Small things that really annoy you in media

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Reboots where they name them exactly the same as the original/first installment. That can get confusing.
You can also add when a franchise just decides to stop numbering the works in a series.

Unrelated: a Japan-specific thing I've been noticing. I've seen a lot of anime, games, etc. where at some point, the characters are on a bridge or in an airplane or whatever, and it gets taken out, or for whatever reason they start falling....

.... And the women in the group, while falling, their first instinct will be to hold their skirts down.

Like... bitch you're falling, presumably to your death, and seriously the first thing on your mind is "oh no people might see my undies!"?

It's not even a censorship thing because I've seen it happen in OVAs that are shameless, so I don't even know what the fuck this compulsion is. Just saying, I can't imagine being so fucked up that you care more about modesty than you do about imminent death.
I think that's just to be a comedic bit.
Fantasy treating guns as a story-breaker. Why can't the knight have bulletproof mithril armor? Why can't the wizard cast an anti-gunpowder spell? I don't think a colt is enough to bring down giant dragons and such.
It'd be more interesting if say, the gun user would have to craft his or her own bullets due to there not being ammo stores or armories holding the type of bullets needed. That'd make the story more interesting.

TAX: Isekai in general. I get it's wish fufillment for D&D nerds, but it'd be nice to have one either not set in a fantasy setting based on Medieval Europe, or have the protag(s) not be a NEET from this age.
 
It'd be more interesting if say, the gun user would have to craft his or her own bullets due to there not being ammo stores or armories holding the type of bullets needed. That'd make the story more interesting.
Agree, Army of Darkness and Chronicles of Amber were basically better than most modern fantasy.

I think that's just to be a comedic bit.
I swear I've seen it in situations that were otherwise played seriously though.
 
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Fantasy treating guns as a story-breaker. Why can't the knight have bulletproof mithril armor? Why can't the wizard cast an anti-gunpowder spell? I don't think a colt is enough to bring down giant dragons and such.
Historical illiteracy with regards to anything outside of a narrow slice of pop culture-depicted history. Gunpowder is balanced in a pike and shot (or Sengoku) era.

Gunpowder is invented as a hard counter to armor, but its armor-piercing capability falls off dramatically at range - you may as well ask what the EFFFECTIVE range of the armor/armor penetration is - and the reload time and generally unwieldiness of the weaponry is piss poor. Shogun 2: Total War does a really good job of conveying how muskets can coexist alongside other weapons. Bows eat them alive (outrange them, shoot faster, superior all around) until range and reload time slowly, slowly increase (particularly through repeating and rifling), and even then they still have a decided disadvantage of being a direct fire rather than indirect fire weapon, requiring careful positioning on terrain (that thing that you can't really control) to use safely, and you expect to have to withdraw them soon after using them at all. Infantry can very much overrun them. The idea of running around with an arquebus or early musket is like the idea of running around with a bazooka. It has a very specific function and even that is limited. They sit around the battlefield being babysat by pikemen, or used in tactics like caracoles where cavalry ride in close, discharge a volley and then ride off. Once the musket becomes sleek enough to be practical as a polearm (bayonet on it), that's one of the huge things that ups its power level, because then you might as well just have every infantryman be a polearm (GOAT of melee combat) and a musketeer (anti-armor specialist) at the same time. It's too powerful of a combination to really justify deploying other, more specialized weapons anymore. It has no obvious counter besides artillery (and suddenly you start to see people actually using field artillery). The only sort-of-counter is light infantry tactics, if you're not trying to hold a position. In vidya they're usually depicted without bayonets, but I don't understand why, I don't know that they didn't have them IRL and can't imagine why they wouldn't.

Edit: I looked it up and it's accurate. Early rifles were flimsy, sensitive pieces of shit that couldn't bear the weight of bayonets well. WHen I say light infantry, what I really mean is giving your expensive long-range/high-accuracy guns (which eventually means rifles until rifles become ubiquitous through industrialization) to smaller units of well-trained marksmen. Said marksmen are not supposed to engage in melee (bayonets are poo on an 18th Century rifle, the unit is small and their comparative advantage is range), so they mostly drill in skirmish tactics involving taking cover and spacing themselves out. This leaves them vulnerable to being overrun in a melee, but again, they're not supposed to let themselves get overrun, hence they're meant to either support other infantry units or kite the enemy and are hard-countered by cavalry. At range they have an advantage in that, smaller unit or not, they're still actually landing more hits than the enemy. (In Total War, which may be vidya but is a genuinely good stylized portrayal of it, you kind of learn to think of line infantry - smoothbore muskets - as "melee" in a setting where all infantry are ranged, in that they're relatively good at melee. And grenadiers even more so.)

Keep in mind too how much traditional craftsmanship goes into hand-making rifles, also suitable for an analogue to a sword. Much more interesting than a bow.

Double Edit: The idea that guns was a major factor in conquering the Indians is common but insanity. Early on they were frequently outclassed by better weapons. (The conquistadors even found themselves discarding metal armor when faced with the Mexican jungle.) Later the Indians often had better guns than the Army. Indian defeat is more about facing a highly cohesive and relentless enemy; it's civilization clowning on barbarism through logistics and organization, not technology.


A smart fantasy writer would also recognize that powder making is a traditional craft and chemistry, ie adjacent to alchemy. The fantasy setting could as well have them slinging slugs of crystals and gemstones and exotic metals (beyond just silver bullets) propelled by magical arcane powder formulae. It doesn't have to be literal real world gunpowder, is the point.

I've thought before about the void of a American/colonial high fantasy. Not Medieval fantasy with a few cheesy/inane Western trappings, actual high fantasy built up around the themes of early America in the same way that Tolkien built high fantasy around the kind of monsters, myths, historical experience/societies that reminded Europeans of Europe. Sasquatch instead of dwarves. Thunderbirds instead of dragons. Bayonet and revolver. Republics. Ancient pyramids. Magic systems derived from the superstitious Christian, Voodoo and Indian magic systems that most people believed in well into the 1800s. I did very little work on it, but I had a setting I was chewing over that grounded its world around river systems, the Not-Mississippi Watershed, drawn from "Wicked River: When the Mississippi Last Ran Wild" (the Mississippi River is much more interesting than the West). I figured some aspects of America ought to be changed, like slavery resembling its classical antiquity form instead of racial slavery and the United States analogue being a far more chaotic/unstable place that frequently fractures and where Free States/Republics frequently wage private war, the religious denominations being blown up into properly distinct religions, and some other little changes that still preserve the aesthetic but aren't just complete ripoffs/retellings of American history.
 
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Not a small thing, but action scenes in the dark.

It doesn't look good if you do it incorrectly, it is its own art. Because when done in a lot of movies/series (which I've already forgotten, thankfully), you're struggling to know what's happening and it just makes you wish there was light in the scene, it's kind of like in videogames, no reason to have it in there if you're not doing it correctly.
 
A thing that annoys me in media is this weird veneration for psychopaths. Whenever there is this psycho character in a story it treats them like they have some super power, and the fact they're insane makes them untouchable and every character has to cower before them even if the psycho in question is just a normal limp wristed geek. The media will also inevitably make the story take a squat while this psycho character goes on and on about why they are the way they are, as if being bonkers gives you some special insight on the world.
 
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One thing that annoys me with media is when a real-life brand of something like a car is censored out, which is done for copyright reasons, but they do it in a cheap and lazy way, i.e. putting a piece of white tape where an Apple or Samsung logo is on a phone, or only partially censoring out a car logo, as only censoring out the J letter on a Jeep emblem, or censoring out the two middle rings on an Audi emblem.

Also, censoring out brands in general also breaks immersion, since it's pretty evident what the car is. Is the licensing fees to do product placement in a TV show/movie so high that it takes less effort by just censoring the brand logos out?
 
Is the licensing fees to do product placement in a TV show/movie so high that it takes less effort by just censoring the brand logos out?
Yes. Some brands also don't like their thing being associated with the villain, or with criminal acts, etc.

I shoot a bow and I can't stand when the bow creaks when drawn back, or when arrows don't absolutely blow through people (if they're wearing armor it's okay).
 
Fantasy treating guns as a story-breaker. Why can't the knight have bulletproof mithril armor? Why can't the wizard cast an anti-gunpowder spell? I don't think a colt is enough to bring down giant dragons and such.
Tbf, better guns pretty much ended medieval style warfare, so it's culturally justified. At best you can have elite units be immune to guns due to gear/abilities.
Gunpowder is invented as a hard counter to armor, but its armor-piercing capability falls off dramatically at range
At least in Japan it was a really powerful tool, due to how much absolutely shit their armor quality was. A good shot into a samurai does a lot more damage than any bow. I'd imagine for countries with class based warfare, guns can be absolutely devastating.
 
Lies of omission. I really dislike when a fact is distorted to further a story, it makes the writing bad to me because I immediately think the writer was to stupid to make it work another way. It's fine in Sci-fi stuff but if the piece is based in reality then it's not.
 
A thing that annoys me in media is this weird veneration for psychopaths. Whenever there is this psycho character in a story it treats them like they have some super power,
I remember seeing this movie--I think it was called Otis--that did exactly this. Dude was a fat perv, but somehow he was able to capture and hold captive an entire family. I recall me and the friend I watched it with both being like "yeah there's no way he would actually manage that."
 
Reboots where they name them exactly the same as the original/first installment. That can get confusing.
Or when it’s not a reboot, and they give a sequel an annoyingly similar title, e.g. Fast & Furious.
A thing that annoys me in media is this weird veneration for psychopaths. Whenever there is this psycho character in a story it treats them like they have some super power, and the fact they're insane makes them untouchable and every character has to cower before them even if the psycho in question is just a normal limp wristed geek. The media will also inevitably make the story take a squat while this psycho character goes on and on about why they are the way they are, as if being bonkers gives you some special insight on the world.
The example of this that pissed me off was in No Time to Die, where Blofeld is in this weird isolated cell on tracks because oh my goodness he’s just sooo dangerous you guys. No he’s not, he’s just some fucking dude with connections.

Anyway, the one that bugs me is when you have a distant sequel and the hero of the original film is now some total loser schmuck and the happy ending was all for nothing. Star Wars was the worst example of that, although Indiana Jones also springs to mind.
 
Whenever there is this psycho character in a story it treats them like they have some super power, and the fact they're insane makes them untouchable and every character has to cower before them even if the psycho in question is just a normal limp wristed geek.
This was a problem in "You" (Netflix) where the serial killer protagonist had ludicrous plot armor. He casually disarms people holding him at knife-point on at least three occasions like some systema master, as well as defeating athletes and bodyguards who should have floored his ass because the plot needs it.
 
This was a problem in "You" (Netflix) where the serial killer protagonist had ludicrous plot armor. He casually disarms people holding him at knife-point on at least three occasions like some systema master, as well as defeating athletes and bodyguards who should have floored his ass because the plot needs it.
I have heard this and it's kept me from the show. I read the novel and didn't really like it, but I felt the author made it believable that the protagonist would get away with several homicides.
 
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Pointing out the obvious but kid shit in anime. Normal women get introduced in the show and it's just the same as anyone else. A 5 year old girl is introduced and suddenly the fucker is in every scene, always wearing skimpy clothes, there are 500 different figurines of her, 90% the fans of the show have her as their avatar, there are painstakingly hand animated scenes showing off the girl's ass, etc.

Like I'm not retarded dude. It's the exact same as when they put a random gay nigger couple or whatever in western media to try and make people accept that. It is not normal and never will be normal. Actually, maybe it is normal for them and I just don't understand the true and honest jap culture of wanting to fuck little kids. Honestly just nuke the disgusting bughive a 3rd time.
 
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Indexing firearms in period pieces.

Hell On Wheels, an otherwise great show, did this constantly, and you just can't unsee it.
 
I have heard this and it's kept me from the show. I read the novel and didn't really like it, but I felt the author made it believable that the protagonist would get away with several homicides.
I read those books and assumed the author was satirizing the typical YA stalker love interest, but then I read an interview by her and she's actually a hybristophile. I didn't watch the show because I found it so disappointing.

Thread tax: exactly that. When you consume a piece of media thinking it's satire and you find out the author was being serious.
 
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