- Joined
- Feb 19, 2020
I'd go one more step and suggest the comic didn't leave them a lot to work with in the first place. They ran through the whole Night/Dawn/Day of the Dead arc instantly and firmly established that civilization was 100% gone with little hope of returning (which makes very little sense in that time frame). I can't blame the writers for not knowing what to do with that premise, other than having the supervillain of the season kidnap and torture people. I checked out halfway through the governor arc... not surprised they're still doing the same dance, just that it still hasn't ended.AMC unquestionably did Darabont and the show dirty, but I think people are being a bitwhen they insist that the first season was perfect and the rot only started to set in when Darabont got ousted.
I was really into it for the first four seasons, but then it started getting really preachy and obnoxious. I'm not one to constantly complain about "muh SJW themes" every time a black person farts onscreen, but it felt like they were trying way too hard, and episodes would be brought to a screeching halt so a character could rant about sexism or the issues trans people face in prison.
So they upgraded the subtext to the text? They followed woke casting rules to a T:
1) Blacks/latinas are the elite: jokes revolve around how competent/intelligent they are
2) Latin males and Jews are in the middle: they have negative/quirky traits but are decent, sympathetic
3) The two stupid cops that everyone hates and all the bad guys are white
Most network programming I get second-hand exposure to has shades of this, but I thought Brooklyn 99 was one of the less-subtle examples.