid.
 
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