🐱 Sam Elliott rants against ‘The Power of the Dog,’ prompting backlash

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Netflix’s The Power of the Dog might have the most Oscar nominations of any movie this year, but that doesn’t mean it’s universally beloved. But actor Sam Elliott is raising eyebrows and drawing ire for his comments justifying his dislike of the film that includes homophobic and sexist language.

Elliott, who stars in the Yellowstone prequel 1883, was asked if he’d seen the film by Marc Maron on the WTF Podcast since both 1883 and TPOTD are westerns. But Elliott wasn’t exactly a fan, and as soon as Maron posed the question, Elliott replied, “Do you wanna talk about that piece of shit?”

Marc Maron: Did you see Power of the Dog, did you see that movie?
Sam Elliott: Yeah do you wanna talk about that piece of shit?
Marc: [ohh noo] You didn’t like that one?
Sam: Fuck no. pic.twitter.com/BGdOd6scwe
— Jonathan (@jonathanmb32) February 28, 2022
Elliott mentions seeing a full-page ad for TPOTDin the Los Angeles Times that mentioned the “evisceration of the American myth,” a phrase that made him repeatedly say “What the fuck” in response and compares the cowboys in the movie to Chippendale dancers because of their attire.

“That’s what all these fucking cowboys in that movie look like,” Elliott said. “They’re all running around in chaps and no shirts. There’s all these allusions to homosexuality throughout the fucking movie.”

Maron attempted to counter Elliott’s complaint about the “allusions to homosexuality” by pointing out that homosexuality was a large part of what the film was about. And then he turned his criticism toward director Jane Campion and the fact that she used New Zealand to stand in for TPOTD’s 1920s Montana, something she and her collaborators have been open about.

“What the fuck does this woman—she’s a brilliant director, by the way, I love her work, previous work—but what the fuck does this woman from down there, New Zealand, know about the American West?” Elliott continued. “And why in the fuck does she shoot this movie in New Zealand and call it Montana and say, ‘This is the way it was.’ That fucking rubbed me the wrong way, pal.”

TPOTD is based on the 1967 novel by Thomas Savage, a closeted gay author who became known for his books about the American West. It’s centered on Phil Burbank (Benedict Cumberbatch), a man who puts on a front of being a cowboy who rarely bathes and acts tough among his colleagues and members of his own family as a way to cover up insecurities about his Ivy League education in front of other ranchers and repress his homosexuality.

Elliott’s issues with the film stem beyond its homosexuality and Campion helming the story. He also complains about Cumberbatch’s character being in chaps all the time, barely riding a horse, and just storming upstairs to play his banjo. “Where’s the western in this western?” Elliott asks, later adding that as someone who’s part of the American myth, “It’s personal, I taking it fucking personal, pal.” Maron tried to interject, eventually noting that TPOTD isn’t trying to be an all-encompassing story—it’s one specific story.

The first part of Elliott and Maron’s conversation about TPOTD went viral as many took to calling Elliott out for sexist and homophobic rhetoric when talking about the themes of the film and Campion’s involvement.

I hope no one asks Sam Elliott — a brilliant actor, by the way, I love his work — about all those Westerns the Italians made
— Phil Nobile Jr. (@PhilNobileJr) March 1, 2022
If there's one thing about older white male Academy members, it's that the worst thing you do in their eyes, apart from setting them on fire, is tell the story of a queer cowboy. https://t.co/u3ZWvU1ZTq
— itsonlyzach (@itsonlyzach) March 1, 2022
A 2006 Box Office Mojo interview, in which Elliott talked about watching Brokeback Mountain, also resurfaced. He praised the film, but he didn’t consider it to be a Western and noted that “The whole homosexual thing was interesting—they stepped over the line—but Katharine [Ross, his wife] and I both looked at it and thought, ‘what’s the big deal?’”

And naturally, people started making memes about Elliott’s comments and even incorporated his character from A Star Is Born to illustrate some of them.

actual image of sam elliott leaving the theater after seeing the power of the dog and being sad because it was a lil gay and directed by a woman pic.twitter.com/LDLvPmNiIY
— baja blasted 24/7 (@asmilingbag) March 1, 2022
Wondering what part of Power of the Dog first made Sam Elliott stop and shout “wait is this shit gay?!”
— Mitchell Beaupre (@itismitchell) March 1, 2022
You can listen to Maron’s full interview with Elliott on WTF Podcast’s website.
 
“That’s what all these fucking cowboys in that movie look like,” Elliott said. “They’re all running around in chaps and no shirts. There’s all these allusions to homosexuality throughout the fucking movie.”

Marc Maron: Did you see Power of the Dog, did you see that movie?
Sam Elliott: Yeah do you wanna talk about that piece of shit?
Marc: [ohh noo] You didn’t like that one?
Sam: Fuck no.

Fuckin based. Sam Elliott, Kurt Russell and Clint Eastwood are the last of the true Cowboys left in Hollywood.
 
The only true cowboy in Hollywood was Wilford Brimley. Probably the only one not totally engrossed in perverse Hollywood culture either.
Slim Pickens. Getting him in Blazing Saddles was kind of a big deal.

His death scene in Pat Garrett and Billy the Kid is one of those surreal moments of acting in a film that didn't exactly have any otherwise, kind of like Mickey Rourke in The Expendables.

It's kind of sad he mostly ends up remembered for sending someone back for a shitload of dimes and for whooping away riding a giant nuke when he was just about as based as John Wayne.
 
Slim Pickens. Getting him in Blazing Saddles was kind of a big deal.

His death scene in Pat Garrett and Billy the Kid is one of those surreal moments of acting in a film that didn't exactly have any otherwise, kind of like Mickey Rourke in The Expendables.

It's kind of sad he mostly ends up remembered for sending someone back for a shitload of dimes and for whooping away riding a giant nuke when he was just about as based as John Wayne.

Excellent point, forgot all about Slim.
 
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I hope I live long enough to be that based in the public eye. After 65 or so you really stop giving a shit about people's feelings, right?
 
tbh I never cared for Marc. I don't hate him but the only time I really care about the shit he's said is if he does one of his podcasts with someone I like.
Everyone I dislike loves Marc Maron. That has been enough to keep me away from his podcast.
After 65 or so you really stop giving a shit about people's feelings, right?
Unless you're a white liberal woman. Or a male feminist/rapist.
 
He has a good point, he just said it in a way that upsets the typical crowd.

This type of article isn't surprising though. They've been trying to ruin westerns like everything else, and this is just some of the first rumblings before we end up with a cowboy equivalent of whatever the fuck the Lord of the Rings show is.
They've been trying to ruin them since forever. The Misfits was released in 1961 and it's top billing stars were western stalwarts Montgomery Clift, Clark Gable, and Marilyn fucking Monroe.

John Huston had no business doing that to the world.
 
Elliott’s issues with the film stem beyond its homosexuality and Campion helming the story. He also complains about Cumberbatch’s character being in chaps all the time, barely riding a horse, and just storming upstairs to play his banjo. “Where’s the western in this western?” Elliott asks, later adding that as someone who’s part of the American myth, “It’s personal, I taking it fucking personal, pal.” Maron tried to interject, eventually noting that TPOTD isn’t trying to be an all-encompassing story—it’s one specific story.

Sorry Sam. No one wants that manly stuff anymore. They just want gays in chaps. Cumberbitches cumbering all over this with no fucks given about authenticity.

I haven't seen this film but from the stills I did see Cumberbong there is extremely miscast. Maybe he just got it because of how gay he looks?
 
He's not wrong, it was a piece of shit and Cumberbatch was bad in it.
He was especially miscast in Black Mass-I can't be too hard on the guy, as a Massachusetts accent is notoriously difficult to replicate without overdoing it and he's the most aggressively English person to ever live, but casting him as William Bulger was a real bonehead move.
 
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They've been trying to ruin them since forever. The Misfits was released in 1961 and it's top billing stars were western stalwarts Montgomery Clift, Clark Gable, and Marilyn fucking Monroe.

John Huston had no business doing that to the world.
Cowboys are folk heroes rather than corporate mascot heroes. You can't own the image of the cowboy nor can you control them in real life.
 
When John Wayne is shilling you for roles in films he's in (like for his part in The Man Who Shot Liberty Valence), you're doing something right in the world of westerns and WWII movies.
Amen. One of my favorite movies is Donovan's Reef. Both Wayne and Marvin are both fantastic in that sadly underrated film. My favorite Lee Marvin moment is from that one. Near the end, when hes playing with the train set like a little boy. When he was drunk on the horse in Cat Ballou, thats a close second.

You're not the only one, I miss Lee Marvin too.
 
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Amen. One of my favorite movies is Donovan's Reef. Both Wayne and Marvin are both fantastic in that sadly underrated film. My favorite Lee Marvin moment is from that one. Near the end, when hes playing with the train set like a little boy. When he was drunk on the horse in Cat Ballou, thats a close second.


Paint Your Wagon is a guilty pleasure of mine. "We need someone to make Lee Marvin's singing look better in our musical." "I know, hire Clint Eastwood for the other male lead!" It totally works, somehow.

I might be the only living human with an original copy of the soundtrack but I don't have a turntable that works to play it on at the moment. My dad loved the film for some reason and bought it in college in 1969.
 
Paint Your Wagon is a guilty pleasure of mine. "We need someone to make Lee Marvin's singing look better in our musical." "I know, hire Clint Eastwood for the other male lead!" It totally works, somehow.

I might be the only living human with an original copy of the soundtrack but I don't have a turntable that works to play it on at the moment. My dad loved the film for some reason and bought it in college in 1969.
Paint Your Wagon is fantastic, and who knew Clint Eastwood had a decent singing voice? Having the original soundtrack is freaking awesome!
 
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